Arts & Entertainment
Galleries: The art of the matter
D.C. galleries — and one in New York — have bounty of queer and D.C.-themed shows planned
‘The Helpful Angels,’ a work by late gay artist Alfonso Ossorio on display now at the Phillips Collection. (Image courtesy Phillips)
The Phillips Collection (1600 21st St., N.W.) exhibits “Angels, Demons and Savages,” a showcase of work by Jackson Pollock, Jean Dubuffet and the openly gay Alfonso Ossorio. In their time, Ossorio was friends with both Pollock and Dubuffet, and the showcase, featuring 55 pieces by the three men, connects the three artists in a celebration of key postwar art. The exhibit is already open and runs through March 12. Admission is $12 for adults, $10 for students and seniors, and free for members and children. For more information, visit phillipscollection.org.
Yes, it’s in the Big Apple, but worth checking out if you’re up that way — the Leslie-Lohman Museum of Gay and Lesbian Art (26 Wooster St., New York) presents two simultaneous exhibitions showcasing queer history.
“Rare & Raw” combines illustrations, photographs, video and more exploring themes of queer history. The exhibit pairs works of older artists and younger counterparts to highlight how different generations address the same issues.
“Making History, Making Art: the Work of Jonathan Ned Katz” explores the artistic career of a late-emerging artist, renowned historian of queer history Jonathan Ned Katz. The exhibit shows shifting political landscapes transformed how sexual difference is represented. Both exhibits are currently running through March 31. Admission is free. For more information, visit leslielohman.org.
Hemphill’s Carroll Square Gallery (975 F Street) is featuring “Currents,” an exhibit showcasing four emerging talents in the Mid-Atlantic region. One artist in the group, openly gay Mexican-American René Treviño, attempts to retell history from an underrepresented perspective. His work challenges social norms and explores his need to find his place in the world. The exhibit runs until April 25. Admission is free.
For more information, visit hemphillfinearts.com
Touchstone Gallery (901 New York Ave., N.W.) has two exhibitions running through the month of March.
“Icons” by Steve Alderton features paintings influenced by the styles of Byzantine icons. He focuses on seemingly insignificant traits, such as an eye’s focus or the slight hint of a smile, to subtly hint at a subject’s complex persona.
“It’s Greek to Me” is a modern reinterpretation of Greek mythology. Narcissus, clad only in white briefs, ogles his reflection in a chrome toaster in his kitchen. Europa is a cowgirl at a rodeo. Prometheus sports a farmer tan. The artist, Timothy Johnson, will complete the collection with one final piece he will paint in person on Saturdays and Sundays throughout March.
For more information on these exhibits, visit touchstonegallery.com.
Corcoran Gallery of Art (500 17th St., N.W.) is featuring several exhibitions over the next few months.
On display until April 21 is “Shooting Stars: Publicity Stills from Early Hollywood and Portraits by Andy Warhol.” It features promotional photos of early Hollywood stars, such as Rudolph Valentino and Mary Pickford, alongside Warhol’s photos of figures such as Sen. Ted Kennedy and his Factory “superstars,” like Jackie Curtis.
“Pump Me Up: D.C. Subculture of the 1980s” explores the D.C. underground of the ‘80s, focusing on graffiti, go-go music and the punk and hardcore scenes. Some items showcased include day-glo concert posters, stage clothes, newspaper clippings, video loops, and more. The exhibition runs through April 7.
“How Is the World? Recent Acquisitions of Contemporary Photography” brings together work by several photographers, each with wide-ranging issues of the world addressed in their art. It runs from March 9-May 26.
“David Levinthal: War Games” features photographs of staged tableaux depicting war using toys. Some scenes depicted include images of the American Indian Wars, World War II, and contemporary wars in Iraq and Afghanistan. The exhibition runs from May 11-Sept 1.
Admission is $10 for adults, $8 for seniors and students, and free for children 12 and younger. For more information on these exhibitions, visit corcoran.org.
Zenith Gallery is celebrating its 35th year with several exhibits.
“Is that President Obama at the Washington D.C. Economic Partnership?” is an inauguration art show ending Monday (act fast!). The exhibit features local artists celebrating the uniqueness of Washington, including iconic symbols and architecture of the city. It is held at 1495 S St., N.W.
“The Best of All Worlds … Traditional and Modern Art” showcases paintings and sculptures that embrace the beauty of the D.C. region with depictions of natural and man-made creations. The exhibit is being held at 1111 Pennsylvania Ave., N.W. until April 27.
“Trees-The World’s Greatest Cooperators” highlights the crucial relationship between humans and trees. The pieces celebrate one of the most enduring resources on earth and respect the majesty of trees around the world and in D.C., including the Cherry Blossoms. The exhibit runs from March 17-June 1 at 1429 Iris St., N.W.
For more information, visit zenithgallery.com.
Studio Gallery (2108 R St., N.W.) presents two exhibits: a solo show with Angelika Wamsler’s “soulprint” and a duo show with “Hanna’s Table” by Chris Chernow and “Found Art” by Amy B. Davis. Both exhibitions run until March 23.
For more information, visit studiogallerydc.com.
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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