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Baltimore arts briefs: May 4

‘Drag Race’ alum at the Hippo, Michael Jackson gets Cirque tribute and more

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Sharon Needles at Hippo

Club Hippo (1 West Eager St.) has several events happening this week.

Deep in the Game presents Sharon Needles from “Rupaul’s Drag Race” performing tonight as part of her “Every Night is Halloween” tour. Tickets are $10 in advance and $12 day of the show. Doors open at 9 p.m.

On Saturday, DJ C-Dubs presents Cinco De Mayo starting at 10 p.m. This is a $6 cover.

Wednesday is “BYOMom Bingo” hosted by Roger Dimick at 8:30 p.m. Proceeds from bingo benefit the Gay & Lesbian Community Center of Baltimore. The night will also act as an album release part for Grammy-nominated singer/songwriter Rufus Wainwright’s newest album, “Out of the Game.”

Cirque du Soleil's ‘Michael Jackson The Immortal World Tour’ comes to Baltimore this weekend featuring performance's of Jackson's songs such as ‘Billie Jean.’ (Photo courtesy of Cirque du Soleil)

Jackson honored with posthumous Cirque show

Cirque du Soleil’s “Michael Jackson The Immortal World Tour” comes to at 1st Mariner Arena (201 West Baltimore St.) on Saturday at 8 p.m. and Sunday at 4 p.m.

The show, aimed at both lifelong and new fans of Jackson, takes place in a realm where the audience discovers Jackson’s “Giving Tree.” The driving force behind the show is Jackson’s music and lyrics. Several choreographers are behind the performances including Travis Payne and “So You Think You Can Dance’s” Napolean and Tabitha Dumo.

Tickets range from $52 to $250 and can be purchased online at ticketmaster.com.

For more information on the show and its creators, visit cirquedusoleil.com.

Queer cabaret collective celebrates 10 years

Charm City Kitty Club presents “Kitty Club Episode III: ApocoLez Now!” at the Creative Alliance at the Patterson (3134 Eastern Ave.) at 8 p.m., with kitty cocktails and pre-show speed dating game at 7 p.m.

This performance wraps a trilogy of performances celebrating the queer cabaret’s 10th anniversary. It will feature New York City poet Charan P. Morris, local queer band The Pushovers, aerialist Nina Charity and a screening of “They,” a film by Ignacio Rivera.

The Club is a collectively run cabaret designed to foster, showcase and celebrate creative expression among lesbian, dyke, bisexual, transgender, transsexual and genderqueer individuals as well as their allies.

For more information on the group, visit charmcitykittyclub.com.

Tickets are $15 for general admission, $10 for CA members and can be purchased online at creativealliance.org.

Food orgy next weekend at Hippodrome

The third annual Hippodrome Foodie Experience is May 12 at Hippodrome Theatre (12 North Eutaw St.) starting at 3 p.m.

The event will feature three hours of tasting sample plates from some of Baltimore’s best chefs. Unlimited beer, wine and soft drinks will be provided as well as dishes ranging from bread pudding infused with chocolate-covered grasshoppers, gourmet hot dogs, obscene sweets and more.

Some of the participating restaurants include Alewife, The Jolly Pig, Max’s Empanadas and more. Tickets are $94 for general admission and $250 for VIP. To purchase tickets, visit ticketmaster.com. For more information on the event, visit france-merrick.com.

 

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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Photos

PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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