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Calendar through June 27

Events, parties, concerts and more for the end of Pride month

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Tom Goss, Bears, gay news, Washington Blade
Tom Goss, Bears, gay news, Washington Blade, music

Local gay singer/songwriter Tom Goss is shooting a video for his song “Bears” on Thursday night at 7 p.m. at Town (2009 8th Street NW). Everyone who doesn’t mind being filmed is invited to attend. (Photo by Michael Key; courtesy Tom Goss Music)

Friday, June 21

Town (2009 8th St., N.W.) hosts Bear Happy Hour tonight from 6-11 p.m. There is no cover charge and admission is limited to guests 21 and over. For details, visit towndc.com.

Aaron Meyers and the Black Fox Lounge Jazz Ensemble perform tonight at the Black Fox Lounge (1723 Connecticut Ave., N.W.) from 9 p.m.-2 a.m. The event is a fundraiser to benefit the Lupus Foundation of America. Cover is $10. For more information, visit blackfoxlounge.com.

The Silver Spring Library (8901 Colesville Rd., Silver Spring, Md.) hosts a Latino LGBT Pride exhibit presented by the Latino GLBT History Project today from 10 a.m.-6 p.m. The exhibit chronicles 20 years of Latino LGBT activism and will run through June 30. Visit latinoglbthistory.org for more information.

The Savoy Suites Hotel (2505 Wisconsin Ave., N.W.) hosts a Brazilian live music show tonight from 7:30-9:30 p.m. Local singer and lyricist Cissa Paz will perform tracks from her debut album. For more details, visit cissapaz.com.

Saturday, June 22

DJ Brett Henrichsen spins tonight at Town (2009 8th St., N.W.). In his first five years, Henrichsen has become an international sensation who headlines major circuit events from Ibiza to Sao Paolo. Doors open at 10 p.m., with $3 drinks served until 11. Admission is limited to guests 21 and over, and is $8 from 10-11 and $12 after 11. For details, visit towndc.com.

Cobalt (1639 R St., N.W.) hosts “Bearracuda,” the highest attended bear dance party in the U.S., tonight from 9 p.m.-3 a.m. “Bearracuda” is held in 37 countries worldwide, with regular parties in San Francisco, Seattle and Portland, and frequent events in Sydney and Amsterdam. Admission is $7 before 10 p.m. and $10 for the rest of the night. For more information, visit cobaltdc.com.

Phase 1 (525 8th St. S.E.) hosts a “Stop Light Party” tonight at 9 p.m. Guests will be given bracelets at the door, with red meaning they are “taken,” yellow meaning they are “down for whatever” and green meaning they are “single.” Admission is $5 and limited to guests 21 and over. Visit phase1dc.com for more details.

Thirty local artists will display their work at the Easels in Frederick Grand Exhibition today from 1-6 p.m. at the Talley Recreation Center (121 North Bentz St., Frederick, Md.). Each artist’s work captures the beauty of Frederick County’s charming towns and mountainous landscapes. Admission is free. For more information, visit easelsinfrederick.org.

Sunday, June 23

The Bachelor’s Mill (1104 8th St., S.E.) hosts karaoke tonight from 9 p.m.-midnight. Cover is $3, and there will also be pool, video gaming systems and cards. For more information, visit bachelorsmill.com.

Perry’s (1811 Columbia Rd., N.W.) hosts its weekly Sunday Drag Brunch today from 10 a.m.-3 p.m. The cost is $24.95 for an all-you-can-eat buffet. For details, visit perrysadamsmorgan.com.

Special Agent Galactica performs tonight at Freddie’s Beach Bar (555 23 St., Arlington, V.A.) at 7 p.m. Cover is $5. For more information, visit pinkhairedone.com.

Monday, June 24

Cobalt (1639 R St., N.W.) hosts its weekly “Monday’s a Total Drag [Show]” party tonight from 9 p.m.-2 a.m. An episode of RuPaul’s Drag Race screens at 9, and then a live drag show will be featured. Admission is 18+ and free. For details, visit cobaltdc.com.

The D.C. Center (1318 U St., N.W.) hosts coffee drop-in hours this morning from 10 a.m.-noon for the senior LGBT community. Older LGBT adults can come and enjoy complimentary coffee and conversation with other community members. For more information, visit thedccenter.org.

Tuesday, June 25

Paolo’s Restaurant (1303 Wisconsin Ave., N.W.) hosts an opening reception with local artists Leslie Nolan and Linda Bankerd for their exhibit, “Bravissimo,” from 6-8 p.m. tonight. Both artists have innovative, abstract styles that heavily use bold colors. For more information, visit leslienolan.com.

The Green Lantern (1335 Green Ct., N.W.) hosts its weekly FUK!T Packing Party tonight from 7-9 p.m. For more details, visit thedccenter.org or greenlanterndc.com.

D.C. Eagle (639 New York Ave., N.W.) hosts “$2 Tuesday” tonight from 4 p.m.-midnight this evening for the leather community. All domestic beer and rail drinks are $2. For details, visit dceagle.com.

Wednesday, June 26

Heist (1802 Jefferson Pl., N.W.) hosts its weekly open bar party tonight from 10-11 p.m. There is no cover charge and admission is limited to guests 21 and over. For details, visit heistdc.com or the Heist DC Facebook page.

The Bachelor’s Mill (1104 8th St., S.E.) hosts drag bingo during happy hour tonight from 5-7:30 p.m. All drinks are half price, and there will also be pool, video gaming systems and cards. Admission is free. For details, visit bachelorsmill.com.

The Connecting Rainbows Initiative provides an “LGBTQA Youth in Care Summit” today at the Washington Convention Center (801 Mt. Vernon Pl., N.W.). Activities include workshops for LGBT youth, families and professionals. Registration begins at 9 a.m. and the summit ends at 5 p.m. Breakfast, lunch and snacks will be provided. For more information, visit thedccenter.org.

The Lambda Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., S.E.) for duplicate bridge. Newcomers are welcome and reservations are not necessary. Call 703-407-6540 for more details.

Thursday, June 27

MOVA Lounge (2204 14th St., N.W.) hosts “GLBT College Night” this evening, with a vodka open bar for guests who have a college ID from 9-10 p.m. Admission is free and 18 and up. Visit movalounge.com for more details.

The D.C. Black Theatre Festival is tonight from 7-9:30 p.m. at the Star Arts Center (1700 Kalorama Rd., N.W.). This year, the Brave Soul Collective presents, “Subject to Change,” a series of theatrical pieces that tackle issues of sex, work, relationships and family in the black community. For more information, visit thedccenter.org.

Gays and Lesbians Opposing Violence (GLOV) meet tonight from 7-8:30 p.m. at the D.C. Center (1318 U St., N.W.). The organization works to reduce violence toward LGBT people through community outreach, education and monitoring legal cases to ensure the dignity of LGBT victims. For more details, visit thedccenter.org.

The Lambda Sci-Fi Book Group meets tonight at 7 p.m. at 1425 S St., N.W. to discuss “Among Others,” by Jo Walton. Guests are encouraged to bring a snack and non-alcoholic drink to share. For more information, call 202-483-6369 or visit lambdascifi.org.

Whitman Walker Health provides four hours of free HIV testing today for National HIV Testing Day at Walgreens (1217 22nd St., N.W.) from 3-7 p.m. Visit whitman-walker.org for more details.

Local gay singer/songwriter Tom Goss is shooting a video for his song “Bears” tonight at 7 p.m. at Town (2009 8th Street NW). Local bears who don’t mind being filmed are invited to attend.

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Television

ICYMI: ‘Overcompensating’ a surprisingly sweet queer treat

A sweet, savvy show about breaking free to embrace your true self

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Holmes, Benito Skinner and Wally Baram in ‘Overcompensating.’ (Photo courtesy of MGM Amazon)

Pride month 2025 is now behind us, and while it’s safe to say that this year’s celebrations had a darker edge than usual, it’s also true that they came with a particularly rich bounty of new queer movies and shows to entertain us – so many, in fact, that even if we are facing a lull until the fall another harvest of fresh content, there are still plenty of titles – which, for whatever reason, were off your radar – for you to catch up on in the meantime.

One of the most notable of these –  the bingeworthy series “Overcompensating” (now streaming on Amazon Prime) – will most definitely have been ON the radar for the plentiful fans of creator and star Benito Skinner, the actor/comedian who rose to viral fame through his content on platforms like Instagram, YouTube, and TikTok. For anyone else, it might have easily slipped through the cracks.

Created and written by Skinner as a loosely autobiographical “college comedy,” it aims for the kind of raucous, explicitly sexed-up tone one expects from the genre as it centers on Benny (Skinner), newly arrived as a freshman at prestigious Yates University. A former football jock and “golden boy” at his midwestern high school, he’s the picture of idealized youthful masculinity; he’s also deep in the closet, struggling to keep his sexuality hidden and maintain his macho front under the intense scrutiny of the college’s social scene – and under the resentful eye of his older sister Grace (Mary Beth Barone), who has already secured her own place at the top of the pecking order.

In the first episode, Benny’s difficulties are eased when he meets Carmen (Wally Baram), another freshman trying to navigate the politics of college life; a gamer from a home marred by tragedy, she’s an outsider who feels like she’s putting on an act, too, and they click – giving him the convenient “cover” of female companionship while providing them both with much-needed support and encouragement. He’s also befriended by a handsome film major from England (Rish Shah), who has already caught his eye, stirring other kinds of feelings and possibly even reciprocating them. Meanwhile, he’s being courted by the school’s “exclusive secret society” – headed by his sister’s aggressively “alpha” boyfriend Pete (Adam DiMarco) – and trying to stay interested in his studies, despite a growing realization that a career in business doesn’t actually appeal to him all that much.

That’s a lot to juggle for anybody, even an overachiever like Benny – whose “lucky” life so far has largely been the result of playing a role he is finding harder and harder to maintain. As the series goes on through its eight-episode arc, it becomes clear that he’s not the only one who is “keeping up appearances,” and he, along with the other confused and damaged young people in his orbit, begins the painful (but often hilarious) process of evolution that is required in order to become truly oneself.

Directed toward appealing to a younger demographic, “Overcompensating” is the kind of show that requires a few episodes worth of invested time to make an impression that feels like substance. Full of the bawdy farcical antics that go hand in hand with stories about hormonally charged college kids, it’s not above leaning into the formulas and tropes that have always driven these kinds of comedies. At first, while its broadly comedic strokes and frequently explicit sexual hijinks might elicit plenty of chuckles, the show might easily feel tiresome for more mature audiences; there’s a nostalgic fun to it, made even more appealing, somehow, by the “political incorrectness” of its frequently sexist and homophobic humor, but for a while things may feel like an unnecessary attempt to reinvent “Animal House” for the Gen Z crowd.

By the time the season reaches its halfway point, however, things have started to get real. The antics of these horny almost-adults take on a more pointed absurdity, informed by the increasingly tangled web of defensive deceit they weave among themselves – and, as things draw toward a cliffhanger climax, the consequences of maintaining it – until it achieves a sense of empathy toward them all. There’s a wisdom that smacks of lived authenticity underlying the whole affair, transforming it from the “sexploitative” teen comedy of its surface into something deeper. To be sure, things stay expectedly wacky, and the soap-operatic melodrama of its twists and reversals continue to maintain the show’s “mature YA” appeal; but beneath those trappings, by the end of the season a truer identity has begun to emerge, just as its characters have begun to find their own levels of self-actualization for themselves.

As creator, primary writer, and star, it’s obviously Skinner who deserves much of the credit. While it might be tempting, early on, to dismiss the show as an “ego project,” the internet-spawned sensation proves his talents quickly enough to get past such judgy suspicions, delivering a pitch-perfect blend of sauciness and sensitivity that extends its appeal toward both ends of the taste spectrum; just as crucially, he brings the same aforementioned “lived authenticity” to his winning performance – after all, he’s essentially playing himself in a fictionalized version of his own life – while also making sure that equal time (and compassion) is afforded all the other characters around him, each of whom are pushing at the boundaries of their own respective “closets,” too. It’s unavoidable to notice that – like most of his co-stars – he’s plainly a decade too old to be playing a college student; but by the time we reach that crucial halfway turning point, we’ve become too engaged by him to care.

The show is full of excellent performances, in fact. Relative newcomers Baram and Barone offer layers of complex nuance, while the more familiar DiMarco (“White Lotus”) is close to heartbreaking as the toxic BMOC clinging to the illusion of power as his life begins unraveling around him. Other standouts include the mononymic actress Holmes as Carmen’s “wild child” roommate, solidly likable turns as Benny’s parents from mature veterans Connie Britten and Kyle MacLachlan (whose presence, along with stylish elements in several key scenes, hints at an homage-ish nod to the late David Lynch), and podcaster Owen Thiele as an openly gay fellow student who has Benny “clocked” from the moment they meet. Finally, Lukas Gage makes a deep impression as a former high school teammate at the heart of Benny’s most haunting memory.

There’s no official word yet on whether “Overcompensating” will be renewed for a second season, despite the multiple loose ends left dangling at the end of its first; it has proven to be popular, and Skinner’s large fanbase makes it likely that the story will continue. Even if it doesn’t, the place of uncertainty in which it has left its characters rings true enough to serve as a satisfying endpoint.

As for us, we hope that won’t happen. For all its sophomoric humor, generic plot twists, and purposefully gratuitous sexual titillation, it’s one of the sweetest, kindest, and most savvy shows we’ve seen about breaking free from conformity to embrace your true self – and that’s a message that applies whether you’re queer, straight, or anywhere in between.

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Photos

PHOTOS: Independence Day Weekend in Rehoboth

Wicked Green Pool Party, fireworks among festivities

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A fireworks show was held in Rehoboth Beach, Del. on Saturday, July 5. (Washington Blade photo by Daniel Truitt)

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.

(Washington Blade photos by Daniel Truitt)

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Music & Concerts

Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July

The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

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Beyoncé performs on July 7. (Washington Blade photo by Joe Reberkenny)

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.

The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.

Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.

The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:

“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”

Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.

The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.

One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.

A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.

It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.

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