Local
Wone’s widow takes the stand
Trial begins with wife’s testimony, chilling 911 tape
Katherine Wone, wife of slain attorney Robert Wone, testified this week about her husband’s relationship with the three gay men charged in connection with his murder. (Washington Blade photo by Michael Key)
The wife of slain attorney Robert Wone testified this week about her husband’s friendship with three gay men charged with obstructing a police investigation into his murder.
Katherine Wone, who became the government’s first witness Monday in a complex and long-awaited trial, said the couple gave money to a Virginia gay group that Joseph Price, one of the defendants, once chaired.
Price, 39, his domestic partner, Victor Zaborsky, 44, and the couple’s housemate, Dylan Ward, 39, are charged with obstruction of justice, conspiracy to obstruct justice and evidence tampering in connection with Wone’s August 2006 stabbing death in their Dupont Circle area townhouse. No one has been charged with the murder.
If convicted on all three counts, the defendants face a possible maximum sentence of 38 years in prison.
In testimony divided across two days, Katherine Wone said her husband, who became friends with Price during their days as students together at Virginia’s College of William & Mary, arranged to spend the night at the men’s house on Aug. 2, 2006.
She said he planned to work late at his job in D.C. as general counsel for Radio Free Asia and decided not to drive home that night to the couple’s house in Oakton, Va.
“Do you remember Robert saying he and Joe were good friends?” defense attorney Bernard Grimm asked Katherine Wone during cross-examination.
“Yes,” she said.
“Did you ever see a crossed word between Joe and Robert?” Grimm asked.
“No,” she replied.
In response to questions from Grimm, Katherine Wone said her husband was aware that Price was involved with Equality Virginia, a statewide gay civil rights group, and that he supported the cause of equal rights for “all people.”
She told of how she and Robert Wone accepted an invitation from Price to attend an Equality Virginia fundraising dinner in Richmond one year before the murder. And she confirmed that a photo of the Wones and Price that Grimm showed her on the witness stand was taken at the dinner.
The three defendants have said through their lawyers that an intruder killed Robert Wone after entering their house from a rear door while the men slept in their bedrooms. Each of their attorneys stressed during opening arguments that their clients’ friendship with Wone demonstrated they had no motive to harm him and that the government had failed to find a motive for the murder.
But Assistant U.S. Attorney Glenn Kirschner, the lead prosecutor, noted in his opening argument that the men tampered with the crime scene and repeatedly misled police and homicide detectives investigating the murder. He said the defendants know — but refuse to disclose — the identity of the person or people who fatally stabbed Wone in the chest.
Among other things, Kirschner noted that paramedics and crime scene investigators found almost no blood on Wone’s body or the bed where he was found with three large stab wounds. There were no signs of a struggle, no defensive wounds on his arms, no signs of forced entry into the house, and nothing was disturbed or taken from the house, Kirschner said.
All of this, he said, was evidence of crime scene tampering and completely dispelled the defendants’ claim that an intruder killed Wone.
Defense attorneys representing the three gay men countered that the evidence doesn’t support any of the government’s allegations, including an assertion that more blood should have been found on the scene.
They planned to call an expert witness, a cardiac surgeon, who is expected to testify that the single stab wound piercing Wone’s heart would have killed him within five seconds, shutting down the heart’s ability to pump blood. A stopped heart, rather than a sinister plot postulated by the government, was the reason little or no blood was seen, defense attorneys said.
From the moment homicide detectives arrived at the house to investigate the murder, they became “marred and infatuated in a theory based on ignorance,” prompting them to suspect the men were involved in the murder, said Grimm, who is Price’s attorney.
“Why is a straight man coming to the house of a gay man,” Grimm quoted a detective as saying while interviewing the defendants.
Grimm and David Schertler, Ward’s attorney, said in their opening arguments that the three defendants’ sexual orientation and their three-way relationship played a role in shaping police and prosecutor assumptions that they, rather than an intruder, were involved in the murder.
Kirschner challenged that assertion, however, saying investigators have linked the men to a conspiracy to obstruct the investigation based on a vast array of crime scene findings.
“This case is not about sexual orientation,” he told D.C. Superior Court Judge Lynn Leibovitz, who is poised to decide the men’s fate after the defendants opted to forego a jury trial.
“This case is not about the personal relationship of these three. There is nothing negative that can be inferred due to the sexual orientation or lifestyle choices of these men,” he said.
But he noted that Price, Zaborsky and Ward “had powerful bonds among them,” which amounted to a “tight knit family” that is protecting its members from the harm that would come to them “if the truth came out.”
911 tape stirs courtroom
Katherine Wone’s calm testimony was offset Tuesday afternoon when prosecutors played a dramatic audio tape of Zaborsky’s 911 call reporting that Wone had been stabbed in his house.
On the recording, which lasts about 12 minutes, a near hysterical Zaborsky is heard making a desperate plea for help. He tells the 911 operator that a male friend visiting the house “is not conscious” after being stabbed.
When the operator asked him who stabbed the person, Zaborsky replied, “I don’t know who stabbed him. We don’t know how they got in. The person has one of our knives. … I’m afraid to go downstairs.”
The operator then urged Zaborsky to use a towel to stop the bleeding by pressing it firmly on the stab wound. He replied that his housemate, meaning Price, was already doing that in the guest bedroom where the stabbing victim was staying.
In a development that prosecutors have called highly significant, Zaborsky is heard on the tape asking the operator, “What time is it?” The operator, sounding surprised, repeated the question before responding, “11:54.”
One day earlier, in his opening argument, prosecutor Kirschner said that Zaborsky’s question about the time was among the indicators that he participated in a conspiracy to conceal from investigators what really happened during Wone’s brief stay at the men’s house.
Investigators believe Wone arrived at the house shortly after 10:30 p.m. Kirschner followed up on the chronology of the incident when he next called as witnesses William and Claudia Thomas, a married couple who live in the townhouse adjoining the defendants’ house at 1509 Swann St., N.W.
William Thomas testified that he heard a scream coming from the defendants’ house through a wall shared by the two houses on the night of the murder. He said he did not check the time when he heard the scream, but said he remembered hearing his wife watching the 11 p.m. news on Channel 7. His wife backed up that account during her own testimony.
Based on that account, police and prosecutors have said between 12 and 49 minutes elapsed from the time of the scream and the time Zaborsky called 911 at 11:49 p.m.
Investigators have said the scream could have marked the time Wone was stabbed. A delay of even 12 minutes in making the 911 call could have been used to clean the crime scene and hide or discard other evidence linked to the murder.
The Thomas’ testimony was followed by testimony from Jeff Baker, one of the first of the paramedics to arrive at the house in response to the 911 call.
Baker said the first of several highly unusual murder scene observations he made came during his encounter with Ward, who was standing at the top of the second floor staircase when Baker approach the room where Wone’s body was found. He noted that when he asked Ward what happened, Ward ignored him and retreated into his bedroom.
Upon entering the room where Wone was lying lifeless on a pull-out sofa bed, Baker said, he was startled at what he saw. Wone was lying “flat on his back” with three stab wounds to his chest with almost no blood on his body or on the bed, he said.
This was highly unusual for a stabbing, Baker said, based on his experience in responding to hundreds of stabbings during his 14 years as a paramedic.
He said Price was sitting on the bed next to Wone’s lifeless body. There was no towel on Wone’s wounds and Price’s hands had no signs of blood, which would be expected if he had been holding the towel on Wone’s chest.
Baker said he later observed a light streak of blood on Wone’s abdomen that appeared as if it had been “wiped.”
Kirschner said in his opening argument that investigators found the towel in the room, but it had only a small amount of blood on it. He noted that Price told police he found one of the knives from the men’s kitchen in the room where Wone was stabbed.
Authorities later reported that cotton fibers found on the knife indicated that blood had been taken from Wone’s wounds and wiped onto the knife with a towel to make it look like the murder weapon. Although fibers found on the knife matched that of a towel, no fibers were found that matched the shirt Wone wore and which had been pierced by the knife used to kill him, Kirschner said in his opening argument.
Police evidence experts and findings from an autopsy on Wone also showed the blood on the knife covered the entire blade, even though the depth of the wounds on Wone’s chest indicated that blood would not have covered the full length of the blade, Kirschner said.
Kirschner has said this was further evidence that the men tampered with the crime scene to mislead police. He noted that a cutlery set found in Ward’s bedroom had one knife missing. When investigators obtained a duplicate knife from the manufacturer, they found it matched the size and depth of Wone’s wounds better than the bloody knife found at the scene, further suggesting that someone other than an intruder and someone known to the defendants was responsible for the murder.
Defense attorneys disputed these assertions in their opening arguments, saying their own expert witnesses would testify that the cotton fibers on the knife could not be accurately linked to either the towel or Wone’s shirt. Instead, they said the fibers are found in the ambient air and on all objects and were meaningless as evidence in a stabbing.
What really happened, Schertler said in his opening argument, is that the defendants are telling the truth in saying they were not involved in the murder and that an intruder killed Robert Wone.
D.C. attorney Dale Edwin Sanders, who practices criminal law and is not associated with the case, said the part of the government’s case that appears the strongest is its assertion that no evidence exists to show an intruder entered the house to kill Wone. He noted that in cases based on circumstantial evidence, sometimes “missing” evidence becomes the key to the case.
“It’s largely a circumstantial case,” he said. “There’s no smoking gun, but the government has presented a neatly interwoven mosaic of 100 pieces of evidence that all fit together.”
Other observers at the trial said the defense was ready to discredit or downplay the government’s evidence with the aim of establishing enough doubt that Leibovitz would have to find the men not guilty.
Attorneys on both sides have predicted the trial would last about five weeks.
Maryland
Maryland’s oldest rural gay bar — and one of the last — is a log cabin in the woods
The Lodge is a Boonsboro watering hole resembling a log cabin
By SAPNA BANSIL | In the woods of a conservative Western Maryland town of fewer than 4,000 people is an unlikely landmark of state LGBTQ history.
The Lodge, a Boonsboro watering hole that resembles a log cabin, is Maryland’s oldest rural gay bar — one of a few remaining in the country, according to historians.
For about four decades, the Washington County venue has offered safety, escape and community to queer people far from large, liberal cities. Starting Friday night, The Lodge will close out Pride month with one of its biggest parties of the year: a weekend of dancing, drinking and drag in celebration of Frederick Pride, held about 20 miles away in the area’s largest city.
The rest of this article the Baltimore Banner published on June 27 can be read on its website.
Virginia
Va. court allows conversion therapy despite law banning it
Judge in June 30 ruling cited religious freedom.
In 2020, the state of Virginia had banned the practice of conversion therapy, but on Monday, a county judge ruled the ban violates the Virginia Constitution and Religious Freedom Restoration Act, allowing the therapy to start once more.
The conversion therapy ban, which can be seen in Va. Code § 54.1-2409.5 and 18VAC115-20-130.14, was overturned on June 30 as a result of two Christian counselors who argued that their — and all Virginia parents’ — constitutional right to freedom of religion had been encroached upon when the state legislature passed the ban.
A Henrico County Circuit Court judge sided with John and Janet Raymond, two Christian counselors represented by the Founding Freedoms Law Center, a conservative organization founded in 2020 following Virginia’s conversion therapy ban. Virginia’s Office of the Attorney General entered a consent decree with FFLC, saying state officials will not discipline counselors who engage in talk conversion therapy.
Conversion therapy, as the legislation described it, is considered to be “any practice or treatment that seeks to change an individual’s sexual orientation or gender identity, including efforts to change behaviors or gender expressions or to eliminate or reduce sexual or romantic attractions or feelings toward individuals of the same gender.” The ban’s reversal will now allow parents to subject their children to these practices to make them align better with their religion.
This decision comes despite advice and concern from many medical and pediatric organizations — including the American Psychiatric Association, American Psychological Association, American Association for Marriage and Family Therapy, and the American Counseling Association, to name a few — all of which denounce conversion therapy as dangerous and harmful to those subjected to it.
The American Medical Association, the largest and only national association that convenes more than 190 state and specialty medical societies, says that “these techniques are the assumption that any non-heterosexual, non-cisgender identities are mental disorders, and that sexual orientation and gender identity can and should be changed. This assumption is not based on medical and scientific evidence,” with attached data indicating people subjected to conversion therapy are more likely to develop “significant long-term harm” as a result of the therapy.
The AMA goes as far as to say that they outright “oppose the use of reparative or conversion therapy for sexual orientation or gender identity.”
FFLC has a clear goal of promoting — if not requiring — conservative ideology under the guise of religious freedom in the Virginia General Assembly. On their website, the FFLC argues that some progressive policies passed by the Assembly, like that of freedom from conversion therapy, are a violation of some Virginians’ “God-given foundational freedoms.”
The FFLC has argued that when conservative notions are not abided by in state law — especially when it involves “God’s design for male and female, the nuclear family, and parental rights” — that the law violates Virginians’ religious freedom.
A statement on the FFLC’s website calls gender dysphoria among children a “contagion” and upholds “faith-based insights” from counselors as equal — in the eyes of the law — to those who use medical-based insights. This, once again, is despite overwhelming medical evidence that indicates conversion therapy is harmful.
One study showed that 77 percent of those who received “sexual orientation change efforts,” or conversion therapy, experienced “significant harm.” This harm includes depression, anxiety, lowered self-esteem, and internalized homophobia. In addition, the study found that young LGBTQ adults with high levels of parental or caregiver rejection are “8.4 times more likely to report having attempted suicide,” with another study finding that “nearly 30 percent of individuals who underwent SOCE reported suicidal attempts.”
Virginia Senate Majority Leader Scott Surovell, a Democrat representing Fairfax, said that the overturning of the ban on religious merit disregards the entire concept of having professionally licensed counselors.
“I have no problem if somebody wants to go look at religious counseling from their priest or their minister, their rabbi, their imam — that’s perfectly fine,” Surovell told the Virginia Mercury. “When somebody goes to get therapy from somebody licensed by the commonwealth of Virginia, there’s a different set of rules applied. You can’t just say whatever you want because you have a license. That’s why we have professional standards, that’s why we have statutes.”
District of Columbia
GenOUT Chorus offers solace, strength to LGBTQ teens
Summer camp held from June 23-27
As Pride month draws to a close and Washington begins to take down its rainbow flags and WorldPride decorations, it can be easy to confine the ideas of LGBTQ liberation to June. One historic organization in Washington has been speaking out — or singing out if you will — to ensure that LGBTQ youth are allowed to explore and be themselves every month of the year.
The Gay Men’s Chorus of Washington is one of the oldest and largest LGBTQ choruses in the world. With more than 300 members and more than 40 years in the D.C. LGBTQ community, to say it is an institution would be an understatement.
Beginning in 1981, following an inspiring performance by the San Francisco Gay Men’s Chorus at the Kennedy Center, a group of 18 gay men — led by a “straight” woman and friend of Washington’s gay community, Marsha Pearson — created the GMCW. Since its establishment the organization has only grown in number and relevance within the city. From hosting multiple concerts a year, international equality trips, and creating a dedicated space to “inspire equality and inclusion with musical performances and education,” the GMCW is one of the cornerstone organizations in the Washington LGBTQ community.
One of the most remarkable parts of the GMCW is its youth outreach program and choir: GenOUT. The outreach ensemble specializes in providing a space for Washington’s LGBTQ and allied youth, ages 13-18, to find their voice through song and connect that voice to community. The GenOUT program has been around since 2001, and since 2015 has provided a platform for their voices to be heard — literally — making it the first LGBTQ youth chorus in the Washington area.
The Washington Blade sat down with GenOUT Director C. Paul Heins and member Ailsa Ostovitz to discuss why GenOUT, and more specifically the GenOUT summer camp, which was held from June 23-27, has become an essential space for LGBTQ youth in the D.C. area to find their voice amid less-than-supportive administration and rising anti-LGBTQ rhetoric in the nation.
“This is my 11th season with GenOUT, and also the 11th season with Gay Men’s Chorus of Washington,” Heins said when explaining how he ended up in the director role for the self-selected, no audition required youth outreach ensemble. “I was hired in August of 2014 to start GenOUT. I spent that first fall researching other choruses, figuring out the infrastructure, promoting the chorus, and building relationships with schools, organizations, and faith communities. And then we started in January of 2015 with nine brave singers and since then, we’ve had 150+ singers from 80 or more schools in the DMV participate.”
Ailsa Ostovitz, on the other hand, being in high school had not had as much experience with choirs — yet her commitment and unwavering passion for the work she — and the other performers within GenOUT provide to each other was unmistakable.
“I’ve been a part of the course since April of 2022, and that was like seventh grade— which is wild to think about,” Ostovitz said when reflecting on how long she had been a part of GenOUT. She explained how she had begun to develop a drive for filling leadership roles within GenOUT after gaining valuable experiences and education from the organization.
“This is my first year in leadership,” she added. “The rest of the years, I kind of hung back. I really wanted to — especially last season — kind of put myself in the position of a peer and think ‘What would I want from people that are supposed to represent me to the adults? What would I want out of that?’”
And with those questions in mind, Ostovitz explained she buckled down and worked hard to get to where she is now as a member of the leadership team within the GenOUT choir.
“I spent a lot of time working with my section leader, and, looking up at him and being like, ‘What are you doing now that I can do in the future?’ And so this year, I ran for leadership,” Ostovitz said. “I got section leader, and that was cool. I’ve just spent a lot of time — most of my time in this course — learning leadership skills to kind of help me in all sorts of things in life, because I like to take control of things, and I like doing stuff.”
These leadership skills are just a handful of the things that students like Ostovitz learn while participating in the program. This year’s theme was “Make Them Hear Us!: Empowering LGBTQ+ and Allied Youth Through Music, Media, and Community,” and provided multiple opportunities for GenOUT’s members to engage with new concepts, ideas, and experiences.
From field trips to mentoring opportunities to an end-of-camp performance, it becomes clear when speaking to those familiar with the GenOUT experience: it is not your traditional summer day camp.
“The title of the camp references the anthem that GMCW has sung for many years,” Heins said. “‘Make Them Hear You’ from the musical ‘Ragtime’ encourages us to share important stories — stories that honor the fights that we’ve been fighting, the rights that we have won, affirmations that we seek for every human being, and the focus on media — specifically developing young people’s understandings of the kinds of media that they can access and use to share their voice.”
The camp offers singing and dancing lessons, creative writing exercises, LGBTQ+ history lessons, and open discussions about identity — providing an outlet for students to figure out who they want to be and find their voice.
“What this camp does, I believe, is it helps foster young people’s voices and not only encourages them to speak, but to give them the skills to speak in a way that will be heard meaningfully,” Heins added. “I have noted that youth in queer choruses like GenOUT have said that singing in a chorus allows young people to express themselves more honestly and with greater passion than other forms of expression. They’ve also said that singing with others that understand you on a very deep, profound level, makes the expression much easier and more beautiful. I think that experience is what really makes this a special opportunity for young, LGBTQ and allied people.”
Ostovitz echoed Heins’s sentiment, emphasizing that the space GenOUT provides allows her to feel empowered in ways more than by creating leadership skills that will help her later in life. GenOUT has allowed for her to see the humanity and similarities LGBTQ youth all face in a straight world.
“Joining the chorus and being in this camp, it really gives people a chance to see that every person is going through the same experience you are, on a level of finding your own identity and being confident in that,” Ostovitz said. “It really, really serves a purpose by showing there are still queer people. They’re not fizzling out — young people are queer. We want to use our voices to express what we feel and how things are affecting us, and I think that using music to do that is probably one of the most powerful ways to do that.”
In addition to allowing for internal growth and honing their singing abilities, both Ostovitz and Heins pointed out the other valuable skills students learn while in the GenOUT program. Ostovitz explicitly highlighted the mentorship program GenOUT has with GMCW, and how it has helped students like her figure out their future.
“Because we are so connected with GMCW, we run a mentorship program where, if you want to explore career, identity, whatever, we can connect you with somebody from GMCW,” Ostovitz said. “You get to spend a whole semester with a person working on your voice or your career or your what you want to do in higher education. It’s not only for things related to your queer identity, but it’s also just for life. It’s really cool.”
This year’s theme, centering around media and the many ways people can share their voice, was highlighted through the camp’s field trips to two legacy media organizations — WAMU and NBC Washington — and a discussion with staff from the Washington Blade, including Publisher Lynne Brown and International News Editor Michael K. Lavers.
“GenOUT provides a chance to get to know people from all around this area, but it also connects you to older folks, It connects you to people from the past, as well as we learn about LGBTQ history,” Heins said. “I think a camp specific thing is we want young people to understand how they can share their stories beyond just talking to their friends. There are these forms of media that are out there to share your stories, to have your voices heard, and to have a sense that these media are there for everyone. It’s not just a thing for people aged 21 and over. That was something that Lynne and Michael from the Blade were sharing with; that anyone can write in a letter to the editor. It doesn’t mean it’s going to be published, but that anyone has that opportunity. And I think that’s a great way for them to say the Blade is open to you to share your voice.”
The concept that there are people who want to, or may need to hear queer voices represented is one that is not lost on Ostovitz.
“There is something Thea says that has kind of integrated into our chorus — that someone out there needed to hear you, needed to hear your voice, needed to hear your story,” Ostovitz said. “That’s something that I kind of live by in this chorus, where I’m like, ‘I believe that there is someone out there that needed to hear this song for whatever reason, whatever it did for them. And I’m hoping to learn how much more can this chorus do for not just our little community, but how much more can it do around the world or the country — especially now.”
Living in the political center of the U.S., Ostovitz explained, has impacted how she approaches her identity, her education, and the urgency of using her voice — both as a student and as a young queer person navigating an increasingly hostile national climate.
“Being so close to the political center of the country and also a student at the same time has not been the easiest thing in the world as of late,” she said. “You’re thinking a lot about ‘Oh, I wonder if this program in my school will still exist next year,’ because a lot of the funding for physics and science programs in general has been cut. So I’m fortunate enough that Maryland has been pretty good about going against this administration. And so being in this chorus gives me a second to step back from my academics and just go somewhere for the two hours of rehearsal.”
For Ostovitz, just having those two short hours a week to focus on music — without thinking about the political climate that paints her and her choir peers as nefarious for being LGBTQ — provides solace.
“Everybody else is going through the same thing as I am, but we’re all also working towards the same goal, which is acceptance and uplifting of everybody and everyone — no matter who they are,” she said. “It kind of settles you down and grounds you. And then you just make music with people, and it’s really like a stress reducer for me.”
“Is it too trite to say that that would make people feel less alone, knowing that it’s not just a DMV thing, but that there are queer people all over?” Heins asked Ostovitz.
“No, it’s not — for sure,” Ostovitz responded. “It was a bit eye-opening.”
“A lot of us are fortunate enough to have families that support us enough to trust us and help us be passionate and mean what we do with the work that we do in this chorus — because it is optional,” Ostovitz added. “It is optional to have the courage that we have to practice and commit as much as we do, and the fact that we have a whole organization backing us on that is pretty cool.”
“We often say that we sing for those who can’t sing in a chorus like ours,” Heins said. “We sing for people who don’t have the freedom or the option to live their authentic lives. I think that’s very powerful.”
“It’s a very unique experience to be surrounded by so many people that get it,” Ostovitz said. “It’s a very joyful experience when we perform our big shows at the Lincoln Theater, being part of that production is also a very unique experience. So I think everything about this chorus is very joyfully unique.”
“I feel very proud, and I feel very inspired,” Heins said. “I feel inspired by the young voices. I feel a sense of inspiration in my own music-making, when I am able to take a piece from its very beginning all the way to the stage in a polished form. And I feel that sense of pride in knowing that I’ve helped this group of young people develop their confidence to do really amazing things.”
“GenOUT sang 22 times last year, which for any chorus is a big deal, but for a youth chorus coming from thither and yon, it is really a big deal,” Heins added. “I’m just really inspired and proud, and know that when I am in a nursing home somewhere and these folks are still out working and I know the country will be in good hands.”
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