Arts & Entertainment
Broadway at the beach
Clear Space provides theater fix for Rehoboth visitors all summer
Rehoboth Clear Space Theatre
20 Baltimore Ave.
Rehoboth Beach, Del.
Show times depend on the week
A scene from one of last year’s plays at Rehoboth Clear Space Theatre. (Photos courtesy the theater)
General admission is $30, senior citizens are $25 and students are $15
For many theaters, summer is the slowest time of year as families escape the city heat for the cooler shore. But for Clear Space Theatre in Rehoboth Beach, the influx of tourists keeps the theater teeming with people finding alternative ways to spend a summer night at the beach.
The theater gets so busy that this year its management is running three different shows at once in rotation. This year’s shows, which each cost between $8,000 and $25,000 to produce, include, “Cabaret,” “Broadway at the Beach” and “Annie.”
“Our seasons tend to appeal to a variety of tastes,” says Doug Yetter, founder and musical director. “For the summer season, we offer a family musical (“Annie”), a more adult-themed show (“Cabaret”) and a revue show that bridges the gap.”
“Annie,” opened June 30 and is the famous musical about a little orphan girl who goes on adventures in her orphanage and eventually around New York City, ingratiating herself with the president and finding a home in the Warbucks’ mansion.
“Cabaret” opened June 28 and is the more mature show being performed at Clear Space. Taking place in the Kit Kat Klub in Nazi Germany, American writer Cliff falls for a Klub performer named Sally Bowles. The play observes how they try to make their love survive in a changing world.
“Broadway at the Beach” opened this week and brings several Broadway hit songs to the shores of Delaware.
All shows run until September with “Broadway at the Beach” closing the season on Sept. 2.
Despite the schedule — each show is performed at least once a week — changing sets hasn’t been a problem.
“When my former partner and I were thinking to move down here, we thought we need to clear some space,” Yetter says. “We don’t need great sets for this; we let the audience bring their imagination.”
Yetter and his former partner co-founded Clear Space Theatre when they moved to Rehoboth Beach from New York City in 2004. Yetter says they thought the community would “benefit both culturally and economically from having a year-round theater.”
Yetter had about 40 years of musical theater experience, putting on productions all over the country. At Clear Space he works largely as artistic and musical director, overseeing all productions.
Since there’s not a strong emphasis on the sets for these shows, the costumes and characters have to carry the productions. Bill Clark, the full-time costume designer, immerses himself in the various stories to dress the cast appropriately.
“When we choose the shows we’re going to do three months out from our first creative meeting, I read the scripts three times,” he says. “Then I create a costume plot, detailed scenes that serve as a map, and from there I sketch individual costumes.”
For Clark’s favorite costumes in “Cabaret,” he began studying the culture in Berlin from 1925 onward. He also studied the works by Christopher Isherwood, a gay novelist from the 1930s, who wrote the original story upon which “Cabaret” is based, trying to reflect its dark tones in the clothes the Kit Kat Klub girls don.
“I’ve put the girls in some vintage lingerie from that era with a corset pattern,” he says.
Compared to other renditions of “Cabaret,” director Dorothy Neuman says her version may appear darker.
“It’s very topical,” she says. “A force in the government, the Nazis who are coming to power, have certain prejudices in society. They consider that they have the right answer. I feel this is a very parallel situation in America, a very strong conservative right in which they think they know what is morally right and if you don’t agree with them then you are not American.”
Neuman, who identifies as a “woman who happens to be gay,” has been directing theater since 1978, starting in various places in Arlington, Va., and Washington.
Michael Matthias, who is acting in all three productions, says that he’s looking forward to “Cabaret” mostly because of its darker overtones. He also says staging three shows is made easier because they are working with mostly the same company all year round.
“We are considered a professional theater because we have a year-round theater company,” he says. “The theater holds auditions for roles not filled by the company.”
As part of the company, he’s expected to continue his growth as an actor by attending classes. This season, he plays Rooster Hannigan in “Annie,” he’s part of the ensemble in “Broadway at the Beach” and also Cliff in “Cabaret.”
Chris Poeschl, an actor brought in for the summer, says Clear Space Theatre is different from most venues where he’s performed.
“It’s such an intimate experience, when we are out on the stage we are in the audience,” he says.
Poeschl is in the ensemble for “Broadway at the Beach,” but is excited for all three productions. None of the plays are LGBT-specific, though “Cabaret,” of course, has long been a gay favorite.
“‘Cabaret’ in our theater is handled very maturely, very real,” he says. “It’s a reliable description.”
Because of the large LGBT population in Rehoboth, Yetter says he makes it a point to include shows with gay appeal.
“We really serve the community,” he says. “It’s important that we have pieces that are inclusive.”
Bob Hoffer and Max Dick, who have been attending performances at Clear Space for the past five years, say the small, tight-knit community of the theater draws in many Rehoboth gay residents and visitors.
“There are a lot of gay and lesbian people involved in the theater,” Hoffer says. “Often you will run into a lot of cast members in the restaurants and bars around the theater. Going to the theater gives you a kind of perk in your day.”
The 44th annual Queen of Hearts pageant was held at The Lodge in Boonsboro, Md. on Friday, Feb. 20. Six contestants vied for the title and Bev was crowned the winner.
(Washington Blade photos by Michael Key)
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Books
New book profiles LGBTQ Ukrainians, documents war experiences
Tuesday marks four years since Russia attacked Ukraine
Journalist J. Lester Feder’s new book profiles LGBTQ Ukrainians and their experiences during Russia’s war against their country.
Feder for “The Queer Face of War: Portraits and Stories from Ukraine” interviewed and photographed LGBTQ Ukrainians in Kyiv, the country’s capital, and in other cities. They include Olena Hloba, the co-founder of Tergo, a support group for parents and friends of LGBTQ Ukrainians, who fled her home in the Kyiv suburb of Bucha shortly after Russia launched its war on Feb. 24, 2022.
Russian soldiers killed civilians as they withdrew from Bucha. Videos and photographs that emerged from the Kyiv suburb showed dead bodies with their hands tied behind their back and other signs of torture.
Olena Shevchenko, chair of Insight, a Ukrainian LGBTQ rights group, wrote the book’s forward.
The book also profiles Viktor Pylypenko, a gay man who the Ukrainian military assigned to the 72nd Mechanized Black Cossack Brigade after the war began. Feder writes Pylypenko’s unit “was deployed to some of the fiercest and most important battles of the war.”
“The brigade was pivotal to beating Russian forces back from Kyiv in their initial attempt to take the capital, helping them liberate territory near Kharkiv and defending the front lines in Donbas,” wrote Feder.
Pylypenko spent two years fighting “on Ukraine’s most dangerous battlefields, serving primarily as a medic.”
“At times he felt he was living in a horror movie, watching tank shells tear his fellow soldiers apart before his eyes,” wrote Feder. “He held many men as they took their final breaths. Of the roughly one hundred who entered the unit with him, only six remained when he was discharged in 2024. He didn’t leave by choice: he went home to take care of his father, who had suffered a stroke.”
Feder notes one of Pylypenko’s former commanders attacked him online when he came out. Pylypenko said another commander defended him.
Feder also profiled Diana and Oleksii Polukhin, two residents of Kherson, a port city in southern Ukraine that is near the mouth of the Dnieper River.
Ukrainian forces regained control of Kherson in November 2022, nine months after Russia occupied it.
Diana, a cigarette vender, and Polukhin told Feder that Russian forces demanded they disclose the names of other LGBTQ Ukrainians in Kherson. Russian forces also tortured Diana and Polukhin while in their custody.
Polukhim is the first LGBTQ victim of Russian persecution to report their case to Ukrainian prosecutors.
Feder, who is of Ukrainian descent, first visited Ukraine in 2013 when he wrote for BuzzFeed.
He was Outright International’s Senior Fellow for Emergency Research from 2021-2023. Feder last traveled to Ukraine in December 2024.
Feder spoke about his book at Politics and Prose at the Wharf in Southwest D.C. on Feb. 6. The Washington Blade spoke with Feder on Feb. 20.
Feder told the Blade he began to work on the book when he was at Outright International and working with humanitarian groups on how to better serve LGBTQ Ukrainians. Feder said military service requirements, a lack of access to hormone therapy and documents that accurately reflect a person’s gender identity and LGBTQ-friendly shelters are among the myriad challenges that LGBTQ Ukrainians have faced since the war began.
“All of these were components of a queer experience of war that was not well documented, and we had never seen in one place, especially with photos,” he told the Blade. “I felt really called to do that, not only because of what was happening in Ukraine, but also as a way to bring to the surface issues that we’d had seen in Iraq and Syria and Afghanistan.”
Feder also spoke with the Blade about the war’s geopolitical implications.
Russian President Vladimir Putin in 2013 signed a law that bans the “promotion of homosexuality” to minors.
The 2014 Winter Olympics took place in Sochi, a Russian resort city on the Black Sea. Russia annexed Crimea from Ukraine a few weeks after the games ended.
Russia’s anti-LGBTQ crackdown has continued over the last decade.
The Russian Supreme Court in 2023 ruled the “international LGBT movement” is an extremist organization and banned it. The Russian Justice Ministry last month designated ILGA World, a global LGBTQ and intersex rights group, as an “undesirable” organization.
Ukraine, meanwhile, has sought to align itself with Europe.
Ukrainian President Volodymyr Zelenskyy after a 2021 meeting with then-President Joe Biden at the White House said his country would continue to fight discrimination based on sexual orientation and gender identity. (Zelenskyy’s relationship with the U.S. has grown more tense since the Trump-Vance administration took office.) Zelenskyy in 2022 publicly backed civil partnerships for same-sex couples.
Then-Ukrainian Ambassador to the U.S. Oksana Markarova in 2023 applauded Kyiv Pride and other LGBTQ and intersex rights groups in her country when she spoke at a photo exhibit at Ukraine House in D.C. that highlighted LGBTQ and intersex soldiers. Then-Kyiv Pride Executive Director Lenny Emson, who Feder profiles in his book, was among those who attended the event.
“Thank you for everything you do in Kyiv, and thank you for everything that you do in order to fight the discrimination that still is somewhere in Ukraine,” said Markarova. “Not everything is perfect yet, but you know, I think we are moving in the right direction. And we together will not only fight the external enemy, but also will see equality.”
Feder in response to the Blade’s question about why he decided to write his book said he “didn’t feel” the “significance of Russia’s war against Ukraine” for LGBTQ people around the world “was fully understood.”
“This was an opportunity to tell that big story,” he said.
“The crackdown on LGBT rights inside Russia was essentially a laboratory for a strategy of attacking democratic values by attacking queer rights and it was one as Ukraine was getting closet to Europe back in 2013, 2014,” he added. “It was a strategy they were using as part of their foreign policy, and it was one they were using not only in Ukraine over the past decade, but around the world.”
Feder said Republicans are using “that same strategy to attack queer people, to attack democracy itself.”
“I felt like it was important that Americans understand that history,” he said.
More than a dozen LGBTQ athletes won medals at the Milan Cortina Winter Olympics that ended on Sunday.
Cayla Barnes, Hilary Knight, and Alex Carpenter are LGBTQ members of the U.S. women’s hockey team that won a gold medal after they defeated Canada in overtime. Knight the day before the Feb. 19 match proposed to her girlfriend, Brittany Bowe, an Olympic speed skater.
French ice dancer Guillaume Cizeron, who is gay, and his partner Laurence Fournier Beaudry won gold. American alpine skier Breezy Johnson, who is bisexual, won gold in the women’s downhill. Amber Glenn, who identifies as bisexual and pansexual, was part of the American figure skating team that won gold in the team event.
Swiss freestyle skier Mathilde Gremaud, who is in a relationship with Vali Höll, an Austrian mountain biker, won gold in women’s freeski slopestyle.
Bruce Mouat, who is the captain of the British curling team that won a silver medal, is gay. Six members of the Canadian women’s hockey team — Emily Clark, Erin Ambrose, Emerance Maschmeyer, Brianne Jenner, Laura Stacey, and Marie-Philip Poulin — that won silver are LGBTQ.
Swedish freestyle skier Sandra Naeslund, who is a lesbian, won a bronze medal in ski cross.
Belgian speed skater Tineke den Dulk, who is bisexual, was part of her country’s mixed 2000-meter relay that won bronze. Canadian ice dancer Paul Poirier, who is gay, and his partner, Piper Gilles, won bronze.
Laura Zimmermann, who is queer, is a member of the Swiss women’s hockey team that won bronze when they defeated Sweden.
Outsports.com notes all of the LGBTQ Olympians who competed at the games and who medaled.
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