Arts & Entertainment
Hanks opens on the Hill
New oyster bistro slightly different from its sister locations
Gina Chersevani, left, and Jamie Leeds. (Blade photo by Michael Key)
Jamie Leeds is doing something right — Hank’s Oyster Bar is a Dupont Circle mainstay that came to fruition in the spring of 2005. In 2007, she opened a second Hank’s in Old Town Alexandria.
Now she’s expanding the Alexandria location and she opened a third Hank’s Oyster Bar on Capitol Hill (633 Pennsylvania Ave S.E.) this week. Leeds says opening Hank’s on the Hill while expanding the Alexandria location is her “most exciting accomplishment.”
Leeds has partnered up with “mixtress” Gina Chersevani for this new venue. This 40-seat location features Leeds classics such as the lobster roll and her famous “Meat and Two” option, where patrons receive protein and two sides. This location also includes a 20-seat bar named The Eddy, where patrons can belly and enjoy a handcrafted cocktail.
Hank’s on the Hill feels like a New England cottage with white trim, light grey walls and whitewashed slats hanging from the ceiling. The white marble bar has a block of ice sitting front and center so Chersevani, who’s straight, and staff can carve ice for drinks. The raised oyster station at the back of the restaurant is purposefully the center of attention. Eventually, the Capitol Hill location will also have outdoor seating. Leeds is not anticipating the same trouble obtaining permits as in Dupont where half the outdoor seating area remains closed due to opposition from residents.
Leeds is excited to “deliver excellent seafood and become part of the neighborhood.” Her favorite items on the menu are the fried oysters and the molasses-braised short ribs. At the Capitol Hill location Leeds applies what she has learned from her other restaurants; one important lesson is surrounding herself with the right people. She looks for people who are dedicated, committed to teaching and service oriented. This is how she runs a successful business and balances her family life with partner Leslie Detenber and their son Hayden.
Leeds first hired Chersevani 10 years ago when working at 15ria. Thy have talked about working together and both were excited when the opportunity arose. Chersevani happily tells a story of an early experience with Leeds at 15ria when she had to make a Blueberry Smash — she simply threw the ingredients together, including frozen blueberries. Leeds was not impressed. Chersevani realized this was an opportunity to grow, and take her cocktails to the next level. Chersevani says that “training with chefs like Leeds has allowed her to become a better mixologist.” Cocktails should “tell a story,” and many of the stories she tells on the current Hank’s list are political.
The new mantra for Hank’s Capitol Hill is “swirling liquors and turbulent mixers” and Chersevani is excited to bring “better” cocktails to the neighborhood. Her beverage program consists of 20 intricate cocktails like her personal favorite, The Georgia Mafia, which contains peanut washed Michter’s Whiskey, Sweet Vermouth and marshmallow bitters. Chersevani dubbed this cocktail the “X-rated Fluffer Nutter.” She says that while it may be a small list at Hank’s on the Hill it’s a “small list with impact.”
On Tuesday night, I dined at Hank’s on the Hill and ordered grilled pork chop. I chose the heirloom tomatoes and the buttermilk onion rings as my sides. Both sides were palatable, but the pork chop was cooked unevenly and some morsels were juiceless. The short ribs were not available on the night I dined, but the fried oysters were and I agree with Leeds. The oysters were delicious fried bites that perfectly combined the crispy breading and delicate flavor of the oysters. I chose the Gnome Water Rebellion as my drink for the night and I was blown away by the freshness brought to the drink by the cucumber water and the overall balance of flavors.
Hank’s Capitol Hill “is not like anything else,” says Chersevani. “It will feel like home, with laughter and good times.” On the night I was at Hank’s the bar was bustling and Chersevani was chatting with patrons and handing out shots. Everyone was listening to her stories and enjoying the night. Hank’s on the Hill is open Sunday thru Wednesday from 5-10 p.m. and Thursday through Saturday from 5-11 p.m. The Eddy is open daily from 5 to midnight.
Out & About
Writers’ association hosts Capital Love LitFest
Inaugural literary salon scheduled for Sunday
The Washington Writers’ Publishing House (WWPH), the nation’s longest continuously operating cooperative nonprofit literary press, will present the inaugural “Capital Love LitFest” on Sunday, June 28 at 10 a.m. at The Writer’s Center in Bethesda, Md.
Designed as a full-day literary salon and cultural gathering, the event will feature more than 25 writers, nine workshops, and panel discussions, readings, and conversations centered on love, relationships, identity, healing, creativity, and connection in divisive times. Admission is pay-what-you-can, beginning at free.
The LitFest celebrates the release of “Capital Love,” WWPH’s new anthology featuring 55 writers from across the DMV, including contributors from Baltimore, D.C., Maryland, and Virginia. The pocket-sized collectible anthology explores love in its many forms through poetry and prose and serves as a literary response to today’s social and political climate.
For more details, visit Washington Writers’ website.
Television
‘Vampire Lestat’ heats up Pride month with queer action
Latest Anne Rice adaptation poised to be your next TV obsession
Whether you’re mourning the end of Euphoria, The Boys, or Hacks, you’re dying for another hit of Heated Rivalry or just need something new to watch, The Vampire Lestat has you covered. Whether it’s the cutting witty dialogue, supernatural action, or the maudlin adventures of problematic queer relationships, this is the show for you. This new season brings literal sex, drugs, and rock-n-roll as Lestat (Sam Reid), a multi-centennial vampire, decides to process his beef with his sexy ex Louis (Jacob Anderson) for giving the Interview With The Vampire by starting a rock band.
In 1976, Anne Rice wrote a book to process the death of her young daughter. It was the story of two vampire “roommates” and their centuries-long relationship drama. What followed was a series of 13 books and a whole world filled with vampires, witches, and more. This launched the 1994 film where Brad Pitt, Antonio Banderas, and Tom Cruise played “totally not gay” vampires who almost kissed a few times, despite having all of the hottest actors of the era, it was sanitized of all queer subplots. R&B diva Aaliyah’s last role was as Akasha, the eponymous Queen of the Damned (2002), the unoffical follow up to the first film covering Rice’s second and third book.
The AMC series version of Interview with the Vampire took all this source material and made it more gay, more current, and more PC. They shifted the story to the present day, having Louis live in a luxurious Dubai compound, and his interviewer, Daniel Molloy (Eric Bogosian), being a former addict hawking his masterclass, armed with a ton of evidence. The choice to race-swap Louis from a misanthropic emo plantation owner to a black brothel owner in New Orleans adds so much more nuance, history and richness to his character. Exploring the abusive nature of the relationship and casting the amazing Delainey Hayles as Claudia have all elevated the story to your next television obsession. The choice to turn the book into two seasons allowed the creators to take their time, play with storytelling and explore Louis as an unreliable narrator and tease at many of the storylines of later books. This was a smart choice considering these characters are all centuries old, and over the course of 13 books, all have complex backstories and inner worlds.
Sam Reid was always a standout and captured the egomania and charm of Lestat, the self-proclaimed Brat Prince. He gets to play an over-the-top bitch about everything we’ve seen and heard in Seasons 1 and 2, while even skewering the world of today, commenting on the state of fame, life, and politics.
Like in the book, he reclaims the narrative as he takes the helm of the story. Rather than write his own book, he’s nabbed the newly vamped-up Daniel Molloy as his documentarian. Also, without giving too much away, this series begins in an unnamed future. Armand (Assad Zaman) and Louis are still as hot as ever, and they’re at an auction for the complete works of the Vampire Lestat. It’s teased that some sort of world-altering event has transpired, and Lestat is missing in action. Could that be the events of The Queen of the Damned or even the sum of all of the books? Only time will tell.
The worldbuilding is really solid as we get to see the past, present and future of these characters. Prime example, Akasha, The Queen of the Damned, was name-checked in earlier seasons. Whether you’re a fan of the original source material or not, this series has something for everyone. It has action, including an epic vampire fight scene in the premiere. It has a complex world and mysteries that unfold over the course of each season. Plus, it has hotties of all genders with Reid, Anderson and Zaman holding it down from earlier seasons. Schitt’s Creek dreamboat Noah Reid joins the cast as Lestat’s band’s frontman.
The show has everything: sex, violence, drama, all with a queer and racially inclusive lens. It doesn’t pull punches in storytelling and examining history, all while maintaining a level of levity and fun. It unfolds with dramatic soap operatic reveals and confrontations while also grounding all of the fantasy in our world.
The series is poised to continue with the same characters from the first two seasons while shifting the focus to allow in a new cast of characters who will play out the events of multiple books and major arcs that are part of AMC’s new Anne Rice cinematic universe.
The series airs on AMC Plus, while the first two seasons are available on Netflix. A note to people streaming it may appear on Season 2, as the series name change might be confusing for those who haven’t seen the show.
a&e features
Television loses a legend, longtime ‘Will & Grace’ director James Burrows
Iconic hitmaker leaves behind a legacy of telling LGBTQ stories
You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history.
He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”
He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet.
Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.”
He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.”
He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”
This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.”
What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.”
He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.
The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”
This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction.
In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”
He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy.
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