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Cirque explores majesty, mayhem of insect world

OVO is a breathtaking, gravity-defying show

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The return of Cirque du Soleil to the D.C. area ā€” the OVO show at the Plateau at National Harbor through Oct 24 ā€” is a stunning one. It wows the senses and defies the imagination with dazzling displays of this Montreal-based company’s technical magic of sound-and-light projections and imagery deployed to fool the eye.

But, most of all, with Cirque it’s the human touch of 54 performers from 16 countries, and director Deborah Colker, the renowned Brazilian choreographer, the first woman to write and direct a Cirque production. Colker has integrated dance movements and a Latin musical beat from composer Berna Ceppas into many numbers in the show.

The basic storyline is set in the world of insects, a huge colony teeming with every variety ā€” fireflies, spiders, scarab beetles, butterflies, even fleas ā€” and one stout-hearted ladybug (played with great expressive humor by Michelle Matlock) who becomes the love interest of a stranger visiting the colony, an impetuous and amorous ant-like creature (played with equally deft humor by Francois-Guillaume Leblanc). The narrative arc of OVO is the tale of their courtship, with insect pheromones flying.

As for the title “OVO” ā€” Portuguese for egg ā€” there is one, and itā€™s the great mystery of the show, with strange power over the insects somewhat akin to that of the monoliths in Stanley Kubrick’s 1968 paradigm-bending, psychedelic-science-fiction film “2001.”

The insects are struck with awe at its mystery and also intensely curious about it, as they portage it from place to place, and sometimes it even glows with secret intensity. But forget this storyline and instead watch the action, sometimes at ground level ā€” comically, with ants juggling their food, as in bits of kiwi and kernels of corn ā€” and other times high overhead ā€” romantically, in the gorgeous swooning dance of butterflies mating.

As the sun rises on a bright new day, the vibrant cycle of insect life is evoked with a wake-up call from the comical senior bug Flippo, played with knockabout charm by Joseph Collard. OVO overflows with contrasts ā€”Ā highs and lows, majesty and mayhem as the hidden, secret world beneath our feet and fluttering or buzzing about us overhead is revealed as both tender and torrid, noisy and quiet, peaceful and chaotic. It is a world of biodiversity and beauty, filled with ceaseless noisy action, often punctuated with almost voice-like squeaks and squawks yet at other times with moments of simple quiet emotion.

During the two and a half hours of the tightly structured show, interrupted with one intermission, there are acrobatic acts that appear impossible to believe, including a trapeze act where six flyers soar so dangerously high in the biggest ever performance of its kind performed under a Grand Chapiteau (the half-million-dollar yellow and blue, towering Big Top).

This act is considered to be the most difficult in the world in terms of the distance between the stations and combines many circus disciplines ā€” banquine, Russian swing and swinging chair. And the finale, executed to gorgeous music, features 20 artists running, jumping and indeed leaping straight up a high vertical wall.

But all along the hardest working insects are the bright red ants, played with grace and incredible foot-juggling athleticism by a troupe of six young women from China.

As for the Ā mysterious egg, timeless symbol for the life cycle, it gives the show its underlying thread. In fact, graphically, “OVO” hides an insect in its name. The two letters “O” represent its eyes while the letter “V” forms the nose. Ā Both wit and wisdom come together in “OVO.” This show must be seen to be believed.

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Theater

A busy season underway in local theater scene

Something for everyone indeed

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Carlos Castillo as Hugo and Victor Salinas as Elmar in ā€˜The 22+ Weddings of Hugo.ā€™ (Photo by Stan Weinstein)

ā€œSomething for everyone.ā€ Itā€™s a tired tagline, but in the case of this fallā€™s DMV theater season, it happens to be pretty much true. And a lot of the work is queer, directly or tangentially. Hereā€™s a sliver of whatā€™s already opened and whatā€™s in store. 

Theater J jumps into the new season with ā€œHow to Be a Korean Womanā€ (through Sept. 22), Sun Mee Chometā€™s comic and heartfelt telling of searching for her birth family in Seoul, South Korea. edcjcc.org

Woolly Mammoth Theatre opens with ā€œThe Comeuppanceā€ (through Oct. 6), the latest work from Tony-winning out playwright Branden Jacobs-Jenkins.Ā 

ā€œOn the night of their 20th high school reunion, the self-proclaimed ā€œMulti-Ethnic Reject Groupā€ reconnects while they pregame in Prince Georgeā€™s County, Md. But amid the flow of reminiscing, an otherworldly presence forces these former classmates to face the past head-on and reckon with an unknowable future.ā€ Woollymammoth.netĀ 

Signature Theatre kicks off with the D.C. premiere of Eboni Boothā€™s Pulitzer-winning play ā€œPrimary Trustā€ (through Oct. 20). Boothā€™s contemporary humor-filled tender tale of self-discovery and connection is followed by Signatureā€™s big musical ā€œA Funny Thing Happened on the Way to the Forumā€ (Oct. 29-Jan. 12), Stephen Sondheimā€™s classic Roman-set musical comedy staged by Signatureā€™s out artistic director Matthew Gardiner. Sigtheatre.orgĀ 

GALA Hispanic Theatreā€™s season opener, Gustavo Ottā€™s ā€œThe 22+ Weddings of Hugoā€ (through Sept. 29), is based on a true story. Performed in Spanish with easy-to-follow English surtitles, Ottā€™s raucous tale seeks to cover the various scenarios immigrants experience through many weddings. The cast features out actors Carlos Castillo as Hugo, a quiet postal clerk, and Victor Salinas who plays Elmar, a gay writer seeking refuge. JosĆ© Zayas directs.Ā  Galatheatre.org.

Mosaic Theater Company at Atlas Performing Arts Center presents ā€œLady Day at Emersonā€™s Bar and Grillā€ (through Oct. 6), a play with music about jazz legend/queer icon Billie Holiday starring Roz White. Mosaicā€™s out artistic director Reginald L. Douglas directs. Mosaictheater.orgĀ 

Fordā€™s Theatre presents ā€œMister Lincolnā€ (Sept. 20-Oct. 13), a ā€œwitty and revelatoryā€ one-man show starring Scott Bakula (stage and screen actor famous for TVā€™s ā€œQuantum Leapā€). Fords.org Ā 

ExPats Theatre (also housed at Atlas) opens with ā€œMarleneā€ (Sept. 28 through Oct. 20) featuring Karin Rosnizeck as the legendary Dietrich, a great star who famously defied social and gender conventions while dazzling the world with her glamorous career. Expatstheate.comĀ 

Thereā€™s a lot on offer at George Mason Universityā€™s Center for Arts this autumn, not least of all ā€œAn Evening with Lea Salongaā€ (Saturday, Sept. 28).

Tony-winning singer and actress Lea Salonga headlines the 2024 ARTS by George! benefit concert, performing songs from a four-decade career on Broadway and in animated movie hits. Born in the Philippines, Salonga originated the lead role of Kim in Miss Saigon, and she was the first Asian cast member to perform the role of Eponine in Les MisĆ©rables on Broadway. 

Other promising one-day-only GMU entertainments include Ballet HispƔnico (Oct. 5) and Mark Morris Dance Group and Music Ensemble (Oct. 19). cfa.gmu.edu

Creative Cauldron in Falls Church presents ā€œSondheim Tribute Revueā€ (Oct. 3-27) a celebratory salute to musical giant Stephen Sondheim with eight performers singing 20 titles from the gay composerā€™s brilliant songbook including ā€œCompany,ā€ ā€œFollies,ā€ ā€œInto the Woods,ā€ ā€œA Little Night Music,ā€ ā€œSweeney Todd,ā€ and the recent Tony Award Winner, ā€œMerrily We Roll Along,ā€ and more. Creativecauldron.orgĀ 

Olney Theatre explores what makes a president great with ā€œEisenhower: This Piece of Ground,ā€ Sept. 27-Oct. 20. And for Disney fans, donā€™t miss ā€œFrozen,ā€ Oct. 24-Jan. 5. Olneytheatre.org

The Kennedy Center offers laughs and nostalgia with ā€œClueā€ (Sept.17 through Oct. 6), a whodunit based on the fan-favorite 1985 Paramount movie and inspired by the classic Hasbro board game. Next up is ā€œThe 25th Annual Putnam County Spelling Beeā€ (Oct. 11 ā€“ 20). 

Other Kennedy Center treats include ā€œAn Evening with David Sedarisā€ (Oct. 15).Ā  The gay humorist is slated to share his inimitable brand of satire and hilarious observations, and then itā€™s out sound healing artist Davin Youngs with ā€œThe Resetā€ (Oct. 28), his take on a ā€œsound bathā€ including improvisational singing, looping devices, and healing instruments. Kennedy-center.orgĀ 

Fall is the best time at the beach, so plan a weekend in Rehoboth and visit the phenomenal Clear Space Theatre. ā€œVenus in Furā€ runs Sept. 19-29 followed by ā€œSweeney Toddā€ Oct. 11-27; and ā€œShrekā€ runs Nov. 8-10. Clearspacetheatre.org

Fall cabaret will be in full swing at the Gay Menā€™s Chorus of Washington, D.C., as soloists share heart-warming stories and songs about their travel adventures (Oct. 19 at 2, 5, and 8 p.m.). And, of course, no holiday season is complete without the Chorusā€™s annual holiday celebration set for Dec. 7, 14, and 15. Gmcw.org

Folger Theatre presents Shakespeareā€™s ā€œRomeo and Julietā€ (Oct. 1-Nov. 10) staged by inspiring out director Raymond O. Caldwell. A large, versatile cast features Cole Taylor and Caro Rayes Rivera as the star-crossed lovers, and a host of familiar local faces including Luz Nicolas, Deirdra LaWan Starnes, and out actor Fran Tapia as Lady Capulet. folger.edu

Studio Theatre serves up ā€œSummer, 1976,ā€ (opening Nov. 13), a memory play by Pulitzer Prize-winning playwright David Auburn (ā€œProofā€).Ā  Directed by Vivienne Benesch, the two-hander features longtime D.C. favorites Kate Eastwood Norris and out actor Holly Twyford playing disparate women whose unlikely friendship and ensuing connection changes the course of their lives. Studiotheatre.orgĀ 

And on Wednesday, Dec. 4, Strathmore in North Bethesda presents ā€œA Swinginā€™ Little Christmas,ā€ a fun takeoff on kitschy, classic ā€˜50s and ā€˜60s holiday specials, featuring out TV star Jane Lynch (ā€œGlee,ā€ ā€œThe Marvelous Mrs. Maiselā€) alongside Kate Flannery (ā€œThe Officeā€), Tim Davis (ā€œGlee’sā€ vocal arranger), and The Tony Guerrero Quintet. Strathmore.org

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Explore new venues, productions during D.C. Theatre Week

30 shows, including musicals, comedies, dramas, premieres, and more

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Michael Ramirez serves as a Helen Hayes Awards judge and board member at Woolly Mammoth Theatre. (Photo by DJ Corey Photography)

2024 Theatre Week
Sept. 26-Oct. 13
Theatreweek.org

For Michael Ramirez, theater remains an ongoing source of inspiration and pleasure. As a little boy in El Paso, Texas, his mom took him to see lots of kidsā€™ shows. And later in high school, he played one of the Sharks in ā€œWest Side Story.ā€ All fond memories. 

At the University of Texas in Austin for social work (undergraduate) and social work/public administration (graduate school) and then as a successful human resources professional and policy wonk in Washington, Ramirez continued to enjoy theater from the audience or behind the scenes. Now retired, he serves as a Helen Hayes Awards judge and board member at Woolly Mammoth Theatre. 

Theatre Washington is the umbrella organization that not only produces the Helen Hayes Awards but also Theatre Week, an annual celebratory launch of the season with shows at low prices, a free kickoff fest, and other fun events. 

The 2024 Theatre Week, explains Ramirez, features about 30 varied productions in the DMV, including musicals, comedies, dramas, new works, premieres, and works geared to young audiences. And tickets are affordably discounted at $60, $40, and $20.

ā€œItā€™s a great opportunity to take a chance on a theater that you might not be familiar with,ā€ he says. ā€œWhen it comes to seeing shows, a lot of people think Kennedy Center or Fordā€™s. This can be an introduction to something entirely new. D.C. is a busy theater town with lots of companies and venues.ā€  

At the heart of Theatre Week are its plays and musicals. Ramirez has already made his list. 

His picks include GALA Hispanic Theatreā€™s ā€œThe 22+ Weddings of Hugoā€ featuring out actor Carlos Castillo as Hugo and staged by out director JosĆ© Zayas; busy out playwright Branden Jacobs-Jenkinsā€™ ā€œThe Comeuppanceā€ at Woolly Mammoth; and ā€œRosencrantz & Guildenstern Are Deadā€ at Nu Sass Productions.

He also plans to see Mosaic Theatreā€™s ā€œLady Day at Emersonā€™s Bar and Grill,ā€ a play with music about jazz legend/queer icon Billie Holiday starring Roz White; ExPats Theatreā€™s ā€œMarlene,ā€ featuring Karin Rosnizeck as legendary diva Marlene Dietrich; and Rorschach Theatreā€™s ā€œSleeping Giantā€ written by gay playwright Steve Yockey well known as the developer of the HBO Max comedy-drama television series ā€œThe Flight Attendant.ā€

Ramirez adds, ā€œAnd as a good gay, I canā€™t miss ā€˜Sondheim Tribute Revueā€™ at Creative Cauldron.ā€ 

There are also parties and outdoor events. He advises a few of his favorites. 

On Monday, Sept. 9, Woolly Mammoth hosts a Theatre Week Launch Party replete with drinks and season sneak peaks (invitation only). 

The Historic Theatre Walking Tour (Sept. 21) asks the public to check out downtown D.C. theaters with guides Farar Elliot and Chris Geidner (free). And with City on the River Concert (Sept. 22), Theatre Washington returns to the D.C. Wharf Transit Pier to present ā€œmusical theater showstoppersā€ from a dozen of the seasonā€™s upcoming shows (free).  

Next up itā€™s ā€œDC Theatre at the Natsā€ (Sept. 24), a night out at the ballgame that baseball lover Ramirez is sure to attend. And typically, he says, performers from a local show or company are booked to sing the anthem ($20). 

And big event Kickoff Fest 2024, an all-afternoon event for all ages, takes place on Sept. 28 at Arena Stage (also free).

Not surprisingly Ramirez fell for another theater aficionado. He and husband John Ralls got together in 1990 and married in 2014. Ralls is a board member at Rorschach.

As board members, they ā€œfunction as ambassadors and marketers for the theater. We reach into our pockets and write the checks. We buy the season tickets, and encourage our friends to do the same.ā€

Ramirez enthusiastically reiterates: ā€œTheatre Week is especially fun. Again, tickets are reasonable. Thereā€™s everything from puppet plays at Glen Echo Park to something more serious. Itā€™s the perfect chance to try something new.ā€ 

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Mosaic kicks off 10th anniversary with ā€˜Lady Day at Emersonā€™s Bar and Grillā€™

Play set in nightclub where Billie Holiday gave one of her last performances

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Reginald L. Douglas (Photo courtesy of Mosaic Theater)

ā€˜Lady Day at Emersonā€™s Bar and Grillā€™
Sept. 5-Oct. 6
Mosaic Theater Company
1333 H St., N.E.Ā 
$50ā€“$80
mosaictheater.org

Throughout a big career, jazz icon Billie Holiday experienced tremendous highs and lows. Unapologetically herself and openly bisexual, she made her mark with songs like the very popular “Lover Man (Oh, Where Can You Be?)” and successfully stepped into social activism with her performances and recording of ā€œStrange Fruit,ā€ a searing protest anthem inspired by the photograph of a lynching.

On the downside, she was dogged by addiction and fell prey to users of various stripes (more often than not male), but fans and music experts agree that itā€™s these less-than-sanguine life experiences that helped to shape the emotional content of her inimitable take on the blues. 

Currently Mosaic Theater Company is kicking off its 10th anniversary season with Lanie Robertsonā€™s ā€œLady Day at Emersonā€™s Bar and Grill,ā€ a play with music set in a seedy Philadelphia night spot where Holiday gave one of her last performances just months before dying from heart disease at just 44 in 1959.  

Mosaicā€™s immersive production is directed by the companyā€™s out artistic director Reginald L. Douglas and stars D.C. favorite Roz White. At 90 minutes, the one-woman show features about a dozen of Holidayā€™s songs, and tucked in between are book scenes touching on personal and political themes including racism, sexism, domestic abuse, and drug use. In many ways, says Douglas, itā€™s the history of what Black female singing stars have had to endure to achieve success. 

For Mosaicā€™s season opener, a black box space at Atlas Performing Arts Center on H Street, NE, is being reconfigured as a nightclub with cafĆ© seating and drinks. White as Holiday (affectionately nicknamed Lady Day by famed saxophonist Lester Young) sings with a standard jazz tiro: pianist (William Knowles), bassist (Mark Saltman), and drummer (Greg Holloway). 

An avowed Holiday admirer, director Douglas says staging the production has only increased his devotion: He describes her as an all-gender loving woman, who possessed a love of life, and an openness about her struggle.

ā€œWithout a doubt, she was a force of nature that queer audiences respond to and admire. Particularly for queer Black people, legends like Billie Holiday are vital for our ability to see ourselves.ā€

And as a theater maker who goes in as a Billie fan, Douglas already knew the showā€™s classics like ā€˜Strange Fruitā€™ and ā€˜God Bless the Child,ā€™ and now heā€™s excited to be learning more from her canon like ā€˜What a Little Moonlight Can Do,ā€™ ā€˜Crazy He Calls Me,ā€™ and ā€˜Easy Livingā€™ which has become a special moment in the show. 

And working with the powerful White as Holiday is proving ā€œa dreamy collaboration.ā€

ā€œThe core is respect,ā€ says Douglas who began his tenure with Mosaic in November of 2021. ā€œI trust the experts and Roz is an expert. She knows how to command a stage and she is Billie Holidayā€™s biggest fan. She has a depth of knowledge about the artist and her music, jazz, the blues. I just want to listen and soak that up and elevate it and amplify it on stage.ā€

The experience is filled with trust and admiration and give and take, he adds. And along with wonderful choreography and movement consultant Sandra L. Holloway who is a queer Black woman, the three of them are having a great time.

White recently returned to D.C. after completing a two-year national tour of ā€œTINA: The Tina Turner Musical.ā€ And now with ā€œLady Day at the Emerson Bar and Grill,ā€ she marks her return to Mosaic where, among other performances, she is remembered for her compelling portrayal of Sister Rosetta Tharpe, the queer Black woman who invented rock ā€˜nā€™ roll, in ā€œMarie and Rosetta.ā€

Holidayā€™s voice is unmistakable. With its wonderfully unique phrasing and a gravel and hoarseness resulting from years of late nights and strain, itā€™s often copied, but thatā€™s not what theyā€™re going for here. 

Douglas says, ā€œWeā€™re not striving for an impersonation here. Weā€™re letting Roz be Roz; but while honoring the spirit of Billie, youā€™ll notice some pronunciation and dialect work. Still, Roz brings her own kind of special sauce to the work.ā€

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