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Cabaret explores D.C. intern life

‘Two Guys’ returns to Black Fox with new storyline

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Mikey Cafarelli (left) and Paul Scanlan in ‘Two Guys Become Interns,’ a gay-penned cabaret act at Black Fox. (Photo by Mark Braswell)

The cabaret show “Two Guys,” which premiered at Black Fox Lounge in June, is back but in a substantially different incarnation. Conceived as a musical revue, it now has a storyline and new players.

Gay composer/playwright Mark Braswell, a local attorney by day, came up with the premise while observing interns at his own federal office.

“I just realized it’s kind of a Washington institution,” he says. “It’s filled with potential humor and I don’t think that anyone has ever written about it.”

Going by their own first names in the show, local actors Mikey Cafarelli and Paul Scanlan, both straight, play interns who swap war stories at a bar. One is interning at the White House, the other on the Hill. The show is fleshed out with Braswell’s original compositions, which he began in 1995. Braswell saw Scanlan at a Signature Theatre open house this summer and offered him the part. The two actors are friends so once cast, Scanlan brought Cafarelli onboard.

“His songs, especially his ballads, are really heartfelt and come from a real place,” Cafarelli says. “And the more up-tempo ones are fun and light and provide good contrast to the more dramatic material. I think it’s pretty good musical theater.”

Pianist Jason Solounias will accompany. Braswell is self-financing the production and also directing. He’s also written several musicals that have been produced both here and in other cities such as “Love Notes,” “Private Love Notes,” “That Funny Kind of Feeling” and “Paying the Price.”

Braswell, 53, says his day job has given him the means to pursue his creative side in his spare time.

“People say all the time, ‘How do you have time for this,’” he says. “I just say, ‘While you’re out on the golf course or playing bridge, I’m writing musicals.’”

He enjoys theater and cabaret for its chance to gauge immediate reactions.

“It’s live and immediate and I guess if I were to write a short story or something like that instead, then I’m not around to see the impact of how it unfolds. Plus live theater is a little different every night. … There’s a closeness and a warmth that everybody seems to enjoy so much.”

Songs include some, such as “Before Tomorrow,” that the composer has used in other productions. Others are new and were written to propel the “Interns” storyline.

For more information or to reserve tickets, go to truenote.com.

BOX INFO:

‘Two Guys Become Interns’

Black Fox Lounge

1723 Conn. Ave., N.W.

Monday at 8 p.m. and the following three Mondays as well (Sept. 26, Oct. 3 and Oct. 10)

$15 in advance; $20 at door; $10 for interns

truenote.com

 

 

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Puerto Rico

Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga

Puerto Rican activist celebrates half time show

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Bad Bunny performs at the Super Bowl halftime show on Feb. 8, 2026. (Screen capture via NFL/YouTube)

Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.

Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.

“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”

La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.

“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”

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Drag

PHOTOS: Drag in rural Virginia

Performers face homophobia, find community

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Four drag performers dance in front of an anti-LGBTQ protester outside the campus of James Madison University in Harrisonburg, Va. (Blade photo by Landon Shackelford)

Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.

(Washington Blade photos by Landon Shackelford)

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Books

New book explores homosexuality in ancient cultures

‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome

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(Book cover image courtesy of Bloomsbury)

‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages

Nobody likes you very much.

That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.

When he was a teenager, Harry Tanner says that he thought he “was going to hell.”

For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”

Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”

Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.

In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”

Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”

Says Tanner, “all is not what it seems.”

So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.

Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.

While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.

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