National
Griffin says LGBT youth will motivate him at HRC
Activist wants Obama to endorse marriage equality, issue ENDA exec order
Chad Griffin has an image in mind as he prepares for his role to become the new president of the Human Rights Campaign: young LGBT Americans who lie awake in bed at night worrying about their future.
Griffin, a Los Angeles-based activist who has a long career in progressive advocacy and roots on both the East and West Coast, said growing up in a small town in Arkansas he identified as that young person who couldn’t acknowledge or be open about who he was.
“Some people know me as a guy who lives in L.A. and used to live in Washington, but my entire childhood was in Arkansas, and it’s where my entire family lives today,” Griffin said.
Griffin said his motivation over the next few years at HRC will be to impact the lives of “that young kid, the young student, who lives in Fresno or Bakersfield or Arkansas, or Washington, D.C., for that matter.”
“The fact that every single night, where we all have very lucky lives and live in places where we’re accepted, there are thousands, if not millions, of kids who go to bed every night staring at the ceiling — something that so many of us all did — not being able to go to sleep out of fear of waking up the next day and facing that next day,” Griffin said.
Griffin spoke with the Washington Blade over the phone from Dulles Airport as he awaited his flight back to Los Angeles. He was on his way to attend on Saturday Dustin Lance Black’s play ‘8,’ which is about the enactment of Proposition 8 in California.
The new HRC president, who’s set to take on his role in June, comes to the organization after having started and served as board president for the American Foundation for Equal Rights. The group, founded in 2009, is responsible for the ongoing litigation against California’s marriage ban.
During the interview, Griffin was hesitant to talk about specific policies he’d like to pursue, noting Joe Solmonese is still running HRC, but said he wants to continue the positive change the LGBT community has seen over the past few years.
“It means changes in the workplaces, changes at the state and local level, and, obviously, it means significant policy changes at the federal level,” Griffin said. “So much has been accomplished over the past several years, but we’re not finished. And that kid is still waking up staring at the ceiling because he or she lives in a country where their government directly and intentionally discriminates against them.”
Griffin said his sense of urgency will be his top challenge at the helm of HRC, saying, “If in fact patience is a virtue, it’s a virtue I do not possess. I voice frustration consistently at the pace at which we make progress.”
“If you were to talk to anyone who knows me, I think that they would describe first and foremost my lack of patience and how self-critical I am when I can’t achieve what we need to achieve,” Griffin said.
When he comes to HRC in June, the race for the White House will be well underway, as well as the race for control of Congress. The LGBT community will see measures on marriage in Minnesota and Maine, and possibly Washington State and Maryland. (The anti-gay ballot measure in North Carolina is set for a vote in May prior to when Griffin will take over HRC.)
Griffin said he has a background as a political strategist and is used to working behind-the-scenes, developing campaign plans and executing them.
“If you’re going to win the war, you’ve got to fight the battle on every single front,” Griffin said. “So that’s at the federal level. It’s on the state and local level. With any campaign, with limited resources, you have to be smart about your investments and about your plan, but I am not one who believes we should forego any avenues of victory.”
The incoming HRC president also comes into the role as many critics contend HRC has been too cozy with the Obama administration and too afraid to criticize Democratic lawmakers.
Griffin said observers should look to his previous work to discover that he’s “not one who’s shy about disagreeing with friends and colleagues” when he believes they’re wrong.
“I have a long record in that and think that’s the best way to judge how I will act,” Griffin said. “I’m not one who is thought to be shy or easily intimidated, and you typically will always know what I’m thinking and how I feel.”
Asked about criticism that HRC caters too much to more affluent members of the LGBT community by hosting black-tie dinners while others in the community feel left behind, Griffin said the organization’s outreach will be inclusive.
“LGBT people comes in all ages, all religions, all political affiliations, all colors,” Griffin said. “They are all part of the inclusion strategy and they are my motivation.”
Griffin said he’s on board with two major asks for President Obama from the LGBT community: an endorsement of same-sex marriage and an executive order requiring federal contractors to have LGBT-inclusive non-discrimination policies.
“I fundamentally believe that not only the president but our members of Congress and all of our leaders should support marriage equality, and we should do everything in our power to get them to that position,” Griffin said.
Griffin called the proposed directive for federal contractors “something that should happen, and should happen as quickly as possible,” but said it’s only the first step and passage of the Employment Non-Discrimination Act is necessary.
“It’s so frustrating that we’re in a country where we still don’t have an inclusive ENDA,” Griffin said. “That is something that has to remain a priority, but I would think that the executive order that has been discussed and proposed and pushed forward is a good step and should happen.”
As Griffin takes on his new role, he said the work at AFER against Proposition 8 will continue. The only change, he said, will be that he’s stepping down as board president, although he’ll continue to serve on the board. Griffin said there are no plans to absorb AFER into HRC.
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
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