Arts & Entertainment
First Baptist unveils new organ
Massive new instrument debuts at D.C. gay-friendly church

Lon Schreiber at the console of the new organ at First Baptist Church. (Blade photo by Joey DiGuglielmo)
It was a big day at First Baptist Church of Washington. The church — at 1328 16th Street, N.W. — welcomed its massive new Austin pipe organ today with a recital by Lawrence “Lon” Schreiber, the church’s organist and choirmaster and a legend in D.C. church music circles having served four decades at National City Christian Church in Thomas Circle.
The multi-million-dollar project — in the works for years — has been in partial use for the past several months. Schreiber has used it in worship services while installation, which started in January, continued. Those involved say it was a mad dash to have it ready for today’s program and though some tweaking is all but sure to continue, the heavy lifting is done. The church has wanted to install a decent instrument since it moved to its current location in the 1950s, but the Herculean amount of money needed for such a beast never materialized until now. Schreiber, having overseen a similar installation at National City decades ago, was the man of the hour today. In fine form, he delivered a roughly 90-minute program designed to show off many facets of the organ. Music nerds can check out details of the instrument here.
So how was the sound? Organ enthusiasts are obviously salivating to compare it to the new (but smaller) Rubenstein Family Organ at the Kennedy Center and the other major instruments in the city such as the organs at National Cathedral and the National Shrine of the Immaculate Conception (both larger in rank, even though First Baptist now joins National City’s organ as the only five-manual organs in town).
It’s hard to say — having only heard the Kennedy Center organ in rehearsal, I’m not the best person to judge. I can say there was a staggeringly delicious array of sound color exhibited this afternoon, especially on the softer selections such as Seth Bingham’s “Twilight At Fiesole” and Maurice Durufle’s “Meditation,” which showcased the pedal organ’s soft 32-foot pipes.
Several of the gay organ queens — and they’re legion in these parts — said at a post-performance reception downstairs, there was a noticeable difference in tuning between the pipe ranks and the digital ones (about a third of the organ is digital). My ear isn’t savvy enough to have heard any clash, but it wasn’t just one person saying this. Keeping pipes in tune is a constant effort, so the powers that be will undoubtedly address this as the organ “settles.”
Schreiber showed his usual exquisite taste in the selections which ran the gamut from Bach to several selections from 20th Century composers. If there was any disappointment in the afternoon, it was only that there were too few moments to hear the instrument in all its “full organ” glory. Only the final selection — Cesar Frank’s “Choral in E Major” featured any lengthy fortissimo sections. A few others popped up once or twice, but were over before the sound could fully be savored.
Virtuosos Ken Cowan (Oct. 20) and Christopher Houlihan (Nov. 24) are likely to do more on that front. The organ will officially be dedicated at the church’s usual service on Nov. 3. Go here for details.
Couldn’t make it today? The church has CDs and DVDs of the performance available for nominal fees.
The set list was:
1. Fanfare and March (Archer)
2. Nef No. 1 (Mulet)
3. Liebster Jesu (Bach)
4. Let Heaven and Earth Rejoice (Bach)
5. Prelude and Fugue in B Minor (Bach)
6. Twilight at Fiesole (Bingham)
7. Meditation (Durufle)
8. Nimrod (Elgar)
9. A Solemn Melody (Davies)
10. Choral in E Major (Frank)
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
















