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Caitlyn Jenner: American hero or ‘arrogant’ dilettante?
Former Olympian’s prominence a mixed bag for trans community
Transgender visibility in mainstream culture is at an all-time high thanks to Caitlyn Jenner’s media exposure this summer. (Photo courtesy NBC Media Village)
Few would argue that Caitlyn Jenner is the most prominent transgender person in the country right now.
The Olympic champion, who found a second wind of fame as patriarch on reality show “Keeping Up with the Kardashians, is now in the national spotlight after coming out in a Diane Sawyer interview on ABC’s “20/20” that aired in April, a Vanity Fair cover story and huge fashion spread in its July edition and a new reality show. She’s halfway through the eight-episode initial run of her own show “I Am Cait,” which airs Sunday nights at 8 p.m. on E!
For Jenner, who has publicly admitted to shortcomings as a parent to the four children she had with her first two wives — Burt, Cassandra, Brandon and Brody, all of whom have declined to participate on “I Am Cait” — there is early evidence that she hopes to be a worthy unofficial spokesperson for the transgender community. On the two-part Aug. 2 and Aug. 9 episodes, Jenner takes a road trip with newfound LGBT allies and discusses whether she’s a suitable person for the cause considering her new fame as a transgender icon.
Some transgender activists have approached the situation with a raised eyebrow. Posing in high-end fashion gowns and corsets in Vanity Fair, for some, highlights the huge gulf that exists between Jenner and the kinds of homeless transgender women of color Washington-based activists such as Earline Budd at HIPS (a resource agency for sex workers) and Ruby Corado (of Casa Rudy, a local LGBT resource center) have worked with for years, as well as everyday transgender people who struggle with health disparities, income inequality, access to health care for various gender-related procedures and a wide spate of other well-documented issues. Many agree Jenner’s prominence is a good thing but could it send the message to the straight, middle-America heartland that Jenner is anything close to representative of the trans experience?
Mara Keisling, executive director of the National Center for Transgender Equality, says it’s important to remember two major factors: both the unsung heroes of transgender rights who’ve been working on these issues for decades — she mentions names such as attorney Shannon Minter, activist Marsha C. Botzer, author/artist Kate Bornstein and several others — as well as recent transgender celebrities such as writer/activist Janet Mock and actress Laverne Cox (Sophia on “Orange is the New Black”).
While nobody’s calling it a contest, Keisling says it’s important to keep Jenner in perspective.
“I think Laverne and to a much lesser extent Caitlyn has done us all a really big favor by coming out,” Keisling, a trans woman, says. “I’m probably not in a majority position on that, but I think what Laverne and even Janet Mock have done is in a lot of ways bigger than the Jenner thing, which is burning really brightly right now, whereas Laverne has had this really fiery glow for a couple years now and it doesn’t show any signs of subsiding. I just cannot say enough about what Laverne has done. Being a model of possibility for trans women of color at a time when we really needed that and in a way that could really change some things, she’s done that really smartly and graciously and amazingly.”
Executive Director of the National Center for Transgender Equality Mara Keisling (Washington Blade photo by Michael Key)
Dr. Marci Bowers, a California-based trans gynecologist who performs gender reassignment surgeries and has been an outspoken advocate for trans rights for many years, says she “has a tremendous amount of respect” for Jenner, but says she also has concerns.
“Stepping on the stage and kind of self anointing as the spokesperson for the trans community — and I really don’t think she does this intentionally — but it smacks of being a little bit arrogant and a little naive to the community,” Bowers says. “She must not forget the real pioneers, people like (tennis player) Renee Richards who came out in the 1970s — now that was difficult. … I’ve done hundreds of series and documentaries and these are things that have paved the way for Caitlyn Jenner. … She is literally standing on our shoulders and it would be nice if that was acknowledged. It seems painfully obvious to me. I haven’t watched all of her programming but from what I’ve seen, she doesn’t seem to get it.”
Bowers agrees, though, that Jenner deserves a grace period for being new to LGBT matters.
“I hope acknowledgement will come in time,” Bowers says.
Long-time activist Dana Beyer of Gender Rights Maryland, a trans woman and former eye surgeon who has blogged extensively on Jenner for the Huffington Post, says, “I don’t think there’s any question” that Jenner is now “the most prominent trans person in the world and in history,” an occurrence she calls “a good thing.”
“I just hope the point is made that she is not everyone and we all have different stories,” Beyer says. “That is true of any movement but given the fact that there are so few trans people in the public eye, it becomes even more potent. I have no problem with it. I just hope she speaks properly and gets her facts right and learns a little history, a little about the law and medicine and biology and activism and legislation and all of that stuff. I hope she gets that right. She’s really obligated to do it and I think she will. She seems very humble.”
Possibly further securing Jenner’s spot in an ivory tower, Beyer says, may be her status as an “older, white-collar, Christian Republican.”
“Even if this is mired in identity politics, I think (she) could make a positive difference as long as she knows what she’s talking about.”
Is there a chance Jenner could blow it and set the transgender movement back? Beyer and Bowers both point to Zoey Tur, an Emmy-winning reporter noted for her use of helicopters for live news reporting, who drew heat in March for statements on “Dr. Drew On Call” about trans women in locker rooms, the legitimacy of trans men and more (Tur is trans herself).
“Here you have somebody who was a bit of a celebrity 20 years ago get on CNN and talking about stuff of which she knew nothing,” Beyer says. “The law, legislation — she was wrong about virtually everything she said. Somebody like that is dangerous. … She’s a good example of a recently transitioned person who is not a good spokesperson. … We tend to put the recently transitioned in the spotlight, and that’s not always good.”
Dr. Marci Bowers and Dr. Dana Beyer (Washington Blade file photo by Michael Key)
Shannon Minter, a trans man and legal director at the National Center for Lesbian Rights, says so far he’s been impressed with Jenner’s poise.
“Of course no one person can represent the diversity of any community, but Caitlin’s visibility has been hugely positive and has helped millions of people become more aware and supportive of transgender people,” Minter wrote in an e-mail to the Blade. “I know from my own experience as an advocate that she has helped many parents be more accepting of their transgender children. Her experience is different in some ways than that of trans people who are not as wealthy, but she seems to be keenly aware of that and to take her responsibility as a spokesperson and role model very seriously. I have been impressed by her thoughtfulness and especially by her concern for transgender children.”
Transgender author and teacher Alex Myers says it’s been amazing how much dialogue Jenner has generated among his trans friends and colleagues.
“My perspective on it is that she’s giving the movement and the identity better publicity than we’ve gotten in a long time, not even just coming from her and her own presentation but from the questions people are having,” Myers says. “We don’t want her to be the only voice, but I think she’s been well received and I think it’s a much more positive representation than anything else I can think of in recent history.”
Aside from Jenner’s reality show fame and status as an Olympic icon, Myers says stories of trans women tend to play well to middle America.
“I think the media in general is much more fascinated by trans women,” he says. “It’s much more perplexing for a guy who has all this privilege and status — why would they want to give that up? It makes for a much more sensational tale. When trans women transition, they often present in this very glamorous, very cisgender and dramatic way and that’s just not the case with trans men. We look like these short, dumpy guys and we don’t make such a sensational story for Joe Q. Public.”
Earline Budd says there’s a big difference between Jenner and many of the trans women she’s worked with over many years on Washington’s streets.
“I strongly support her but at the end of the day, I do feel it would serve her best if she did reach out to individuals such as myself who are leaders in the African-American transgender community who understand the struggles and the hardship and to engage folks,” Budd says. “She will never be the model for the African-American transgender experience. She doesn’t come from the same plight as many of us. Even my own personal experience of being openly HIV-positive, having been homeless before, having been an addict, having been incarcerated. I understand she is doing some work with some African-American trans women, helping one woman go through nursing school and that is really great, but … at the end of the day, we can’t put all our hopes and needs on one person. … We need to come together and figure out how we can put revenue behind where the real needs are.”
Earline Budd(Washington Blade file photo by Michael Key)
Further adding diversity to the wide umbrella that encompasses the trans experience, author and academic Genny Beemyn, who identifies as gender nonconforming, says Jenner is “an anachronism in a lot of ways.”
“It’s amazing how much visibility this has brought,” Beemyn says. “I have gotten more media inquiries in the last few months than I’ve gotten in the last few years combined. It’s unreal the number of people who are doing stories, not necessarily on Caitlyn going public, but trans issues. … I think there is some danger in her becoming the face of transgender people. Even with some of the other narratives that are out there, such as Laverne Cox and Janet Mock, they are all conventional, very feminine, trans women so we’re still seeing some erasure for people who don’t have the ability to look so glamorous or like cis women.”
Even with the concerns, Beyer says the visibility Jenner brings to the national dialogue far outweighs any concerns. She, too, has been barraged with requests for comment.
“A lot of these newspapers really never gave a damn about transgender people until a few months ago,” Beyer says. “This is a huge deal. People are calling to be educated. Nobody cared enough before Caitlyn to want to be educated. We are going to look back at this as being a post-Jenner moment and we’ll talk about things pre-Jenner and post-Jenner. Everything has changed as a result of this because all of a sudden now when these issues come up, people will have somebody to relate all this to. They don’t really know her, but it will be a lot easier to make the sale. ‘Oh really, you’re going to tell Caitlyn Jenner she can’t use the women’s restroom?’”
Beyer says it’s a new era of visibility and progress.
“Who were our options before? (Convicted murderer) Michelle Kosilek? Chelsea Manning? Somebody whom half the population thinks is a traitor? It’s a big difference to go from, ‘Hi, I’m a trans woman,’ ‘Oh, like Chelsea Manning,’ to ‘Oh, like Caitlyn Jenner.’ That changes everything. She’s a great athlete and an American hero and we’re basking in the reflections of that hero status. In today’s America, that’s about as good as it gets.”
a&e features
New book celebrates 1970s dance music icons
‘A Night at the Disco’ features interviews with Donna Summer, Debbie Harry, more
If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, “A Night at the Disco,” which revisits more than 90 interviews conducted with some of the biggest names in pop culture.
“A Night at the Disco” (ACC Art Books) was published on March 24, and distributed by Simon & Schuster. It celebrates more than 100 artists who sparked a phenomenon in dance music from 1970-1979 and features excerpts from interviews with everyone from Donna Summer to Debbie Harry.
Lost City Books (2467 18th St., N.W.) will welcome author Christian John Wikane for a book signing and conversation about “A Night at the Disco” on Thursday, April 16 at 6 p.m. Details at lostcitybookstore.com. Bird in Hand Coffee & Books in Baltimore (11 E. 33rd St.) )will also host a Q&A with the author on Wednesday, April 15 at 6 p.m. Details at theivybookshop.com.
Below is an excerpt from “A Night at the Disco.”
“I’ll let in anyone who looks like they’ll make things fun.” Steve Rubell is guiding a New York Times reporter through Studio 54 as resident DJ Richie Kaczor dazzles the crowd with records by CHIC, Odyssey, and T-Connection. “Disco, that’s where the happy people go,” The Trammps sing as dancers spin and twirl underneath tubes of flashing lights. Seven months since Rubell and co-owner Ian Schrager opened Studio 54 in April 1977, it’s welcomed untold numbers of “happy people” … at least those lucky enough to pass through the doors.
“We were part of the chosen few,” says André De Shields, who immortalized the title role in The Wiz on Broadway at the time. “We could show up at Studio 54 and the doorman at the velvet stanchion would look over everyone and point to us from The Wiz to come in, that kind of thing.” As the lead vocalist in the GRAMMY-nominated Dr. Buzzard’s Original Savannah Band, whose debut modernized big band sophistication for the discothèques, Cory Daye had carte blanche in the club. “The energy was like a New Year’s Eve party every night,” she says. “I would go up to the mezzanine and watch the mechanical light pillars go up and down, metallic confetti falling from the ceiling, the spoon and the moon. I was so fascinated and enamored by it.
“When a certain song came on, the people would just rush to the dance floor. There was no contact dancing — the hustle was pretty much on its way out — but it was just an amazing experience to see all the cultures together. It was a fusion of cultures, which described my life and my band, so I was right at home there.”
“Studio 54 was the place,” adds Linda Clifford. “Crazy parties. If you could think it, you would see it. It was like a circus. Just an amazing place to be. I worked 54 so many times. It was like a second home to me. The people there treated me so well. The crowd always seemed to enjoy my show. I always had a good time with them. That was the most important thing: making sure that they had fun.”
Well before Studio 54 opened, disco had become a business juggernaut. “A four billion dollar market and still growing,” Billboard announced in February 1977, with dance music offering more variety than ever. “There is no longer a single, readily identifiable disco beat, but a kaleidoscope of sounds that are melodic and danceable,” Tom Moulton told the magazine. In the clubs, records by veteran artists like Stevie Wonder and the Bee Gees were mixed in with a range of new acts like Grace Jones, Boney M., and The Ritchie Family, while everyone from ABBA to Marvin Gaye scored number one pop hits with songs that had club-centric storylines.
Beyond the charts, disco itself remained as idiosyncratic as ever, especially on several productions by Laurin Rinder and W. Michael Lewis, whose studio creations, El Coco (“Let’s Get It Together,” “Cocomotion”) and Le Pamplemousse (“Le Spank”), joined their own “Lust” from Seven Deadly Sins (1977) among the most tantalizing releases on AVI Records. Rinder & Lewis also produced acts for the newly hatched Butterfly Records in Los Angeles, where Saint Tropez (“On a Rien à Perdre”) and Tuxedo Junction (“Moonlight Serenade”) reflected the duo’s high gloss sound, spanning everything from European sophistication to a more literal translation of the ’40s sensibilities popularized by Dr. Buzzard’s Original Savannah Band.
12-inch singles had also grown as the preferred format to approximate the club music experience at home. Nearly a year after Atlantic Records introduced its series of promotional 12-inch singles for DJs, New York-based Salsoul Records released the industry’s first commercially available 12-inch single, “Ten Percent” by Double Exposure, in May 1976. A year later, T.K. Records was the first label to certify a gold record for a 12-inch single when Peter Brown’s “Do You Wanna Get Funky With Me” tallied one million sales.— Christian John Wikane
(From “A Night at the Disco” by Alice Harris & Christian John Wikane. Published by ACC Art Books.)
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Award-winning D.C. chef reaching new culinary heights
Anthony Jones of Marcus DC competing on ‘Top Chef’
In Anthony Jones’s kitchen, all sorts of flags fly, including his own. Executive chef at award-winning restaurant Marcus DC, Jones has reached culinary heights (James Beard Award semifinalist for Emerging Chef, anyone?), yet he’s just getting started.
Briefly stepping away from his award-winning station, Jones took a moment under a different set of lights. Recently, he temporarily gave up his post at the restaurant for a starring small-screen slot on the latest season of “Top Chef,” which debuted in March. (The show airs weekly on Bravo and Peacock).
Before his strategic slice-and-dice competition, however, Jones, who identifies as gay, draws from his deep DMV roots. In the years before “Top Chef” and the top chef spot at Marcus, he was born and raised in Sunderland, Md., in southern Maryland, near the Chesapeake.
Early memories were steeped in afternoons on boats with his dad bonding over fishing, and wandering the garden of his great-grandparents spread with fresh vegetables and a few hogs. “It was Southern, old-school ethics and upbringing,” he said. “Family and food went hand in hand.” Weekends meant grabbing bushels of crabs, dad and grandma would cook and crack them. Family members would host fish fries for extra cash. In this seafood-heavy youth, Jones managed time to sneak in episodes of the “OG” Japanese “Iron Chef” show, which helped inspire him to pursue a career in the kitchen.
Jones moved to D.C. after graduating from college, ending up at lauded Restaurant Eve, and met famed chef Marcus Samuelson, who brought him to Miami to be part of the opening team for Red Rooster Overtown. After three years, Jones moved back to D.C., where he ran Dirty Habit, reinventing and reimagining the menu, integrating West African flavors and ingredients.
Samuelson, however, wouldn’t let a talent like Jones stay away for too long. Pulling Jones back into his orbit, Samuelson elevated Jones to help him open his namesake restaurant Marcus DC, which has been named a top-five restaurant by the Washington Post. Since then, Jones has been nominated as a semifinalist for the RAMMYs Rising Culinary Star in 2026 and won the Eater DC’s Rising Chef award in 2025.
Samuelson’s Marcus is a tour de force interpreting the Black Diaspora on the plate, from the American South to West Africa, along with his signature “Swedopian” touches. Yet it’s Jones who has deeply informed the plate, elevating his own story to date. Marcus DC is primarily a seafood restaurant, which serves Jones well.
“Where I’m from is seafood heavy, and as I’ve progressed in my career, I’ve moved away from meat.” Veggies and fish are hero dishes. His own dish, Mel’s Crab Rice, was not only lauded by the Washington Post, but is framed by his youth carrying home the crustaceans from Mel’s crab truck. It’s a bowl of Carolina rice, layered with pickled okra, uni béarnaise, and crab. Jones also points to a dish on the opening menu, rockfish and brassica, paying respect to a landmark D.C. institution, Ben’s Chili Bowl. Jones reverse engineered a favorite bowl of chili that’s seafood instead of meat forward, leveraging octopus and rockfish along with different riffs of cauliflower: showing his intellectual, creative, and cultural sides.
While “Top Chef” is showing Jones’s spotlight side, he also lets his identity show at work. “In the kitchen, I make sure we’re inclusive. We don’t tolerate discrimination. Everyone that’s here should feel confident to express themselves. There are so many different flags in the kitchen.”
Jones says that he didn’t fully express his gay identity until fairly recently. He felt reluctant coming out to certain family members, “you’re scared to tell them about being different,” he says, and while that anxiety ate at him, “I’m lucky and fortunate to have unconditional love and that weight off my shoulders.”
Today, “I’m me all the time, Monday to Sunday. I’m honest with people, and my staff is honest with me.”
“Being a chef is hard,” he says, “and being a chef of color is even more difficult.”
Yet his LGBTQ identity is a juggling act, he says. “I need to keep that balance, because once someone finds out something about you, their opinion can change, whether you want it or not.”
Being on a whole season of TV cooking competition, however, might mean millions more might have an opinion of him (Jones has appeared on TV already, on an episode of “Chopped”). To prepare, he says, “I’ve just kept a level head. It’s just an honor to be on top chef with amazing people happy to be there.”
Plus, this season is set in the Carolinas, and Jones attended Johnson & Wales University in Charlotte, N.C. “It’s a full story of my life, now a monumental moment for me.”
Jones also recently was nominated for a James Beard Foundation Award. “JBF has been a north star, a dream for so long. I always had this goal on my wall.”
Being at the top spot at Marcus DC, making waves through his accolades, and cooking on Bravo means that Jones is highly visible. “I think that if someone has a similar background to me, and can see our story, trajectory, and success, they can have more ability to be themselves. This is my goal.”
Back at Marcus, Jones has plenty up his chef’s white’s sleeves. A new spring menu is in the works. He’ll be launching a new tasting menu “dining experience,” he says, and has plans to work on more events and collaborations with chefs and friends to bring in new talent and share the culinary wealth.
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Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers
ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
Minimal version of ‘Streetcar Named Desire’ heading to Dupont Underground
Comings & Goings
An effort to increase the number of psychiatrists of color
Calendar: April 10-16
BLUF leather social set for April 10 in Rehoboth
Cuba under pressure and without answers
Tenn. lawmakers pass transgender “watch list” bill
Vance speaks at Orbán rally in Hungary
Amendments to India’s transgender rights law criticized
