Arts & Entertainment
Music of the season
Gay productions among upcoming holiday concerts and shows
Wolf Trap’s Holiday Sing-A-Long, featuring the U.S. Marine band and members of local choirs and vocal groups is Dec. 4. (Photo by Sam Kittner, courtesy Wolf Trap)
The holiday season has officially begun with Thanksgiving over and it’s time for holiday concerts and shows. Washington and the region have a rich bounty slated — you could go to concerts almost every night between now and Christmas and still not see everything.
The Gay Men’s Chorus of Washington has its annual holiday concert, “Red & Greene,” for four performances from Dec. 16-18 at Lisner Auditorium (730 21st St., N.W.) featuring Ellen Greene, Broadway’s original Audrey from “Little Shop of Horrors.” Tickets range from $25 to $50 and can be purchased at gmcw.org.
The Gay Men’s Chorus will also be joining Metropolitan Community Church of Washington for its “Joy All Over the World” Christmas concert at Lincoln Theater on Dec. 3. Oleta Adams will make a special appearance. Orchestra seats are $30; balcony seats are $20. This is lesbian music minister Shirli Hughes’ swan song with the church. Go to mccdc.com for more information or ticketmaster.com for tickets.
Wolf Trap (1645 Trap Rd.) in Vienna has two holiday shows coming up. Starting Wednesday is Steve Solomon’s “My Mother’s Italian, My Father’s Jewish & I’m Home for the Holidays.” Solomon uses impersonations to tell the story of a family reunion in his one-man show, the longest running one-man show in Broadway history. The show runs through Dec. 2. Tickets are $32 and can be purchased online at wolftrap.org.
Dec. 4 brings Wolf Trap’s free annual holiday sing-a-long featuring Christmas carols and Hanukkah songs by choir and vocal groups and the United States Marine Band.
The Kennedy Center (2700 F St., N.W.) has a bevy of different holiday performances and events coming up in December.
The American Ballet Theatre will be performing “The Nutcracker” from Dec. 8-11 featuring the Kennedy Center Opera House Orchestra, the Norwood Middle School Choir and the National Cathedral School Choir. Tickets range from $45 to $150.
The National Symphony Orchestra, conducted by Matthew Halls, will be performing Handel’s “Messiah” starting Dec. 15. The show will run through Dec. 18 and tickets range from $20 to $85.
Before the Orchestra’s performance, the Kennedy Center will have Yvonne Caruthers give a comprehensive history of “Messiah” performances throughout the years in “Searching for the Real Messiah” on Dec. 10 at 2 p.m. Tickets are $15.
Tickets for all Kennedy Center performances can be purchased online at kennedy-center.org.
The Cantate Chamber Singers will be giving their “Holiday in Venice” concert on Dec, 11 at St. Mark Episcopal Church (118 3rd St., S.E.) at 3 p.m.
If too much “Messiah”/”Nutcracker”-type traditionalism has you reaching for the eggnog, there are some less reverential offerings as well.
Gay filmmaker John Waters brings his eponymous Christmas show to the Birchmere on Dec. 18. Tickets are $45 at birchmere.com.
And the Kinsey Sicks, a “dragapella” beauty-shop quartet, are back in D.C. with their show “Oy Vey in a Manger” at Theater J (1529 16th St., N.W.) for four performances from Dec. 24-26. Tickets range from $25 to $65 and can be purchased online at theaterj.org.
The Bohemian Caverns Jazz Orchestra will be performing its holiday concert, “A Bohemian Christmas,” featuring holiday favorites re-imagined with a jazz bent, at The Mansion at Strathmore (10701 Rockville Pike) in North Bethesda on Dec. 18 at 5:30 and 7:30 p.m. Tickets are $20.
Grammy Award nominee Dave Koz, who’s gay, is coming to the Music Center at Strathmore (5301 Tuckerman Lane) in North Bethesda on Dec. 5 for his Christmas tour with special guests Rick Braun, Jonathan Butler and Candy Dulfer. The concert will feature songs from Koz’s holiday albums. The concert begins at 8 p.m. and tickets range from $38 to $72.
The Baltimore Symphony Orchestra will be performing “Holiday Cirque de la Symphonie” on Dec. 8 at the Music Center at 8 p.m. The concert will be performed on and above the stage.
The orchestra will also perform Handel’s “Messiah” on Dec. 3 at 8 p.m. featuring Edward Polochick and concert artists of Baltimore Symphonic Chorale.
Tickets for both Orchestra performances range from $28 to $88.
The National Philharmonic will also be performing Handel’s “Messiah” with two performances on Dec. 10 and 11 featuring Stan Engebretson conducting. Kids from 7 to 17 can attend this concert for free. Tickets range from $32 to $79. There will also be a free lecture before the concert on Dec. 10.
On Dec. 12, Pink Martini (featuring Thomas Lauderdale, who’s openly gay) will be performing at the Music Center at 8 p.m. Tickets range from $55 to $125 and can be purchased online at ticketmaster.com. All Strathmore tickets can be purchased online at Strathmore.org unless otherwise noted.
The BlackRock Center for the Arts (12901 Town Commons Drive) in Germantown will have the “Lift Every Voice: A Holiday Gospel Celebration” concert on Dec.3 at 8 p.m. featuring vocal performances by Solomon Howard, EXTOL and Nischka Higginbotham. Tickets are $25 and can be purchased online at blackrockcenter.org.
The Olney Theater (2001 Olney-Sandy Spring Rd.) has two holiday shows coming up in December. First up is “The Nutcracker” starting Dec. 9 and running through Dec. 24. This is the Olney Ballet Theatre’s 50th anniversary production of the show. And starting Dec. 14, Paul Morella returns to Olney with his performance of “A Christmas Carol: A Ghost Story of Christmas.” Tickets for all shows at Olney start at $26 and can be purchased by calling the box office at 301-924-3400.
The Christ Church Episcopal (118 N. Washington St.) in Alexandria has “A Festival of Nine Lessons and Carols” on Dec. 4 at 5 p.m. The traditional service will feature hymns and anthems, including music by gay composters Joel Martinson, Richard Webster and David Ashley White. This is a free event, but an offering will be taken to benefit the music program at Mount Vernon Woods Elementary School. A wine-and-cheese reception will follow the performance.
D.C. Different Drummers’ holiday concert is Dec. 11 at the Columbia Heights Education Campus Auditorium (3101 16th St., N.W.) at 3 p.m. The performance will include music from D.C. Swing!, the Capitol Pride Symphonic Band and several of the groups small ensembles, almost all of whom are LGBT. Tickets to the concert are $21 for adults and $11 for students and seniors and can be purchased online at dcdd.org.
Theater
José Zayas brings ‘The House of Bernarda Alba’ to GALA Hispanic Theatre
Gay Spanish playwright Federico García Lorca wrote masterpiece before 1936 execution
‘The House of Bernarda Alba’
Through March 1
GALA Hispanic Theatre
3333 14th St., N.W.
$27-$52
Galatheatre.org
In Federico García Lorca’s “The House of Bernarda Alba,” now at GALA Hispanic Theatre in Columbia Heights, an impossibly oppressive domestic situation serves, in short, as an allegory for the repressive, patriarchal, and fascist atmosphere of 1930s Spain
The gay playwright completed his final and arguably best work in 1936, just months before he was executed by a right-wing firing squad. “Bernarda Alba” is set in the same year, sometime during a hot summer in rural Andalusia, the heart of “España profunda” (the deep Spain), where traditions are deeply rooted and mores seldom challenged.
At Bernarda’s house, the atmosphere, already stifling, is about to get worse.
On the day of her second husband’s funeral, Bernarda Alba (superbly played by Luz Nicolás), a sixtyish woman accustomed to calling the shots, gathers her five unmarried daughters (ages ranging from 20 to 39) and matter-of-factly explain what’s to happen next.
She says, “Through the eight years of mourning not a breeze shall enter this house. Consider the doors and windows as sealed with bricks. That’s how it was in my father’s house and my grandfather’s. Meanwhile, you can embroider your trousseaux.”
It’s not an altogether sunny plan. While Angustias (María del Mar Rodríguez), Bernarda’s daughter from her first marriage and heiress to a fortune, is betrothed to a much younger catch, Pepe el Romano, who never appears on stage, the remaining four stand little chance of finding suitable matches. Not only are they dowry-less, but no men, eligible or otherwise, are admitted into their mother’s house.
Lorca is a literary hero known for his mastery of both lyrical poetry and visceral drama; still, “Bernarda Alba’s” plotline might suit a telenovela. Despotic mother heads a house of adult daughters. Said daughters are churning with passions and jealousies. When sneaky Martirio (Giselle Gonzáles) steals the photo of Angustias’s fiancé all heck kicks off. Lots of infighting and high drama ensue. There’s even a batty grandmother (Alicia Kaplan) in the wings for bleak comic relief.
At GALA, the modern classic is lovingly staged by José Zayas. The New York-based out director has assembled a committed cast and creative team who’ve manifested an extraordinarily timely 90-minute production performed in Spanish with English subtitles easily ready seen on multiple screens.
In Lorca’s stage directions, he describes the set as an inner room in Bernarda’s house; it’s bright white with thick walls. At GALA, scenic designer Grisele Gonzáles continues the one-color theme with bright red walls and floor and closed doors. There are no props.
In the airless room, women sit on straight back chairs sewing. They think of men, still. Two are fixated on their oldest siter’s hunky betrothed. Only Magdelena (Anna Malavé), the one sister who truly mourns their dead father, has given up on marriage entirely.
The severity of the place is alleviated by men’s distant voices, Koki Lortkipanidze’s original music, movement (stir crazy sisters scratching walls), and even a precisely executed beatdown choreographed by Lorraine Ressegger-Slone.
In a short yet telling scene, Bernarda’s youngest daughter Adela (María Coral) proves she will serve as the rebellion to Bernarda’s dictatorship. Reluctant to mourn, Adela admires her reflection. She has traded her black togs for a seafoam green party dress. It’s a dreamily lit moment (compliments of lighting designer Hailey Laroe.)
But there’s no mistaking who’s in charge. Dressed in unflattering widow weeds, her face locked in a disapproving sneer, Bernarda rules with an iron fist; and despite ramrod posture, she uses a cane (though mostly as a weapon during one of her frequent rages.)
Bernarda’s countenance softens only when sharing a bit of gossip with Poncia, her longtime servant convincingly played by Evelyn Rosario Vega.
Nicolás has appeared in “Bernarda Alba” before, first as daughter Martirio in Madrid, and recently as the mother in an English language production at Carnegie Melon University in Pittsburgh. And now in D.C. where her Bernarda is dictatorial, prone to violence, and scarily pro-patriarchy.
Words and phrases echo throughout Lorca’s play, all likely to signal a tightening oppression: “mourning,” “my house,” “honor,” and finally “silence.”
As a queer artist sympathetic to left wing causes, Lorca knew of what he wrote. He understood the provinces, the dangers of tyranny, and the dimming of democracy. Early in Spain’s Civil War, Lorca was dragged to the the woods and murdered by Franco’s thugs. Presumably buried in a mass grave, his remains have never been found.
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(Washington Blade photos by Michael Key)
Sweat DC is officially expanding to Shaw, opening a new location at 1818 7th St., N.W., on Saturday, March 28 — and they’re kicking things off with a high-energy, community-first launch event.
To celebrate, Sweat DC is hosting Sweat Fest, a free community workout and social on Saturday, March 14, at 10 a.m. at the historic Howard Theatre. The event features a group fitness class, live DJ, local food and wellness partners, and a mission-driven partnership with the Open Goal Project, which works to expand access to youth soccer for players from marginalized communities.
For more details, visit Sweat DC’s website and reserve a spot on Eventbrite.
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