Arts & Entertainment
Welcome to the jungle
Witty author shares retail experiences in new book
‘Return to The Big Fancy’
By Freeman Hall
Adams Media
$22.95
272 pages
The holidays are coming. That means you’ll need a little extra.
Extra time to go gift shopping, for sure, and extra closet space in which to hide packages. More importantly, you’ll need extra money for all that buying, which means you’re looking for an extra job.
There are a lot of openings at the mall, but be careful what you ask for. According to Freeman Hall in his new book “Return to The Big Fancy,” that part-time gig you’ll grab might just be extra irritation.
Freeman Hall figured he’d done his time at The Big Fancy, an upscale department store chain with a Burbank location. Hall worked the “Handbag Jungle,” where he dealt with nasty “custys,” greedy co-workers and a store manager he called Suzy Satan. He put up with them all while bringing home an insultingly small paycheck so when he got the chance, he escaped to pursue his dream of being a screenwriter.
But screenwriting didn’t pay the bills. Working at The Big Fancy did. Shortly after leaving, it was back to retail hell at Hall.
The new department manager of Handbag (never “purse”) Jungle was a wonderful woman Hall calls Maude and, since she knew about his past at The Big Fancy, she was happy to hire him. As a former handbag manager, Hall brought experience to the Jungle. He also brought back his best customers.
As for Hall, everything was familiar and depressing from the start.
Forbidden to use an elevator or mall entrance, employees were forced to climb several flights of stairs to get to work. Every day began with ear-splitting announcements and admonishments over the PA system from Suzy Satan to rally (or annoy) the troops. Since The Big Fancy paid its sales associates in commissions, “sharking” (stealing customers) was common and destroyed any sense of teamwork. Rules were loose (unless you broke them) and commissions could be retroactively withdrawn, even years later. The pressure on managers and associates was intense. Adding to it was that customers were always right — even when they weren’t — and discount rats always got their way.
It was frustrating. It was irritating. And it might’ve meant a completely horrible year for Hall, if it wasn’t for The Big Fancy christmas miracle.
So you plan on picking up some hours at the mall this fall. You might want to pick up “Return to The Big Fancy” first, while there’s still time to run.
Author Freeman Hill is both profound and profane in this book (although not as much of the latter as he was in his first book). His observations and his propensity for nickname-giving are both hilarious, but such snarkiness isn’t all you’ll find here: there are a few genuinely wonderful moments at the store and Hall shares them, too.
While retail-working readers will surely identify with this book, it will also give non-retailers a taste of what’s behind the counter. Either way, if you’re getting malled this holiday season, you’ll need a laugh and “Return to The Big Fancy” packs a lot of extras.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.

