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Showdown over an ‘R’ rating

New documentary on bullying leads lesbian teen on a mission

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A promotional still from the film ‘Bully.’ (Photo courtesy the Weinstein Co.)

Katy Butler, 17, launched a Change.org petition to change the rating for the upcoming documentary “Bully” and was in D.C. last week to bring attention to her cause.

“When I saw this new movie was coming out, I thought it was so awesome, because it was about bullying and had such a great message, and then I saw that it was rated ‘R’ … it’s missing the entire target audience of the film, which is the middle and high school students,” Butler says about why she started the petition.

Filmed over the 2009-10 school year, “Bully,” directed by Lee Hirsch, follows three students who have been bullied, including one who brought a gun to school and is now in juvenile detention awaiting the outcome of her case, and two sets of parents whose sons committed suicide after being bullied.

The film’s website, thebullyproject.com, states that more than 13 million American kids will be bullied this year and three million students are absent each month because they do not feel safe in school. A disproportionate number of them are LGBT.

According to filmratings.com, a website the Motion Picture Association of America links to, “Bully” received an ‘R’ rating for “some language.” The word “fuck” is used multiple times in the film.

According to the MPAA’s classification and rating rules effective, Jan. 1, 2010, “a motion picture’s single use of one of the harsher sexually derived words … initially requires at least a PG-13 rating. More than one such expletive requires an R rating, as must even one of those words used in a sexual context.”

One of the complaints about the rating is the difficulty pre-teens and most teenagers will have in seeing the film. While an R rating does not keep them from seeing the movie altogether, it does restrict when they can see it, since they will need a parent with them.

It is also more difficult to get schools to show R-rated films, as it requires permission slips to be signed in many school districts.

“The R rating is not a judgment on the value of any movie. The rating simply conveys to parents that a film has elements strong enough to require careful consideration before allowing their children to view it,” Joan Graves, chairman of the classification and rating administration, said in a statement released after receiving the petition.

Butler, who came out as a lesbian in middle school, has been the victim of bullying herself.

“My school didn’t really like that, they called me names … pushed me into lockers and into walls, they ended up slamming my hand into my locker and breaking my finger,” Butler says.

Some have asked why the filmmakers don’t just remove the scenes with the expletives, or censor just the word, since many say if the word was used more sparingly, the film would have received a PG-13 rating, but Butler doesn’t think that would help matters.

“They can’t take out the word, it won’t have the same message. It won’t have the same effect on the kids, parents and teachers who see this movie,” Butler says. “Those are the words that kids used everyday in school to bully each other … no one goes into schools and takes out those words.”

The MPAA also hosted a screening with D.C.-area principals and educators on March 15. The screening was followed by a panel discussion on the challenges educators face in dealing with bullying and how to best ensure that students feel safe when they are in school.

MPAA Chairman Chris Dodd (a former U.S. senator), “Bully” distributor Harvey Weinstein, “Bully” director Lee Hirsch, D.C. Public Schools Chancellor Kaya Henderson and Joseph Wright, senior vice president and head of the Child Health Advocacy Institute at Children’s National Medical Center in Washington, were on the panel.

As of Tuesday afternoon, Butler’s petition had garnered about 439,000 signatures.

Graves’s statement said that the MPAA shares Butler’s goal of highlighting the problems with bullying.

“Katy Butler’s efforts in bringing the issue of bullying to the forefront of a national discussion in the context of this new film are commendable and we welcome the feedback about this movie’s rating,” Graves said in the statement. “We hope that her efforts will fuel more discussion among educators, parents and children.”

Butler has met with the head of the ratings board, when she hand delivered the signed petitions.

Katy Butler was in Washington last week to encourage the MPAA to reconsider its R rating for the new documentary ‘Bully.’ (Blade photo by Michael Key)

Butler’s efforts to change the rating have been noticed by many, including Ellen DeGeneres, who had Butler on her talk show and has asked her viewers to follow her lead and sign the petition.

“Ellen is wonderful, she is one of my roles models,” Butler says of the comedian. “I definitely couldn’t be doing what I’m doing right now without her.”

DeGeneres is not the only celebrity to push for the MPAA to change the rating. New Orleans Saints quarterback Drew Brees has Tweeted for his followers to sign the petition. A bipartisan group of 26 members of Congress has thrown its support behind the petition.

Younger celebrities, such as Justin Beiber and Demi Lovato, have also been pushing for people to sign the petition, Tweeting about it to their many followers.

“I think [Bieber and Lovato] especially are hitting the preteen, middle school age group because those are their fans,” Butler says. “If your role model is supporting something as important as bullying, then a lot of the time, these kids are going to look at it too.”

Butler will receive a special award, presented by Harvey Weinstein, whose production company is releasing the film, at GLAAD’s 23rd annual Media Awards in New York City on Saturday.

“The MPAA made a mistake in restricting this film to adult audiences. Everyone — young and old alike — needs to see this film and the devastating impact that bullying can have on today’s young people,” says GLAAD spokesperson Herndon Graddick. “Katy has bravely used her voice to take a stand and has inspired countless Americans, including so many members of Congress and public figures, to show their support for the safety of all our children.”

All the advocacy toward changing “Bully’s” rating is just the beginning for this high school junior. Butler plans on studying political activism once she finishes high school. She would like to attend the University of Michigan or a school in the D.C., New York or Chicago areas.

“Bully” opens in theaters in New York and Los Angeles on March 30 and D.C. and other cities on April 13.

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Photos

PHOTOS: WorldPride Street Festival and Closing Concert

Doechii, Khalid among performers

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Doechii performs at the WorldPride Closing Concert on Sunday, June 8. (Washington Blade photo by Michael Key)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.

(Washington Blade photos by Michael Key)

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PHOTOS: WorldPride Parade

Thousands march for LGBTQ rights

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The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals. 

(Washington Blade photos by Michael Key and Robert Rapanut)

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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