Arts & Entertainment
Presidential sweet
Teddy a tasty follow-up to Lincoln
Teddy and the Bully Bar (1200 19th Street, N.W.). (Photo courtesy Teddy and the Bully Bar)
The same visionary who brought us Lincoln Restaurant (1110 Vermont Ave., N.W.) is back with another. Teddy and the Bully Bar (1200 19th Street, N.W.) doesn’t quite scream Roosevelt to the degree that its predecessor conjures Honest Abe, but it’s still a fun concept with rich offerings served in the oh-so-D.C.-style of small — and I do mean small — plates.
Owner Alan Popovsky, a political science major in college, unveiled Teddy last month in the former site of Sam and Harry’s Steakhouse, which boasts 230 seats, an in-house bakery and quirky contributions from about 50 local artists. Designer Maggie O’Neill makes clever use of the theme with the “rock wall,” created from small Mount Rushmore replicas.
Roosevelt was an avid hunter and outdoorsman, so it’s no surprise that Executive Chef Michael Hartzer has incorporated wild game into the menu. Mixologist John Hogan has developed a distinctive cocktail program to complement the cuisine through the use of homemade tonics, syrups and bitters. And there’s even a gay member of the management staff, Justin Gulledge, assistant general manager.
His favorite thing about his new position is making sure every guest is content, as well as seeing his regulars who come in multiple times per week and enjoy a great meal. Gulledge was a server at Lincoln before taking this promotion. He says his experience on the floor helped prepare him for management, but the need to multitask and help out all his servers at the same time is his biggest challenge.
He adjusted with help from General Manager Romeo Santos III. Gulledge is a huge fan of the rich food served at Teddy and the Bully Bar; his favorites include the fried fish sandwich with spicy mayo and peppers on the lunch menu and the mac and cheese with three cheeses. He says everyone needs to try the peaches-and-goat cheese salad. With this in mind, I gathered a group to give it a try.
Safari Sangria. (Photo courtesy Teddy and the Bully Bar)
It turned out to be my usual dining gaggle plus one of my groomsman who happened to be visiting. We entered Teddy and the Bully Bar after a long day in the sun. We needed something to cool us down and the waiter recommended The Safari Sangria with Veev Acai (a spirit), Vinho Verde (a Portuguese wine), sage, apple, grapefruit and sweet lime foam. From the moment we took a sip of this glorious concoction we trusted our waiter wholeheartedly and not once did he steer us wrong.
Oyster Bay Fritters. (Photo courtesy Teddy and the Bully Bar)
We enjoyed the spectacular basket of fresh made breads accompanied by butters and jams, the delectable Havana croquettes with a green pepper sauce that I was tempted to lick off the plate, and the wonderful oyster bay fritters that were beer battered and had the perfect amount of heat from the chili peppers. The grilled romaine salad and the peaches and goat cheese were also favorites at the table; Gulledge was definitely correct with his recommendation of this dish.
The golden potato puree and the Teddy Macaroni and Cheese were also enjoyable, although the portion was so small we needed to order seconds so the entire table could have a spoonful of each. The small plates here — as with Lincoln — are quite small, so plan accordingly. Even if your waiter tells you they’re suitable to share, you may want to order a couple extras to satiate your hunger. Nothing spoils a tasty meal like the urge to order a pizza when you get home.
The fried chicken, which Chef Hartzer says was Roosevelt’s favorite dish, had a crispy coating and the chicken was tender and juicy.
One standout dish rose above the rest — the crab and avocado with charred corn. The layered dish with fresh cool avocado and rich sweet crab was perfectly balanced, flavorful and refreshing, an excellent summer dish. Be sure to try it if you go.
Popovsky has brought another great concept restaurant to the District and with the help of Hartzer and Hogan, there’s a food and beverage menu full of tantalizing treats. The waitstaff, led by Santos and Gulledge, is customer focused and doesn’t disappoint.
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
Theater
Reggie White relishing first season as artistic director of Woolly Mammoth
First five shows a reminder that ‘pressure is a privilege’
Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.
White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.
A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.
White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”
Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.
“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”
WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?
REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.
BLADE: Are you curating the upcoming 2026–2027 season?
WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.
I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.
These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.
Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.
BLADE: As a queer artistic director, what makes you unique?
WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.
I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].
BLADE: Will we see familiar faces?
WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.
BLADE: How do you think queer audiences will receive the season?
WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.
Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.
PHOTOS: Petal Release Party
Madonna headlines World Pride Music Festival in Amsterdam
Reggie White relishing first season as artistic director of Woolly Mammoth
PHOTOS: Amsterdam Pride Canal Parade
Amsterdam Pride Canal Parade draws hundreds of thousands
Madonna to perform at World Pride in Amsterdam
BLADE ENDORSEMENT: Susan Stewart for mayor of Rehoboth Beach
Calendar: July 31-August 6
PHOTOS: Lambda Legal in the Pines
