Arts & Entertainment
‘Story/Time’ snippets
Gay-helmed dance outfit plans Tuesday Va. performance
‘Story/Time’
Bill T. Jones/Arnie Zane Dance Co.
Tuesday at 8:30 p.m.
Wolf Trap
1551 Trap Road
Vienna, VA
$4-40Morning intermediate dance class
10:30 a.m.-noon
Tuesday
Must be at least 12 years old
$15 registration to take the class; $7 to watch

‘Story/Time’ features an ever-evolving series of dance vignettes — about one per minute. (Photo courtesy New York Live Arts Inc.)
Childhood, existentialism of a middle-aged performer, sexuality, memories of a mother and memories of a late companion — these are just a few of the stories featured in Bill T. Jones/Arnie Zane Dance Company’s piece “Story/Time,” slated for a Tuesday performance at Wolf Trap.
An award-winning performer who has created more than 100 works, Jones began the dance company with his late companion Arnie Zane in 1982. After Zane’s death in 1988, Jones continued to create and perform original pieces with the company as well as providing choreography to different operas and ballet companies.
The performance is 70 minutes and consists of about 70 performances. The stories come from different moments and memories of Jones’ life, lives of the dancers, things they’ve read and other points of inspiration. They are a blend of narration and movement.
“The stories can come from driving down the street and what I see, or remembering something I was reading,” Jones says. “I go back and find that thing and craft it into a story.”
One of the stories featured in the show is about a conversation his mother, Estrella, had with Anjelica Huston when the actress inquired about her church. His mother’s response was, “We accept all kinds.” Other stories reflect on memories of Zane.
In the show, Jones is sitting at a desk reading over the music composed by Ted Coffey while dancers move around him. He has now written more than 120 stories for this performance piece and the stories for each performance vary and are chosen at random. The structure of each story is also changed every two performances.
“The performance is a very free structure from beginning to end, yet we are still structured by time,” he says. “If the audience wants to close their eyes and just listen, or close their ears and just watch, they should not be afraid to let the visuals and the sound to wash over oneself.”
Jones says the show was inspired by the piece by legendary performer John Cage titled “Indeterminacy.” In a similar structure, Cage’s piece was 90 minutes long composed of one-minute stories. The juxtaposition of freedom trapped into one-minute intervals intrigued Jones.
However, he says “Story/Time” is not a replica of Cage’s performance, but rather a new piece based on a similar artistic idea.
“Art making is idea, maybe even more than ideas,” Jones says. “It is how one makes something from nothing.”
He says that his piece differs greatly from Cage’s, aside from the limitation of time.
“I’m not John Cage and the way I make movements, they are coming from a different place,” he says. “They come from my experiences as a black gay man born in 1952, rather than a Irish gay man born in the 1920s. He never dealt with sexuality and his politics and social justice are strikingly different.”
Jones would like the audience to treat the performance, “as if you were sitting on the beach and watching the waves. Some waves strike deeper than others.”
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Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
