Arts & Entertainment
Showdown over an ‘R’ rating
New documentary on bullying leads lesbian teen on a mission
Katy Butler, 17, launched a Change.org petition to change the rating for the upcoming documentary “Bully” and was in D.C. last week to bring attention to her cause.
“When I saw this new movie was coming out, I thought it was so awesome, because it was about bullying and had such a great message, and then I saw that it was rated ‘R’ … it’s missing the entire target audience of the film, which is the middle and high school students,” Butler says about why she started the petition.
Filmed over the 2009-10 school year, “Bully,” directed by Lee Hirsch, follows three students who have been bullied, including one who brought a gun to school and is now in juvenile detention awaiting the outcome of her case, and two sets of parents whose sons committed suicide after being bullied.
The film’s website, thebullyproject.com, states that more than 13 million American kids will be bullied this year and three million students are absent each month because they do not feel safe in school. A disproportionate number of them are LGBT.
According to filmratings.com, a website the Motion Picture Association of America links to, “Bully” received an ‘R’ rating for “some language.” The word “fuck” is used multiple times in the film.
According to the MPAA’s classification and rating rules effective, Jan. 1, 2010, “a motion picture’s single use of one of the harsher sexually derived words … initially requires at least a PG-13 rating. More than one such expletive requires an R rating, as must even one of those words used in a sexual context.”
One of the complaints about the rating is the difficulty pre-teens and most teenagers will have in seeing the film. While an R rating does not keep them from seeing the movie altogether, it does restrict when they can see it, since they will need a parent with them.
It is also more difficult to get schools to show R-rated films, as it requires permission slips to be signed in many school districts.
“The R rating is not a judgment on the value of any movie. The rating simply conveys to parents that a film has elements strong enough to require careful consideration before allowing their children to view it,” Joan Graves, chairman of the classification and rating administration, said in a statement released after receiving the petition.
Butler, who came out as a lesbian in middle school, has been the victim of bullying herself.
“My school didn’t really like that, they called me names … pushed me into lockers and into walls, they ended up slamming my hand into my locker and breaking my finger,” Butler says.
Some have asked why the filmmakers don’t just remove the scenes with the expletives, or censor just the word, since many say if the word was used more sparingly, the film would have received a PG-13 rating, but Butler doesn’t think that would help matters.
“They can’t take out the word, it won’t have the same message. It won’t have the same effect on the kids, parents and teachers who see this movie,” Butler says. “Those are the words that kids used everyday in school to bully each other … no one goes into schools and takes out those words.”
The MPAA also hosted a screening with D.C.-area principals and educators on March 15. The screening was followed by a panel discussion on the challenges educators face in dealing with bullying and how to best ensure that students feel safe when they are in school.
MPAA Chairman Chris Dodd (a former U.S. senator), “Bully” distributor Harvey Weinstein, “Bully” director Lee Hirsch, D.C. Public Schools Chancellor Kaya Henderson and Joseph Wright, senior vice president and head of the Child Health Advocacy Institute at Children’s National Medical Center in Washington, were on the panel.
As of Tuesday afternoon, Butler’s petition had garnered about 439,000 signatures.
Graves’s statement said that the MPAA shares Butler’s goal of highlighting the problems with bullying.
“Katy Butler’s efforts in bringing the issue of bullying to the forefront of a national discussion in the context of this new film are commendable and we welcome the feedback about this movie’s rating,” Graves said in the statement. “We hope that her efforts will fuel more discussion among educators, parents and children.”
Butler has met with the head of the ratings board, when she hand delivered the signed petitions.

Katy Butler was in Washington last week to encourage the MPAA to reconsider its R rating for the new documentary ‘Bully.’ (Blade photo by Michael Key)
Butler’s efforts to change the rating have been noticed by many, including Ellen DeGeneres, who had Butler on her talk show and has asked her viewers to follow her lead and sign the petition.
“Ellen is wonderful, she is one of my roles models,” Butler says of the comedian. “I definitely couldn’t be doing what I’m doing right now without her.”
DeGeneres is not the only celebrity to push for the MPAA to change the rating. New Orleans Saints quarterback Drew Brees has Tweeted for his followers to sign the petition. A bipartisan group of 26 members of Congress has thrown its support behind the petition.
Younger celebrities, such as Justin Beiber and Demi Lovato, have also been pushing for people to sign the petition, Tweeting about it to their many followers.
“I think [Bieber and Lovato] especially are hitting the preteen, middle school age group because those are their fans,” Butler says. “If your role model is supporting something as important as bullying, then a lot of the time, these kids are going to look at it too.”
Butler will receive a special award, presented by Harvey Weinstein, whose production company is releasing the film, at GLAAD’s 23rd annual Media Awards in New York City on Saturday.
“The MPAA made a mistake in restricting this film to adult audiences. Everyone — young and old alike — needs to see this film and the devastating impact that bullying can have on today’s young people,” says GLAAD spokesperson Herndon Graddick. “Katy has bravely used her voice to take a stand and has inspired countless Americans, including so many members of Congress and public figures, to show their support for the safety of all our children.”
All the advocacy toward changing “Bully’s” rating is just the beginning for this high school junior. Butler plans on studying political activism once she finishes high school. She would like to attend the University of Michigan or a school in the D.C., New York or Chicago areas.
“Bully” opens in theaters in New York and Los Angeles on March 30 and D.C. and other cities on April 13.
Photos
PHOTOS: Capital Stonewall Democrats 50th anniversary
D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery
The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.
(Washington Blade photos by Michael Key)
























Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
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