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Music of the season

Gay productions among upcoming holiday concerts and shows

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Wolf Trap’s Holiday Sing-A-Long, featuring the U.S. Marine band and members of local choirs and vocal groups is Dec. 4. (Photo by Sam Kittner, courtesy Wolf Trap)

The holiday season has officially begun with Thanksgiving over and it’s time for holiday concerts and shows. Washington and the region have a rich bounty slated — you could go to concerts almost every night between now and Christmas and still not see everything.

The Gay Men’s Chorus of Washington has its annual holiday concert, “Red & Greene,” for four performances from Dec. 16-18 at Lisner Auditorium (730 21st St., N.W.) featuring Ellen Greene, Broadway’s original Audrey from “Little Shop of Horrors.” Tickets range from $25 to $50 and can be purchased at gmcw.org.

The Gay Men’s Chorus will also be joining Metropolitan Community Church of Washington for its “Joy All Over the World” Christmas concert at Lincoln Theater on Dec. 3. Oleta Adams will make a special appearance. Orchestra seats are $30; balcony seats are $20. This is lesbian music minister Shirli Hughes’ swan song with the church. Go to mccdc.com for more information or ticketmaster.com for tickets.

Wolf Trap (1645 Trap Rd.) in Vienna has two holiday shows coming up. Starting Wednesday is Steve Solomon’s “My Mother’s Italian, My Father’s Jewish & I’m Home for the Holidays.” Solomon uses impersonations to tell the story of a family reunion in his one-man show, the longest running one-man show in Broadway history. The show runs through Dec. 2. Tickets are $32 and can be purchased online at wolftrap.org.

Dec. 4 brings Wolf Trap’s free annual holiday sing-a-long featuring Christmas carols and Hanukkah songs by choir and vocal groups and the United States Marine Band.

The Kennedy Center (2700 F St., N.W.) has a bevy of different holiday performances and events coming up in December.

The American Ballet Theatre will be performing “The Nutcracker” from Dec. 8-11 featuring the Kennedy Center Opera House Orchestra, the Norwood Middle School Choir and the National Cathedral School Choir. Tickets range from $45 to $150.

The National Symphony Orchestra, conducted by Matthew Halls, will be performing Handel’s “Messiah” starting Dec. 15. The show will run through Dec. 18 and tickets range from $20 to $85.

Before the Orchestra’s performance, the Kennedy Center will have Yvonne Caruthers give a comprehensive history of “Messiah” performances throughout the years in “Searching for the Real Messiah” on Dec. 10 at 2 p.m. Tickets are $15.

Tickets for all Kennedy Center performances can be purchased online at kennedy-center.org.

The Cantate Chamber Singers will be giving their “Holiday in Venice” concert on Dec, 11 at St. Mark Episcopal Church (118 3rd St., S.E.) at 3 p.m.

If too much “Messiah”/”Nutcracker”-type traditionalism has you reaching for the eggnog, there are some less reverential offerings as well.

Gay filmmaker John Waters brings his eponymous Christmas show to the Birchmere on Dec. 18. Tickets are $45 at birchmere.com.

And the Kinsey Sicks, a “dragapella” beauty-shop quartet, are back in D.C. with their show “Oy Vey in a Manger” at Theater J (1529 16th St., N.W.) for four performances from Dec. 24-26. Tickets range from $25 to $65 and can be purchased online at theaterj.org.

The Bohemian Caverns Jazz Orchestra will be performing its holiday concert, “A Bohemian Christmas,” featuring holiday favorites re-imagined with a jazz bent, at The Mansion at Strathmore (10701 Rockville Pike) in North Bethesda on Dec. 18 at 5:30 and 7:30 p.m. Tickets are $20.

Grammy Award nominee Dave Koz, who’s gay, is coming to the Music Center at Strathmore (5301 Tuckerman Lane) in North Bethesda on Dec. 5 for his Christmas tour with special guests Rick Braun, Jonathan Butler and Candy Dulfer. The concert will feature songs from Koz’s holiday albums. The concert begins at 8 p.m. and tickets range from $38 to $72.

The Baltimore Symphony Orchestra will be performing “Holiday Cirque de la Symphonie” on Dec. 8 at the Music Center at 8 p.m. The concert will be performed on and above the stage.

The orchestra will also perform Handel’s “Messiah” on Dec. 3 at 8 p.m. featuring Edward Polochick and concert artists of Baltimore Symphonic Chorale.

Tickets for both Orchestra performances range from $28 to $88.

The National Philharmonic will also be performing Handel’s “Messiah” with two performances on Dec. 10 and 11 featuring Stan Engebretson conducting. Kids from 7 to 17 can attend this concert for free. Tickets range from $32 to $79. There will also be a free lecture before the concert on Dec. 10.

On Dec. 12, Pink Martini (featuring Thomas Lauderdale, who’s openly gay) will be performing at the Music Center at 8 p.m. Tickets range from $55 to $125 and can be purchased online at ticketmaster.com. All Strathmore tickets can be purchased online at Strathmore.org unless otherwise noted.

The BlackRock Center for the Arts (12901 Town Commons Drive) in Germantown will have the “Lift Every Voice: A Holiday Gospel Celebration” concert on Dec.3 at 8 p.m. featuring vocal performances by Solomon Howard, EXTOL and Nischka Higginbotham. Tickets are $25 and can be purchased online at blackrockcenter.org.

The Olney Theater (2001 Olney-Sandy Spring Rd.) has two holiday shows coming up in December. First up is “The Nutcracker” starting Dec. 9 and running through Dec. 24. This is the Olney Ballet Theatre’s 50th anniversary production of the show. And starting Dec. 14, Paul Morella returns to Olney with his performance of “A Christmas Carol: A Ghost Story of Christmas.” Tickets for all shows at Olney start at $26 and can be purchased by calling the box office at 301-924-3400.

The Christ Church Episcopal (118 N. Washington St.) in Alexandria has “A Festival of Nine Lessons and Carols” on Dec. 4 at 5 p.m. The traditional service will feature hymns and anthems, including music by gay composters Joel Martinson, Richard Webster and David Ashley White. This is a free event, but an offering will be taken to benefit the music program at Mount Vernon Woods Elementary School. A wine-and-cheese reception will follow the performance.

D.C. Different Drummers’ holiday concert is Dec. 11 at the Columbia Heights Education Campus Auditorium (3101 16th St., N.W.) at 3 p.m. The performance will include music from D.C. Swing!, the Capitol Pride Symphonic Band and several of the groups small ensembles, almost all of whom are LGBT. Tickets to the concert are $21 for adults and $11 for students and seniors and can be purchased online at dcdd.org.

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Theater

Ford’s ‘First Look’ festival showcases three new productions

A chance to enjoy historical dramas for free before they’re completed

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José Carrasquillo, director of Artistic Programming at Ford's Theatre (Photo by Paolo Andres Montenegro)

The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org

When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings. 

“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”

This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.

The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp. 

“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo. 

Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping. 

“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves. 

Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026. 

“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.” 

At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored. 

For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”

One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season. 

Increasingly, the readings at Ford’s have become popular with both artists and audiences. 

At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone. 

Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work. 

Is this year’s festival queer influenced? Yes, both by those involved and the topics explored. 

Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us. 

“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”

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Bars & Parties

Mid-Atlantic Leather kicks off this week

Parties, contests, vendor expo and more planned for annual gathering

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.

This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.

There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle. 

For more details, visit MAL’s website

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Photos

PHOTOS: ‘ICE Out For Good’

Demonstrators protest ICE across country following shooting

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D.C. shadow representative Oye Owolewa speaks at a rally outside of the White House on Saturday, Jan. 10. (Washington Blade photo by Michael Key)

A protest was held outside of the White House on Saturday following the killing of Renee Nicole Good by a U.S. Immigration and Customs Enforcement agent in Minneapolis. Across the Potomac, picketers held signs calling for “Justice for Renee” in Tysons, Va.

“ICE Out For Good” demonstrations were held in cities and towns across the country, according to multiple reports. A march was held yesterday in Washington, D.C., as the Blade reported. Further demonstrations are planned for tomorrow.

(Washington Blade photos by Michael Key)

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