Local
Nats commentator apologizes for ‘sissy’ remark
D.C. sports groups say team supports LGBT community
A commentator for the Washington Nationals baseball team apologized on Wednesday for using the word “sissy” during a June 5 televised broadcast of a Nationals game against the Arizona Diamondbacks in Phoenix.
In an interview with the Washington Blade, Ray Knight, a former Major League Baseball player who serves as a commentator accompanying the Nationals’ regular announcer, said he meant no harm to anyone when he used the word. He said he didn’t realize it is sometimes used as a derogatory code word for gay men.
“I never thought one time that that would be a word that would be used to connote that,” he said, adding that he meant it as an expression calling for a baseball player to “come on, toughen up.”
“But absolutely, I get it,” he said. “Now I get it.”
In his comments during the June 5 broadcast, Knight used the term in a discussion about batters being hit by balls thrown by pitchers.
“So you don’t go up there playing the game like a sissy,” he said. “And I’m at the far end of it, I promise you. But I just don’t like all this baloney about the aggressiveness that’s been taken away.”
He was referring to a baseball rule allowing umpires to eject a pitcher from a game if the umpire believes the pitcher intentionally hits a batter with the ball.
Just prior to using the term sissy, Knight told TV viewers that he never likes to see a batter hit or injured by pitched balls. But he said the practice by pitchers of throwing “inside pitches” that come close to hitting a batter is a longstanding tradition in baseball.
Knight serves as the co-host of the Nationals’ pre-game and post-game TV shows. He was a major league player for 13 years for several teams, including the Baltimore Orioles and New York Mets and was selected twice as an All-Star player. He served as a coach and manager for the Cincinnati Reds.
His apology came one week before more than 3,000 LGBT baseball fans are expected to turn out for the annual Night Out at the Nationals game on June 21 at Washington Nationals Stadium in D.C.
Brent Minor, an official with Team D.C., the LGBT sports group that organizes the annual Night Out event at Nationals Stadium, said the Nationals have been “very supportive” of the LGBT community and have made Team D.C. and gay Nationals fans feel welcome. He noted that the Nationals had a booth at D.C.’s Capital Pride festival last Sunday and they regularly support other LGBT- and AIDS-related events and causes.
Alexandra Schauffler, a spokesperson for the Nationals, said the team had no comment on Knight’s use of the word “sissy.”
But the Nationals vice president for communications and brand development, Lara Potter, issued a statement to the Blade listing the Nationals’ recent actions in support of various LGBT-related events and causes in D.C., including next week’s Night Out with the Nationals event.
“[T]he Nationals are proud supporters of the LGBT community and have been since the team came back to D.C. in 2005,” she said.
Among other things, Potter noted that the Nationals will show on its video screen during the Night Out game a public service video from the It Gets Better Project, which seeks to curtail LGBT teen suicide.
She did not say whether the Nationals would join the San Francisco Giants, Boston Red Sox and Chicago Cubs in sponsoring ongoing promotional campaigns for the It Gets Better Project.
Knight’s apology also came after he learned through the Blade that Eliza Byard, executive director of the Gay, Lesbian and Straight Education Network, a national group that advocates against LGBT teen bullying in the nation’s schools, expressed concern over his sissy remark.
“He could have had all the opinions he had and if you take away the sissy part I don’t see it as a problem,” said Byard, who describes herself as a longtime baseball fan.
Byard said the world “sissy” is often used as a code word for gay men or a derogatory term for women, and the term is offensive to both women and LGBT people.
“What Ray Knight did was give us a case study in how sexism and homophobia live in athletics,” she said.
“It has to be called out. It needs dialogue,” she said. “It may surprise Ray Knight to know that there are baseball fans out there that don’t have a problem with pitches that are high and tight but really, really don’t like it when he talks about it in terms that are denigrating to women and gay people.”
After being told of Byard’s concerns, Knight said he regrets using the word during his television commentary.
“I never thought about it that way, never took it in that connotation,” he said. “Certainly, never in a million years would I ever say anything that would offend someone. And if you knew me you would know that.”
Byard was relieved to hear of Knight’s apology.
“I appreciate that Ray took the time to learn about a word that is thrown around carelessly on playgrounds across the country to demean others,” Byard said. “I’m glad to hear that he will no longer use the word now that he understands its origins and impact,” she said.
“Good for him. I hope others will follow his lead and think carefully about the words they use in order to make their points forcefully but respectfully. Disrespect for others has no place in baseball or any other sport. Pitching inside, on the other hand, is still OK.”
Knight said he has followed in the news the issue of anti-LGBT bullying and supports efforts being waged by groups like GLSEN to discourage bullying in schools and elsewhere.
But when told that GLSEN and D.C.’s Sexual Minority Youth Assistance League (SMYAL), among other groups, have reported that the term sissy is often used in bullying episodes against LGBT teens, Knight said he was not aware of that.
Michael Solem, the lead organizer of G-Nats, an LGBT Nationals fan club, said he didn’t think Knight’s “sissy” remark was intended to be malicious.
“People can make poor choices of words, especially in live broadcasts,” Solem said. “I think Knight was simply implying baseball players shouldn’t be ‘wimps’ or ‘crybabies’ when it comes to getting hit.”
Rehoboth Beach
Celebrated performer Rose Levine plays Rehoboth on May 15
Freddie’s to host Fire Island legend
Rose Levine is a celebrated entertainer best known for her longstanding performances in Cherry Grove, Fire Island, since 1955 where she has become a beloved fixture of the community’s vibrant arts and nightlife scene. With a career spanning decades, Levine has captivated audiences with her cabaret singing shows full of charisma, classic numbers, humor, and unmistakable stage presence—proving that some stars don’t fade, they simply get better lighting.
Levine is also closely associated with the legendary Fire Island Invasion of the Pines, the annual Fourth of July spectacle in which performers and revelers make their grand (and gloriously over-the-top) entrance by boat from Cherry Grove to Fire Island Pines, now a 50-year tradition. Her role in launching and sustaining this tradition has helped make it one of the most iconic—and entertaining—events of the summer season.
A consummate storyteller, Levine brings audiences along for a glittering ride through entertainment history. Rose will sing her Broadway melodies by Jerry Herman, Irving Berlin, Cy Coleman, Cole Porter, and others. With music direction by Mark Hartman the one-night-only event will celebrate Levine’s legendary life in drag, featuring signature crowd-pleasers and celebrity stories. A friend of Broadway composer Jerry Herman, she shares delicious stories of legends like Ethel Merman and recalls a young Barbra Streisand before she became Barbra Streisand while both performing at the famed singing contests at Greenwich Village’s famed Lion nightclub before her big break at the Bon Soir. Her shows are a mix of music, mischief, and memories of old New York and Fire Island — back when Cherry Grove didn’t even have electricity, but somehow still had better nightlife than most cities today.
Her legendary Fire Island home, Roseland, has hosted its fair share of unforgettable gatherings (and likely a few stories that can’t be printed in a family newspaper), making it a cornerstone of the community’s social scene. Levine splits her time between Manhattan and her summer perch on Fire Island—though audiences across the country are grateful she travels.
In fact, she performs at The Green Room and 54 Below in Manhattan, Cherry Grove in Fire Island, Act 2 and The Palm in Puerto Vallarta, Red Dot Cabaret in Hudson, N.Y., and now Freddie’s in Rehoboth Beach—because retirement, frankly, sounds boring. Her place in the Guinness Book of World Records as the oldest continuously performing drag queen in the world only adds to the legend and gives her bragging rights she fully intends to use.
And now, Rehoboth—consider yourself warned.
Don’t miss Rose Levine live on May 15 at Freddie’s Beach Bar. Dinner begins at 6:30 p.m., with the show at 7 p.m. Come for the cocktails, stay for the stories, and leave wondering how one person can have that many fabulous decades.
Levine’s legacy is defined not only by her remarkable career, but by her ability to connect with audiences across generations—usually while making them laugh, gasp, and occasionally blush. Don’t miss this show.
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
The Comings & Goings column is about sharing the professional successes of our community. We want to recognize those landing new jobs, new clients for their business, joining boards of organizations and other achievements. Please share your successes with us at [email protected].
Congratulations to Congresswoman Sarah McBride (D-Del.) on being honored with this year’s Stonewall Award from Whitman-Walker Health. Amy Nelson, senior director of Legal Services, said, “Congresswoman Sarah McBride is working to make healthcare accessible to all, and this award recognizes her support of healthcare as a human right. Our legal program supports families facing unprecedented challenges to stay healthy and safe – families that Congresswoman McBride champions with a deep understanding of the issues they face and the legislative expertise of how to support them.”
McBride, in a press release, said, “I am honored to accept this year’s Stonewall Award from Whitman-Walker Health — an organization that has spent 40 years doing vital work to ensure every person can access the dignity of care. In the wealthiest and most developed nation on earth, the ability to receive care should not be a matter of luck—it should be the law of the land. I am proud to be recognized as a partner in this work and to support Whitman-Walker Health in their mission to build a healthier society for all.”
Congratulations also to Wes Drummond who will join Clear Space Theatre Company in Rehoboth Beach, Del., as its third artistic director. Managing Director Joe Gfaller said, “This is an exciting moment of growth for Clear Space as we welcome Wes to join our remarkable team. I am confident he will be an excellent partner as we work with our entire staff, board, and committed team of volunteers, to ensure Clear Space can achieve its full potential in pursuit of our mission to unite and enrich our community through every production on stage, and every arts-based learning program we offer throughout our community.”
On accepting the position Drummond said, “I’m honored to join Clear Space Theatre Company as artistic director, and beyond excited for what we’re about to create together. Clear Space has established itself as a vital and vibrant part of the cultural life of coastal Delaware, and I feel incredibly fortunate to step into this next chapter alongside such a passionate and dedicated team. Rehoboth Beach is a place defined by creativity and community, and I look forward to listening, learning, and building meaningful relationships across the region in the months ahead. My vision is to help Clear Space continue to grow as a bold, forward-thinking, cultural force, that champions fearless storytelling.”
Drummond served in leadership roles at Duluth Playhouse in Duluth, Minn., from 2021 to 2026, including four years as executive director followed by one year as executive producing artistic director, guiding the organization through a period of significant transformation and stability in the wake of the COVID-19 pandemic. As a director, he has worked extensively in New York City, Chicago, and at regional theaters across the country, directing both musical theater and plays with a focus on storytelling that bridges classical works with contemporary perspectives. He has collaborated with leading figures in the industry, including Tony Award-winning director Matthew Warchus, and Tony-nominated director Michael Greif. He is an associate member of the Stage Directors and Choreographers Society.
Wes earned his MFA in directing, Penn State University, where he studied under Tony-nominated director, Susan H. Schulman.
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