Arts & Entertainment
High notes for ‘Show Boat’
Opera singer Cambridge returns for fourth appearance with WNO
‘Show Boat’
Opens Saturday, runs through May 26
Washington National Opera
Kennedy Center Opera House
(2700 F Street, NW)
$25-$270
kennedy-center.org

Soprano Alyson Cambridge says she’s thrilled to bring ‘Show Boat’ to her native Washington. (Photo by Enrique Vega; courtesy Bucklesweet Media)
D.C.-area native Alyson Cambridge starts a triumphant homecoming this weekend.
The former Arlington, Va., resident — she grew up here — has made a splash in the opera world with debuts at the Metropolitan Opera and other top-level houses in major productions. She opens Saturday in the classic musical “Show Boat,” the Kern/Hammerstein masterpiece that will feature more than 100 singers, actors and dancers on the Kennedy Center Opera House Stage to tell the story of a troupe of riverboat performers as they make their way through the decades. It features classic songs such as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man.”
Cambridge stars as Julie. It will be a busy month for the performer. She’ll also sing the National Anthem at the Washington Nationals game on May 11. And on May 18, the production will be broadcast live to Nationals Park for WNO’s annual “Opera in the Outfield” event. Cambridge opened the show in Chicago last year and says during a lengthy phone chat from her home in Manhattan, she’s excited about bringing it to D.C. (Cambridge’s comments have been edited for length.)
BLADE: You still have family here?
CAMBRIDGE: Yes, my parents still live in the same house I grew up in and my brother and sister-in-law live in Falls Church with my niece who’s 1 so yeah, it’s been great spending time with my niece.
BLADE: How is the art/theater/music vibe different in New York versus Washington?
CAMBRIDGE: New York is a completely different world. I’ve been there almost 11 years so it feels like home now and I’m used to a fast-paced life where I’m constantly being surrounded by artists, singers, actors and dancers all the time. The person behind the counter at Starbucks is an aspiring acturess. It’s just in the culture that there’s this assumption that you have some ties to the arts. You just feel that vibe all the time here.
BLADE: How was the Chicago run?
CAMBRIDGE: Really wonderful. It was the first time for many of us coming to this show .. and my first time doing a musical like this on such a grand scale. About half the cast is new for D.C. and it’s been wonderful welcoming so many newcomers to this production. I can truly say, there’s not a weak link in the cast, everybody is just so strong. … I hope D.C. embraces the show as much as Chicago did. We were completely sold out there and it was the toughest ticket in town to get.
BLADE: Most of your professional work has been in opera. Are the lines blurring between the opera world and musical theater and if so, is that a good thing?
CAMBRIDGE: I’ve seen a lot of change just within the last four years or so. I did “Porgy & Bess” in Washington in 2005 and came back in 2010 and the reception was very different. It’s considered a show in the more operatic vein and was really written for classically trained voices. Even just a few years ago, people warned me, ‘Oh, be careful — if you start with that, people won’t see you as a truly legit opera singer,’ but I think what we’re doing is really opening up these musical worlds to different audiences and I think it’s the perfect blend.
BLADE: Whatever raw talent you were blest with, as you discovered it and what your strengths were, did that line up pretty naturally with your musical interests as a teen or did you have to learn to appreciate opera, which can be an acquired taste?
CAMBRIDGE: Oh, back in the ‘90s I listened to pop singers and wanted to be a pop singer. I’d be blasting Christina Aguilera out of my car on campus but I discovered I could imitate any voice I heard and had a really finely tuned ear. My mom would have classical music on and I could imitate the opera singers and we had a neighbor say once, ‘You know, that’s not half bad.’ … This led to voice lessons … where I was eventually told I had natural ability in this genre. But yes, it took awhile for me to really embrace what my voice was meant to do. But yeah, Madonna, Whitney Houston, Tiffany, I loved all that too and even went through a rap phase.
BLADE: Does it feel really competitive and cut throat as your career unfolds or is there a level you get to where you don’t feel like the next soprano is just waiting in the wings snapping at your heels?
CAMBRIDGE: I think everybody has their own unique path. Mine was pretty fast. I literally went from Curtis to the Metropolitan Opera’s young artist program by the time I was 23 and had my Met debut at 24, but I have certainly leanred you’re always a work in progress and I think it’s a misconception that you don’t have to keep learning. … It’s very much about always coming out and bringing your A game.
BLADE: What is your tessitura?
CAMBRIDGE: I’m a full lyric soprano.
BLADE: Is that the highest one? I can never remember.
CAMBRIDGE: No, a coloratura is the highest and the lightest … It’s a fuller sound with more meat to it. … The role of Julie, is really a mezzo role. It’s quite low but it suits me quite well.
BLADE: Do you have a gay best friend in New York? Your world must be teeming with gay energy.
CAMBRIDGE: It’s all over the map. I’m surrounded by gay people, trans people, bi — everything. It’s really all across the map. But yeah, I’m going to the wedding of one of my college best friends this summer in New York. She was straight all through college but she’s marrying a woman and she’s never been happier.
Bars & Parties
Impulse Group DC to host fundraiser
Giving Tuesday and Happy Hour held at Thurst Lounge
Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge.
This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.
A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.
Admission is free and more details are available on Eventbrite.
Friday, November 28
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Dupont Italian Kitchen Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 29
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, November 30
Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. Guests are encouraged to come and enjoy stimulating conversation. For more details, visit Eventbrite.
Monday, December 1
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Tuesday, December 2
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. Email [email protected] with any questions.
Friends of Dorothy Cafe will host “Choose Our Blend” at 6 p.m. at Stardust Vintage & Gift. Guests are encouraged to come sip, sample, and vote on a lineup of custom coffee blends from Rustic Route Coffee Co., a DMV-based queer-owned roaster. Guests’ votes will help Rustic Route choose the café’s official signature roast. Event organizers will take donations, and more details are available on Eventbrite.
Wednesday, December 3
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, email [email protected].
Thursday, December 4
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander Queer Community. For more details, email [email protected].
Theater
D.C. theater scene has something for everyone this holiday season
‘Nutcracker,’ ‘A Christmas Carol,’ and much more
With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.
Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent
At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org
Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.” edcjcc.org
The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org
With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show.
This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org
At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org
Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.
Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.
Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org
At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse.
The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org
And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history. washingtonballet.org
And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org
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