Arts & Entertainment
Images of an era
‘Our Heroes’ exhibit shows AIDS impact on D.C.
Photo of the Metropolitan Community Church from the ‘Our Heroes’ exhibit. (Photo by Kevin Kenner; courtesy Kenner)
“Our Heroes,” a community-donated photography exhibit that chronicles the HIV/AIDS history in the District, opens at the Martin Luther King Jr. Memorial Library (901 G St., N.W.) Monday and runs through Jan. 5.
Our Heroes has been a work in progress since 2002. Nine photographers, all of whom are D.C. residents, have documented notable people and places in D.C.’s HIV/AIDS history. The all-black and white photos were displayed in 2006 in a collection of 150 photos. Now, with new pieces added, the collection totals 205 photographs. Biographies accompany the photographs and are all written in first person. It’s as if the people are speaking directly to the visitor and adds a personal connection of past to present. Organizers say it’s the only photography exhibit of its kind in the United States.
Lead organizer Wallace Corbett, a gay man who has been HIV positive since 1989, says “Our Heroes” aims to archive the HIV/AIDS journey by showing the people whose stories are being told and the places at which these monumental events took place. The variety of the photos makes for a diverse history lesson.
“We took the time to document a very long and meticulous journey,” Corbett says. “Some of the pictures are very emotional, some are self-explanatory and some are artistic. The District should be proud that they can go back 50 years from now and understand its journey and who was apart of it, especially for black culture.”
Corbett says his favorite photograph in the exhibit is of a man pushing his dead lover’s body in a coffin over the fence of the White House during the Reagan administration. Along the edges of the photo stand men wearing latex gloves who are afraid to touch the body.
“It was that man’s way of saying to the president this is what is happening in your backyard,” Corbett says. “If you can’t come to the funeral, we will bring the funeral to you.”
Lead photographer Kevin Kenner, also a gay man who is HIV positive, says the photographs were not all easy to come by. Historical photographs of those who had passed away had to be acquired from family members. There was a verification process to confirm the people had contributed to the city’s history in some way.
Some photographs were damaged and had to be replaced. Other photographs were difficult to take such as the one of Enik Alley Coffeehouse, once located on I Street. Since the coffeehouse was out of business and those who had frequented it were long gone, the iconic space that once welcomed LGBT music and literature icons like Essex Hemphill and Michelle Parkerson had been lost.
Kenner hopes the exhibit can serve as a reminder of Washington’s past and help young people shape a different future. He’s saddened that some of the people he met and photographed are no longer here. He says his own HIV experience and those of others has taught him to stop living recklessly. He wants to teach young people to be safer about their decisions.
“The journey has come a long way but still the HIV/AIDS rate is so high,” Kenner says. “I see a lot of young people acting unsafe and uncaring about their life. If you’re going to do things that are not safe than you have to be an adult and deal with the consequences that come about. We need to teach young people to be safe and hopefully people will be aware this journey is still going on and hasn’t ended.”
The exhibit will be displayed on the lower level of the library. After its run, the library will permanently own the exhibit.
“Most people have footsteps in the sand and don’t understand the importance of the footprints until the water washes over them,” Corbett says. “This way those footprints are still there and we won’t forget where we’ve been and we can hopefully see where we’re going.”
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
‘Octet’ explores the depths of digital addiction
Why trans suffering is more palatable than trans ambition
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