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Showdown over an ‘R’ rating

New documentary on bullying leads lesbian teen on a mission

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A promotional still from the film ‘Bully.’ (Photo courtesy the Weinstein Co.)

Katy Butler, 17, launched a Change.org petition to change the rating for the upcoming documentary “Bully” and was in D.C. last week to bring attention to her cause.

“When I saw this new movie was coming out, I thought it was so awesome, because it was about bullying and had such a great message, and then I saw that it was rated ‘R’ … it’s missing the entire target audience of the film, which is the middle and high school students,” Butler says about why she started the petition.

Filmed over the 2009-10 school year, “Bully,” directed by Lee Hirsch, follows three students who have been bullied, including one who brought a gun to school and is now in juvenile detention awaiting the outcome of her case, and two sets of parents whose sons committed suicide after being bullied.

The film’s website, thebullyproject.com, states that more than 13 million American kids will be bullied this year and three million students are absent each month because they do not feel safe in school. A disproportionate number of them are LGBT.

According to filmratings.com, a website the Motion Picture Association of America links to, “Bully” received an ‘R’ rating for “some language.” The word “fuck” is used multiple times in the film.

According to the MPAA’s classification and rating rules effective, Jan. 1, 2010, “a motion picture’s single use of one of the harsher sexually derived words … initially requires at least a PG-13 rating. More than one such expletive requires an R rating, as must even one of those words used in a sexual context.”

One of the complaints about the rating is the difficulty pre-teens and most teenagers will have in seeing the film. While an R rating does not keep them from seeing the movie altogether, it does restrict when they can see it, since they will need a parent with them.

It is also more difficult to get schools to show R-rated films, as it requires permission slips to be signed in many school districts.

“The R rating is not a judgment on the value of any movie. The rating simply conveys to parents that a film has elements strong enough to require careful consideration before allowing their children to view it,” Joan Graves, chairman of the classification and rating administration, said in a statement released after receiving the petition.

Butler, who came out as a lesbian in middle school, has been the victim of bullying herself.

“My school didn’t really like that, they called me names … pushed me into lockers and into walls, they ended up slamming my hand into my locker and breaking my finger,” Butler says.

Some have asked why the filmmakers don’t just remove the scenes with the expletives, or censor just the word, since many say if the word was used more sparingly, the film would have received a PG-13 rating, but Butler doesn’t think that would help matters.

“They can’t take out the word, it won’t have the same message. It won’t have the same effect on the kids, parents and teachers who see this movie,” Butler says. “Those are the words that kids used everyday in school to bully each other … no one goes into schools and takes out those words.”

The MPAA also hosted a screening with D.C.-area principals and educators on March 15. The screening was followed by a panel discussion on the challenges educators face in dealing with bullying and how to best ensure that students feel safe when they are in school.

MPAA Chairman Chris Dodd (a former U.S. senator), “Bully” distributor Harvey Weinstein, “Bully” director Lee Hirsch, D.C. Public Schools Chancellor Kaya Henderson and Joseph Wright, senior vice president and head of the Child Health Advocacy Institute at Children’s National Medical Center in Washington, were on the panel.

As of Tuesday afternoon, Butler’s petition had garnered about 439,000 signatures.

Graves’s statement said that the MPAA shares Butler’s goal of highlighting the problems with bullying.

“Katy Butler’s efforts in bringing the issue of bullying to the forefront of a national discussion in the context of this new film are commendable and we welcome the feedback about this movie’s rating,” Graves said in the statement. “We hope that her efforts will fuel more discussion among educators, parents and children.”

Butler has met with the head of the ratings board, when she hand delivered the signed petitions.

Katy Butler was in Washington last week to encourage the MPAA to reconsider its R rating for the new documentary ‘Bully.’ (Blade photo by Michael Key)

Butler’s efforts to change the rating have been noticed by many, including Ellen DeGeneres, who had Butler on her talk show and has asked her viewers to follow her lead and sign the petition.

“Ellen is wonderful, she is one of my roles models,” Butler says of the comedian. “I definitely couldn’t be doing what I’m doing right now without her.”

DeGeneres is not the only celebrity to push for the MPAA to change the rating. New Orleans Saints quarterback Drew Brees has Tweeted for his followers to sign the petition. A bipartisan group of 26 members of Congress has thrown its support behind the petition.

Younger celebrities, such as Justin Beiber and Demi Lovato, have also been pushing for people to sign the petition, Tweeting about it to their many followers.

“I think [Bieber and Lovato] especially are hitting the preteen, middle school age group because those are their fans,” Butler says. “If your role model is supporting something as important as bullying, then a lot of the time, these kids are going to look at it too.”

Butler will receive a special award, presented by Harvey Weinstein, whose production company is releasing the film, at GLAAD’s 23rd annual Media Awards in New York City on Saturday.

“The MPAA made a mistake in restricting this film to adult audiences. Everyone — young and old alike — needs to see this film and the devastating impact that bullying can have on today’s young people,” says GLAAD spokesperson Herndon Graddick. “Katy has bravely used her voice to take a stand and has inspired countless Americans, including so many members of Congress and public figures, to show their support for the safety of all our children.”

All the advocacy toward changing “Bully’s” rating is just the beginning for this high school junior. Butler plans on studying political activism once she finishes high school. She would like to attend the University of Michigan or a school in the D.C., New York or Chicago areas.

“Bully” opens in theaters in New York and Los Angeles on March 30 and D.C. and other cities on April 13.

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Theater

Ford’s ‘First Look’ festival showcases three new productions

A chance to enjoy historical dramas for free before they’re completed

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José Carrasquillo, director of Artistic Programming at Ford's Theatre (Photo by Paolo Andres Montenegro)

The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org

When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings. 

“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”

This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.

The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp. 

“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo. 

Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping. 

“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves. 

Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026. 

“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.” 

At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored. 

For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”

One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season. 

Increasingly, the readings at Ford’s have become popular with both artists and audiences. 

At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone. 

Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work. 

Is this year’s festival queer influenced? Yes, both by those involved and the topics explored. 

Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us. 

“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”

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Bars & Parties

Mid-Atlantic Leather kicks off this week

Parties, contests, vendor expo and more planned for annual gathering

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.

This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.

There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle. 

For more details, visit MAL’s website

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Photos

PHOTOS: ‘ICE Out For Good’

Demonstrators protest ICE across country following shooting

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D.C. shadow representative Oye Owolewa speaks at a rally outside of the White House on Saturday, Jan. 10. (Washington Blade photo by Michael Key)

A protest was held outside of the White House on Saturday following the killing of Renee Nicole Good by a U.S. Immigration and Customs Enforcement agent in Minneapolis. Across the Potomac, picketers held signs calling for “Justice for Renee” in Tysons, Va.

“ICE Out For Good” demonstrations were held in cities and towns across the country, according to multiple reports. A march was held yesterday in Washington, D.C., as the Blade reported. Further demonstrations are planned for tomorrow.

(Washington Blade photos by Michael Key)

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