Connect with us

Arts & Entertainment

Year in review: 2012 in quotes

The year’s most memorable remarks on LGBT issues

Published

on

From left, President Obama, Jason Mraz, Christopher Plummer and Gov. Andrew Cuomo. (Obama and Cuomo photos Blade file photos; Mraz and Plummer photos courtesy Wikimedia)

From left, President Obama, Jason Mraz, Christopher Plummer and Gov. Andrew Cuomo. (Obama and Cuomo photos Blade file photos; Mraz and Plummer photos courtesy Wikimedia)

From President Obama coming out in support of marriage equality to celebrities like Anderson Cooper just plain coming out, 2012 provided plenty of notable quotables.

Here is a look back at some of the most memorable LGBT media moments of the year.

OBAMA SAYS ‘I DO’

“For me personally, it is important to affirm that I think same-sex couples should be able to get married.”

President Barack Obama, announcing his support for marriage equality in an interview with ABC News’ Robin Roberts (ABC News, May 9)

“With his embrace of phony ’gay marriage,’ Obama outs himself as a soulless panderer with no core beliefs. He mocks his own Christian profession.”

Peter LaBarbera, founder for Americans for Truth About Homosexuality (via Twitter, May 9)

“Let me make it very clear, that my preference is to have a national standard that defines marriage as a relationship between a man and a woman.”

— GOP presidential hopeful Mitt Romney (CNN, May 9)

“Obama is for same-sex marriage. When the president is saying that, who am I to go the other way? It’s cool.”

50 Cent, speaking out on gay marriage after also being asked his reaction to fellow hip-hop artist Frank Ocean’s decision to reveal a past relationship with a man. “Anyone that has an issue with Frank Ocean is an idiot,” 50 Cent said. (BET.com, July 16)

POLITICAL MILESTONES

“Now you can be proud of serving your country, and be proud of who you are.”

— U.S. Defense Secretary Leon Panetta thanking gay and lesbian military members for their service on June 15, as the Pentagon prepared to mark June as Gay Pride month with an official salute.

“I’m well aware I’m the first woman elected to the Senate from Wisconsin, and I’m well aware I will be the first openly gay member. I didn’t run to make history. I ran to make a difference.”

U.S. Rep. Tammy Baldwin (D-Wisc.), who on Nov. 6 became the first openly gay candidate elected to the U.S. Senate, in a recent interview on her historic victory. (Green Bay Press-Gazette, Nov. 18)

“When I decided to run, I said either you come out and become an activist and have a major role there or I run for Congress. There was no way I could have been out and won.”

U.S. Rep. Barney Frank (D-Mass.) on his first run for Congress in 1980. Frank, who came out in 1987 while serving in Congress, is retiring after 32 years in the U.S. House. (Washington Post, Dec. 3)

CELEBS SPEAK OUT

“For me, it is a choice. I understand that for many people it’s not, but for me it’s a choice, and you don’t get to define my gayness for me.”

— Actress Cynthia Nixon in an interview with the New York Times after her recent remark that “I’ve been straight and I’ve been gay, and gay is better” drew criticism from some LGBT activists. (ABCNews.com, Jan. 24)

“While I don’t often use the word, the technically precise term for my orientation is bisexual. I believe bisexuality is not a choice, it is a fact. What I have ‘chosen’ is to be in a gay relationship.”

Cynthia Nixon in a written statement clarifying her remark. (Advocate.com, Jan. 30)

“I have an important message, all the bling and Mercedes aside: I’m an openly gay Persian man. According to the president of the country I was born in, I don’t even exist.”

Reza Farahan, a star on Bravo’s new reality series “Shas of Sunset.” (AP, March 10)

“I’ve never dealt with the question of my personal life in public. It’s just not gonna happen.”

— Actor and singer Queen Latifah, explaining that it “definitely wasn’t the case” that she came out when performing at Long Beach Gay Pride last month, while adding, “To me, doing a gay pride show is one of the most fun things.” (Entertainment Weekly, June 1)

“The fact is, I’m gay, always have been, always will be, and I couldn’t be any more happy, comfortable with myself, and proud.”

— CNN anchor Anderson Cooper, ending years of speculation by coming out via email to gay writer Andrew Sullivan. (Andrew Sullivan/The Dish, July 2)

“I’m a black, gay woman. I think the only way to make the GOP hate me more is if I sent them a video of me rolling around on a pile of welfare checks.”

— Comedian Wanda Sykes in a clip from her two-part Logo special, “NewNowNext Vote with Wanda Sykes.” (Huffington Post, Sept. 10)

FAMOUS FRIENDS

“I think everyone sort of understands it might be the last leg of the civil rights movement.”

Actor George Clooney, a gay marriage supporter, speaking for LGBT rights in an interview at the Golden Globe Awards, where he won Best Actor. (Politico.com, Jan. 16)

“I sing songs about love and just as people have a right to choose to listen to songs about love, I believe people have a right to marry the person that they love.”

— Singer-songwriter Jason Mraz in a video for Americans for Marriage Equality, an HRC campaign to let gay couples marry. (HRC.org, March 21)

“I think that gay marriage is going to happen. It must. We are not actually equal — humanity — if we are not allowed to freely love one another. What the Pope thinks of being gay does not matter to the world. It matters to the people who like the Pope and follow the Pope. It is not a reflection of all religious people.”

Lady Gaga, who is Catholic, responding in a radio interview to Pope Benedict XVI’s comments against gay marriage. (Fox News, Sept. 25)

“You can’t change the way you are or who you fell in love with … We support Uncle Poodle and all the other poodles in the world too.”

— TLC reality star Alana “Honey Boo Boo” Thompson, age 7, in a statement publicized by the Gay & Lesbian Alliance Against Defamation about her gay uncle. (GLAAD.org, Oct. 19)

PLAYING GAY

“In some ways, gender should be irrelevant. It shouldn’t matter who someone is connected to and finds love and a life with. I hope [full federal equality] will come to be a reality for the LGBT world.”

— Actress Glenn Close, who plays a woman who lives as a man in 19th century Dublin in her film “Albert Nobbs.” (Windy City Times, Jan. 25)

“Gay characters are human beings. We’re all exactly the same. That’s the reason I played it the way I did, not as a caricature. … I know there is a lot of anti-gay sentiment in our society at the moment and I abhor it.”

Actor Christopher Plummer, who portrayed a gay man who came out after age 70 in the film “Beginners.” (On Top Magazine, Jan. 30)

“’Truth’ is our small chance to ask that you try and understand someone who lives their life in a way that is a little bit different from yours, even though all of our hearts are the same. We want to stop the hate and find understanding.”

— Pop icon Janet Jackson on why she is serving as executive director for “Truth,” a documentary about transgender people and their fight for equality. (Advocate.com, June 4)

GOOD SPORTS

“I guess [coming out publicly] seems like a weight off my shoulders. I’ve been playing a lot better than I’ve ever played before. I think I’m just enjoying myself and I’m happy.”

Megan Rapinoe, a midfielder for the US women’s soccer team, who scored three goals on the way to the team’s gold medal. Rapinoe came out in the press before the start of the London Olympics. (Associated Press, Aug. 8)

“I find it inconceivable that one of your players, Mr. Brendon Ayanbadejo, would publicly endorse same-sex marriage… I am requesting that you take the necessary action, as a National Football Franchise Owner, to inhibit such expressions from your employee…”

— Maryland General Assembly Delegate Emmett C. Burns Jr. in an Aug. 29 letter, sent on official letterhead, to Baltimore Ravens owner Steve Bisciotti. (Yahoo Sports, Sept. 6)

“I’ve also been vocal as hell about the issue of gay marriage so you can take your ‘I know of no other NFL player …’ and shove it in your close-minded, totally lacking in empathy piehole and choke on it. Asshole.”

— Minnesota Vikings punter Chris Kluwe in a hilariously profane open letter to Md. State Delegate Emmett C. Burns Jr. (Deadspin.com, Sept. 7)

COURTING CONTROVERSY

“I think we are inviting God’s judgment on our nation when we shake our fist at him and say, ‘We know better than you as to what constitutes a marriage.’”

Dan Cathy, president of Chick-fil-A, noting that his company is “guilty as charged” in opposing same-sex marriage. (Comments published by Baptist Press on July 16)

“The comments …  that sought to link the devastation caused by Hurricane Sandy to our state’s embrace of marriage equality are as offensive as they are ignorant.”

— New York Gov. Andrew Cuomo, responding to Rabbi Noson Leiter, who called Hurricane Sandy “divine” retribution for New York legalizing gay marriage. (New York Daily News, Nov. 5)

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Theater

‘A Wrinkle in Time’ comes to Arena Stage

Actor, singer Taylor Iman Jones stars as Meg Murry

Published

on

Taylor Iman Jones (Meg), left, and Jon Patrick Walker (Meg's father) in 'A Wrinkle in Time' at Arena Stage. (Photo by T. Charles Erickson Photography)

A Wrinkle in Time
Through July 20
Arena Stage
1101 Sixth St., S.W.
Tickets range from $59-$209
Arenastage.org

Currently at Arena Stage, talented out actor and singer Taylor Iman Jones is rekindling an old friendship with an adored character of fiction. 

Broadway vet Jones is starring as 13-year-old Meg Murry in “A Wrinkle in Time,” the world-premiere musical adaptation of Madeleine L’Engle’s same-titled book. 

For many readers, especially women, the classic 1962 young adult novel, was their first foray into sci-fi, particularly one with a female protagonist.

The story centers on Meg, an awkward schoolgirl whose physicist father has mysteriously disappeared. Now, Meg, her popular friend Calvin, and smart younger brother Charles Wallace are tasked with moving through time and space to find him. Along the way they encounter adventure and evil.

For Jones, 33, playing 13-year-old Meg feels freeing in ways. She says, “As you get older, you’re told to grow up, so I like letting go of some of that. To feel feelings in their rawest form and to tap back into that is fun. I like the spontaneity. There are highs and lows to revisit.”

Born and raised in the San Francisco Bay Area, Jones began piano lessons at just six and soon added band and plays to their pursuits. Following high school, she made a deep dive into California theater for seven years before making the big move to New York in 2017 where after just two months she was singing on Broadway. 

The determined and appealing Jones, who lives in New York with their partner, boasts an impressive bio. She has appeared on Broadway as Catherine Parr, Henry VIII’s sixth and final wife in Six, and in the original casts of “Head Over Heels” and “Groundhog Day.” She’s been seen in national tours of “Hamilton” and “American Idiot.”

WASHINGTON BLADE: It seems “A Wrinkle in Time” and Meg mean a lot to a lot of people. 

TAYLOR IMAN JONES: The book tells the story of a girl with so much undiscovered power who’s accomplishing things she never imagined that she could. 

BLADE: Can you relate?

JONES: Meg wears her emotions on her sleeve. I can certainly relate to that. I’m a Pisces. Sometimes being hyperemotional and very empathetic can feel like a burden, but as I’ve matured, I have realized that it’s not a bad quality. And it’s something I’ve learned to harness and to enjoy. I love that I can play a role like Meg in front of thousands of people.

BLADE: Was “Wrinkle in Time” a book you knew well?

JONES: Oh yeah, it’s a favorite book that lives in my heart and my mind. It’s one of the first books that taught me about the adventure of reading.

BLADE: And playing a favorite character must be a kick.

JONES: It really is. 

BLADE: Meg is a big part in a big show.  

JONES: This musical is huge. They’re traveling through space and meeting people on different planets. 20-person cast. 30 songs in the show. Quite the undertaking and I’m proud of us. I’m on stage for the entire musical and I sing four or five numbers. 

As a mezzo soprano I guess you’d say I have the luxury of being able to do a lot of musicals that span a lot of different genres: rock musical, pop musical, and standards. “A Wrinkle in Time” is contemporary musical theater. 

For me, singing is probably the least difficult part of the show. What’s harder for me is the way Meg experiences trauma; I need to be careful when I’m screaming and yelling.

BLADE: It seems mostly women have been involved in making this production happen (book by Lauren Yee; music and lyrics by Heather Christian; directed by Lee Sunday Evans; and choreography by Ani Taj.)

JONES: It’s true, the director, writer, etc., and most of our producers are all women. This doesn’t happen most of the time. For me it means new ideas and fresh energy, and pushing the limits of musical theater. 

It’s also created a wonderful space in which to work. It can be more generous, and understanding. And centering the story on a young girl is something we can all relate to. 

BLADE: Will “A Wrinkle in Time” resonate with queer theatergoers and their families?

JONES: I think so, especially on the heels of pride month. It’s truly a show for all ages about finding your inner strength and fighting for the things that you love; not letting evil win over the power of good, and not just for yourself but for those around you too.

Continue Reading

Movies

Two new documentaries highlight trans history

‘I’m Your Venus’ on Netflix, ‘Enigma’ on HBO/Max

Published

on

‘I’m Your Venus’ explores the death and legacy of trans ballroom icon Venuz Xtravaganza. (Image courtesy of Netfilx)

One of the most telling things about queer history is that so much of it has to be gleaned by reading between the lines.

There are the obvious tentpoles: the activism, the politics, the names and accomplishments of key cultural heroes. Without the stories of lived experience behind them, however, these things are mere information; to connect with these facts on a personal level requires relatable everyday detail — and for most of our past, such things could only be discussed in secret.

In recent decades, thanks to increased societal acceptance, there’s been a new sense of academic “legitimacy” bestowed upon the scholarship of queer history, and much has been illuminated that was once kept in the dark. The once-repressed expressions of our queer ancestors now allow us to see our reflections staring back at us through the centuries, and connect us to them in a way that feels personal.

One of the most effective formats for building that connection, naturally enough, is documentary filmmaking — an assertion illustrated by two new docs, each focused on figures whose lives are intertwined with the evolution of modern trans culture.

“I’m Your Venus,” now streaming on Netfllix, bookends an iconic documentary from the past: “Paris is Burning (1990), Jennie Livingston’s seminal portrait of New York City’s ballroom scene of the ‘80s. In that film, a young trans woman named Venus Xtravagana delivered first-person confessionals for the camera that instantly won the hearts of audiences — only for them to break with the shattering revelation that she had been murdered before the film’s completion.

That 1988 murder was never solved, but Venus — whose surname was Pellagatti before she joined the House of Xtravaganza – was never forgotten; four decades later, her family (or rather, families) want some answers, and filmmaker Kimberly Reed follows her biological siblings — Joe, Louie, and John, Jr. — as they connect with her ballroom clan in an effort to bring closure to her loss; with the help of trans advocates, they succeed in getting her murder case re-opened, and work to achieve a posthumous legal name change to honor her memory and solidify her legacy.

It’s a remarkably kind and unapologetically sentimental chronicle of events, especially considering the brutal circumstances of Venus’ killing — a brutal death by strangling, almost certainly perpetrated by a transphobic “john” who left her body hidden under a mattress in a seedy hotel — and her decision to leave her birth family for a chosen one. As to the latter, there are no hard feelings among her blood relatives, who assert — mostly convincingly — that they always accepted her for who she was; one senses that a lot of inner growth has contributed to the Pallagatti clan’s mission, which admittedly sometimes resembles an attempt at making amends. For the murder itself, it’s best to leave that part of the story unspoiled — though it’s fair to say that any answers which may or may not have been found are overshadowed by the spirit of love, dignity, and determination that underscore the search for them, however performative some of it might occasionally feel. Ultimately, Venus is still the star of the show, her authentic and unvarnished truth remaining eloquent despite the passage of more than 40 years.

Perhaps more layered and certainly more provocative, documentarian Zackary Drucker’s “Enigma” (now streaming on HBO/Max) delves further back into trans history, tracing the parallel lives of two women — trans pioneer and activist April Ashley and self-styled European “disco queen” Amanda Lear — whose paths to fame both began in Paris of the 1950s, where they were friends and performers together at Le Carrousel, a notorious-and-popular drag cabaret that attracted the glitterati of Europe.

Ashley (who died at 86 in 2021) was a former merchant seaman from Liverpool whose “underground” success as a drag performer funded a successful gender reassignment surgery and led to a career as a fashion model, as well as her elevation-by-wedding into British high society — though the marriage was annulled after she was publicly outed by a friend, despite her husband’s awareness of her trans identity at the time of their marriage. She went on to become a formidable advocate for trans acceptance, and for environmental organizations like Greenpeace, who would earn an MBE for her efforts, and wrote an autobiography in which she shared candid stories about her experiences and relationships as part of the “exotic” Parisian scene from which she launched her later life.

The other figure profiled by “Enigma” — and possibly the one to which its title most directly refers — is Amanda Lear, who also (“allegedly”) started her rise to fame at Le Carrousel before embarking on a later career that would include fashion modeling, pop stardom, and a long-term friendship with surrealist painter Salvador Dalí. A self-proclaimed “disco queen” whose success in Europe never quite spread to American culture (despite highly public associations with musical icons like David Bowie and Roxy Music), Lear’s trajectory has taken her in a different direction than Ashley’s. In the film’s extensive live interview segments, she repeatedly denies and discredits suggestions of her trans identity, sticking to a long-maintained script in which any and all details of her origins are obscured and denied as a matter of course.

At times, it’s almost amusing to observe her performative (there’s that word again) denials, which occasionally approach a kind of deliberate “camp” absurdity in their adamance, but there’s also a kind of grudging respect that’s inspired by the sheer doggedness with which she insists on controlling the narrative — however misguided it may seem to those of us on the outside. Debate about her gender-at-birth has continued for decades, even predating Ashley’s book, so the movie’s “revelations” are hardly new, nor even particularly controversial — but her insistence on discrediting them provides sharp contrast with the casual candor of Ashley’s elegantly confident persona, underscoring the different responses to transphobia that would direct the separate lives of both these former (alleged) friends.

For what it’s worth, Lear sent an email to the Washington Post, calling the movie “a pathetic piece of trash” and denying not just her trans identity but any friendship or association with Ashley, despite ample photographic and anecdotal evidence to the contrary — and while it might come across as callous or desperate for her to maintain the presumed façade, it’s a powerful testament to the power of cultural bullying to suppress the truth of queer existence; the contrast between the life each of these women chose to live speaks volumes, and makes “Enigma” into one of the most interesting — and truthful — trans documentaries to emerge thus far.

While neither film presents a comprehensive or definitive view of trans experience (is such a thing even possible, really?), both offer a perspective on the past which both honors the truth of queer existence and illustrates the ways in which the stigma imposed by mainstream prejudice can shape our responses to the identity through which we are perceived by the public.

That makes them both worth your attention, especially when our queer history — and the acknowledgement of trans existence itself — is at risk or being rolled right back up into the closet. 

Continue Reading

Sports

Trans cyclist’s victory sparks outrage in conservative media

Katheryn Phillips is originally from DC

Published

on

(Bigstock photo)

On the heels of UPenn erasing the record of the first openly transgender NCAA Division I All-American swimmer and the U.S. Supreme Court’s decision to tackle bans on trans student-athletes, right wing media is now all hot and bothered about the latest trans woman who won a cycling championship — even though she competed according to the rules.

On Tuesday, 58-year-old Katheryn Phillips finished first in USA Cycling’s Lyons Masters National Championship race for women aged 55-59, with a time of 1:42:10, according to the official results posted by the organization. The record shows her gender as “F” for female.  

One second behind Phillips was Julie Peterson, with a time of 1:42:11 — as were three other cyclists: Mary Beth Grier, Andrea Cherniak-Tyson, and Carolyn Maddox. 

Peterson, 57, was so outraged, she told Fox News she refused to stand on the podium in second place next to Phillips. Her story was swiftly shared by the New York Post (also owned by Fox’s parent company News Corp.), the Daily Mail, Breitbart, and other conservative media. 

Both Peterson and another competitor are accusing USA Cycling of “hiding” that a transgender woman had registered to race. 

“It was hidden from us. Katheryn Phillips, KJ’s name, was not on that list. And I checked it up all the way to the point of closure when we couldn’t register online anymore,” Debbie Milne told Fox.

“If I had known, I wouldn’t have spent thousands of dollars in travel and time off work to come and do a race,” Peterson said. Fox welcomed Milne, 56, who finished seventh on Tuesday, to Fox & Friends Thursday morning. 

(Video courtesy of Fox News)

Peterson told Fox she did complain to USA Cycling officials prior to the race. Both Milne and Peterson referred to Phillips as a male, and with “he/him” pronouns. 

“To be fair to all humans, if we want to say ‘him’ or ‘her,’ he was born a biological male, that is a fact,” Milne said. “And that is the thing that makes it an unfair advantage. Whatever has happened after that is a whole different topic.”

“I said, ‘I don’t want to race against a man,’ and they quickly scolded me and said ‘Oh, you can’t call him a man,’ and I’m like ‘Well, he is a man,’ so I was quickly scolded and corrected that it is a woman and I don’t even know what to say.”

USA Cycling did not respond to the Washington Blade’s emails requesting comment. 

Phillips, who goes by Kate and by “KJ,” is a former rugby player with the D.C. Furies, who stated in the comments of a 2024 article published by Zwift Insider that she was the first out trans athlete in the U.S. to compete under the 2004 International Olympic Committee’s guidelines on trans participation. 

“When USA Rugby told me about the IOC decision in 2004, I raised my hand to be included. I experience nothing but joy when I play, ride, and race,” Phillips said. 

As the Blade has reported, the International Olympic Committee drastically revised those rules in 2021, and in March, Republican lawmakers in D.C. demanded the IOC ban trans female athletes from women’s sporting events altogether. 

The Blade also reached out to Phillips for comment but as of press time we have not received a response. She told Zwift Insider in March 2024 she does not let those who disapprove or spread hate impact her performance or her attitude. 

“I am unaffected by dissent. I love, I share joy, I am me, and I have been my authentic self for decades,” she said. It’s been reported Phillips came out in 1999, and told Zwift Insider she considers herself a lifelong cyclist. 

“I’ve been on a bike for as long as I can remember,” said Phillips. “As kids, my friends and I rode all over town, we were feral kids; no cell phones, no trackers … we just roamed, and nobody got in trouble or hurt bad enough not to ride home … Scrapes/bruises/cuts were not an issue for us. In my teens, I worked for myself as a court/legal messenger, doing all of the work via my bike until I got a car. Raced BMX as a kiddo (when I mowed lawns to cover the race entry fees), I did MTB stuff (non-racing) and Sprint/Olympic Triathlons in my 30’s, and now I’m racing on Zwift, Road/Gravel, and CX in my 50s.”

In the comments section, Phillips made clear she’s not competing to win. 

“I don’t do sports for victory, I do it because like many other women, I am an athlete to my core,” she said. “Unlike some, I am not there to WIN, I am there to do my best with the competitors and teammates I have around me trying to do the same…we are in it for the experience. I rejoice in their wins, and a lot of joy is reflected back to me when I have a good day.”

Continue Reading

Popular