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Kylie shines in two-hour extravaganza

Saturday concert was rare chance to see Aussie legend in D.C. area

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Kylie Minogue (photo courtesy of EMI)

Just like the Greek goddess she embodies in her show, Kylie Minogue served love, beauty and sexuality to her fans at the Patriot Center Saturday in her ā€œAphrodite Live Tour.”

Even though she has been a successful international superstar since the late ’80s, this is only the secondĀ time the 42-year-old Aussie native has ever toured the U.S. ā€” the first time being only a handful of dates in cities like New York and Los Angeles in 2009.Ā  So, this was a rare opportunity for Kylie lovers here in the States to catch a glimpse of her live. Only achieving success here in 2001 with her dance album ā€œFever,” Ā she has always hovered on the outskirts of the American mainstream and her fans have predominately been gay men. And she certainly knows what her fans would want from her in a live show. In this case: ancient Greece meets discotheque.

Starting things off with the title track of her current album ā€œAphrodite,” she rose from below the stage on a gold shell and dressed in full-on Greek garb looking youthful and gorgeous. Fog machines set the scene while the stage was adorned with elaborate columns and staircases. A gaggle of attractive, well-built male dancers decorated the stage for virtually the entire show. Female dancers, two backup singers, acrobats and a full band were also part of her on-stage posse.

It was quite a theatrical spectacle and on par with the grand-scale productions of Madonna, Cher and Bette Midler. It felt more suited for a stint in glitzy Las Vegas rather than a space limiting venue on a college campus. In fact, the U.S. leg of her tour had to be cut down from the extravagant European shows due to space and traveling concerns. In those shows she had much larger stages to fit props and house lavish running waterfalls. She even had a ā€œsplash zoneā€ where a certain section of the venueā€™s crowd would get wet. Still, even a few elements missing did not detract from the final result.

Whether she was appearing on stage riding a carousel horse for ā€œIllusionā€ or a chariot for ā€œI Believe in You,” she seemed to be topping herself with each performance. A rock rendition of her biggest dancefloorĀ  hit ā€œCanā€™t Get You Out of My Headā€ was unexpected and may have been the highlight of the evening.

She channeled Breathless Mahoney for a vampy lounge version of her club hit ā€œSlowā€ and when it came to performing material off of her new album, she made some welcomed alterations as well. One that stood out was a mash-up of 2002ā€™s ā€œLove at First Sightā€ mixed with the ā€˜Aphroditeā€™ track ā€œCanā€™t Beat This Feeling.” After embracing suspended white winged dancers in ā€œLooking for an Angelā€ she went right into an amazing cover of The Eurythmicsā€™ ā€˜80s hit ā€œThere Must Be an Angel (Playing with my Heart).”Ā Donā€™t be surprised if she releases that as a single in the future.

Minogue showed off her top-notch vocals and gave hardcore fans a treat with the stripped down ballad ā€œIf You Donā€™t Love Meā€ from her 1994 self-titled album. Fans hoping to hear her ’80s hits ā€œI Should Be So Luckyā€ and ā€œThe Loco-Motionā€ were left disappointed. The oldest hits she performed were the mostly Ā unknown ā€œBetter the Devil You Knowā€ and ā€œWhat Do I have to Doā€ from her 1990 album ā€œRhythm of Love.” Switching out the two lesser known tracks for the more familiar favorites would have been a wiser choice. The show-stopping finale was her current hit ā€œAll the Loversā€ ā€” an appropriate way to end such a high energy and unified show.

Throughout the tight 24-track, two-hour extravaganza, she made several eye-popping costume changes. From Greek goddess to fashionista, she gave any drag queen in the audience inspiration for days. Not overly avant-garde like Lady Gaga and more feminine than Madonna, her outfits were sexy but never raunchy. The only outfit dud was when she came out wearing what looked like the skinned hide of Fozzie Bear from the Muppets.

On the dancing aspect of the show, she pretty much left that up to her dancers. She did less dancing and more parading while she sang. Think Cher. But, to be fair, Kylie never was an artist that incorporated much choreography into her productions.

Her ability to connect with her fans is one of her greatest attributes as an entertainer. At several points throughout the show she graciously acknowledged her love for her fans and on the receiving end it felt genuine. Never cold or unattainable like some of her diva contemporaries, she was playful at times, even accepting a rose from a fan in the front row and sharing the story of her White House visit earlier in the day. Like her music she is sugary sweet, joyfully infectious and never disappointing.

Set list:

1. Aphrodite
2. The One
3. Wow
4. Illusion
5. I Believe In You
6. Cupid Boy
7. Spinning Around
8. Get Outta My Way
9. What Do I Have to Do?
10. Everything is Beautiful
11. Slow
12. Confide in Me
13. Canā€™t Get You Out of My Head
14. In My Arms
15. Ā Looking For An Angel
16. There Must Be An Angel (Playing With My Heart)
17. Love at First Sight/Canā€™t Beat This Feeling (mash up)
18. If You Donā€™t Love Me
19. Better The Devil You Know
20. Come Into My World (piano accompanied)
21. Ā Better Than Today (aucostic, bluesy into that goes full force into a dance beat)
22. Put Your Hands Up (If You Feel Love)
23. On A Night Like This
24. All The Lovers

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Music & Concerts

Pianist Jeremy Denk to play George Mason

Soloist performs Beethovenā€™s Piano Concerto No. 4 alongside FSO

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Pianist Jeremy Denk (Photo by Shervin Lainez)

The Fairfax Symphony Orchestra (FSO) and the Center for the Arts at George Mason University co-present Jeremy Denk ā€” one of Americaā€™s foremost pianistsā€”on Nov. 23 at 8 p.m. Denk joins the FSO as soloist for Beethovenā€™s Piano Concerto No. 4. The concert, conducted by FSO Music Director Christopher Zimmerman, also includes the regional premiere of ā€œShe Dreams of Flyingā€ by American composer Quinn Mason, and Rachmaninoffā€™s Symphonic Dances. Tickets are available through the Fairfax Symphony and the Center for the Arts: $65, $55, $40 and half-price for youth through grade 12 (service fees may apply).

A pre-performance discussion with Denk and Maestro Christopher Zimmerman, moderated by Mason Dewberry School of Music Professor John Healey, will take place in Monson Grand Tier, located on the third level of the Center for the Arts Lobby, 45 minutes prior to curtain. 

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Music & Concerts

Lana Del Rey, Katy Perry plan fall releases

A Fleetwood Mac live album, more Joni archives among vintage options

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Dolly Partonā€™s ā€˜Smoky Mountain DNAā€™ is slated for a Nov. 15 release. (Image courtesy Owepar Entertainment)

Paris Hilton released her ā€œInfinite Iconā€ album on Sept. 6. Itā€™s just the second effort following a massive hiatus ā€” her debut album ā€œParisā€ was released way back in 2006. Sia produces. This summerā€™s ā€œIā€™m Freeā€ was the first single. A tour is planned. Hilton promised a ā€œheavily gay-leaning release.ā€

Miranda Lambertā€™s ā€œPostcards from Texasā€ is slated to drop today. Lambertā€™s 10th studio album was preceded by the May release of single ā€œWranglers,ā€ which stalled in the lower 30s on country radio. Lambert calls the album a musical ode to her home state. She co-produces with Jon Randall and either wrote or co-wrote 10 of the projectā€™s 14 cuts. 

Katy Perryā€™s ā€œ143ā€ is set for a Sept. 20 release. It will be her seventh studio album. Its title refers to what she says is her symbolic angel number. Perry is aiming for a dance party feel working with producers Max Martin, Dr. Luke, Stargate, Vaughn Oliver and Rocco Did It Again! The proceedings are not off to a strong start. First single ā€œWomanā€™s Worldā€ stalled at No. 63 on the Billboard Hot 100. Follow-up ā€œLifetimesā€ failed to crack the Hot 100 at all. 

Fleetwood Mac releases ā€œMirage Tour ā€™82ā€ on Sept. 20. It includes six tracks previously unreleased including ā€œDonā€™t Stop,ā€ ā€œDreams,ā€ ā€œNever Going Back Again,ā€ ā€œSaraā€ and more. Available on double CD, triple vinyl and digitally.  

Volume four of Joni Mitchellā€™s ā€œArchivesā€ series dubbed ā€œThe Asylum Years: 1976-1980ā€ releases Oct. 4. Itā€™s being offered in six-CD or four-LP (highlights) configurations. It will feature unreleased studio sessions, alternate versions, live recordings, rarities and a 36-page book with new photos and an extensive conversation between Mitchell and filmmaker/uberfan Cameron Crowe. 

Sophie B. Hawkins releases her ā€œWhaler Re-Emergingā€ album (a re-recording of her landmark 1994 album) on Oct. 15. Order through her site and the first 250 copies will be signed. Hawkins (who identifies as omnisexual) says it surpasses the original. 

Joe Jonasā€™s ā€œMusic for People Who Believe in Loveā€ and Shawn Mendesā€™s ā€œShawnā€ are both set for Oct. 18 releases. Jonasā€™s album (his first solo effort since 2011ā€™s ā€œFastlifeā€) will feature songwriting he says is of a more personal nature. Billboard called it ā€œunvarnishedā€ but with a shimmery pop sound aglow with garage rock and alt-pop influences. First single ā€œWork It Outā€ was released over the summer and failed to chart. 

ā€œShawnā€ will be Mendesā€™s first album since 2020ā€™s ā€œWonder,ā€ the tour of which he cancelled citing mental health. Two singles ā€” ā€œWhy Why Whyā€ and ā€œIsnā€™t That Enoughā€ ā€” have been released. The former stalled at no. 84 on the Hot 100. He has called the album his ā€œmost musically intimate and lyrically honest work to date.ā€ 

Lana Del Reyā€™s ā€œLassoā€ is expected for a possible fall release, although some sources say itā€™s been bumped to early 2025. No date had been announced as of yet. Sheā€™s apparently going the Beyonce route and releasing a straight-up country album. 

Dolly Parton plans a Nov. 15 release for ā€œSmoky Mountain DNA ā€” Family, Faith & Fables.ā€ Parton recruited family to help her on the 37 (!)-track collection, which will also encompass a four-part docuseries tracing Partonā€™s familial roots. One song (ā€œA Rose Wonā€™t Fix Itā€) is an outtake from the feverish writing sessions that led to her solid (but underrated) 1998 album ā€œHungry Again.ā€ An extremely limited-edition triple vinyl release is also planned. 

Release dates shift and many more releases will be announced later. Pitchfork keeps a great running tab at pitchfork.com/news/new-album-releases. Also check your local record store for Black Friday special editions available on Friday, Nov. 29. Release info was scant as of this writing. Ā 

(Joey DiGuglielmo was variously the Bladeā€™s news and features editor from 2006-2020.)

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Music & Concerts

Fall concerts feature Sivan, Eilish, Lauper, more

Ndegeocello pays tribute to Baldwin at Strathmore next month

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Sigur Ros plays the Anthem this month. Frontman JONSI (center) is gay. (Photo by Chloe Kritharas; courtesy motormouthmedia)

Sigur Ros will be joined by the Wordless Music Orchestra at the Anthem (901 Wharf St., S.W.) on Wednesday, Sept. 25th. Theyā€™re continuing their 2023 tour in support of ā€œAtta,ā€ their first LP of original music in a decade. Frontman Jonsi is gay. Tickets are $60.50-173.50 for this seated show. 

Troye Sivan brings the ā€œSweat Tourā€ with Charli XCX (co-headlining) to Baltimore at the CFG Bank Arena (201 West Baltimore St.) on Thursday, Sept. 26th at 7:30 p.m. Itā€™s sold out. The latter is touring behind her 2024 album ā€œBrat.ā€ The former is touring behind his 2023 album ā€œSomething to Give Each Other.ā€ Sivan is gay and has performed at Capital Pride. 

Cyndi Lauper brings her ā€œGirls Just Wanna Have Fun Farewell Tourā€ to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 27 at 7 p.m. Tickets range from $29-179. Itā€™s her first solo arena stateside tour since her ā€™86-ā€™87 ā€œTrue Colors World Tour.ā€ Lauper is a longtime and avid LGBTQ ally. 

St. Vincent brings her ā€œAll Born Screaming Tourā€ to the Anthem (901 Wharf St., S.W.) on Friday, Sept. 13th at 8 p.m. Tickets are $55-95. A Variety review called it ā€œminimalistā€ and said ā€œwith no video screens, backup singers or sketches, and a lot of electric guitar, itā€™s the purest distillation of St. Vincent weā€™ve had on stage in quite a few years.ā€ Anne Erin Clark (aka St. Vincent) doesnā€™t identify as anything sexually but has mostly dated women in recent years. 

Kristin Chenoweth and Alan Cumming play Wolf Trap (1551 Trap Rd., Vienna, Va.) on Friday, Sept. 13 at 8 p.m. Individual sets are planned, but there will likely be a duet or two. Tickets are $29.

Out singer/songwriter Perfume Genius brings his ā€œToo Bright 10th Anniversary Tourā€ to The Atlantis (2047 9th St., N.W.) on Monday, Sept. 16. This highly limited run will only play six dates in five cities. Mike Hadreas (aka Perfume Genius) will perform his 2014 album in its entirety. Itā€™s sold out. 

Meghan Trainor brings ā€œThe Timeless Tourā€ to Jiffy Lube Live (7800 Cellar Door Dr., Bristol, Va.) on Tuesday, Sept. 17th at 6:30 p.m. Sheā€™s touring behind her album of the same name released earlier this year. Tickets are $33-155. No lawn seats available for this show. 

Queer-affirming gospel singer Amy Grant (who also had a decent pop chart run in the ā€™90s) brings her fall tour to The Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Thursday, Sept. 19 at 7:30 p.m. As sheā€™s done on tour with previous re-releases, Grant could include more songs than usual from her 1994 ā€œHouse of Loveā€ album, which was just released in an expanded edition and on LP for the first time. Tickets are $95. 

Sara Bareilles, a self-described LGBTQ ally,  joins the NSO Pops for a three-night stint at the Kennedy Center (2700 F St., N.W.) on Sept. 24-26 at 8 p.m. each night. Itā€™s sold out. 

Billie Eilish brings her ā€œHit Me Hard and Soft: the Tourā€ to CFG Bank Arena (201 West Baltimore St.) in Baltimore on Friday, Oct. 4 at 7 p.m. Her album of the same name dropped in March. Although sheā€™s mostly dated guys publicly, Eilish identifies as bi. Itā€™s sold out. 

Queer artist Meshell Ndegeocello plays the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on Saturday, Oct. 5 at 8 p.m. Her show is dubbed ā€œNo More Water: the Gospel of James Baldwinā€ and is billed as a tribute event to the legendary Black gay writer. A pre-concert event, ā€œThe Gospel of Meshell Ndegeocelloā€ is free but advanced registration is required. Tickets for the concert are $28-74. 

Former Capital Pride headliner Betty Who (ā€œqueer/biā€ herself) brings her ā€œAn Acoustic Evening in Celebration of 10 years of TMWYGā€ to the Lincoln Theatre (1215 U St., N.W.) on Wednesday, Oct. 9 at 9 p.m. Tickets are $55. Itā€™s a nod to her 2014 debut album ā€œTake Me When You Go.ā€ 

Justin Timberlake brings his ā€œForget Tomorrow World Tourā€ to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 13. This seventh headlining concert tour (and first in five years) supports his 2024 sixth album ā€œEverything I Thought it Was.ā€ Reviews for the tour have been strong; the setlist looks career-spanning and generous. Itā€™s sold out. 

Gay-helmed Pink Martini with China Forbes and Ari Shapiro plays the Kennedy Center (2700 F St., N.W.) on Monday, Oct. 14 at 7 p.m. Tickets are $40-80. 

ā€™80s pop sensation Debbie Gibson brings her ā€œAcoustic Youth: Songs & Stories from Electric Youth Eraā€ to the Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Wednesday, Oct. 16. Tickets are $59.50. Gibson is celebrating her 1989 album ā€œElectric Youth,ā€ her second. Sheā€™ll accompany herself on piano playing the songs ā€œthe way I first wrote them.ā€ 

DJ/producer Diplo, who says heā€™s ā€œnot not gay,ā€ plays Echostage (2135 Queens Chapel Road, N.E.) on Saturday, Oct. 19 at 9 p.m. Walker and Royce join. Tickets are $60. 

Motown diva Diana Ross brings her ā€œBeautiful Love Performances Legacy Tourā€ to MGM National Harbor (101 MGM National Ave., Oxon Hill, Md.) on Oct. 24-25 at 8 p.m. Except for adding a couple cuts from her abysmal 2021 album ā€œThank Youā€ (her latest), her setlist has not changed much in 15 years. Sheā€™s a little better about performing Supremes songs than she was earlier in her career (for ages, they were crammed into one medley), but she still heavily favors her solo material. Tickets start at $102. 

ā€œThe Life and Music of George Michaelā€ comes to the National Theatre (1321 Pennsylvania Ave., N.W.) on Friday, Oct. 25 at 8 p.m. Hard to tell from promo material if this is a typical jukebox musical-type show or more like a tribute band concert for the late gay singer. Tickets are $55. 

ā€œSapphic Factory: Queer Joy Partyā€ is at 9:30 Club (815 V St., N.W.) on Friday, Oct. 25 at 10 p.m. Itā€™s slated to feature music by artists such as Mana, Chappell Roan, Fletcher, Phoebe Bridges, Kehlani, Rina Sawayama, boygenius, Kim Petras, Tegan and Sara and more. Tickets are $23. 

Kacey Musgraves brings her ā€œDeeper Well World Tourā€ to CFG Bank Arena (201 West Baltimore St.) on Saturday, Nov. 9 at 7:30 p.m. It supports her sixth studio album, released in March. The setlist morphed slightly over a spring run in Europe. Itā€™s sold out. 

Soul diva Gladys Knight plays the Hall at Live! (7002 Arundel Mills Circle) in Hanover, Md., on Sunday, Nov. 17th at 7:30 p.m. Knight, who hasnā€™t had a new album out in a decade, tends to be fairly generous with her classic Motown- and Buddha-era hits with the Pips in approximately 75-minute sets. Tickets start at $95. 

(Joey DiGuglielmo was variously the Bladeā€™s news and features editor from 2006-2020.)

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