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Broadway at the beach

Clear Space provides theater fix for Rehoboth visitors all summer

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Rehoboth Clear Space Theatre
20 Baltimore Ave.
Rehoboth Beach, Del.
Show times depend on the week

A scene from one of last year’s plays at Rehoboth Clear Space Theatre. (Photos courtesy the theater)

General admission is $30, senior citizens are $25 and students are $15

For many theaters, summer is the slowest time of year as families escape the city heat for the cooler shore. But for Clear Space Theatre in Rehoboth Beach, the influx of tourists keeps the theater teeming with people finding alternative ways to spend a summer night at the beach.

The theater gets so busy that this year its management is running three different shows at once in rotation. This year’s shows, which each cost between $8,000 and $25,000 to produce, include, “Cabaret,” “Broadway at the Beach” and “Annie.”

“Our seasons tend to appeal to a variety of tastes,” says Doug Yetter, founder and musical director. “For the summer season, we offer a family musical (“Annie”), a more adult-themed show (“Cabaret”) and a revue show that bridges the gap.”

“Annie,” opened June 30 and is the famous musical about a little orphan girl who goes on adventures in her orphanage and eventually around New York City, ingratiating herself with the president and finding a home in the Warbucks’ mansion.

“Cabaret” opened June 28 and is the more mature show being performed at Clear Space. Taking place in the Kit Kat Klub in Nazi Germany, American writer Cliff falls for a Klub performer named Sally Bowles. The play observes how they try to make their love survive in a changing world.

“Broadway at the Beach” opened this week and brings several Broadway hit songs to the shores of Delaware.

All shows run until September with “Broadway at the Beach” closing the season on Sept. 2.

Despite the schedule — each show is performed at least once a week — changing sets hasn’t been a problem.

“When my former partner and I were thinking to move down here, we thought we need to clear some space,” Yetter says. “We don’t need great sets for this; we let the audience bring their imagination.”

Yetter and his former partner co-founded Clear Space Theatre when they moved to Rehoboth Beach from New York City in 2004. Yetter says they thought the community would “benefit both culturally and economically from having a year-round theater.”

Yetter had about 40 years of musical theater experience, putting on productions all over the country. At Clear Space he works largely as artistic and musical director, overseeing all productions.

Since there’s not a strong emphasis on the sets for these shows, the costumes and characters have to carry the productions. Bill Clark, the full-time costume designer, immerses himself in the various stories to dress the cast appropriately.

“When we choose the shows we’re going to do three months out from our first creative meeting, I read the scripts three times,” he says. “Then I create a costume plot, detailed scenes that serve as a map, and from there I sketch individual costumes.”

For Clark’s favorite costumes in “Cabaret,” he began studying the culture in Berlin from 1925 onward. He also studied the works by Christopher Isherwood, a gay novelist from the 1930s, who wrote the original story upon which “Cabaret” is based, trying to reflect its dark tones in the clothes the Kit Kat Klub girls don.

“I’ve put the girls in some vintage lingerie from that era with a corset pattern,” he says.

Compared to other renditions of “Cabaret,” director Dorothy Neuman says her version may appear darker.

“It’s very topical,” she says. “A force in the government, the Nazis who are coming to power, have certain prejudices in society. They consider that they have the right answer. I feel this is a very parallel situation in America, a very strong conservative right in which they think they know what is morally right and if you don’t agree with them then you are not American.”

Neuman, who identifies as a “woman who happens to be gay,” has been directing theater since 1978, starting in various places in Arlington, Va., and Washington.

Michael Matthias, who is acting in all three productions, says that he’s looking forward to “Cabaret” mostly because of its darker overtones. He also says staging three shows is made easier because they are working with mostly the same company all year round.

“We are considered a professional theater because we have a year-round theater company,” he says. “The theater holds auditions for roles not filled by the company.”

As part of the company, he’s expected to continue his growth as an actor by attending classes. This season, he plays Rooster Hannigan in “Annie,” he’s part of the ensemble in “Broadway at the Beach” and also Cliff in “Cabaret.”

Chris Poeschl, an actor brought in for the summer, says Clear Space Theatre is different from most venues where he’s performed.

“It’s such an intimate experience, when we are out on the stage we are in the audience,” he says.

Poeschl is in the ensemble for “Broadway at the Beach,” but is excited for all three productions. None of the plays are LGBT-specific, though “Cabaret,” of course, has long been a gay favorite.

“‘Cabaret’ in our theater is handled very maturely, very real,” he says. “It’s a reliable description.”

Because of the large LGBT population in Rehoboth, Yetter says he makes it a point to include shows with gay appeal.

“We really serve the community,” he says. “It’s important that we have pieces that are inclusive.”

Bob Hoffer and Max Dick, who have been attending performances at Clear Space for the past five years, say the small, tight-knit community of the theater draws in many Rehoboth gay residents and visitors.

“There are a lot of gay and lesbian people involved in the theater,” Hoffer says. “Often you will run into a lot of cast members in the restaurants and bars around the theater. Going to the theater gives you a kind of perk in your day.”

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PHOTOS: Pride on the Pier

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The Washington Blade's Pride on the Pier was held on Saturday, June 13. (Washington Blade photo by Landon Shackelford)

The Washington Blade held the seventh annual Pride on the Pier at The Wharf DC on Saturday, June 13.

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Books

David Archuleta on Mormon faith, ‘Idol,’ more in new book

Unique memoir details religious upbringing, coming out

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(Book cover image courtesy of Gallery Books)

‘Devout: Losing My Faith to Find Myself’
By David Archuleta
c.2026, Gallery Books
$29/290 pages

So just make up your mind already.

The decision is very much in your control – or, at least that’s how it’s supposed to be. It’ll be your future, your path, and seizing it may not just be necessary, but mandatory. It’s your life, and no one can live it for you. As in the new memoir “Devout” by David Archuleta, that goes for career and for love, too.

Born to parents who both had musical careers before they wed, David Archuleta remembers an early childhood growing up in a Hispanic Mormon community in Florida, where kin was always nearby. He was six when his parents moved the immediate family to Utah; the first thing he remembers about that is the snow, and how it was so cold, it burned.

Because music was in his blood, Archuleta grew up singing and dancing, often with his mother whom he calls “my rock.” It was his father, however, who encouraged him to perform; first, with a gentle push, then a shove toward a career Archuleta didn’t really want.

But he did want to make his father happy, so he went along with the contests, embarrassing meet-and-greets with stars, and uncomfortable introductions. Slowly, though, performing became more fun, and Archuleta made friends.

Meanwhile, back home, everything was breaking apart. A “family friend” whom Archuleta refuses to name accused his father of abuse. He was exonerated, but it affected the family’s closeness and they stopped being affectionate.

That was a painful backdrop to Archuleta’s soaring career, his appearances on Star Search, friendships with other rising stars, his runner-up spot on “American Idol,” tours, and recording contracts. His father kept pushing him.

But there was one thing missing.

Since he was a boy, Archuleta had known that he was attracted to men, but his Mormon faith taught him that that was unacceptable. Kissing, his abuelita said, was wrong. He tried hard to date girls, in the most chaste way. Anything past that was against God – and anything at all with a man was unthinkable.

Though it absolutely favors his personal life and dwells on it a bit too much, “Devout” strikes an otherwise nice balance between that, author David Archuleta’s career, his sexuality, and his faith. The latter two are loaded with controversy.

You don’t need to be Mormon to fully understand the faith part; Archuleta offers non-Mormons a brief education, so readers can see the importance of the Church’s teachings in his life and why he felt the need to abandon it as his understanding of his bisexuality grew. It’s emotionally raw and honest, but also so respectful that it almost bears re-reading. Such candor and the heart-on-his-sleeve tone you’ll sense are features in the entire book, alongside Archuleta’s family’s struggles and his learning to strike out alone.

It’s harmonious in more ways than one, and fans will be happy.

So, too, will anyone who wants a unique memoir with a dose of faith, or someone who’s an “American Idol”watcher. Find “Devout” and be sure to share. You won’t mind.

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