Arts & Entertainment
Galleries: The art of the matter
D.C. galleries — and one in New York — have bounty of queer and D.C.-themed shows planned

‘The Helpful Angels,’ a work by late gay artist Alfonso Ossorio on display now at the Phillips Collection. (Image courtesy Phillips)
The Phillips Collection (1600 21st St., N.W.) exhibits “Angels, Demons and Savages,” a showcase of work by Jackson Pollock, Jean Dubuffet and the openly gay Alfonso Ossorio. In their time, Ossorio was friends with both Pollock and Dubuffet, and the showcase, featuring 55 pieces by the three men, connects the three artists in a celebration of key postwar art. The exhibit is already open and runs through March 12. Admission is $12 for adults, $10 for students and seniors, and free for members and children. For more information, visit phillipscollection.org.
Yes, it’s in the Big Apple, but worth checking out if you’re up that way — the Leslie-Lohman Museum of Gay and Lesbian Art (26 Wooster St., New York) presents two simultaneous exhibitions showcasing queer history.
“Rare & Raw” combines illustrations, photographs, video and more exploring themes of queer history. The exhibit pairs works of older artists and younger counterparts to highlight how different generations address the same issues.
“Making History, Making Art: the Work of Jonathan Ned Katz” explores the artistic career of a late-emerging artist, renowned historian of queer history Jonathan Ned Katz. The exhibit shows shifting political landscapes transformed how sexual difference is represented. Both exhibits are currently running through March 31. Admission is free. For more information, visit leslielohman.org.
Hemphill’s Carroll Square Gallery (975 F Street) is featuring “Currents,” an exhibit showcasing four emerging talents in the Mid-Atlantic region. One artist in the group, openly gay Mexican-American René Treviño, attempts to retell history from an underrepresented perspective. His work challenges social norms and explores his need to find his place in the world. The exhibit runs until April 25. Admission is free.
For more information, visit hemphillfinearts.com
Touchstone Gallery (901 New York Ave., N.W.) has two exhibitions running through the month of March.
“Icons” by Steve Alderton features paintings influenced by the styles of Byzantine icons. He focuses on seemingly insignificant traits, such as an eye’s focus or the slight hint of a smile, to subtly hint at a subject’s complex persona.
“It’s Greek to Me” is a modern reinterpretation of Greek mythology. Narcissus, clad only in white briefs, ogles his reflection in a chrome toaster in his kitchen. Europa is a cowgirl at a rodeo. Prometheus sports a farmer tan. The artist, Timothy Johnson, will complete the collection with one final piece he will paint in person on Saturdays and Sundays throughout March.
For more information on these exhibits, visit touchstonegallery.com.
Corcoran Gallery of Art (500 17th St., N.W.) is featuring several exhibitions over the next few months.
On display until April 21 is “Shooting Stars: Publicity Stills from Early Hollywood and Portraits by Andy Warhol.” It features promotional photos of early Hollywood stars, such as Rudolph Valentino and Mary Pickford, alongside Warhol’s photos of figures such as Sen. Ted Kennedy and his Factory “superstars,” like Jackie Curtis.
“Pump Me Up: D.C. Subculture of the 1980s” explores the D.C. underground of the ‘80s, focusing on graffiti, go-go music and the punk and hardcore scenes. Some items showcased include day-glo concert posters, stage clothes, newspaper clippings, video loops, and more. The exhibition runs through April 7.
“How Is the World? Recent Acquisitions of Contemporary Photography” brings together work by several photographers, each with wide-ranging issues of the world addressed in their art. It runs from March 9-May 26.
“David Levinthal: War Games” features photographs of staged tableaux depicting war using toys. Some scenes depicted include images of the American Indian Wars, World War II, and contemporary wars in Iraq and Afghanistan. The exhibition runs from May 11-Sept 1.
Admission is $10 for adults, $8 for seniors and students, and free for children 12 and younger. For more information on these exhibitions, visit corcoran.org.
Zenith Gallery is celebrating its 35th year with several exhibits.
“Is that President Obama at the Washington D.C. Economic Partnership?” is an inauguration art show ending Monday (act fast!). The exhibit features local artists celebrating the uniqueness of Washington, including iconic symbols and architecture of the city. It is held at 1495 S St., N.W.
“The Best of All Worlds … Traditional and Modern Art” showcases paintings and sculptures that embrace the beauty of the D.C. region with depictions of natural and man-made creations. The exhibit is being held at 1111 Pennsylvania Ave., N.W. until April 27.
“Trees-The World’s Greatest Cooperators” highlights the crucial relationship between humans and trees. The pieces celebrate one of the most enduring resources on earth and respect the majesty of trees around the world and in D.C., including the Cherry Blossoms. The exhibit runs from March 17-June 1 at 1429 Iris St., N.W.
For more information, visit zenithgallery.com.
Studio Gallery (2108 R St., N.W.) presents two exhibits: a solo show with Angelika Wamsler’s “soulprint” and a duo show with “Hanna’s Table” by Chris Chernow and “Found Art” by Amy B. Davis. Both exhibitions run until March 23.
For more information, visit studiogallerydc.com.
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















