Connect with us

Arts & Entertainment

Porter’s penchant

Late gay composer at zenith in masterful ‘Anything Goes’

Published

on

Rachel York, Reno Sweeney, Anything Goes, Kennedy Center, Washington Blade, Gay News
Rachel York, Reno Sweeney, Anything Goes, Kennedy Center, Washington Blade, Gay News

Rachel York as Reno Sweeney in ‘Anything Goes.’ (Photo by Joan Markus; courtesy Kennedy Center)

‘Anything Goes’
Through July 7
The Kennedy Center for the Performing Arts
$25-$115
202-467-4600
kennedy-center.org

Corny but true: Even before the curtain goes up on Kathleen Marshall’s revival of Cole Porter’s 1934 musical comedy masterpiece “Anything Goes” now playing at the Kennedy Center, a smile is likely to form. It starts when the orchestra (led by a skipper’s cap-clad conductor) strikes up Porter’s primo overture and — for me anyway — remained pretty fixed for the entire show.

Set on a tony transatlantic crossing from New York to England, “Anything’s” zany plot includes romance, madcap intrigue and disguise, but mostly it’s the show’s classic-packed score with tunes like “Get a Kick Out of You,” “You’re the Top,” “Easy to Love,” “Friendship,” “It’s De-lovely,” “Anything Goes,” (And that’s in the first act alone!) that has been wowing crowds for decades.

Central to the wacky action is evangelist-turned-nightclub-singer Reno Sweeney played to bawdy-glam perfection by Broadway’s Rachel York. Turned out in gorgeous Martin Pakledina-designed gowns, York wisecracks like Mae West and belts out Porter tunes with the best of them. She’s also working with top-notch supporting actors like Fred Applegate, who plays Moonface Martin, the likable gangster who ranks a disappointing 13th on the FBI’s most-wanted list as his sailor-hungry sidekick Erma (Joyce Chittick) is wont to remind him. York and Applegate are especially appealing singing that terrific duet of one-upmanship “Friendship.”

York also shines singing “You’re the Top” with her unrequited love interest but generally nice guy Billy Crocker (Josh Franklin), and later successfully pairs off for the very funny tango “Gypsy in Me” with unlikely beau (the doltish British aristocrat Sir Evelyn Oakleigh played by Edward Staudenmayer).

The production is a first rate national tour of Roundabout Theatre Company’s Tony Award-winning revival. Both directed and choreographed by Marshall, it boasts a stylish nautically deco set by Derek McLane, stuffed pets, loads of fun and a wonderful, crowd-pleasing old time tap dance extravaganza involving sexy chorines, debutantes, well-built sailors, a Christian missionary with a pair of not-so-pious Chinese converts in tow, and a cast that brings the show’s stock characters to life.

Over the years, a lot of big names have played Reno (Ethel Merman who originated the part on Broadway, Patti LuPone, Sutton Foster), and now York makes the dame her own. Not for a minute will you find yourself wishing one of the other ladies were on hand to reprise the role.  York possesses the presence of a star from yesteryear, and with those pipes and that breezy interpretation, she’s made to sing Porter.

Spring and summer are coming together nicely at the Kennedy Center. Since the end of May, the fabulous Sarah Wayne Callies has been assaying the role of the romantically ambivalent Hungarian actress in Ferenc Molnár’s “The Guardsman” (ends Sunday) in the Eisenhower Theater. And now York, another fabulously talented leading lady, has taken residence in the Opera House, performing in a very different production through July 7. Both are giving performances that will be talked about a lot when Helen Hayes Awards are again doled out next spring.

Porter, who was gay, is remembered for his incomparably clever lyrics and blissfully melodic tunes. “Anything Goes” is considered the best work from arguably the best period of his long career.  Now is an opportunity to bask in some of that heavenly genius.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Photos

PHOTOS: Rush preview night

New LGBTQ venue opens with dancing, performances

Published

on

Druex Sidora performs at Rush's 'Preview Night' on Friday, Nov. 28. (Washington Blade photo by Michael Key)

The new LGBTQ venue Rush (2001 14th Street, N.W.) held a preview night on Friday, Nov. 28. Performers included Cake Pop!, Druex Sidora and Tiara Missou.

(Washington Blade photos by Michael Key)

Continue Reading

Movies

Holiday movie season off to a ‘Wicked’ good start

From Hallmark to horror, something for all tastes

Published

on

Cynthia Erivo and Ariana Grande-Butera in ‘Wicked: For Good.’ (Photo courtesy of Universal Pictures)

With Christmas just around the corner, it’s time to look ahead to the movies headed our way for December – and just like last year, the perfect film to launch it all is already here.

We’re talking, of course, of “Wicked: For Good” (now in theaters), the follow-up to last year’s smash adaptation of the hit Broadway musical that turns the witchy mythos of “The Wizard of Oz” inside out. A continuation rather than a sequel, director John M. Chu’s sumptuously crafted epic adapts the show’s second act to conclude the saga of green-skinned Elpheba – branded as a “wicked” witch by the authoritarian Wizard (Jeff Goldblum) for her rebellion against his suppression of Oz’s animal population – and her complicated relationship with “frenemy” Glinda (Ariana Grande-Butera), who is now serving as a sort of “double agent” by working to change the regime from within. As with the movie’s source material, there’s a definite “second act slump,” which Chu and co-screenwriters Winnie Holzman and Dana Fox attempt to counter with some minor retooling of the plot, incorporating more material derived from the Gregory Maguire novel that inspired it all, and adding a couple of new, original songs; it works, to a large degree, but the second half still lacks the bubbling sense of joy and excitement that made the first such an infectious hit.

Still, that’s just a quibble – and while this one may not leave us as giddy, it’s a worthy completion of the project, arguably improving the show by granting it levels of emotional resonance, political subtext, and overall depth that always seemed to be the missing element to the material. As for the cast (which also includes first out gay “sexiest man alive” Jonathan Bailey, alongside Michelle Yeoh, Marissa Bode, Ethan Slater, and Bowen Yang), they all continue to deliver powerhouse performances, breathing the kind of fully developed life into their fantastical characters that makes them all stick with us after the final high note is sung. So never mind the inevitable letdown that comes with the splitting of the story into two parts – taken as a whole, Chu’s “Wicked” saga is still a cinematic triumph that, frankly, very few of us expected it to be, and that’s hardly a reason to be disappointed.

As for the rest of the holiday season, there’s not much in the way of directly LGBTQ content coming to our screens – but there are still plenty of promising titles for us to look forward to.

Cutting to the chase for fans of the “Queer Christmas Romance” genre, we’re happy to report that Hallmark – the reigning champion of such fare – has two queer holiday entries lined up for you this season. First up is “A Keller Christmas Vacation” (Hallmark+, now streaming), a quirky tale of three adult siblings on a holiday cruise with their parents in Europe, each dealing with their own personal issues as they find “unexpected joy, romance, and family bonds” along the way – and gay heartthrob Jonathan Bennett, who’s pretty much become the poster boy for this genre, stars as one of them, with former Superman Brandon Routh providing extra eye candy for good measure. The second is “The Christmas Baby” (Hallmark, 12/21), starring Ali Liebert and Katherine Barrell as a lesbian couple who get a holiday surprise when they find a baby on their doorstep; they decide to adopt – which, naturally, requires them to negotiate the process of balancing their relationship and careers with the challenge of being new moms.

There’s also “The Christmas Writer” (Tello, now streaming) in which a lesbian romance author (Shelby Allison Brown) returns to her hometown in search of some Christmas spirit after the death of her mother, an ugly breakup, and a bad case of writer’s block. What she finds is a single lesbian mom (Callie Bussell), and flying sparks ensue.

For heartwarming Christmas cheer without the romcom trappings, there’s “Oh. What. Fun.” (Prime Video 12/3), which serves up Michelle Pfeiffer as a mom and grandma whose knack for putting on the perfect holiday gathering is taken for granted by her self-absorbed family  – until they leave her behind on a family outing, forcing them to pull it together themselves. Pfeiffer leads an ensemble cast that includes co-stars like Eva Longoria, Felicity Jones, Denis Leary, Danielle Brooks, Jason Schwartzman, Maude Apatow, Joan Chen, and Chloë Grace Moretz as the queer daughter whose vegan girlfriend throws a last-minute wrench into the dinner menu. Sounds relatable!

Not holiday-themed but still a gift, “Merrily We Roll Along” (limited theaters 12/5) is the multiple-Tony-winning 2023 Broadway revival of Stephen Sondheim’s musical that tells the story – in reverse – of three high school BFFs as their relationship (and their ideals) shift across three decades. Featuring some of Sondheim’s most personal compositions, director Maria Friedman’s production of the show (starring Jonathan Groff, Daniel Radcliffe, and Lindsey Mendez) was immersively captured on film before closing in 2024 – and now, it’s on its way to movie screens as a special holiday treat for musical theatre lovers.

Likewise unseasonable and just as intriguing is “100 Nights of Hero” (limited theaters 12/5), an adaptation of the graphic novel by Isabel Greenberg (itself based on the classic folk tale “1,001 Nights”) in which a woman (Maika Monroe) is left alone by her neglectful husband (Amir El-Masry) for 100 nights at the estate of his seductive friend (Nicholas Galitzine, “Red, White, and Royal Blue”) as a test of her fidelity, with only her loyal maid (Emma Corrin, “The Crown”) as an ally. A sexy and stylish period fantasy with a queer-inlusive cast, it comes with buzzy acclaim from its Venice Film Fest debut, so we’ve definitely got this one on our list.

Kristen Stewart fans will be excited to see the debut of “The Chronology of Water” (limited theaters 12/5), the queer screen queen’s first film as producer, director, and co-writer. Adapted from Lidia Yuknavitch’s memoir, it stars Imogen Poots as a woman who overcomes personal trauma through her writing, and earned a lengthy standing ovation at its Cannes premiere earlier this year. The release is limited, with a wider expansion in early 2026 – but we’re confident it will be worth waiting for, if you have to.

Hamnet” (Theaters, 12/12), from Oscar-winning director Chloé Zhao, delivers a speculative slice of behind-the-scenes history with a period tearjerker about William Shakespeare (Paul Mescal) and his wife, Agnes (Jessie Buckley), as they struggle to cope with the death of their 11-year-old son – a real-life tragedy that inspired the playwright in his creation of “Hamlet.” Advance reviews have offered high praise for this one, especially regarding Buckley’s performance; but as his fans know, Mescal is no slouch either, and they’ll no doubt be standing in line for this one whether they’re interested in Shakespeare or not. Emily Watson and Joe Alwyn also star.

Jessie Buckley and Paul Mescal in ‘Hamnet.’ (Image courtesy of Focus Features)

It’s been 15 years since iconic producer/director James L. Brooks has made a movie, but the “Terms of Endearment filmmaker is back this month with “Ella McCay” (theaters, 12/12), a political dramedy set in the Obama era, which follows a young Lieutenant Governor (Emma Mackey) as she prepares to take over after her boss and mentor (Albert Brooks) accepts a Cabinet position with the new administration. Also featuring popular and prolific queer ally Jamie Lee Curtis, alongside Jack Lowden, Kumail Nanjiani, Ayo Edebiri, and Woody Harrelson, it’s sure to be a highlight of the season – after all, besides all his movies, Brooks is the man responsible for “The Mary Tyler Moore Show” and “The Simpsons,” so the track record speaks for itself.

Daniel Craig returns for one more round as Master Detective Benoit Blanc in “Wake Up Dead Man: A Knives Out Mystery” (Netflix, 12/12), the third installment in filmmaker Rian Johnson’s series of all-star comedic “whodunnits” that both spoof and pay homage to the classic murder mystery genre defined by Agatha Christie and other authors of her era. This time, the eccentric gay detective investigates a murder within a devout church community centered around a charismatic priest (Josh Brolin), in what’s described as “his most dangerous case yet,” and the list of suspects includes Josh O’Connor, Glenn Close, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church. If it’s even half as diabolically clever as the first two films, it’s bound to be a fun ride.

Screen icon Kate Winslet makes her directorial debut (from a screenplay by her son, Joe Anders) with “Goodbye June” (limited theaters 12/12, Netflix 12/24), a Christmas-set British drama about a family that gathers around its ailing mother (Helen Mirren) as she prepares to face the end of her life on her own terms. Inspired by the personal experiences surrounding the death of Winslet’s mother from ovarian cancer, some audiences might find the subject matter too much of a downer for the holiday season, but a light-hearted and positive tone – along with an ensemble cast that includes Toni Collette, Johnny Flynn, Andrea Riseborough, Timothy Spall, and Winslet herself – is likely to take the edge off for those willing to include a touch of bittersweet flavor in their holiday season.

For those who love the immersive, imaginative spectacle of James Cameron’s “Avatar” franchise, “Avatar: Fire and Ash” (theaters, 12/19) makes its eagerly awaited debut this month, with a third installment that sees the Na’vi people enmeshed in further struggle with exploitative humans from Earth – which gives the phrase “it’s going to be a Blue Christmas” a whole new meaning. The cast includes returning players Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, CCH Pounder, Giovanni Ribisi, Kate Winslet, Cliff Curtis, Edie Falco, Jemaine Clement, and multiple other veterans of the series.

Because sometimes you need a creepy psychological thriller to offset all the seasonal sweetness, versatile director Paul Feig’s “The Housemaid” (Theaters, 12/19) gives us Sydney Sweeney as in the title role, who takes a job as live-in servant to a wealthy woman (Amanda Seyfried) and her family, and slowly begins to discover the dark secrets lurking behind her new employers’ seemingly perfect life. Brandon Sklenar, Michele Morrone, and Elizabeth Perkins also star.

With “Father Mother Sister Brother” (limited theaters 12/24), acclaimed cult filmmaker Jim Jarmusch re-emerges with an anthology movie that follows three estranged family relationships in three different countries around the world. Its ensemble cast features Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Sarah Greene, Luka Sabbat, and transgender actress Indya Moore (“Pose”) – and oh, by the way, it won the Golden Lion at this year’s Cannes Film Festival, so cinema enthusiasts are especially advised to consider it a “must-see” for their holiday season.

Finally, if you’re a member of the “Cult of Chalamet,” you’re probably already looking forward to “Marty Supreme” (theaters 12/25), in which the gifted young “It Boy” actor plays an ambitious ping pong player who “goes to hell and back” on his path to becoming a champion in the sport. Loosely based on the story of real-life table tennis champion Marty Reisman, it’s helmed by acclaimed director Josh Safdie (“Uncut Gems”) and co-stars Gwyneth Paltrow, Odessa A’zion, Kevin O’Leary, Tyler Okonma, Abel Ferrara, Sandra Bernhard, and Fran Drescher – but let’s face it, it’s going to be all about Timothée, and we’re perfectly fine with that.

With all those titles to choose from, we’re pretty confident you’ll have enough to keep you entertained until next year, when we can look forward to thrilling new releases like the much-anticipated “Pillion,” with Alexander Skarsgård – but we’ll have more on that for our next preview. For now, enjoy the seasonal offerings already on your plate.

Happy holidays!

Continue Reading

Bars & Parties

Impulse Group DC to host fundraiser

Giving Tuesday and Happy Hour held at Thurst Lounge

Published

on

Thurst Lounge (Washington Blade photo by Michael Key)

Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge. 

This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.

A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.

Admission is free and more details are available on Eventbrite

Continue Reading

Popular