Arts & Entertainment
B. Scott sues BET, Viacom for anti-LGBT discrimination
Media personality allegedly ‘yanked’ from broadcast because he wore women’s clothes
B. Scott (Photo courtesy of B. Scott)
Media personality B. Scott has filed a lawsuit against Black Entertainment Television and its parent company after he was allegedly pulled from a live broadcast because his clothing and appearance were too feminine.
B. Scott, who identifies as gay and transgender, is seeking $2.5 million in damages and a public apology from BET and Viacom in a lawsuit he filed in Los Angeles Superior Court on August 6.
He first discussed his lawsuit in which he alleges, among other things, discrimination based on sexual orientation and gender identity and expression under California law, with MSNBC’s Thomas Roberts on Monday. B. Scott told the Washington Blade during a separate interview that producers of the red carpet segment of the BET Awards that took place in Los Angeles on June 30 had “pre-approved” both of the outfits that included a flowing black tunic and black pants he had planned to wear.
B. Scott alleges he was “literally yanked backstage” after his first segment and “told that he ‘wasn’t acceptable.’” His lawsuit further contends he was told to “mute the makeup, pull his hair back and he was forced to remove his clothing and take off his heels; thereby completely changing his gender identity and expression.”
“They forced him to change into solely men’s clothing, different from the androgynous style of dress he’s used to, which he was uncomfortable with,” it reads.
B. Scott told the Blade a representative from Proctor and Gamble, which sponsored the red carpet segment, who was on site urged BET producers to allow him to return to the show because she felt the decision to remove him was wrong. The lawsuit alleges B. Scott was added to the end of the program in “a diminished capacity” alongside singer Adrienne Bailon “only after a complete change in his wardrobe and appearance.”
“I have had experiences before where people have said and treated me in ways that I felt was because of my gender expression and/or my sexual orientation,” B. Scott told the Blade. “What’s different about this case or the situation was that it happened before a live audience. It happened in front of all of my peers.”
BET categorized the incident as “a singular one with a series of unfortunate miscommunications from both parties” in a statement it released on July 2. The network reiterated this position to the Blade earlier on Tuesday.
“BET Networks embraces global diversity in all its forms and seeks to maintain an inclusive workforce and a culture that values all perspectives and backgrounds,” it said. “We regret any unintentional offense to B. Scott and anyone within the LGBT community and we seek to continue embracing all gender expressions.”
B. Scott, who was born in Virginia and briefly lived in D.C. before moving to Los Angeles in 2005, described BET’s July 2 statement to the Blade as a “slap in the face apology.” He said his lawyer,Waukeen McCoy, has received phone calls since he filed his lawsuit from people who claim to have experienced what he described as “similar discrimination” from the network.
“Everyone has a right to express who they are on the inside or the outside,” B. Scott said. “I’m fighting for that right for people to be who they are and not to be ashamed of it and not to be ostracized or taken advantage of or abused for it or discriminated against. This is about the people who don’t have a voice.”
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
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