Arts & Entertainment
Queery: Paul Wharton
The local talk show host answers 20 gay questions
With Paul Wharton, it’s usually about the hair. He calls to answer a few follow-up questions from the salon. It comes up repeatedly in conversation and anytime you see him — in photos, on TV or in person — it’s obvious his abundant coiffure is never an afterthought.
So when did it become such a trademark? He says it started as an excuse when he was a kid.
“I’ve always said having a bad hair day should be a legitimate reason to miss school and it really started from me being bullied in school,” he says. “I actually want to turn this into a book I’ve been working on for a long time. It was never really about my hair. It was an excuse to try to get to stay home. She never bought it though. She’d say, ‘Your hair is fine, now get on out the door.’”
Wharton says he noticed it becoming part of his on-screen persona when he first went into professional TV with the MTV show “Made” in 2003.
“I kind of went from curly to straight to curly to straight but I think now I’ve straightened it so much, it won’t really go back to curly like it used to. I’ve had too many blow outs, too much coloring over the years. I try it now and it just gets tangled. I used to have these really great corkscrew curls but I’ve overblown it I guess.”
Wharton, a 34-year-old Cleveland native who mostly grew up in the D.C. area, spent several years in New York working on his career. After “Made,” he was a model coach on VH-1’s “The Agency” and also worked on TV Land’s “She’s Got the Look,” TV One’s “MakeoverManor,” BET’s “Who Wore What” and, of course, Bravo’s “Real Housewives of D.C.” Look for him now on Sundays at noon on Channel 50 with “Paul Wharton Style,” a new series he calls a “fashion, beauty and lifestyle talk show,” that debuted this month.
“It’s evolved into something with a little more of a reality aspect,” he says. “We started more by showing the party or whatever the segment was and we started finding the more interesting stuff was following people around getting ready for it. …We wanted a sense of what my real life is, so it’s evolved into more of a lifestyle show.”
Wharton spent about seven years in New York but was lured back to D.C. by family and a former relationship. He’s single now and lives downtown with his dog, Oscar. Wharton enjoys writing and relaxing with spiritual coaching, yoga, massages, spas and church. Find him online at paulwhartonstyle.com.
How long have you been out and who was the hardest person to tell?
I came out when I was 19. It was most difficult to tell my parents. They both needed some time and I gave them space. We’re all very close and they’re extremely supportive to this day.
Who’s your LGBT hero?
My LGBT heroes are the gay people I see strut down the street with over-the-top style, unafraid and unapologetic for being who they are. It takes a real man to pump down U Street on a Saturday night with skin-tight jeans, a face full of make-up and an attitude that says, “Don’t mess with me.”
What’s Washington’s best nightspot, past or present?
I like the bartenders and two-for-one drinks at Number 9 for happy hour, the eclectic crowd, old school music and dancing on the couches at Darnell’s Lounge on Fridays and the immensely entertaining Drag Show at Town on Saturday nights.
Describe your dream wedding.
My wedding would be officiated by my best friend Omarosa, she’d also give me spiritual counseling and advice on my pre-nuptial agreement (I joke!). I’d like all of my closest friends and family to surround us at the altar and for my godmother Rev. Marcia Dyson to bless our union and give my would-be husband the side eye so he knows not to mess up.
What non-LGBT issue are you most passionate about?
Hunger and health care. I’m the ambassador against hunger at Capital Area Food Bank (capitalareafoodbank.org).
What historical outcome would you change?
The assassination of Dr. Martin Luther King Jr.
What’s been the most memorable pop culture moment of your lifetime?
I was 5 years old when Michael Jackson performed “Billie Jean” on Motown’s 25th anniversary show.
On what do you insist?
I insist on taking one day a week for myself without any obligations or a schedule to keep. No matter how crazed I get during the week, I know that I’ll have my day coming up soon.
What was your last Facebook post or Tweet?
Tweet “Rollin to get my hair done then a photo shoot with @drewxeron and intrvw with @washingtonblade.
If your life were a book, what would the title be?
“Bad Hair Days should be an Excused Absence from School”
If science discovered a way to change sexual orientation, what would you do?
I would break into the science lab late at night and pour the evil orientation-changing formula down the drain. God made me this way and I’m not changing.
What do you believe in beyond the physical world?
I believe in love and the healing power of love. I believe that we have a spiritual father that with our angels watch over us and guide us through our journey. I believe in faith because without it and all of my other beliefs, my life would seem pretty meaningless.
What’s your advice for LGBT movement leaders?
My message would be to not give up no matter how much you don’t feel heard or appreciated (even by your own LGBT community). Continue to stand for something and let your voice be heard on behalf of the people.
What would you walk across hot coals for?
That’s a long list. My family, my hair stylist, world peace, large sums of cash — we could be here all day.
What LGBT stereotype annoys you most?
I’m most annoyed when I’m in a business meeting and a straight male executive starts talking in gay street slang usually, “Oh no she didn’t” or some other played-out saying while waving his neck from side to side. When it’s time to do business, I like to do business.
What’s your favorite LGBT movie?
“The Birdcage” is my favorite. I’ve seen it 50 times and still find it hilarious. I also liked “The Broken Hearts Club,” “Milk” and “Brokeback Mountain.”
What’s the most overrated social custom?
Saying goodbye to other guests at a social event is really overrated. I don’t think it’s necessary to work the room with 100 hellos shaking hands and kissing babies and then when you’re ready to leave, doing it all over again. When I’m ready to roll, I’m out.
What trophy or prize do you most covet?
My three awards from D.C. Child and Family Services acknowledging my work with the Foster Youth program.
What do you wish you’d known at 18?
I wish I had known to keep a journal. Every now and then I have a flash back to a party, person or amazing experience and I run over to my desk and write it down. I feel like I’ve had five lives and it’d be really mind blowing to be able to look back on them in full detail.
Why Washington?
I lived in New York for several years and still spend a lot of time there. New York is fabulous but there’s no place like home. I really do feel this city is beautiful and full of opportunities and endless possibilities. D.C. has been good to me and I’d always like to have a home here … and St. Tropez!
Theater
José Zayas brings ‘The House of Bernarda Alba’ to GALA Hispanic Theatre
Gay Spanish playwright Federico García Lorca wrote masterpiece before 1936 execution
‘The House of Bernarda Alba’
Through March 1
GALA Hispanic Theatre
3333 14th St., N.W.
$27-$52
Galatheatre.org
In Federico García Lorca’s “The House of Bernarda Alba,” now at GALA Hispanic Theatre in Columbia Heights, an impossibly oppressive domestic situation serves, in short, as an allegory for the repressive, patriarchal, and fascist atmosphere of 1930s Spain
The gay playwright completed his final and arguably best work in 1936, just months before he was executed by a right-wing firing squad. “Bernarda Alba” is set in the same year, sometime during a hot summer in rural Andalusia, the heart of “España profunda” (the deep Spain), where traditions are deeply rooted and mores seldom challenged.
At Bernarda’s house, the atmosphere, already stifling, is about to get worse.
On the day of her second husband’s funeral, Bernarda Alba (superbly played by Luz Nicolás), a sixtyish woman accustomed to calling the shots, gathers her five unmarried daughters (ages ranging from 20 to 39) and matter-of-factly explain what’s to happen next.
She says, “Through the eight years of mourning not a breeze shall enter this house. Consider the doors and windows as sealed with bricks. That’s how it was in my father’s house and my grandfather’s. Meanwhile, you can embroider your trousseaux.”
It’s not an altogether sunny plan. While Angustias (María del Mar Rodríguez), Bernarda’s daughter from her first marriage and heiress to a fortune, is betrothed to a much younger catch, Pepe el Romano, who never appears on stage, the remaining four stand little chance of finding suitable matches. Not only are they dowry-less, but no men, eligible or otherwise, are admitted into their mother’s house.
Lorca is a literary hero known for his mastery of both lyrical poetry and visceral drama; still, “Bernarda Alba’s” plotline might suit a telenovela. Despotic mother heads a house of adult daughters. Said daughters are churning with passions and jealousies. When sneaky Martirio (Giselle Gonzáles) steals the photo of Angustias’s fiancé all heck kicks off. Lots of infighting and high drama ensue. There’s even a batty grandmother (Alicia Kaplan) in the wings for bleak comic relief.
At GALA, the modern classic is lovingly staged by José Zayas. The New York-based out director has assembled a committed cast and creative team who’ve manifested an extraordinarily timely 90-minute production performed in Spanish with English subtitles easily ready seen on multiple screens.
In Lorca’s stage directions, he describes the set as an inner room in Bernarda’s house; it’s bright white with thick walls. At GALA, scenic designer Grisele Gonzáles continues the one-color theme with bright red walls and floor and closed doors. There are no props.
In the airless room, women sit on straight back chairs sewing. They think of men, still. Two are fixated on their oldest siter’s hunky betrothed. Only Magdelena (Anna Malavé), the one sister who truly mourns their dead father, has given up on marriage entirely.
The severity of the place is alleviated by men’s distant voices, Koki Lortkipanidze’s original music, movement (stir crazy sisters scratching walls), and even a precisely executed beatdown choreographed by Lorraine Ressegger-Slone.
In a short yet telling scene, Bernarda’s youngest daughter Adela (María Coral) proves she will serve as the rebellion to Bernarda’s dictatorship. Reluctant to mourn, Adela admires her reflection. She has traded her black togs for a seafoam green party dress. It’s a dreamily lit moment (compliments of lighting designer Hailey Laroe.)
But there’s no mistaking who’s in charge. Dressed in unflattering widow weeds, her face locked in a disapproving sneer, Bernarda rules with an iron fist; and despite ramrod posture, she uses a cane (though mostly as a weapon during one of her frequent rages.)
Bernarda’s countenance softens only when sharing a bit of gossip with Poncia, her longtime servant convincingly played by Evelyn Rosario Vega.
Nicolás has appeared in “Bernarda Alba” before, first as daughter Martirio in Madrid, and recently as the mother in an English language production at Carnegie Melon University in Pittsburgh. And now in D.C. where her Bernarda is dictatorial, prone to violence, and scarily pro-patriarchy.
Words and phrases echo throughout Lorca’s play, all likely to signal a tightening oppression: “mourning,” “my house,” “honor,” and finally “silence.”
As a queer artist sympathetic to left wing causes, Lorca knew of what he wrote. He understood the provinces, the dangers of tyranny, and the dimming of democracy. Early in Spain’s Civil War, Lorca was dragged to the the woods and murdered by Franco’s thugs. Presumably buried in a mass grave, his remains have never been found.
Cupid’s Undie Run, an annual fundraiser for neurofibromatosis (NF) research, was held at Union Stage and at The Wharf DC on Saturday, Feb. 21.
(Washington Blade photos by Michael Key)













Sweat DC is officially expanding to Shaw, opening a new location at 1818 7th St., N.W., on Saturday, March 28 — and they’re kicking things off with a high-energy, community-first launch event.
To celebrate, Sweat DC is hosting Sweat Fest, a free community workout and social on Saturday, March 14, at 10 a.m. at the historic Howard Theatre. The event features a group fitness class, live DJ, local food and wellness partners, and a mission-driven partnership with the Open Goal Project, which works to expand access to youth soccer for players from marginalized communities.
For more details, visit Sweat DC’s website and reserve a spot on Eventbrite.
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