Arts & Entertainment
Flocking together
Gay playwright explores celebrated bird pairings
‘Birds of a Feather’
Through Aug. 7
The Hub Theatre @
The New School
9431 Silver King Court, Fairfax
703-674-3177
From left, Matt Dewberry, Jjana Valentiner, playwright Marc Acito, director Shirley Serotsky, Dan Crane and Eric Messner. (Photo by C. Stanley Photography; courtesy of Hub Theatre)
Much of gay writer Marc Acito’s work is ripped from the headlines. This applies to his National Public Radio commentaries, and it’s also true about his funny new play “Birds of a Feather” now making its world premiere at the Hub Theatre in Fairfax.
Inspired by two Manhattan stories that got a lot of press about seven years ago, the comedy focuses on gay penguins that fall in love and hatch an egg in the Central Park Zoo, and a messy-but-devoted pair of straight hawks who famously make their home high atop a tony Fifth Avenue co-op. Acito explores what he imagines to be the birds’ motivations as well as the ways in which humans react to these two feathered families.
“What most interested me about the bird stories,” says Acito by phone from his home in New York, “is that both elicited such a huge response from the public. There was a lot of anthropomorphizing going on — the hawk Pale Male was praised as a good father, and the co-op was accused of attempting to unjustly evict a lovely family. The hetero normative hawks were pretty much unanimously supported.”
On the other hand, says Acito, 45, the longtime pair-bonded male penguins Silo and Roy who together hatched an abandoned egg weren’t entirely celebrated. In fact, an award winning children’s book about the penguins’ nontraditional family “And Tango Makes Three” ranks as one of America’s most controversial books, and has been challenged or banned in numerous libraries and school districts.
When “Birds of a Feather” was first read two summers ago at JAW Playwright’s Festival in Portland, (Acito’s home from around 1990 until last year), Hub Theatre artistic director Helen Pafumi contacted Acito. She was eager to mount the show in Fairfax. “There had been controversy about the children’s book in neighboring Loudon County, and Helen thought my play was relevant to the community. Part of Hub’s mission is to facilitate conversation among different factions who live side by side.”
“Hub is a real gem waiting to be discovered,” Acito says. “I realize it might be a little out of way, but I’m hoping gay theatergoers will be willing to make the trek out of curiosity. They can attend a matinee and be back in town for happy hour. If nothing else I know my audiences.”
Staged by Shirley Serotsky, “Birds of a Feather” features a talented quartet who play the penguin and hawk couples (the aptly named Dan Crane and Matt Dewberry), a female zookeeper (Jjana Valentiner) whose best friend is gay man, a birder (Eric Messner), as well as myriad other characters including Mary Tyler Moore, Paula Zahn and a bevy of Catholic school girls.
“All the facts of the play are true, but of course I fictionalize what the birds are thinking,” Acito says. “I certainly feel qualified to write about relationships. My partner and I have been together for 25 years. And while gay relationships are unique in many ways, the fundamentals of living with a partner are the same for everyone.”
Growing up in New Jersey, Acito starred in high school musicals. He describes himself as the guy darting about in Capezio dance shoes and leg warmers. Later he dropped out of Carnegie Mellon’s drama program due to “artistic differences.”
“I thought I could act. They didn’t,” he says.
After more study, he began a professional opera career: “I played character parts — drunks and hunchbacks mostly. It was fun and I learned a lot about comedy and western history, but for me opera was a shoe that never really fit. Ultimately I decided that I needed to create art rather than recreate it onstage, so I began writing.”
He started with the gay press. Next he wrote “How I Paid for College: A Novel of Sex, Theft, Friendship and Musical Theater,” a cult novel about theater people. A successful sequel followed. When the bottom fell out of publishing, he returned to theater and relocated to New York, but this time as a writer. Currently he’s collaborating with composer Jeffrey Stock on a musical adaptation of E.M. Forster’s classic “A Room with a View” slated to premiere at the Old Globe in San Diego next spring. Buzz is good.
Today Acito is thrilled to have found new meaning in his life and career. “There’s an audience that understands my message and aesthetic, and they’re very much in the theater. This time, I feel that I’ve found the shoe that really fits.”
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
Unconventional homes becoming more popular
Out dancer on Alvin Ailey’s stint at Warner Theatre
This queer comedy show will warm you up
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
AIDS Healthcare Foundation sues Fla. over ‘illegal’ HIV drug program cuts
Two gay men face deportation to Iran
Defunding LGBTQ groups is a warning sign for democracy
Blade welcomes spring intern
Van Sant returns with gripping ‘Dead Man’s Wire’
