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Fiennes’ fine film

Actor-turned-director gives bold, homoerotic spin on Shakespeare classic

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The final image in Ralph Fiennes’ fine adaptation of Shakespeare’s “Coriolanus” is riveting — two men in a war-torn landscape locked in a deadly embrace. Their final coupling sums up the passionate love-hate relationship and the series of personal and political betrayals that have led them to this fatal climax.

One of the men is the Roman general Caius Martius (played by director Fiennes) and the other is his sworn enemy, the Volscian leader Tullus Aufidius (played with brooding intensity by Gerard Butler, probably best known to gay audiences as the title character in the movie version of “The Phantom of the Opera” and the buff, scantily clad Spartan general in “300.”) When the movie opens, Martius is at the top of his game. He brutally but effectively suppresses an uprising by the starving plebians and almost single-handedly halts an attack on Rome by the Volscian army. (He is given the honorific Coriolanus to mark his conquest of the Volscian city of Corioles.) The tables turn, however, when his mother and their well-meaning patrician friends try to push the warrior into a political career. The skills that serve him so well on the battlefield (rage, invective, decisive action, foolhardy risk-taking) fail him in the public sphere. The fallen war hero is banished from Rome and joins forces with his former Volscian enemies.

Screenwriter John Logan (Gladiator) does an excellent job of streamlining and updating Shakespeare’s timeless and timely tale. He and Fiennes present the story in a modern-day setting yet retain the richness of Shakespeare’s language, story and characters. The text is tidily trimmed throughout, but the only major excision is the famous fable of the belly, a charming parable used to keep the lower classes in check. Several expository scenes and messenger speeches are transferred with great facility to television anchors and pundits (on the wittily named Fideles TV). Battle scenes were shot in Belgrade and most of the secondary roles are filled by Serbian actors. Cinematographer Barry Atkinson (who worked with Fiennes on the award-winning The Hurt Locker) captures the noise, rage, terror and brutality of contemporary warfare in horribly effective detail. The savage intensity of the battle scenes contrasts nicely with the suave treachery of the political scenes.

Fiennes and Logan also follow Shakespeare in highlighting the homosocial bonds between the politicians and the soldiers and the explicitly homoerotic nature of the relationship between Coriolanus and Aufidius. Soldiers routinely greet each other by declaring they are happier to see their returning colleagues than they ever were to see their wives. Politicians taunt each other with charges of feminine or boyish behavior. Aufidius declares that Coriolanus is his enemy, yet welcomes him gladly to the Volscian camp. Under Fiennes’ assured direction, the two men literally cannot keep their hands off each other, yet they cannot stop battling for dominance. Their smoldering glances burn up the screen and their scary fight scenes only stop when one of the participants loses consciousness.

Fiennes’ focus on the homosocial and misogynistic world of the battlefield and the halls of power (in this case, smoke-filled bars, marble hearing rooms and brightly lit television studios) give a clear context for Vanessa Redgrave’s chilling performance of Coriolanus’ monstrous mother Volumnia, clearly one of the most intelligent people in this Rome, but there she has no effective outlet for her brains or passion. Instead of participating in the great events at the Capitol, she is forced to watch them unfold on TV. Her thwarted ambition is poured into her son, an inadequate vessel for her grand dreams, and the result is tragedy. Redgrave shines in every scene, whether chastising her daughter-in-law for her fears, tenderly dressing her son’s wounds, attacking the opposition or pleading with her son to return to Rome. The picture of Redgrave as Volumnia giddily applauding her warrior son while wearing the same junior military uniform as her young grandson is an unforgettable image of the societal price of sexism.

The rest of the cast is also uniformly strong. Brian Cox (Menenius) and John Kani (Cominius) give nuanced performances as leaders of the patrician party and they are well matched by the oily Tribunes of the People, James Nesbitt (Sicinius) and Paul Jesson (Brutus). Newcomer Jessica Chastain (“The Help”), one of the breakout performers of 2011, makes a surprisingly vivid impression as Coriolanus’ wife Virgilia, who he describes as “my gracious silence.”

For many years, “Coriolanus” was rarely produced, although there has been a resurgence of interest in the play in recent years. Shakespeare’s tricky political tale is very well-served by first-time director Ralph Fiennes (who has played the role onstage). He deserves extra credit for highlighting the homoerotic undertones that many directors shy away from, especially since the end result is a nuanced and fascinating portrayal of thwarted ambition, military bravado and political treachery. This is not a warm and fuzzy film, but it is a compelling and important one.

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PHOTOS: Front Royal Pride

Third annual LGBTQ celebration held in Virginia town

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Sal Chichone sings at Front Royal Pride 2026. (Washington Blade photo by Michael Key)

The third annual Front Royal Pride was held at the Main Street Gazebo in Front Royal, Va. on Saturday, July 25.

(Washington Blade photos by Michael Key)

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a&e features

Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Theater

D.C. summer theater offers something for every taste

From family fare to ‘Brontë Sister House Party’

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Sabrina Mandell and Alex Vernon in Happenstance Theatre's production of ‘Adrift: A Medieval Wayward Folly.’ (Photo by Leah Huete)

Staycation doesn’t preclude time travel.

For instance, Happenstance Theater’s production of “Adrift: A Medieval Wayward Folly” now playing at Round House Theatre in Bethesda invites audiences to go somewhere familiar but far from home. 

A timely piece of theater, “Adrift” takes place shortly after an apocalypse, prompting a group of seafaring fools to ask “What do we do now?” 

What ensues is a gorgeously lit glimpse into the dark ages bursting with slapstick comedy and high art. Characters and mise-en-scène are inspired by the late Middle Ages/early Renaissance paintings of Hieronymus Bosch, and archetypes from the Tarot. Bosch’s surreal heaven and hellscapes are brought to life with music, devised and existing text, puppetry, and movement.

Sabrina Mandell, Happenstance’s charming co-artistic director and bona fide “visionary tornado” describes Happenstance, now marking its twentieth anniversary season, as small and agile, more interested in sustainability than growth. “It’s served us well. Our goal has never been to own a building,” she adds.

Over the years, the company has fostered an ensemble (Mandell, co-artistic director Mark Jaster, Gwen Grastorf, Sarah Olmsted Thomas, and Alex Vernon), an immensely creative team. In addition to performing, each member contributes in various ways: puppet making, social media, props, etc.

They play off each other endlessly. (“Sort of like the Carol Burnett Show only different?” I ask.  “Exactly.” she agrees. They’ve been through a lot and have formed common vocabulary. Nostalgia buffs, they enjoy old films, art movements, and historical eras. The vibe is eccentric and there’s a bit of queer sensibility.

The two-time Helen Hayes Award winner for costume design, does it all — props and costumes and marketing. In “Adrift,” she plays both the oracle and a crone. 

Mandell was born on the coast of Nova Scotia, Canada, the daughter of artists, and later lived in Montreal. As a young woman, she worked on schooners. For Mandell, it’s been a magical life filled with visuals marvels, she says. 

When Happenstance begins rehearsal, there’s no fixed script: “We choose a territory and everyone does a deep dive. I’m interested in alchemy, the Tarot, mortality, and the Shaministic roots of theater. All of which are well represented in this production.” 

The experience is also immersive. Audiences are encouraged to pose questions to the oracle. Much is whimsical, and in true Medieval fashion the 85-minute show is not without a hellmouth (the jaws of hell) and plenty of demons. Happenstancetheater.org 

For staycationing kids, there’s “Pete the Cat: A Live Rock Musical” (through Aug. 2) at Imagination Stage in Bethesda. Follow Pete (played by Michael Perrie Jr.) and the Biddle family as they rock out in a fast-paced, globe-trotting musical based on the massively popular children’s book series. Imaginationstage.org

There’s more family theater at Glen Echo Park in Maryland. Adventure Theatre MTC puts a spin on beloved fairytale with “Sleeping Beauty: The Time Traveler” (through Aug. 9). A humdrum summer changes when a young Rolly (Carl L. Williams) is whisked back in time to the Age of Charlemagne where he meets Aurora (Chelsea Majors), a bold 12-year-old princess with dreams of knighthood and adventure beyond her castle walls. (Chelsea Majors). Adventuretheatre-mtc.org

Also at Glen Echo Park, The Puppet Co. presents “The Three Billy Goats Gruff” (through Aug. 23), ideal for kids 4+ and puppet aficionados of all ages. Thepuppetco.org 

Broadway at the National on Pennsylvania Avenue presents “The Notebook” (through Aug. 30). Based on Nicholas Sparks’s best-selling novel that inspired the successful film, this romantic musical tells the story of unlikely couple Allie and Noah, who against all odds (hardship, separation, and Alzheimer’s disease) share a lifetime of love. Broadwayatthenational.com 

In Vienna, Va., Wolf Trap takes you to Rome circa 1800 with Puccini’s “Tosca” (Aug. 4) presented by Wolf Trap Opera, in collaboration with the Washington National Opera Orchestra. 

Following Puccini it’s a magical summer night with Diana Ross (Aug. 19). Expect to hear the superstar and two-time Grammy Lifetime Achievement Award winner perform many of her iconic hits including “I’m Coming Out,” “Ain’t No Mountain High Enough,” “Stop in the Name of Love” and more. Wolftrap.org 

Nu Sass, a company that promotes marginalized genders in all aspects of theater, presents Courtney Bailey’s “Brontë Sister House Party” (Aug. 14-Sept. 12) at Van Ness on Main Street (4340 Connecticut Ave., NW). In life, the Brontë Sisters, Emily, Charlotte, and Anne, wrote their 19th century English lit classics in the virtual isolation of their father’s remote York parsonage. Now, stuck in purgatory, they’re suffering through party after party in an endless time loop. For them, hosting is truly hell, until they finally find a way to make it tolerable. Nusass.com

At Olney Theatre Center it’s “A Gentleman’s Guide to Love and Murder” (through Aug. 23), a Tony Award–winning musical farce about murder, manners, and money starring out actor Tom Story as all seven members of the rich, ill-fated D’Ysquith family. This fast-paced comedy promises to be a good time.

The Olney Outdoors summer series (Aug. 9-Sept. 12) also at the ⁠Olney Theatre Center features tribute bands, cabaret-style performances, comedy, drag, and family sing-alongs on the open-air Root Family Stage. Among the transportive tribute bands are “Space Oddity – The Ultimate David Brighton Bowie Experience” (Aug. 28) and for Labor Day weekend, it’s “Almost Queen” (Sept. 5) with Joseph Russo playing the band’s front man and queer icon Freddie Mercury. Olneytheatre.org 

Signature Theatre in Arlington presents “Respect: Aretha Franklin” (Aug. 11-30), a musical tribute celebrating the Queen of Soul starring powerhouse performer Nova Y. Payton. Not to be missed. Sigtheatre.org  

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