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Galleries: The art of the matter

D.C. galleries — and one in New York — have bounty of queer and D.C.-themed shows planned

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The Helpful Angels, Alfonso Ossorio, gay news, Washington Blade
The Helpful Angels, Alfonso Ossorio, gay news, Washington Blade

The Helpful Angels,’ a work by late gay artist Alfonso Ossorio on display now at the Phillips Collection. (Image courtesy Phillips)

The Phillips Collection (1600 21st St., N.W.) exhibits “Angels, Demons and Savages,” a showcase of work by Jackson Pollock, Jean Dubuffet and the openly gay Alfonso Ossorio. In their time, Ossorio was friends with both Pollock and Dubuffet, and the showcase, featuring 55 pieces by the three men, connects the three artists in a celebration of key postwar art. The exhibit is already open and runs through March 12. Admission is $12 for adults, $10 for students and seniors, and free for members and children. For more information, visit phillipscollection.org.

Yes, it’s in the Big Apple, but worth checking out if you’re up that way — the Leslie-Lohman Museum of Gay and Lesbian Art (26 Wooster St., New York) presents two simultaneous exhibitions showcasing queer history.

“Rare & Raw” combines illustrations, photographs, video and more exploring themes of queer history. The exhibit pairs works of older artists and younger counterparts to highlight how different generations address the same issues.

“Making History, Making Art: the Work of Jonathan Ned Katz” explores the artistic career of a late-emerging artist, renowned historian of queer history Jonathan Ned Katz. The exhibit shows shifting political landscapes transformed how sexual difference is represented. Both exhibits are currently running through March 31. Admission is free. For more information, visit leslielohman.org.

Hemphill’s Carroll Square Gallery (975 F Street) is featuring “Currents,” an exhibit showcasing four emerging talents in the Mid-Atlantic region. One artist in the group, openly gay Mexican-American René Treviño, attempts to retell history from an underrepresented perspective. His work challenges social norms and explores his need to find his place in the world. The exhibit runs until April 25. Admission is free.

For more information, visit hemphillfinearts.com

Touchstone Gallery (901 New York Ave., N.W.) has two exhibitions running through the month of March.

“Icons” by Steve Alderton features paintings influenced by the styles of Byzantine icons. He focuses on seemingly insignificant traits, such as an eye’s focus or the slight hint of a smile, to subtly hint at a subject’s complex persona.

“It’s Greek to Me” is a modern reinterpretation of Greek mythology. Narcissus, clad only in white briefs, ogles his reflection in a chrome toaster in his kitchen. Europa is a cowgirl at a rodeo. Prometheus sports a farmer tan. The artist, Timothy Johnson, will complete the collection with one final piece he will paint in person on Saturdays and Sundays throughout March.

For more information on these exhibits, visit touchstonegallery.com.

Corcoran Gallery of Art (500 17th St., N.W.) is featuring several exhibitions over the next few months.

On display until April 21 is “Shooting Stars: Publicity Stills from Early Hollywood and Portraits by Andy Warhol.” It features promotional photos of early Hollywood stars, such as Rudolph Valentino and Mary Pickford, alongside Warhol’s photos of figures such as Sen. Ted Kennedy and his Factory “superstars,” like Jackie Curtis.

“Pump Me Up: D.C. Subculture of the 1980s” explores the D.C. underground of the ‘80s, focusing on graffiti, go-go music and the punk and hardcore scenes. Some items showcased include day-glo concert posters, stage clothes, newspaper clippings, video loops, and more. The exhibition runs through April 7.

“How Is the World? Recent Acquisitions of Contemporary Photography” brings together work by several photographers, each with wide-ranging issues of the world addressed in their art. It runs from March 9-May 26.

“David Levinthal: War Games” features photographs of staged tableaux depicting war using toys. Some scenes depicted include images of the American Indian Wars, World War II, and contemporary wars in Iraq and Afghanistan. The exhibition runs from May 11-Sept 1.

Admission is $10 for adults, $8 for seniors and students, and free for children 12 and younger. For more information on these exhibitions, visit corcoran.org.

Zenith Gallery is celebrating its 35th year with several exhibits.

“Is that President Obama at the Washington D.C. Economic Partnership?” is an inauguration art show ending Monday (act fast!). The exhibit features local artists celebrating the uniqueness of Washington, including iconic symbols and architecture of the city. It is held at 1495 S St., N.W.

“The Best of All Worlds … Traditional and Modern Art” showcases paintings and sculptures that embrace the beauty of the D.C. region with depictions of natural and man-made creations. The exhibit is being held at 1111 Pennsylvania Ave., N.W. until April 27.

“Trees-The World’s Greatest Cooperators” highlights the crucial relationship between humans and trees. The pieces celebrate one of the most enduring resources on earth and respect the majesty of trees around the world and in D.C., including the Cherry Blossoms. The exhibit runs from March 17-June 1 at 1429 Iris St., N.W.

For more information, visit zenithgallery.com.

Studio Gallery (2108 R St., N.W.) presents two exhibits: a solo show with Angelika Wamsler’s “soulprint” and a duo show with “Hanna’s Table” by Chris Chernow and “Found Art” by Amy B. Davis. Both exhibitions run until March 23.

For more information, visit studiogallerydc.com.

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History

Julius’ Bar ‘sip-in’ laid groundwork for Stonewall

Tuesday marked 60 years since four gay activists held protest

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(Washington Blade photo by Ernesto Valle)

While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.

Tuesday marked 60 years since the Julius’ Bar “sip in.”

On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.

Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.

At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.

Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.

Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.

The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.

Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.

Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.

“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”

For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.

“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”

The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.

“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.

The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.

Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:

Alice Austen House at Steiny’s Pub, Staten Island, N.Y.

Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.

Brick Road Coffee, Mesa, Ariz.

Brick Road Coffee, Tempe, Ariz.

Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.

The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans

Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York

JOYR!DE KiKi at Loafers Cocktail Bar, New York

Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.

Mazer Lesbian Archives at Alana’s Coffee, Los Angeles

New Hope Celebrates at The Club Room, New Hope, Pa.

Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.

Sandy Jack’s Bar, Brooklyn, N.Y.

St. Louis LGBT History Project at Just John Club, St. Louis

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the Night of Champions Awards Gala at the Georgetown Marriott on Saturday, April 18. (Washington Blade photo by Michael Key)

The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.

(Washington Blade photos by Michael Key)

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