Arts & Entertainment
‘Story/Time’ snippets
Gay-helmed dance outfit plans Tuesday Va. performance
‘Story/Time’
Bill T. Jones/Arnie Zane Dance Co.
Tuesday at 8:30 p.m.
Wolf Trap
1551 Trap Road
Vienna, VA
$4-40Morning intermediate dance class
10:30 a.m.-noon
Tuesday
Must be at least 12 years old
$15 registration to take the class; $7 to watch
Childhood, existentialism of a middle-aged performer, sexuality, memories of a mother and memories of a late companion — these are just a few of the stories featured in Bill T. Jones/Arnie Zane Dance Company’s piece “Story/Time,” slated for a Tuesday performance at Wolf Trap.
An award-winning performer who has created more than 100 works, Jones began the dance company with his late companion Arnie Zane in 1982. After Zane’s death in 1988, Jones continued to create and perform original pieces with the company as well as providing choreography to different operas and ballet companies.
The performance is 70 minutes and consists of about 70 performances. The stories come from different moments and memories of Jones’ life, lives of the dancers, things they’ve read and other points of inspiration. They are a blend of narration and movement.
“The stories can come from driving down the street and what I see, or remembering something I was reading,” Jones says. “I go back and find that thing and craft it into a story.”
One of the stories featured in the show is about a conversation his mother, Estrella, had with Anjelica Huston when the actress inquired about her church. His mother’s response was, “We accept all kinds.” Other stories reflect on memories of Zane.
In the show, Jones is sitting at a desk reading over the music composed by Ted Coffey while dancers move around him. He has now written more than 120 stories for this performance piece and the stories for each performance vary and are chosen at random. The structure of each story is also changed every two performances.
“The performance is a very free structure from beginning to end, yet we are still structured by time,” he says. “If the audience wants to close their eyes and just listen, or close their ears and just watch, they should not be afraid to let the visuals and the sound to wash over oneself.”
Jones says the show was inspired by the piece by legendary performer John Cage titled “Indeterminacy.” In a similar structure, Cage’s piece was 90 minutes long composed of one-minute stories. The juxtaposition of freedom trapped into one-minute intervals intrigued Jones.
However, he says “Story/Time” is not a replica of Cage’s performance, but rather a new piece based on a similar artistic idea.
“Art making is idea, maybe even more than ideas,” Jones says. “It is how one makes something from nothing.”
He says that his piece differs greatly from Cage’s, aside from the limitation of time.
“I’m not John Cage and the way I make movements, they are coming from a different place,” he says. “They come from my experiences as a black gay man born in 1952, rather than a Irish gay man born in the 1920s. He never dealt with sexuality and his politics and social justice are strikingly different.”
Jones would like the audience to treat the performance, “as if you were sitting on the beach and watching the waves. Some waves strike deeper than others.”
a&e features
Full-spectrum funny: an interview with Randy Rainbow
New book ‘Low-Hanging Fruit’ delivers the laughs
Can we all agree that there’s nothing worse than reading a book by a humorist and not laughing? Not even once. Fear not, as gay humorist and performer Randy Rainbow more than exceeded my expectations, as he will yours, with his hilarious new book “Low-Hanging Fruit” (St. Martin’s Press, 2024). If you loved his 2022 memoir “Playing With Myself,” you’ll find as much, if not more to love in the new book. His trademark sense of humor from his videos, transfers with ease to the page in the essays. There are multiple laugh-out-loud moments throughout the two-dozen essays. Always a delight to talk to, Randy made time for an interview shortly before the publication of the book.
BLADE: I want to begin by apologizing for putting you on speakerphone so I can get this interview recorded, because I know you are not fond of it as you pointed out in the “And While We’re On the Subject…” essay in your new book.
RANDY RAINBOW: [Laughs] Thank you for paying attention. But yours is a good speakerphone. I would not have known.
BLADE: Your first book, “Playing With Myself,” was a memoir and the new book, “Low-Hanging Fruit,” is a humorous essay collection. Did it feel like you were exercising different writing muscles than you did for the first book – essays versus memoir?
RAINBOW: It did a little bit. I think I had a little more fun writing this book. Save for the fact that I was shlepping around on tour as I also make well known in the book. That wasn’t fun. To not have the, I hate to say burden, but the responsibility of doing a chronological memoir, really getting everything right and then telling your story. I felt like I was just free to shoot the shit and have a little fun.
BLADE: Were these essays written in one creative burst or over the course of years?
RAINBOW: Over the course of a few months. The second half of my tour is when I started doing it. So, probably about five to six months.
BLADE: The first essay “Letter of Resignation” reminded me of Fran Lebowitz…
RAINBOW: I’m so glad.
BLADE: And then, lo and behold, you name-check Fran in the second essay “Gurl, You’re A Karen.” Do you consider her to be an influence on your work?
RAINBOW: Not directly. I’m a fan of hers. But I just feel sympatico with her for all the obvious reasons. I have a problem with everything [laughs] and being able to be funny and creative about it in this book was very cathartic, I felt.
BLADE: Something similar occurred when I was reading the essay “I Feel Bad About My Balls,” which recalled another humor essayist — Nora Ephron, whom you mention at the conclusion of the piece. Is she an influence?
RAINBOW: Again, a fan. I wouldn’t say she ever directly influenced me although I guess since becoming an author myself, I read all of her books, so I love her. But not a direct influence. I think I listened to her audiobook of “I Feel Bad About My Neck” and that’s what inspired that chapter.
BLADE: Do you know if Jacob Elordi is aware of his presence in the book?
RAINBOW:I would assume that word has gotten back to him. This is gonna make him!
BLADE: In “Rider? I Hardly Know Her,” you wrote about being on tour as you are about to, once again, embark on a tour throughout October. Do you consider this more of a book tour, as opposed to one of your stage tours?
RAINBOW: It absolutely is. The way it worked out was I’m doing two of my concert shows in Palm Desert. I start my book events here with Harvey Fierstein in New York and then fly to the West Coast and do two musical concerts and then I embark on the rest of my book tour as I make my way back to New York. In that regard, it’s a little less nauseating … taxing.
Yes, although I just finished an eight-month tour. I’ve only had the summer off, and I find myself having to remind myself, “You’re just going for a week, going for a week, and then you come home, and that’s it. I have PTSD from all that travel. I’m not built for it.
BLADE: I’m based in Fort Lauderdale. Are there additional dates in the works, including one in your former home of South Florida?
RAINBOW: That’s where I’m from! That’s where my mother is still located.
BLADE: Yes, we saw you here at the Broward Center, and your mom was there.
RAINBOW: That’s right! No South Florida dates for this tour, but there’s always next year. We’re already planning a few strategically placed tour dates for summer and fall of next year. I’ll definitely be in Florida then, but you’ll have to wait for it.
BLADE: “Notes From A Litter Box,” written in the voice of your cat Tippi, made me wonder if you’d agree that there has never been a better time than now to be a childless cat person.
RAINBOW: Isn’t it funny? That was the least political chapter in the book, the least controversial chapter, and now it’s all anyone’s talking about. It’s our time! What with Taylor Swift and everything, it’s terrific. I wrote that long before all of this J.D. Vance nonsense, but it certainly has put some wind in our sails. And Tippi’s! Who heard her name and she’s looking for treats. Here you go, dear. In the audiobook, the great actress Pamela Adlon voices Tippi.
BLADE: Could you foresee writing a children’s book about Tippi?
RAINBOW: Well, what can I say? I don’t know how much I’m at liberty to discuss. Fuck it, I’ll discuss it! I did write a children’s book, and I’m saying it to whoever asks me. It comes out next year, and that’s actually what we’re planning the tour around, when it comes out around Pride next year. I won’t get into exactly what it’s about, but I will be revealing that very soon. And Tippi is a major character in it.
BLADE: Fantastic! As a 10-year resident of Fort Lauderdale, I especially enjoyed your mother’s takedown of DeSantis in “Ladies and Gentlemen…My Mother (the Sequel).” I take it she didn’t need any prodding from you.
RAINBOW: No. No, she did not. I actually asked her ahead of time – we did a little pre-interview like it was “The Tonight Show” – and I asked her about her topics, so she had her DeSantis material all laid out.
BLADE: Would you please tell my husband Rick there’s a right way to load the dishwasher? He won’t listen to me, but he’ll definitely listen to you.
RAINBOW: I, sadly, do not have a husband, so that is one example that I don’t actually have specifics on. How does he do it?
BLADE: Just wrong!
RAINBOW: Wrong for you.
BLADE: For example, the silverware is just pell-mell in the rack, instead of being grouped, spoons with spoons, forks with forks, and so on.
RAINBOW: He’s not putting mugs or glassware on the bottom, is he?
BLADE: No, not at all. But the plates should go in the same direction, right?
RAINBOW: Absolutely, yes.
BLADE: Thank you!
RAINBOW: I would get rid of him [laughs].
BLADE: “Low-Hanging Fruit” arrives in advance of Election Day 2024 and includes the “Randy Rainbow For President” and “My Gay Agenda” essays, along with running political commentary, as well as a dig at “Donald Jessica Trump” which you say you couldn’t resist. All kidding aside, please share your thoughts on the 2024 election.
RAINBOW: Oh God, kidding aside? How dare you! I have no thoughts that are not kidding because I have to kid to keep my sanity. It’s literally insane. I’ve left my body over it. I don’t know what’s going on. I don’t know what to expect. I try to be positive, but I don’t know what that means anymore. I cannot wait for it to be fucking over!
BLADE: Finally, when it comes to “hot tea,” which you write about in the essay “Do I Hear A Schmaltz?”, may I also recommend Harney & Sons’ “Victorian London Fog?” I’m savoring it as we speak.
RAINBOW: Good one! Thank you! I’m very into Harney and Sons now. I have just a few from their catalog, but that’s the next one I’ll try.
The 2024 Winchester Pride festival was held on the grounds of the Museum of the Shenandoah Valley in Winchester, Va. on Saturday, Oct. 5. Performers included LaLa Ri of “RuPaul’s Drag Race.”
(Washington Blade photos by Michael Key)
Star of “Pose” Dominique Jackson was the special guest at the vogue party “Kunty” on Saturday, Oct. 5 at Bunker. DJ Mascari provided the music.
(Washington Blade photos by Michael Key)
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