Theater
Cirque explores majesty, mayhem of insect world
OVO is a breathtaking, gravity-defying show
The return of Cirque du Soleil to the D.C. area ā the OVO show at the Plateau at National Harbor through Oct 24 ā is a stunning one. It wows the senses and defies the imagination with dazzling displays of this Montreal-based company’s technical magic of sound-and-light projections and imagery deployed to fool the eye.
But, most of all, with Cirque it’s the human touch of 54 performers from 16 countries, and director Deborah Colker, the renowned Brazilian choreographer, the first woman to write and direct a Cirque production. Colker has integrated dance movements and a Latin musical beat from composer Berna Ceppas into many numbers in the show.
The basic storyline is set in the world of insects, a huge colony teeming with every variety ā fireflies, spiders, scarab beetles, butterflies, even fleas ā and one stout-hearted ladybug (played with great expressive humor by Michelle Matlock) who becomes the love interest of a stranger visiting the colony, an impetuous and amorous ant-like creature (played with equally deft humor by Francois-Guillaume Leblanc). The narrative arc of OVO is the tale of their courtship, with insect pheromones flying.
As for the title “OVO” ā Portuguese for egg ā there is one, and itās the great mystery of the show, with strange power over the insects somewhat akin to that of the monoliths in Stanley Kubrick’s 1968 paradigm-bending, psychedelic-science-fiction film “2001.”
The insects are struck with awe at its mystery and also intensely curious about it, as they portage it from place to place, and sometimes it even glows with secret intensity. But forget this storyline and instead watch the action, sometimes at ground level ā comically, with ants juggling their food, as in bits of kiwi and kernels of corn ā and other times high overhead ā romantically, in the gorgeous swooning dance of butterflies mating.
As the sun rises on a bright new day, the vibrant cycle of insect life is evoked with a wake-up call from the comical senior bug Flippo, played with knockabout charm by Joseph Collard. OVO overflows with contrasts āĀ highs and lows, majesty and mayhem as the hidden, secret world beneath our feet and fluttering or buzzing about us overhead is revealed as both tender and torrid, noisy and quiet, peaceful and chaotic. It is a world of biodiversity and beauty, filled with ceaseless noisy action, often punctuated with almost voice-like squeaks and squawks yet at other times with moments of simple quiet emotion.
During the two and a half hours of the tightly structured show, interrupted with one intermission, there are acrobatic acts that appear impossible to believe, including a trapeze act where six flyers soar so dangerously high in the biggest ever performance of its kind performed under a Grand Chapiteau (the half-million-dollar yellow and blue, towering Big Top).
This act is considered to be the most difficult in the world in terms of the distance between the stations and combines many circus disciplines ā banquine, Russian swing and swinging chair. And the finale, executed to gorgeous music, features 20 artists running, jumping and indeed leaping straight up a high vertical wall.
But all along the hardest working insects are the bright red ants, played with grace and incredible foot-juggling athleticism by a troupe of six young women from China.
As for the Ā mysterious egg, timeless symbol for the life cycle, it gives the show its underlying thread. In fact, graphically, “OVO” hides an insect in its name. The two letters “O” represent its eyes while the letter “V” forms the nose. Ā Both wit and wisdom come together in “OVO.” This show must be seen to be believed.
āSomething for everyone.ā Itās a tired tagline, but in the case of this fallās DMV theater season, it happens to be pretty much true. And a lot of the work is queer, directly or tangentially. Hereās a sliver of whatās already opened and whatās in store.
Theater J jumps into the new season with āHow to Be a Korean Womanā (through Sept. 22), Sun Mee Chometās comic and heartfelt telling of searching for her birth family in Seoul, South Korea. edcjcc.org
Woolly Mammoth Theatre opens with āThe Comeuppanceā (through Oct. 6), the latest work from Tony-winning out playwright Branden Jacobs-Jenkins.Ā
āOn the night of their 20th high school reunion, the self-proclaimed āMulti-Ethnic Reject Groupā reconnects while they pregame in Prince Georgeās County, Md. But amid the flow of reminiscing, an otherworldly presence forces these former classmates to face the past head-on and reckon with an unknowable future.ā Woollymammoth.netĀ
Signature Theatre kicks off with the D.C. premiere of Eboni Boothās Pulitzer-winning play āPrimary Trustā (through Oct. 20). Boothās contemporary humor-filled tender tale of self-discovery and connection is followed by Signatureās big musical āA Funny Thing Happened on the Way to the Forumā (Oct. 29-Jan. 12), Stephen Sondheimās classic Roman-set musical comedy staged by Signatureās out artistic director Matthew Gardiner. Sigtheatre.orgĀ
GALA Hispanic Theatreās season opener, Gustavo Ottās āThe 22+ Weddings of Hugoā (through Sept. 29), is based on a true story. Performed in Spanish with easy-to-follow English surtitles, Ottās raucous tale seeks to cover the various scenarios immigrants experience through many weddings. The cast features out actors Carlos Castillo as Hugo, a quiet postal clerk, and Victor Salinas who plays Elmar, a gay writer seeking refuge. JosĆ© Zayas directs.Ā Galatheatre.org.
Mosaic Theater Company at Atlas Performing Arts Center presents āLady Day at Emersonās Bar and Grillā (through Oct. 6), a play with music about jazz legend/queer icon Billie Holiday starring Roz White. Mosaicās out artistic director Reginald L. Douglas directs. Mosaictheater.orgĀ
Fordās Theatre presents āMister Lincolnā (Sept. 20-Oct. 13), a āwitty and revelatoryā one-man show starring Scott Bakula (stage and screen actor famous for TVās āQuantum Leapā). Fords.org Ā
ExPats Theatre (also housed at Atlas) opens with āMarleneā (Sept. 28 through Oct. 20) featuring Karin Rosnizeck as the legendary Dietrich, a great star who famously defied social and gender conventions while dazzling the world with her glamorous career. Expatstheate.comĀ
Thereās a lot on offer at George Mason Universityās Center for Arts this autumn, not least of all āAn Evening with Lea Salongaā (Saturday, Sept. 28).
Tony-winning singer and actress Lea Salonga headlines the 2024 ARTS by George! benefit concert, performing songs from a four-decade career on Broadway and in animated movie hits. Born in the Philippines, Salonga originated the lead role of Kim in Miss Saigon, and she was the first Asian cast member to perform the role of Eponine in Les MisƩrables on Broadway.
Other promising one-day-only GMU entertainments include Ballet HispƔnico (Oct. 5) and Mark Morris Dance Group and Music Ensemble (Oct. 19). cfa.gmu.edu
Creative Cauldron in Falls Church presents āSondheim Tribute Revueā (Oct. 3-27) a celebratory salute to musical giant Stephen Sondheim with eight performers singing 20 titles from the gay composerās brilliant songbook including āCompany,ā āFollies,ā āInto the Woods,ā āA Little Night Music,ā āSweeney Todd,ā and the recent Tony Award Winner, āMerrily We Roll Along,ā and more. Creativecauldron.orgĀ
Olney Theatre explores what makes a president great with āEisenhower: This Piece of Ground,ā Sept. 27-Oct. 20. And for Disney fans, donāt miss āFrozen,ā Oct. 24-Jan. 5. Olneytheatre.org
The Kennedy Center offers laughs and nostalgia with āClueā (Sept.17 through Oct. 6), a whodunit based on the fan-favorite 1985 Paramount movie and inspired by the classic Hasbro board game. Next up is āThe 25th Annual Putnam County Spelling Beeā (Oct. 11 ā 20).
Other Kennedy Center treats include āAn Evening with David Sedarisā (Oct. 15).Ā The gay humorist is slated to share his inimitable brand of satire and hilarious observations, and then itās out sound healing artist Davin Youngs with āThe Resetā (Oct. 28), his take on a āsound bathā including improvisational singing, looping devices, and healing instruments. Kennedy-center.orgĀ
Fall is the best time at the beach, so plan a weekend in Rehoboth and visit the phenomenal Clear Space Theatre. āVenus in Furā runs Sept. 19-29 followed by āSweeney Toddā Oct. 11-27; and āShrekā runs Nov. 8-10. Clearspacetheatre.org
Fall cabaret will be in full swing at the Gay Menās Chorus of Washington, D.C., as soloists share heart-warming stories and songs about their travel adventures (Oct. 19 at 2, 5, and 8 p.m.). And, of course, no holiday season is complete without the Chorusās annual holiday celebration set for Dec. 7, 14, and 15. Gmcw.org
Folger Theatre presents Shakespeareās āRomeo and Julietā (Oct. 1-Nov. 10) staged by inspiring out director Raymond O. Caldwell. A large, versatile cast features Cole Taylor and Caro Rayes Rivera as the star-crossed lovers, and a host of familiar local faces including Luz Nicolas, Deirdra LaWan Starnes, and out actor Fran Tapia as Lady Capulet. folger.edu
Studio Theatre serves up āSummer, 1976,ā (opening Nov. 13), a memory play by Pulitzer Prize-winning playwright David Auburn (āProofā).Ā Directed by Vivienne Benesch, the two-hander features longtime D.C. favorites Kate Eastwood Norris and out actor Holly Twyford playing disparate women whose unlikely friendship and ensuing connection changes the course of their lives. Studiotheatre.orgĀ
And on Wednesday, Dec. 4, Strathmore in North Bethesda presents āA Swinginā Little Christmas,ā a fun takeoff on kitschy, classic ā50s and ā60s holiday specials, featuring out TV star Jane Lynch (āGlee,ā āThe Marvelous Mrs. Maiselā) alongside Kate Flannery (āThe Officeā), Tim Davis (āGlee’sā vocal arranger), and The Tony Guerrero Quintet. Strathmore.org
Theater
Explore new venues, productions during D.C. Theatre Week
30 shows, including musicals, comedies, dramas, premieres, and more
2024 Theatre Week
Sept. 26-Oct. 13
Theatreweek.org
For Michael Ramirez, theater remains an ongoing source of inspiration and pleasure. As a little boy in El Paso, Texas, his mom took him to see lots of kidsā shows. And later in high school, he played one of the Sharks in āWest Side Story.ā All fond memories.
At the University of Texas in Austin for social work (undergraduate) and social work/public administration (graduate school) and then as a successful human resources professional and policy wonk in Washington, Ramirez continued to enjoy theater from the audience or behind the scenes. Now retired, he serves as a Helen Hayes Awards judge and board member at Woolly Mammoth Theatre.
Theatre Washington is the umbrella organization that not only produces the Helen Hayes Awards but also Theatre Week, an annual celebratory launch of the season with shows at low prices, a free kickoff fest, and other fun events.
The 2024 Theatre Week, explains Ramirez, features about 30 varied productions in the DMV, including musicals, comedies, dramas, new works, premieres, and works geared to young audiences. And tickets are affordably discounted at $60, $40, and $20.
āItās a great opportunity to take a chance on a theater that you might not be familiar with,ā he says. āWhen it comes to seeing shows, a lot of people think Kennedy Center or Fordās. This can be an introduction to something entirely new. D.C. is a busy theater town with lots of companies and venues.ā
At the heart of Theatre Week are its plays and musicals. Ramirez has already made his list.
His picks include GALA Hispanic Theatreās āThe 22+ Weddings of Hugoā featuring out actor Carlos Castillo as Hugo and staged by out director JosĆ© Zayas; busy out playwright Branden Jacobs-Jenkinsā āThe Comeuppanceā at Woolly Mammoth; and āRosencrantz & Guildenstern Are Deadā at Nu Sass Productions.
He also plans to see Mosaic Theatreās āLady Day at Emersonās Bar and Grill,ā a play with music about jazz legend/queer icon Billie Holiday starring Roz White; ExPats Theatreās āMarlene,ā featuring Karin Rosnizeck as legendary diva Marlene Dietrich; and Rorschach Theatreās āSleeping Giantā written by gay playwright Steve Yockey well known as the developer of the HBO Max comedy-drama television series āThe Flight Attendant.ā
Ramirez adds, āAnd as a good gay, I canāt miss āSondheim Tribute Revueā at Creative Cauldron.ā
There are also parties and outdoor events. He advises a few of his favorites.
On Monday, Sept. 9, Woolly Mammoth hosts a Theatre Week Launch Party replete with drinks and season sneak peaks (invitation only).
The Historic Theatre Walking Tour (Sept. 21) asks the public to check out downtown D.C. theaters with guides Farar Elliot and Chris Geidner (free). And with City on the River Concert (Sept. 22), Theatre Washington returns to the D.C. Wharf Transit Pier to present āmusical theater showstoppersā from a dozen of the seasonās upcoming shows (free).
Next up itās āDC Theatre at the Natsā (Sept. 24), a night out at the ballgame that baseball lover Ramirez is sure to attend. And typically, he says, performers from a local show or company are booked to sing the anthem ($20).
And big event Kickoff Fest 2024, an all-afternoon event for all ages, takes place on Sept. 28 at Arena Stage (also free).
Not surprisingly Ramirez fell for another theater aficionado. He and husband John Ralls got together in 1990 and married in 2014. Ralls is a board member at Rorschach.
As board members, they āfunction as ambassadors and marketers for the theater. We reach into our pockets and write the checks. We buy the season tickets, and encourage our friends to do the same.ā
Ramirez enthusiastically reiterates: āTheatre Week is especially fun. Again, tickets are reasonable. Thereās everything from puppet plays at Glen Echo Park to something more serious. Itās the perfect chance to try something new.ā
Theater
Mosaic kicks off 10th anniversary with āLady Day at Emersonās Bar and Grillā
Play set in nightclub where Billie Holiday gave one of her last performances
āLady Day at Emersonās Bar and Grillā
Sept. 5-Oct. 6
Mosaic Theater Company
1333 H St., N.E.Ā
$50ā$80
mosaictheater.org
Throughout a big career, jazz icon Billie Holiday experienced tremendous highs and lows. Unapologetically herself and openly bisexual, she made her mark with songs like the very popular “Lover Man (Oh, Where Can You Be?)” and successfully stepped into social activism with her performances and recording of āStrange Fruit,ā a searing protest anthem inspired by the photograph of a lynching.
On the downside, she was dogged by addiction and fell prey to users of various stripes (more often than not male), but fans and music experts agree that itās these less-than-sanguine life experiences that helped to shape the emotional content of her inimitable take on the blues.
Currently Mosaic Theater Company is kicking off its 10th anniversary season with Lanie Robertsonās āLady Day at Emersonās Bar and Grill,ā a play with music set in a seedy Philadelphia night spot where Holiday gave one of her last performances just months before dying from heart disease at just 44 in 1959.
Mosaicās immersive production is directed by the companyās out artistic director Reginald L. Douglas and stars D.C. favorite Roz White. At 90 minutes, the one-woman show features about a dozen of Holidayās songs, and tucked in between are book scenes touching on personal and political themes including racism, sexism, domestic abuse, and drug use. In many ways, says Douglas, itās the history of what Black female singing stars have had to endure to achieve success.
For Mosaicās season opener, a black box space at Atlas Performing Arts Center on H Street, NE, is being reconfigured as a nightclub with cafĆ© seating and drinks. White as Holiday (affectionately nicknamed Lady Day by famed saxophonist Lester Young) sings with a standard jazz tiro: pianist (William Knowles), bassist (Mark Saltman), and drummer (Greg Holloway).
An avowed Holiday admirer, director Douglas says staging the production has only increased his devotion: He describes her as an all-gender loving woman, who possessed a love of life, and an openness about her struggle.
āWithout a doubt, she was a force of nature that queer audiences respond to and admire. Particularly for queer Black people, legends like Billie Holiday are vital for our ability to see ourselves.ā
And as a theater maker who goes in as a Billie fan, Douglas already knew the showās classics like āStrange Fruitā and āGod Bless the Child,ā and now heās excited to be learning more from her canon like āWhat a Little Moonlight Can Do,ā āCrazy He Calls Me,ā and āEasy Livingā which has become a special moment in the show.
And working with the powerful White as Holiday is proving āa dreamy collaboration.ā
āThe core is respect,ā says Douglas who began his tenure with Mosaic in November of 2021. āI trust the experts and Roz is an expert. She knows how to command a stage and she is Billie Holidayās biggest fan. She has a depth of knowledge about the artist and her music, jazz, the blues. I just want to listen and soak that up and elevate it and amplify it on stage.ā
The experience is filled with trust and admiration and give and take, he adds. And along with wonderful choreography and movement consultant Sandra L. Holloway who is a queer Black woman, the three of them are having a great time.
White recently returned to D.C. after completing a two-year national tour of āTINA: The Tina Turner Musical.ā And now with āLady Day at the Emerson Bar and Grill,ā she marks her return to Mosaic where, among other performances, she is remembered for her compelling portrayal of Sister Rosetta Tharpe, the queer Black woman who invented rock ānā roll, in āMarie and Rosetta.ā
Holidayās voice is unmistakable. With its wonderfully unique phrasing and a gravel and hoarseness resulting from years of late nights and strain, itās often copied, but thatās not what theyāre going for here.
Douglas says, āWeāre not striving for an impersonation here. Weāre letting Roz be Roz; but while honoring the spirit of Billie, youāll notice some pronunciation and dialect work. Still, Roz brings her own kind of special sauce to the work.ā
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