Connect with us

Arts & Entertainment

Calendar: July 6

Parties, events, concerts and more through July 12

Published

on

DJ Oren Nizri spins at Town this weekend. (Photo courtesy Nizri)

TODAY (Friday)

The HIV Working Group does outreach tonight for Bear Happy Hour at Town (2009 8th St., N.W.) from 7-10 p.m. For more information, visit thedccenter.org or towndc.com.

Phase 1 (525 8th St., S.E.) hosts a dance party tonight for guests 21 and older with DJ Jay Von Teese from 7:30 p.m.-3 a.m. For more details, visit phase1dc.com.

CaShandra J, a jazz and blues singer, performs tonight at Black Fox Lounge (1723 Connecticut Ave., N.W.) from 6-9 p.m. Admission is free. For more information, visit blackfoxlounge.com.

Saturday, July 7           

DJ Oren Nizri, an Israeli DJ, spins tonight at Town (2009 8th St., N.W.). Doors open for guests 21 and older at 10 p.m. and the drag show starts at 10:30. Admission is $8 from 10-11 p.m. and $12 after 11; $3 drinks will be served before 11. For details, visit towndc.com.

Phase 1 (525 8th St., S.E.) hosts a “Pop Rocks” party with DJ LS tonight for guests 21 and older from 7:30 p.m.-3 a.m. For details, visit phase1dc.com.

The Mayu Saeki Trio (1723 Connecticut Ave., N.W.), an alternative Jazz ensemble, perform tonight at Black Fox Lounge from 8-11 p.m. Admission is free. For more information, visit blackfoxlounge.com.

Burgundy Crescent, a gay volunteer organization, volunteers today for the Lost Dog & Cat Rescue Foundation at the Falls Church, Va., PetSmart (6100 Arlington Blvd., Falls Church) from 11:45 a.m.-3 p.m. If interested, email [email protected] or visit burgundycrescent.org for more information.

The D.C. Center (1318 U St., N.W.) has free HIV testing today from 4-7 p.m. today. For more information, visit thedccenter.org.

The Black Cat hosts Hellmouth Happy Hour tonight from 7-8:30 p.m. One episode of the gay cult classic series “Buffy the Vampire Slayer” screens and a drink special is served. Admission is free. For more details, visit blackcatdc.com.

The Green Lantern (1335 Green Ct., N.W.) hosts Code tonight from 9 p.m.-3 a.m. Code is a leather, jock gear, uniforms and skin gear party with a strictly enforced dress code. For details, visit codedc.com.

Sunday, July 8

The D.C. Kings perform tonight at Phase 1 (525 8th St., S.E.). Doors open at 7 p.m. and the performances begin at 9. Tickets are $10 and limited to guests 21 and over. For more information, visit phase1dc.com or dckings.com.

Burgundy Crescent, a gay volunteer organization, volunteers today for the D.C. Central Kitchen (425 2nd St., N.W.) from 9 a.m.-noon. The activity is limited to 15 volunteers. Volunteers will help cook alongside D.C. Kitchen chefs, but prior cooking experience is not required. If interested, email [email protected] or visit burgundycrescent.org for more information.

The Lambda Sci-Fi club hosts its monthly meeting for LGBT science fiction, fantasy and horror fans at 1:30 p.m. this afternoon at 1425 S St., N.W. Guests are encouraged to bring a snack and non-alcoholic drink to share. For more information, visit lambdascifi.org or email [email protected].

Monday, July 9

The D.C. Lambda Squares Beginner Class starts tonight from 7:30-9:30 p.m. at National City Christian Church (5 Thomas Circle, N.W.). No prior square dancing experience, special outfits or partners are required to participate. The cost is $100 in advance or $125 at the door for the 16 classes. For details, visit dclambdasquares.org or thedccenter.org.

The Goethe-Institut German Cultural Center (812 7th St., N.W.) screens “The Complaint of an Empress,” a film directed by Pina Bausch, tonight at 6:30 p.m. The film features a collage of scenes of the city of Wuppertal, Germany, and focuses on the human quest for love. For more information, visit goethe.de/washington.

The Virginia Museum of Fine Arts (200 N Boulevard, Richmond) hosts a textile design workshop today from 9 a.m.-noon. Enrollment is limited to 10 people and costs $135 per workshop ($120 for VMFA members). For more information, visit vmfa.museum.

Tuesday, July 10

Dupont Italian Kitchen (1637 17th St., N.W.) hosts the monthly D.C. Bi Women meeting from 7-9 p.m. For more information, visit thedccenter.org.

The D.C. Center hosts a FUK!T Packing Party tonight from 7-9 p.m. at the Green Lantern (1335 Green Court, N.W.). Volunteers will help make FUK!T packets and TOOLK!Ts. For more details, visit thedccenter.org.

Cobalt (1638 R St., N.W.) hosts Flashback tonight with DJ Jason Royce from 10 p.m.-2 a.m. Dance jams from the ‘70s, ‘80s and early ‘90s play all night. Admission is free and $2 draft beer will be served all night. For more information, visit cobaltdc.com.

The Kennedy Center (2700 F St., N.W.) features the opening show of “The Addams Family,” a morbid musical comedy classic, tonight at 7:30 p.m. Tickets range from $39-$115 and can be purchased online at kennedy-center.org.

Wednesday, July 11

The Rainbow Response Coalition, a group that addresses intimate partner violence among LGBT people in the greater Washington area, meets tonight from 7-8 p.m. at the D.C. Coalition Against Domestic Violence (5 Thomas Circle, N.W.). For more information, visit rainbowresponse.org or thedccenter.org.

Cobalt (1639 R St., N.W.) hosts karaoke tonight for guests 21 and older. Doors open at 10 p.m. and admission is free. $5 Absolut and Smirnoff cocktails will be served. For details, visit cobaltdc.com.

Thursday, July 12

The Art League Gallery (105 North Union St., Alexandria) hosts an opening reception with featured artist Cecily Corcoran for her “Genius Loci” solo exhibition tonight from 6:30-8 p.m. The exhibit has paintings of various Washington landscapes inspired by her daily commute to work. For more information, visit theartleague.org.

Burgundy Crescent, a gay volunteer organization, volunteers tonight for Food & Friends (219 Riggs Road, N.E.). Volunteers will help with food preparation and chopping vegetables. If interested, email [email protected] or visit burgundycrescent.org for more information.

The Gay Men’s Chorus of Washington host an open mic tonight at Black Fox Lounge (1723 Connecticut Ave., N.W.) from 8-11 p.m. Admission is free. Participants receive a complimentary drink after their first song. For more details, visit blackfoxlounge.com.

Cobalt (1638 R St., N.W.) hosts its weekly best package contest at midnight this evening with DJ MadScience and DJ Sean Morris. Admission is $3 and limited to guests 21 and over. $2 rail drinks will be served from 9-11 p.m. For details, visit cobaltdc.com.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Television

ICYMI: ‘Overcompensating’ a surprisingly sweet queer treat

A sweet, savvy show about breaking free to embrace your true self

Published

on

Holmes, Benito Skinner and Wally Baram in ‘Overcompensating.’ (Photo courtesy of MGM Amazon)

Pride month 2025 is now behind us, and while it’s safe to say that this year’s celebrations had a darker edge than usual, it’s also true that they came with a particularly rich bounty of new queer movies and shows to entertain us – so many, in fact, that even if we are facing a lull until the fall another harvest of fresh content, there are still plenty of titles – which, for whatever reason, were off your radar – for you to catch up on in the meantime.

One of the most notable of these –  the bingeworthy series “Overcompensating” (now streaming on Amazon Prime) – will most definitely have been ON the radar for the plentiful fans of creator and star Benito Skinner, the actor/comedian who rose to viral fame through his content on platforms like Instagram, YouTube, and TikTok. For anyone else, it might have easily slipped through the cracks.

Created and written by Skinner as a loosely autobiographical “college comedy,” it aims for the kind of raucous, explicitly sexed-up tone one expects from the genre as it centers on Benny (Skinner), newly arrived as a freshman at prestigious Yates University. A former football jock and “golden boy” at his midwestern high school, he’s the picture of idealized youthful masculinity; he’s also deep in the closet, struggling to keep his sexuality hidden and maintain his macho front under the intense scrutiny of the college’s social scene – and under the resentful eye of his older sister Grace (Mary Beth Barone), who has already secured her own place at the top of the pecking order.

In the first episode, Benny’s difficulties are eased when he meets Carmen (Wally Baram), another freshman trying to navigate the politics of college life; a gamer from a home marred by tragedy, she’s an outsider who feels like she’s putting on an act, too, and they click – giving him the convenient “cover” of female companionship while providing them both with much-needed support and encouragement. He’s also befriended by a handsome film major from England (Rish Shah), who has already caught his eye, stirring other kinds of feelings and possibly even reciprocating them. Meanwhile, he’s being courted by the school’s “exclusive secret society” – headed by his sister’s aggressively “alpha” boyfriend Pete (Adam DiMarco) – and trying to stay interested in his studies, despite a growing realization that a career in business doesn’t actually appeal to him all that much.

That’s a lot to juggle for anybody, even an overachiever like Benny – whose “lucky” life so far has largely been the result of playing a role he is finding harder and harder to maintain. As the series goes on through its eight-episode arc, it becomes clear that he’s not the only one who is “keeping up appearances,” and he, along with the other confused and damaged young people in his orbit, begins the painful (but often hilarious) process of evolution that is required in order to become truly oneself.

Directed toward appealing to a younger demographic, “Overcompensating” is the kind of show that requires a few episodes worth of invested time to make an impression that feels like substance. Full of the bawdy farcical antics that go hand in hand with stories about hormonally charged college kids, it’s not above leaning into the formulas and tropes that have always driven these kinds of comedies. At first, while its broadly comedic strokes and frequently explicit sexual hijinks might elicit plenty of chuckles, the show might easily feel tiresome for more mature audiences; there’s a nostalgic fun to it, made even more appealing, somehow, by the “political incorrectness” of its frequently sexist and homophobic humor, but for a while things may feel like an unnecessary attempt to reinvent “Animal House” for the Gen Z crowd.

By the time the season reaches its halfway point, however, things have started to get real. The antics of these horny almost-adults take on a more pointed absurdity, informed by the increasingly tangled web of defensive deceit they weave among themselves – and, as things draw toward a cliffhanger climax, the consequences of maintaining it – until it achieves a sense of empathy toward them all. There’s a wisdom that smacks of lived authenticity underlying the whole affair, transforming it from the “sexploitative” teen comedy of its surface into something deeper. To be sure, things stay expectedly wacky, and the soap-operatic melodrama of its twists and reversals continue to maintain the show’s “mature YA” appeal; but beneath those trappings, by the end of the season a truer identity has begun to emerge, just as its characters have begun to find their own levels of self-actualization for themselves.

As creator, primary writer, and star, it’s obviously Skinner who deserves much of the credit. While it might be tempting, early on, to dismiss the show as an “ego project,” the internet-spawned sensation proves his talents quickly enough to get past such judgy suspicions, delivering a pitch-perfect blend of sauciness and sensitivity that extends its appeal toward both ends of the taste spectrum; just as crucially, he brings the same aforementioned “lived authenticity” to his winning performance – after all, he’s essentially playing himself in a fictionalized version of his own life – while also making sure that equal time (and compassion) is afforded all the other characters around him, each of whom are pushing at the boundaries of their own respective “closets,” too. It’s unavoidable to notice that – like most of his co-stars – he’s plainly a decade too old to be playing a college student; but by the time we reach that crucial halfway turning point, we’ve become too engaged by him to care.

The show is full of excellent performances, in fact. Relative newcomers Baram and Barone offer layers of complex nuance, while the more familiar DiMarco (“White Lotus”) is close to heartbreaking as the toxic BMOC clinging to the illusion of power as his life begins unraveling around him. Other standouts include the mononymic actress Holmes as Carmen’s “wild child” roommate, solidly likable turns as Benny’s parents from mature veterans Connie Britten and Kyle MacLachlan (whose presence, along with stylish elements in several key scenes, hints at an homage-ish nod to the late David Lynch), and podcaster Owen Thiele as an openly gay fellow student who has Benny “clocked” from the moment they meet. Finally, Lukas Gage makes a deep impression as a former high school teammate at the heart of Benny’s most haunting memory.

There’s no official word yet on whether “Overcompensating” will be renewed for a second season, despite the multiple loose ends left dangling at the end of its first; it has proven to be popular, and Skinner’s large fanbase makes it likely that the story will continue. Even if it doesn’t, the place of uncertainty in which it has left its characters rings true enough to serve as a satisfying endpoint.

As for us, we hope that won’t happen. For all its sophomoric humor, generic plot twists, and purposefully gratuitous sexual titillation, it’s one of the sweetest, kindest, and most savvy shows we’ve seen about breaking free from conformity to embrace your true self – and that’s a message that applies whether you’re queer, straight, or anywhere in between.

Continue Reading

Photos

PHOTOS: Independence Day Weekend in Rehoboth

Wicked Green Pool Party, fireworks among festivities

Published

on

A fireworks show was held in Rehoboth Beach, Del. on Saturday, July 5. (Washington Blade photo by Daniel Truitt)

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.

(Washington Blade photos by Daniel Truitt)

Continue Reading

Music & Concerts

Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July

The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

Published

on

Beyoncé performs on July 7. (Washington Blade photo by Joe Reberkenny)

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.

The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.

Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.

The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:

“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”

Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.

The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.

One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.

A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.

It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.

Continue Reading

Popular