Arts & Entertainment
Profane and profound
Studio’s ‘Hat’ a smart and beguiling character study

Drew Cortese, left, and Gabriela Fernandez-Coffey in Studio’s ‘The Motherfucker With the Hat.’ (Photo by Teddy Wolff; courtesy Studio)
‘The Motherfucker With the Hat’
Through March 10
Studio Theatre
1501 14th St. NW
$48-$72
202-332-3300
studiotheatre.org
“The Motherfucker with the Hat’s” catchy title is mild when compared to its dialogue. Yes, the characters in Stephen Adly Guirgis’ latest play like their language raw (don’t even try to count the f-bombs — you’d run out of fingers and toes within minutes) and very often hilarious. But there’s nothing stilted about what’s being said onstage. Guirgis faithfully channels the words of their world, allowing these hardcore New Yorkers to tell their stories in their own way and it couldn’t be more authentic.
Now playing at Studio Theatre, “Hat” kicks off with Veronica (Rosal Colón), a 30-ish Nuyorican spitfire talking on the phone with her mom while cleaning her grungy studio apartment and doing the occasional line of cocaine. Veronica advises her mother to drop her new no good man who has a head like fish, saying, “Take a moment. Take a breath. Take a real good look and just ax yourself in all honesty, ‘Do I wanna fuck him or fry him up with a little adobo and paprika?’” Instantly, we know this girl — not terribly eloquent, but makes her point, and her heart is in the right place.
Enter Veronica’s longtime boyfriend Jackie (the excellent Drew Cortese) bearing good news. A newly sober parolee who’s recently finished a two year stint upstate for dealing drugs, Jackie has just landed a job with UPS. But what was supposed to be a celebratory evening of Carvel ice cream cake, lovemaking and movies for the passionate couple goes awry when he spies an unfamiliar hat in the apartment — a dark fedora, plain except for a small fiery red feather on the side. He suspects infidelity. A huge fight ensues, and Jackie, unsure whether to seek wisdom at an A.A. meeting or revenge, storms out.
His support system — such as it is — consists of his best friend and AA sponsor Ralph (Quentin Maré), a charmingly slimy guru-wannabe who runs a successful health drink startup with his also sober but embittered wife Victoria (Gabriela Fernandez-Coffey). And while Ralph talks a lot of self-improvement, in his defense, he never claims to have anything to offer anyone other than sobriety. And then there’s Jackie’s seemingly gay cousin Julio (smartly underplayed Liche Ariza), a fastidious foodie/bodybuilder who’s married to a woman and harbors a secret passion for violence. Typically Jackie goes to him only when he needs something.
A wordy two hours without an intermission, “Hat” could potentially be tedious, but it’s not. Director Serge Seiden, who is gay, keeps things moving at a brisk clip. He also maintains an enviable balance of laughs and pathos. Debra Booth’s set is nicely subtle and serviceable — it works well, but never gets in the way. And the terrific five-person ensemble cast is especially strong. Each of the actors brilliantly embodies the play’s message: people aren’t always what they seem.
Without warning, Guirgis’ agile writing turns sharply from insults and slams to moments of stunning poignancy. When a drunken Jackie shows up at Veronica’s apartment eager to punish her for hurting him, she responds with her own hurt, reminding him of their shared dreams of children, a home in Yonkers, a future — all crushed by bad timing, poor decisions and drugs. Or when cousin Julio’s bouncy walk down memory lane morphs into an explanation of why he remains so very loyal to Jackie, citing a heartfelt memory from his early outcast adolescence when Jackie had his back. Heartbreaking moments.
A native of York City’s Upper West Side, the playwright is known for using the neighborhood’s urban mix in his work; and with “Hat,” an interesting cross section of these foul-mouthed, angry but hopeful, hurting and seriously funny folks are present and accounted for. They’re damaged people, in pain, masking hurt with bravado and humor, looking for love and trying to find their way.
“Hat” is a resonant play and Studio’s deeply affecting, always engaging production is alternately stinging and poignant.
Sports
New IOC policy bans trans women from Olympics
New regulation to be in effect at 2028 summer games in Los Angeles
The International Olympic Committee on Thursday announced it will not allow transgender women from competing in female events at the Olympics.
“For all disciplines on the Sports Program of an IOC event, including individual and team sports, eligibility for any Female Category is limited to biological females,” reads the new policy.
The policy states “eligibility for the Female Category is to be determined in the first instance by SRY Gene screening to detect the absence or presence of the SRY Gene.”
“On the basis of the scientific evidence, the IOC considers that the SRY (sex-determining Region Y) Gene is fixed throughout life and represents highly accurate evidence that an athlete has experienced or will experience male sex development,” it reads. “Furthermore, the IOC considers that SRY Gene screening via saliva, cheek swab or blood sample is unintrusive compared to other possible methods. Athletes who screen negative for the SRY gene permanently satisfy this policy’s eligibility criteria for competition in the Female Category.”
The policy states the test “will be a once-in-a-lifetime test” unless “there is reason to believe a negative reading is in error.”
The new regulation will be in place for the 2028 Summer Olympics in Los Angeles.
“I understand that this a very sensitive topic,” said IOC President Kirsty Coventry on Thursday in a video. “As a former athlete, I passionately believe in the rights of all Olympians to take part in fair competition.”
“The policy that we have announced is based on science and it has been led by medical experts with the best interests of athletes at its heart. The scientific evidence is very clear: male chromosomes give performance advances in sport that rely on strength, power, or endurance,” she added. “At the Olympic Games, even the smallest margins can be the difference between victory and defeat. So, it is absolutely clear that it would not be fair for biological males to compete in the female category. In addition, in some sports it would simply not be safe.”
(Video courtesy of the IOC)
Laurel Hubbard, a weightlifter from New Zealand, in 2021 became the first trans woman to compete at the Olympics.
Imane Khelif, an Algerian boxer, won a gold medal at the 2024 Summer Olympics in Paris. Khelif later sued JK Rowling and Elon Musk for cyberstalking after they questioned her gender identity.
Ellis Lundholm, a mogul skier from Sweden, this year became the first openly trans athlete to compete in any Winter Olympics when he participated in Milan Cortina Winter Olympics in Italy.
President Donald Trump in February 2025 issued an executive order that bans trans women and girls from female sports teams in the U.S.
The U.S. Olympic and Paralympic Committee last July banned trans women from competing in female sporting events. Republican lawmakers have demanded the IOC ban trans athletes from women’s athletic competitions.
“I’m grateful the Olympics finally embraced the common sense policy that women’s sports are for women, not for men,” said U.S. Sen. Tom Cotton (R-Ark.) on X.
An IOC spokesperson on Thursday referred the Washington Blade to the press release that announced the new policy.
a&e features
Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers

ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (she/they)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriques (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Formerly of Voto Latino - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Coalition - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
Celebrity News
D.C. goes gaga for Gaga
Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week
Lady Gaga this week took D.C. by storm.
The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.
“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.
“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”
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