National
Immigration Equality chief to depart at year’s end
Eight-year career culminated with Supreme Court ruling helping gay bi-national couples
Executive Director of Immigration Equality Rachel Tiven will depart the organization at the end of this year. (Blade file photo by Michael Key).
Rachel Tiven, executive director of Immigration Equality, announced on Tuesday that she will depart the organization effective Dec. 31 after eight years there. The resignation comes just more than one month after the Supreme Court ruling striking down the Defense of Marriage Act.
During an interview with the Washington Blade on Tuesday, Tiven said her decision to leave was independent of the Supreme Court’s ruling and something she had planned for some time.
“I felt for a long time that we were going to win this year for LGBT families and that would add to our past wins on lifting the HIV travel ban and our success at building LGBT asylum as a field,” Tiven said. “Honestly, if we had lost, I think the organization would have deserved new leadership who could bring a new vision for how to win.”
Tiven said the board of directors is launching a search to find the next executive director who has a vision for where Immigration Equality will head next, which she predicted would include expanded asylum work and ending unfair practices against LGBT immigrants in detention.
“I wanted to announce a nice, long time in advance so the board would have time to search and I’m sure they’re going to find someone great,” Tiven said. “It’s bittersweet because I really love my work, but I think it’s important to give the organization an opportunity to really think about new leadership and new vision.”
Following her departure, Tiven’s immediate plans are personal. She plans to travel to Israel with family for a seven-month sabbatical so her kids can “have a different experience” for a while.
But in the months remaining with Immigration Equality, Tiven said she intends to focus on the work her organization has previously pursued. That includes additional interest in LGBT asylum seekers in Russia coming to the United States amid controversy over the country’s anti-gay propaganda law, especially because these applications generally face additional complications.
“We project our total inquiries from Russia to essentially double this year over last year,” Tiven said. “Interestingly, one of things that we’re seeing is that cases for LGBT asylum seekers from Russia are ‘referred’ — which is an immigration asylum law word that means not granted in the first instance, but rather referred for what is effectively an appeal in immigration court — much more often than cases in other countries. So, in a nutshell, it’s harder for Russians to win asylum in the U.S.”
Other priorities are helping to ensure Congress passes comprehensive immigration reform legislation and overseeing implementation in the post-DOMA world to ensure married bi-national same-sex couples, who were previously barred from applying for I-130 marriage-based green cards, have access to them.
“We hear every day from couples who are grappling with lots of different kinds of snafus,” Tiven said. “It’s challenging for people to navigate what is a very, very, very complicated system. There are couples who have been waiting for years, some of them for decades for their green card and they can’t get them soon enough.”
In the past year, one of Immigration Equality’s most prominent efforts was the pursuit of the inclusion of language along the lines of the Uniting American Families Act as part of comprehensive immigration reform. In May, Democrats working on the bill in the Senate Judiciary Committee refused to include the provision after Republicans voiced opposition, leaving the Supreme Court as the agency to take action on behalf of gay bi-national couples by striking down the Defense of Marriage Act.
After that vote, Tiven said the decision not to include gay couples as part of the larger bill is still a memory tinged with sadness.
“The Senate vote was a real low point in the immigration debate in the Senate Judiciary Committee, which was otherwise a pretty inspiring show of support for future Americans and for the families who want to be full participants in our society,” Tiven said. “It really showed that as far as we’ve come, in a year in which we saw lots of progress, there is still a nasty anti-gay strand that is alive and well in American politics.”
Asked whether the court ruling against DOMA makes the Senate committee’s decision not to include gay couples in the immigration bill any more forgivable, Tiven replied succinctly, “No.”
Andrew Lane, a prominent New York-based gay donor, said he’s “entirely unsurprised” that Tiven is leaving Immigration Equality and said it’s predicated on the Senate’s failure to include gay couples as part of immigration reform.
“Her stewardship of IE, and her fundraising for the organization, were premised on permanent partners,” Lane said. “So when the Senate Judiciary Committee threw us under the bus, that landed on her shores — a profound failure. My involvement in queer immigration politics is limited, but I’m very clear about the degree to which IE marginalized itself in the most important reform conversations. And then Windsor happened, which rendered the controversy — and IE’s non-asylum work — moot.”
But members of Immigration Equality’s board said upon news of Tiven’s departure they’re happy with her work. In a statement, Joseph Landau, the organization’s board chair, credited her “wisdom, leadership and expertise” as the reason for Immigration Equality’s “unparalleled track record.”
“The board couldn’t be more proud of her success, which led to a series of historic victories for LGBT immigrants,” Landau said. “In addition, her ability to grow the organization’s budget to meet our expanding profile, hire incredible staff members, and manage two offices doing ground-breaking legal aid and policy work has made Immigration Equality one of the most respected organizations in the movement.”
Prerna Lal, another Immigration Equality board member and lesbian DREAM activist, told the Washington Blade news of Tiven’s departure was a “great loss” for the organization.
“Rachel has been at the forefront of so many great efforts of LGBT immigration and our asylum work as well as bi-national couples work,” Lal said. “That means she’s really been a tour de force in the immigration rights world as well as the LGBT world. It’s a loss for the organization, I feel like. I don’t know who’ll fill her shoes, but we’ll try very hard to do it.”
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
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