District of Columbia
Financial crisis prompts employees to close Casa Ruby
Faced eviction from buildings due to unpaid rent; staff unpaid

Casa Ruby, the D.C. LGBTQ community services center that provided transitional housing services for homeless LGBTQ youth and adults and support for LGBTQ immigrants, has shut down all of its programs after it lost most of its city funding, one of its few remaining employees told the Washington Blade.
Tania Cordova, a Casa Ruby official who has coordinated the group’s LGBTQ immigrant services program, said a failure to pay the rent for Casa Ruby’s offices and rental homes for its transitional housing program made it impossible for the remaining staff of about 10 employees to continue any of the group’s programs.
The Casa Ruby shutdown this week took place nine months after Ruby Corado, the group’s founder and longtime executive director, resigned last October. She announced her resignation less than a week after the D.C. Department of Human Services disclosed it would not renew an annual Casa Ruby grant of what was said to be $850,000 to operate a low-barrier shelter for LGBTQ people.
At the time of her resignation, Corado said Casa Ruby’s then-Government Affairs Director Alexis Blackmon would assume the position of interim executive director while a search took place for a permanent director. But Blackmon resigned from the interim position a short time later and Casa Ruby announced that Jackie Franco, one of its managers, would serve as interim leader for the group with the title of Chief of Staff.
According to Cordova and others familiar with Casa Ruby, who spoke on condition of not being identified, Corado retained full control of Casa Ruby’s finances and made all key decisions despite her claim to have resigned. Cordova and other Casa Ruby staffers have also pointed out that Corado since the time of her announced resignation has spent most of her time in El Salvador operating, among other things, a Casa Ruby she opened in the capital city of San Salvador.
Corado told the Blade in an interview in May that the Casa Ruby board approved the creation of the Casa Ruby in El Salvador. Among its objectives, Corado said, was to provide services for LGBTQ Salvadorans so that they would not be forced to immigrate to the U.S.
Neither Corado nor Franco could immediately be reached this week for comment on the claim by the Casa Ruby staff that they had shut down the D.C. Casa Ruby’s operations.
One source familiar with the D.C. Casa Ruby said there were only about 10 staff members left as of June of this year. Cordova said that as of earlier this year, the entire Casa Ruby Board of Directors had resigned, raising the question of whether Casa Ruby could legally operate without a board.
The Washington Post reported this week that Casa Ruby employed as many as 100 people as of 2020, eight years after Corado founded the group in 2012.
In its 2020 IRS 990 finance report, which all nonprofit organizations are required to file each year, Casa Ruby reported its total revenue for the year was $4,161,905, with most of the funds coming from D.C. government grants. The 2020 report, the latest one the IRS has released, also shows that Corado’s salary and total compensation for that year was $260,416.
Casa Ruby sources said the group filed a request for an extension of the deadline for filing 2021 IRS 990 report because Corado had not provided the needed financial information. The sources said that while the D.C. government has withheld several hundred thousand dollars in grants for Casa Ruby in the past year or two due to “noncompliance” with the terms of the grants, Casa Ruby has continued to receive funds from private donors. And the staff has not been informed by Corado, according to the sources, on how the private donor funds have been used.
In her interview with the Blade in May, Corado said she believes the Department of Human Services, which has provided much of Casa Ruby’s D.C. government funding, as well as the mayor’s office, was retaliating against her for her outspoken criticism of the city’s handling of programs for the homeless and other programs.
The Department of Human Services has not responded to repeated requests by the Blade for its specific reasons for determining that Casa Ruby was not in compliance with the DHS grants, which prompted DHS to cut off its funds for those grants.
D.C. Mayor Muriel Bowser, in response to a question from the Blade, reacted to the news on Monday.
“I’m sad about it,” Bowser said. “And a lot of people here know Ruby and know the organization and especially know that organization when it was doing work that nobody else was doing. So, I’m very sad about it. But I also know when we give hundreds of thousands and millions of dollars and vendors aren’t being paid and employees aren’t being paid, you’ve got a problem. You’ve got a problem. So, none of us can turn our back on it. We have to fix the problem.
“So, I’m sad about it because that was an organization that has done the work. We have to figure out what happened and fix it.”
The Menkiti Group, the company that owns the building at 7325 Georgia Ave., N.W., which Casa Ruby used as its headquarters and for the low barrier shelter, claims in a Landlord Tenant Court filing that Casa Ruby owes the company over $1 million in unpaid rent and late fees, among other expenses. Corado told the Blade last year that she withheld some of the rent in a dispute over what she said was the owner’s failure to maintain the building that led to multiple violations in the city’s fire and building code.
A spokesperson for the company told the Blade last year that Corado agreed to a lease that holds the tenant responsible for all needed repairs for the building. Casa Ruby has since moved out of that building.
The landlord for two smaller buildings in the Dupont Circle area in which Casa Ruby rented space have also filed eviction notices for failure to pay the rent.
Cordova said that the Union Temple Baptist Church, which rented four small townhouses to Casa Ruby where Cordova helped to operate the group’s LGBTQ immigrant services program, filed for eviction in court over failure by Casa Ruby to pay the rent. The church owns the buildings. Cordova said the immigrant occupants of the buildings as well as she, who lived in one of them, were forced to move out.
“Everything is closed,” Cordova said. “Nobody is going there to get services because there is nobody to provide the services,” she said. “We don’t have an office, we don’t have office supplies, we don’t have an internet. How are we going to provide services?”
District of Columbia
GenOUT Chorus offers solace, strength to LGBTQ teens
Summer camp held from June 23-27

As Pride month draws to a close and Washington begins to take down its rainbow flags and WorldPride decorations, it can be easy to confine the ideas of LGBTQ liberation to June. One historic organization in Washington has been speaking out — or singing out if you will — to ensure that LGBTQ youth are allowed to explore and be themselves every month of the year.
The Gay Men’s Chorus of Washington is one of the oldest and largest LGBTQ choruses in the world. With more than 300 members and more than 40 years in the D.C. LGBTQ community, to say it is an institution would be an understatement.
Beginning in 1981, following an inspiring performance by the San Francisco Gay Men’s Chorus at the Kennedy Center, a group of 18 gay men — led by a “straight” woman and friend of Washington’s gay community, Marsha Pearson — created the GMCW. Since its establishment the organization has only grown in number and relevance within the city. From hosting multiple concerts a year, international equality trips, and creating a dedicated space to “inspire equality and inclusion with musical performances and education,” the GMCW is one of the cornerstone organizations in the Washington LGBTQ community.
One of the most remarkable parts of the GMCW is its youth outreach program and choir: GenOUT. The outreach ensemble specializes in providing a space for Washington’s LGBTQ and allied youth, ages 13-18, to find their voice through song and connect that voice to community. The GenOUT program has been around since 2001, and since 2015 has provided a platform for their voices to be heard — literally — making it the first LGBTQ youth chorus in the Washington area.
The Washington Blade sat down with GenOUT Director C. Paul Heins and member Ailsa Ostovitz to discuss why GenOUT, and more specifically the GenOUT summer camp, which was held from June 23-27, has become an essential space for LGBTQ youth in the D.C. area to find their voice amid less-than-supportive administration and rising anti-LGBTQ rhetoric in the nation.
“This is my 11th season with GenOUT, and also the 11th season with Gay Men’s Chorus of Washington,” Heins said when explaining how he ended up in the director role for the self-selected, no audition required youth outreach ensemble. “I was hired in August of 2014 to start GenOUT. I spent that first fall researching other choruses, figuring out the infrastructure, promoting the chorus, and building relationships with schools, organizations, and faith communities. And then we started in January of 2015 with nine brave singers and since then, we’ve had 150+ singers from 80 or more schools in the DMV participate.”
Ailsa Ostovitz, on the other hand, being in high school had not had as much experience with choirs — yet her commitment and unwavering passion for the work she — and the other performers within GenOUT provide to each other was unmistakable.
“I’ve been a part of the course since April of 2022, and that was like seventh grade— which is wild to think about,” Ostovitz said when reflecting on how long she had been a part of GenOUT. She explained how she had begun to develop a drive for filling leadership roles within GenOUT after gaining valuable experiences and education from the organization.
“This is my first year in leadership,” she added. “The rest of the years, I kind of hung back. I really wanted to — especially last season — kind of put myself in the position of a peer and think ‘What would I want from people that are supposed to represent me to the adults? What would I want out of that?’”
And with those questions in mind, Ostovitz explained she buckled down and worked hard to get to where she is now as a member of the leadership team within the GenOUT choir.
“I spent a lot of time working with my section leader, and, looking up at him and being like, ‘What are you doing now that I can do in the future?’ And so this year, I ran for leadership,” Ostovitz said. “I got section leader, and that was cool. I’ve just spent a lot of time — most of my time in this course — learning leadership skills to kind of help me in all sorts of things in life, because I like to take control of things, and I like doing stuff.”
These leadership skills are just a handful of the things that students like Ostovitz learn while participating in the program. This year’s theme was “Make Them Hear Us!: Empowering LGBTQ+ and Allied Youth Through Music, Media, and Community,” and provided multiple opportunities for GenOUT’s members to engage with new concepts, ideas, and experiences.
From field trips to mentoring opportunities to an end-of-camp performance, it becomes clear when speaking to those familiar with the GenOUT experience: it is not your traditional summer day camp.
“The title of the camp references the anthem that GMCW has sung for many years,” Heins said. “‘Make Them Hear You’ from the musical ‘Ragtime’ encourages us to share important stories — stories that honor the fights that we’ve been fighting, the rights that we have won, affirmations that we seek for every human being, and the focus on media — specifically developing young people’s understandings of the kinds of media that they can access and use to share their voice.”
The camp offers singing and dancing lessons, creative writing exercises, LGBTQ+ history lessons, and open discussions about identity — providing an outlet for students to figure out who they want to be and find their voice.
“What this camp does, I believe, is it helps foster young people’s voices and not only encourages them to speak, but to give them the skills to speak in a way that will be heard meaningfully,” Heins added. “I have noted that youth in queer choruses like GenOUT have said that singing in a chorus allows young people to express themselves more honestly and with greater passion than other forms of expression. They’ve also said that singing with others that understand you on a very deep, profound level, makes the expression much easier and more beautiful. I think that experience is what really makes this a special opportunity for young, LGBTQ and allied people.”
Ostovitz echoed Heins’s sentiment, emphasizing that the space GenOUT provides allows her to feel empowered in ways more than by creating leadership skills that will help her later in life. GenOUT has allowed for her to see the humanity and similarities LGBTQ youth all face in a straight world.
“Joining the chorus and being in this camp, it really gives people a chance to see that every person is going through the same experience you are, on a level of finding your own identity and being confident in that,” Ostovitz said. “It really, really serves a purpose by showing there are still queer people. They’re not fizzling out — young people are queer. We want to use our voices to express what we feel and how things are affecting us, and I think that using music to do that is probably one of the most powerful ways to do that.”
In addition to allowing for internal growth and honing their singing abilities, both Ostovitz and Heins pointed out the other valuable skills students learn while in the GenOUT program. Ostovitz explicitly highlighted the mentorship program GenOUT has with GMCW, and how it has helped students like her figure out their future.
“Because we are so connected with GMCW, we run a mentorship program where, if you want to explore career, identity, whatever, we can connect you with somebody from GMCW,” Ostovitz said. “You get to spend a whole semester with a person working on your voice or your career or your what you want to do in higher education. It’s not only for things related to your queer identity, but it’s also just for life. It’s really cool.”

This year’s theme, centering around media and the many ways people can share their voice, was highlighted through the camp’s field trips to two legacy media organizations — WAMU and NBC Washington — and a discussion with staff from the Washington Blade, including Publisher Lynne Brown and International News Editor Michael K. Lavers.
“GenOUT provides a chance to get to know people from all around this area, but it also connects you to older folks, It connects you to people from the past, as well as we learn about LGBTQ history,” Heins said. “I think a camp specific thing is we want young people to understand how they can share their stories beyond just talking to their friends. There are these forms of media that are out there to share your stories, to have your voices heard, and to have a sense that these media are there for everyone. It’s not just a thing for people aged 21 and over. That was something that Lynne and Michael from the Blade were sharing with; that anyone can write in a letter to the editor. It doesn’t mean it’s going to be published, but that anyone has that opportunity. And I think that’s a great way for them to say the Blade is open to you to share your voice.”
The concept that there are people who want to, or may need to hear queer voices represented is one that is not lost on Ostovitz.
“There is something Thea says that has kind of integrated into our chorus — that someone out there needed to hear you, needed to hear your voice, needed to hear your story,” Ostovitz said. “That’s something that I kind of live by in this chorus, where I’m like, ‘I believe that there is someone out there that needed to hear this song for whatever reason, whatever it did for them. And I’m hoping to learn how much more can this chorus do for not just our little community, but how much more can it do around the world or the country — especially now.”
Living in the political center of the U.S., Ostovitz explained, has impacted how she approaches her identity, her education, and the urgency of using her voice — both as a student and as a young queer person navigating an increasingly hostile national climate.
“Being so close to the political center of the country and also a student at the same time has not been the easiest thing in the world as of late,” she said. “You’re thinking a lot about ‘Oh, I wonder if this program in my school will still exist next year,’ because a lot of the funding for physics and science programs in general has been cut. So I’m fortunate enough that Maryland has been pretty good about going against this administration. And so being in this chorus gives me a second to step back from my academics and just go somewhere for the two hours of rehearsal.”
For Ostovitz, just having those two short hours a week to focus on music — without thinking about the political climate that paints her and her choir peers as nefarious for being LGBTQ — provides solace.
“Everybody else is going through the same thing as I am, but we’re all also working towards the same goal, which is acceptance and uplifting of everybody and everyone — no matter who they are,” she said. “It kind of settles you down and grounds you. And then you just make music with people, and it’s really like a stress reducer for me.”
“Is it too trite to say that that would make people feel less alone, knowing that it’s not just a DMV thing, but that there are queer people all over?” Heins asked Ostovitz.
“No, it’s not — for sure,” Ostovitz responded. “It was a bit eye-opening.”
“A lot of us are fortunate enough to have families that support us enough to trust us and help us be passionate and mean what we do with the work that we do in this chorus — because it is optional,” Ostovitz added. “It is optional to have the courage that we have to practice and commit as much as we do, and the fact that we have a whole organization backing us on that is pretty cool.”
“We often say that we sing for those who can’t sing in a chorus like ours,” Heins said. “We sing for people who don’t have the freedom or the option to live their authentic lives. I think that’s very powerful.”
“It’s a very unique experience to be surrounded by so many people that get it,” Ostovitz said. “It’s a very joyful experience when we perform our big shows at the Lincoln Theater, being part of that production is also a very unique experience. So I think everything about this chorus is very joyfully unique.”
“I feel very proud, and I feel very inspired,” Heins said. “I feel inspired by the young voices. I feel a sense of inspiration in my own music-making, when I am able to take a piece from its very beginning all the way to the stage in a polished form. And I feel that sense of pride in knowing that I’ve helped this group of young people develop their confidence to do really amazing things.”
“GenOUT sang 22 times last year, which for any chorus is a big deal, but for a youth chorus coming from thither and yon, it is really a big deal,” Heins added. “I’m just really inspired and proud, and know that when I am in a nursing home somewhere and these folks are still out working and I know the country will be in good hands.”
District of Columbia
Activists protest outside Hungarian Embassy in DC
Budapest Pride scheduled to take place Saturday, despite ban

More than two dozen activists gathered in front of the Hungarian Embassy in D.C. on Friday to protest the country’s ban on Budapest Pride and other LGBTQ-specific events.
Amnesty International USA Executive Director Paul O’Brien read a letter that Dávid Vig, executive director of Amnesty International Hungary, wrote.
“For 30 years Budapest Pride has been a celebration of hope, courage, and love,” said Vig in the letter that O’Brien read. “Each march through the streets of Budapest has been a powerful testament to the resilience of those who dare to demand equality, but a new law threatens to erase Pride and silence everyone who demands equal rights for LGBTI people.”
“The Hungarian government’s relentless campaign against LGBTI rights represents a worrying trend that can spread normalizing division and hatred,” added Vig. “Thank you for standing with us when we refuse to be intimidated.”
Council for Global Equality Chair Mark Bromley and two of his colleagues — Stephen Leonelli and Keifer Buckingham — also spoke. Health GAP Executive Director Asia Russell and Chloe Schwenke, a political appointee in the Obama-Biden administration who worked for the U.S. Agency for International Development, and Planned Parenthood staffers are among those who attended the protest.
(Washington Blade video by Michael K. Lavers)
Hungarian lawmakers in March passed a bill that bans Pride events and allow authorities to use facial recognition technology to identify those who participate in them. MPs in April amended the Hungarian constitution to ban public LGBTQ events.
Budapest Pride is scheduled to take place on Saturday, despite the ban. Hundreds of European lawmakers are expected to participate.
“Sending strength to the patriotic Hungarians marching tomorrow to advance human dignity and fundamental rights in a country they love,” said David Pressman, the gay former U.S. Ambassador to Hungary, on Friday on social media.
Sending strength to the patriotic Hungarians marching tomorrow to advance human dignity and fundamental rights in a country they love. Szabadság és szerelem. My past remarks on Budapest Pride: https://t.co/y1QhA9QouA
— David Pressman (@AmbPressman) June 27, 2025
District of Columbia
Man sentenced to 15 years in prison for drug deal that killed two DC gay men
Prosecutors asked for 210 month sentence

On Thursday Jevaughn Mark, 33, of D.C., was sentenced to 180 months in federal prison for running what prosecutors called a “prolific drug delivery service” that led to the fentanyl overdose deaths of two men in D.C.’s gay community.
The 15-year sentence comes three months after Mark, aka “Ledo,” pleaded guilty to conspiracy to distribute 40 grams or more of fentanyl and 500 grams or more of cocaine, as well as unlawful possession of a firearm by a felon. As part of the plea deal, Mark accepted responsibility for causing the deaths of Brandon Román and Robert “Robbie” Barletta. U.S. District Court Judge Tanya S. Chutkan also ordered five years of supervised release following his prison term.
Prosecutors from the U.S. Attorney’s Office for the District of Columbia argued that Mark knowingly sold fentanyl and was at least partially responsible for the men’s deaths. The office had asked the court for a 210-month sentence.
On Dec. 27, 2023, Román, 38, and Barletta, 28, were found unconscious in their Northwest Washington home after a 911 call brought police and emergency responders to the scene. A police investigation later revealed that Román had purchased what he believed was ketamine from Mark. DEA testing of the remaining drugs found no ketamine — only fentanyl, xylazine, and caffeine.
Friends and family members wore rainbow ribbons in solidarity with Román, a prominent D.C. attorney and LGBTQ rights advocate, and Barletta, a historic preservation expert and home renovation business owner — both of whom were active members of Washington’s gay community.
“There is no good outcome here,” Chutkan said from the bench before issuing the sentence. “These people didn’t deserve to die.”
While noting Mark’s “long record,” Chutkan opted for a sentence shorter than what the government had requested, citing what she believed to be genuine remorse.
“I believe Mr. Mark when he wishes he could take it back,” she said.
Following the sentencing, the Washington Blade spoke with Jeanine Pirro, the recently appointed U.S. Attorney for D.C., who echoed the judge’s compassion, but stood by her office’s push for a longer sentence.
“We had asked for more time,” Pirro said. “He’s a felon in possession, and there’s the fentanyl. But he’s got a prior record. There are various other crimes. This guy’s been operating with impunity.”
“My job is to make sure we recognize both Brandon and Robbie with dignity,” she added. “They are two very special human beings who should not have died — and they died as a result of not only someone else’s criminal behavior, but someone else’s reckless behavior in ignoring what he should not have ignored.”
DEA Special Agent in Charge Ibrar Mian emphasized the broader dangers of the drug trade in a written statement.
“The drug market is characterized by the illegal availability of polydrug mixtures, many of which have lethal amounts of fentanyl,” Mian said. “Criminals like Mr. Mark pose a deadly threat by selling drugs with fentanyl, which users unknowingly consume, often leading to their deaths. Illegal drug distribution affects the very foundations of our families and communities, so every time we take criminals like Mr. Mark off the streets, lives are saved.”
Mian also credited the DEA teams, USAO-DC litigators, and local and state partners for their work in investigating and removing “illegal drugs from this individual who was involved in violent activities.”
Asked whether she had a message for the LGBTQ community — statistically more vulnerable to substance use disorders than the general population — Pirro was direct about her commitment to equal justice.
“The only thing I can say to the LGBT community is that there is a level playing field here,” Pirro said. “Everybody gets the same justice. You have a problem, you have an issue, you come to me. I have a long history of fighting for equal rights for everyone. Everyone deserves dignity, everyone deserves protection, and everyone deserves justice — and you’re gonna get that from me.”
-
U.S. Supreme Court4 days ago
Supreme Court to consider bans on trans athletes in school sports
-
Out & About4 days ago
Celebrate the Fourth of July the gay way!
-
Virginia4 days ago
Va. court allows conversion therapy despite law banning it
-
Opinions5 days ago
Can we still celebrate Fourth of July this year?