Arts & Entertainment
‘Closer’ to the mainstream
Tegan and Sara play Merriweather this weekend with fun.

Tegan and Sarah say their decision to go in a more pop-friendly direction on their latest album was a conscious move. It paid-off with their highest selling album to date. (Photo by Lindsey Byrnes; courtesy Warner Bros.)
fun.
‘Most Nights Summer Tour’
With Tegan and Sara
Saturday
6:30 p.m.
Merriweather Post Pavilion
10475 Little Patuxent Parkway
Columbia, MD
$35-45
ournameisfun.com
teganandsara.com
This year has been undoubtedly the biggest of Tegan and Sara’s career.
Their album “Heartthrob” dropped in January and debuted at No. 3 on the Billboard Top 200 more than doubling the group’s previous peak for first-week sales. It went gold earlier this month in their native Canada. The Quin twins have been on a media blitz that included Ellen, Jay Leno and Jimmy Kimmel and even had their hit single “Closer” featured on “Glee.”
http://www.youtube.com/watch?v=etq2vdLieTM
Just before their HRC concert in New York next week (July 25), the lesbian sisters (now 33) are scheduled to play Merriweather Post Pavilion this weekend on the fun. “Most Nights Summer Tour,” which kicked off earlier this month in Toronto and runs through the end of September. We caught up with Tegan last week. Her comments have been slightly edited for length.
WASHINGTON BLADE: How’s the tour going?
TEGAN: It’s mostly been awesome, though we’ve only had one weekend so far.
BLADE: How do the crowds feel compared to your own headlining shows? Obviously there are a lot of people there psyched up for fun.’s set right?
TEGAN: Yeah, but it’s kind of hard to generalize. They have a real awesome music-loving audience. It’s more mainstream, yet still pretty awesome. You get up there and work your ass off to win them over but there’s been a lot of recognition when we play, especially the new stuff, the stuff that’s been on radio, so it’s been really good. They’re great allies and good friends of ours so we really enjoy doing it and it’s a really awesome opportunity for us.
BLADE: Do you have much interaction with them backstage?
TEGAN: We’ve known the guys for years and we even toured with Jack (Antonoff) on our last record for about three months, so we’re quite friendly and hang out with them but it’s a busy time for both bands. In the down time we’re trying to squeeze in a million things like radio stuff and meet and greets. But Sara and I watch the show every night. We have a courtesy mix set up at the side of the stage so we can hear the front-of-the-house mix there for us on a monitor. It feels like summer camp. It’s great.
BLADE: How long is your set?
TEGAN: We play 60 minutes. They play about 90.
BLADE: Any collaborations so far?
TEGAN: Not yet, but we’ve talked about it some. Our labels were pushing for some acoustic versions of each other’s songs but all of us have been busy so far, so we’ll see what happens.
BLADE: Other acts say U.S. pop radio is an especially tough nut to crack. “Closer” was a No. 1 dance hit here but didn’t quite crack the Hot 100. Do you think it’s harder to break a song here? If so, why?
TEGAN: It’s definitely really different in the U.S. It’s very unique. The life cycle of a single in the U.K. is six weeks and in Canada it’s three months. … It’s different too at different formats. We started mostly at college formats but have moved over to pop, which is great, it allows us to have a long life and good reach at radio. Sometimes we think as a band, “I can’t believe they’re still working that song.” But as a band, we don’t make singles, we make records so we’re very old school in that way, it’s just our instinct. Sometimes, yeah, we wish they could work another song but that said, each time we get added at another station, we see our fan base grow in that market and that’s really why we took things in that direction this time. We really wanted to change the face of mainstream radio. We’re queer and alternative but we also love pop songs and we felt it was time to see someone like ourselves represented in the mainstream. We’re reaching young audiences, these kind of queer, fringe, alternative kids and it’s really exciting. But it’s an expensive nut to crack. But I think it’s a cool time in pop music where you’re seeing more bands like fun. and f(x) who have broken into mainstream pop. I think it’s reflecting a lot more integrity than there’s been in years.
BLADE: You and Sara have talked a lot about consciously wanting to broaden your reach with this latest album. How much of the more pop-friendly sound is inherent in the songs themselves versus what the producer brings to the table?
TEGAN: I think it’s absolutely there in the foundation of the songs. Like with “Closer,” that was rebuilt about six times before we even got to the studio … which is where the song really takes flight, but the foundation and architecture, all that happens at home. But before we’d even hired a producer, we knew we were moving more in that direction. It’s still pretty emotional and dark but we knew we definitely wanted more pop instrumentation and really liked the idea of juxtaposing these dark scenes with more pop music. A lot of that comes from our background. We grew up listening to all this pop stuff from the ‘80s and ‘90s music.
BLADE: It’s easy to get you two mixed up — you’re the one with slightly more body in your hair, right?
TEGAN: Yes. I’m not quite sure how that happens but it’s interesting to see the slight differences in identical twins. My hair is a little curlier. Sara needed a retainer when she was 12, I didn’t.
BLADE: How much of your look — which appears pretty planned out to play on the whole twin visual — is discussed? Like if one of you wanted to grow your hair out or bleach it blonde, would you talk about it and discuss what kind of image you’re projecting as a band?
TEGAN: A lot of it just happens naturally without any big discussion. I actually did grow my hair out after the last album. Down to about my shoulders. And then when we were recording and filming and I started seeing photos I was like, “Ugh — too much hair” and I cut it short again. We have lots of jokes about the hair. Rihanna’s had this haircut at different times. Robyn. They used to say all lesbians had the haircut of Justin Beiber but we had this haircut way before anybody had even heard of him. … It’s definitely a different world then when we started. Even around, like, 2000, it was different. Now you get on stage and everybody pulls out their phones so we care more how we look than ever before. I mean, we’re still tomboys at heart, but we don’t want to look like bums. We care about fashion but also want to be comfortable on stage. I’m fine with short hair but I want something that’s low maintenance.
BLADE: What’s your discard song pile like? Is it full of stuff where you felt the hooks just weren’t quite tight enough to make the album or is part of making the song work tightening up the hooks as you go?
TEGAN: Honest truth, we wrote like 50 songs for this record. We were going through the pile just the other day thinking about maybe submitting some to some other artists and there were several we were like, “Wow, this is so good, how did we not choose this?” But there were others, like “Now I’m All Messed Up,” that were just such standouts even in demo form. Like everybody who heard “Closer,” it was just so obvious they were picking the same ones out as their favorites over and over. So a lot do get passed over but we also spend a lot of time perfecting and working it over, especially Sara. She’s really got the patience for it and she might spend 80 hours working on one song. I might do more like 20, it really just depends. Sometimes the song itself is a tough nut to crack. That’s why “Heartthrob” is such a different record for us. I tended to get to a point where I would struggle and Sara would come in and take a look at it and finish it. It just depends. The song to a large degree dictates where it’s going to go.
BLADE: So many great musical acts have been from Canada. Is there any sense of pride in that any more than if you’d all been from, say, Florida or Colorado or wherever?
TEGAN: I think so. When we were coming up, though, we were on the west coast and a lot of the up-and-coming acts, like Arcade Fire and Feist, they were all from Toronto and Montreal and we were out of Vancouver. But there’s definitely something really special there and I think a lot of the talent that comes out of Canada is really because the government helps so much with funding your records. We got a lot of grants along the way, really hundreds of thousands over the years, that allowed us to make videos and travel abroad. Even our managers were able to get grants. I think that’s part of why Canadian artists do so well is they feel so supported.
Out & About
Gala Hispanic Theatre’s Flamenco Festival returns
Gala Hispanic Theater will host the 21st Annual “Fuego Flamenco Festival” from Thursday, Nov. 6 to Saturday, Nov. 22.
The festival will feature American and international artists who will gather in the nation’s capital to celebrate the art of Flamenco. Guests can save 20% on tickets with a festival pass.
The festival kicks off now through Nov. 10 with the D.C. premiere of Crónica de un suceso, created, choreographed and performed by Rafael Ramírez from Spain, accompanied by renowned flamenco singers and musicians. In this new show, Ramírez pays homage to the iconic Spanish Flamenco artist Antonio Gades who paved the way for what Flamenco is today. GALA’s engagement is part of an eight-city tour of the U.S. by Ramírez and company.
The magic continues Nov. 14-16 with the re-staging of the masterpiece Enredo by Flamenco Aparicio Dance Company, a reflection of the dual nature of the human experience, individual and social, which premiered at GALA in 2023.
For more information, visit the theatre’s website.
Friday, November 7
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday Supper on Saturday will be at 2 p.m. at the DC Center for the LGBT Community. This event will be full of food, laughter and community. For more information, email [email protected].
Monday, November 10
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Wednesday, November 12
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
“Gay Men Speed Dating” will be at 7 p.m. at Public Bar Live. This is a fresh alternative to speed dating and matchmaking in a relaxed environment. Tickets start at $37 and are available on Eventbrite.
Thursday, November 13
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
Sports
Gay speedskater racing toward a more inclusive future in sports
Conor McDermott-Mostowy says anti-DEI push is driving away corporate sponsors
LOS ANGELES — As the countdown begins to the February Winter Olympic Games in Milan, Pride House LA is shining a spotlight on queer athletes who are breaking boundaries both on and off the field. Among them is Team USA speedskater Conor McDermott-Mostowy – a fierce competitor and proud member of the queer community. With blistering speed on the ice and a steadfast commitment to equity in sports, Conor is doing so much more than winning medals – he’s redefining what it means to represent one’s country while representing one’s community.
McDermott-Mostowy is one step closer to the 2026 Winter Olympics after winning the recent silver and bronze medals at the U.S. Championships in speedskating. He appeared at a Nov. 1 event presented by Out Athlete Fund/Pride House LA in the organization’s efforts to raise funds to support Conor and other out athletes as they pursue their Olympic dreams in Milan 2026 and beyond.The Blade spoke to the star athlete to talk about resilience, representation, and the legacy he hopes to leave one day.
Blade: Huge congrats, Conor! Winning a World Cup gold is no small feat. Do you feel like this win proved something to the world – or more importantly, to yourself?
McDermott-Mostowy: Winning gold with my team last year was definitely a major goal achieved. That said, the event we won isn’t yet an Olympic event. The races that have had the most profound impact on me actually happened two years ago.
The first was the team pursuit in Obihiro, Japan. I’d always been more of an alternate for that event, since it’s typically raced by skaters who compete in both the 1500m and 5000m. But I’d been itching for the opportunity to race it at the World Cup level. I finally got that chance when a teammate had to pull out at the last minute due to a back issue. We led the race through six of eight laps, ultimately finishing third. While it was a little disappointing to fall out of the lead, I was proud to prove that I could contribute meaningfully and help the team medal.
The second race was later that year in Salt Lake City, my home ice. After competing in Japan, I came down with a lung infection that affected my performance at the next few World Cups. Fortunately, I had time to recover before the North American World Cups and World Championships. At the Salt Lake City World Cup, I was balancing competition with completing my undergraduate degree. I didn’t know what to expect, but I ended up finishing fifth in the 1000m—my highest individual finish ever—and posted a time of 1:06.91. That’s a very significant time in speedskating; only three other Americans have gone under 1:07 in that event, all of whom became world champions. That result felt like a turning point, showing me that an Olympic or World Championship medal wasn’t just a dream—it was within reach.
Blade: This PrideHouse LA event is a huge moment. What does that support from the queer community mean to you?
McDermott-Mostowy: It’s incredibly meaningful. Being queer in Olympic sport can be very isolating, both inside and outside the sport. I barely have time to socialize outside of skating, and relocating to Salt Lake City doesn’t exactly help when it comes to queer community. So having that kind of solidarity and support from the wider LGBTQ+ community really means a lot.
Blade: Do you remember the moment you realized skating could take you all the way to the Olympics?
McDermott-Mostowy: There hasn’t been one single moment. It’s been a series of them. Over the years, I’ve had many races that shattered the limits I thought I had and inspired me to reach higher. That Salt Lake City race was one of them. It made me realize I shouldn’t just aim for the Olympics. I should aim for medals.
Another key moment came in 2018 at my last Junior World Cup, when my teammate and I finished 2nd and 3rd in the mass start. That event is similar to short track but held on a long track. It was my first full year focusing on long track after previously dabbling in it, and we had no expectation of medaling. But after we did, I realized I might actually have a future in this discipline—and that I could be competitive on the world stage. It was a pivotal realization, especially as I was trying to decide whether to continue skating or pursue a traditional college experience.
Blade: What initially drew you to speedskating? How did you get into the sport—and what’s kept you motivated?
McDermott-Mostowy: I grew up on skates. I started at age two and became a strong skater early on. But I never had any interest in hockey or figure skating. One winter, I was skating with my family on the C&O Canal in Washington, D.C., when a guy skated past us on these wild-looking speed skates. I was immediately intrigued. My parents found a local club, which happened to be run by three-time Olympian Nathaniel Mills, and I was hooked.
What’s kept me going is simple: I love it. This isn’t a sport you get rich in. I’ve only earned more than $20,000 a year twice in my career, and you can’t use it to pay for college either. The motivation has to come from within—the pursuit of excellence, the dream of going to the Olympics, and pure love for the sport.
Blade: What’s been your toughest race to date, and what did it teach you?
McDermott-Mostowy: That would be the team pursuit in Japan. I wasn’t expecting to race it and had already competed in a full weekend of events before getting the call. Team pursuit is arguably the toughest event in speedskating. Stepping up without being mentally or physically prepared was a challenge, but I did it. It showed me I could push through, even under extreme circumstances.
Blade: You’ve made headlines not just for your speed, but for your openness. What was it like coming out publicly in the world of elite sport?
McDermott-Mostowy: By the time I was publicly identified as gay, I had already been out to anyone who asked. So “coming out” doesn’t feel like the right term. It wasn’t a big declaration. I had the benefit of growing up seeing openly gay athletes and being part of a supportive community. I never felt the need to hide who I was.
Eventually, as I started achieving more on the ice, people began noticing me and the content I posted, and they put two and two together. When I was asked to speak publicly about being an openly gay athlete in speedskating, I didn’t hesitate.
Blade: What have been the biggest challenges in your career – physically, mentally, or otherwise?
McDermott-Mostowy: Honestly, my entire career has been about overcoming challenges. The two biggest obstacles have been illness and finances.
I’ve dealt with asthma, a norovirus that derailed my chances in 2022, and a fatigue condition last season that affected my performance. These setbacks take a toll. Not just physically, but mentally. When you invest everything into your sport, being forced to pause or scale back is a huge emotional hurdle.
Financially, speedskating is a tough path. Even as a consistent top-20 skater in the world, I’ve only broken $20k twice in a year, and we’re paid for just nine months, even though we train year-round. I’ve leaned on friends and family for support many times just to make ends meet.
Blade: Have you ever been told – explicitly or implicitly – that being openly gay could hurt your chances with sponsors or coaches?
McDermott-Mostowy: Never with coaches. In our sport, selections are based on the clock, not someone’s opinion. My coaches have always been great.
But when it comes to sponsorships, especially over the past year, I’ve noticed a shift. As anti-DEI sentiment grows, brands are backing away from anything that could be seen as “controversial.” Being openly gay seems to fall into that category now. Since most of our income comes from sponsorships, that retreat is deeply felt.
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