Arts & Entertainment
Seasonal staples
It just wouldn’t be December without ‘The Nutcracker,’ ‘The Messiah’ and more
A scene from ‘Elf: the Musical.’ (Photo courtesy the Kennedy Center)
Even if you’re fighting holiday “creep” and don’t want to think about Christmas until after Thanksgiving, it’s not too early to get tickets for your favorite holiday shows. Here are a few to consider.
A scene from Joffrey Ballet’s ‘The Nutcracker.’ (Photo courtesy the Kennedy Center)
The Kennedy Center (2700 F St., N.W.) brings numerous holiday-themed performances throughout November and December. First, The Joffrey Ballet presents “The Nutcracker” Nov. 27-Dec. 1 in the Opera House. The holiday favorite includes a live orchestra, Victorian America scenery and costumes to accompany the dance. Tickets start from $29.
The Kennedy Center hosts Pro Musica Hebraica’s presentation “The Voice of the Clarinet in Jewish Classical Music: Alexander Fiterstein and Friends,” a Hanukkah concert that highlights the clarinet in Jewish art music, in the Terrace Theater on Dec. 1 at 7:30 p.m. Tickets start from $38.
Also at the Kennedy Center, “NSO Pops: Happy Holidays! with Brian Stokes Mitchell” brings Tony Award-winner Mitchell alongside the NSO Pops to perform a holiday medley Dec. 12-14. Tickets start from $20.
“Elf The Musical,” the stage musical born from the popular Hollywood film, runs Dec. 17- Jan. 5. in the Opera House at the Kennedy Center. The story follows an orphaned man raised by Santa Claus and elves on his journey to reconnect with his biological father in New York City. Tickets start from $60. Visit kennedy-center.org for details.
The 31st annual Christmas Revels present “Echoes of Thrace: Music, Dance and Drama of Bulgaria, Greece and Turkey,” a blend of seasonal carols and Slavonic harmonies with traditional folk characters, at the George Washington Lisner Auditorium (730 21st St., N.W.) Dec. 7-15. Tickets range from $27-$50.
Grammy-nominated artist Matisyahu brings his “Festival of Light” Hanukkah celebration to the 9:30 Club (815 V St., N.W.) Dec. 9 at 7 p.m. Tickets are $35.
Experience the classic Christmas tale “A Christmas Carol” in various ways around the area.
MetroStage (1201 North Royal St., Alexandria, Va.) presents “A Broadway Christmas Carol” Nov.21-Dec. 22. The show mixes the song parodies of Broadway show tunes with the classic Dickens’s story. Tickets are $50.
Ford’s Theatre’s production of ‘A Christmas Carol,’ one of several adaptations of the Dickens’ classic that will be on regional stages in December. (Photo courtesy Ford’s)
A one-man show of “A Christmas Carol” plays Nov. 29-Dec. 29 at Olney Theatre Center (2001 Olney Sandy Spring Rd., Olney, Md.). The holiday favorite stars Paul Morella performing the tale in Charles Dickens’ own words. Tickets range from $18-$36.
Ford’s Theatre presents “A Christmas Carol” through Jan 1. The production stars Washington stage actor Edward Gero as Ebenezer Scrooge. Tickets range from $40.80-$99.60.
Metropolitan Community Church of Washington (474 Ridge Street, N.W.), D.C.’s largest mostly LGBT church, has its annual Christmas concert “A Homecoming Holiday” Dec. 6-7 at 7:30 p.m. featuring the church’s own groups Eclectic Praise, Joyful Strings, Moving Spirit as well as the church’s two choirs. Tickets are $25 and can be purchased at mccdc.com.
D.C.’s Different Drummers has its “Holiday Prism Concert” featuring D.C. Swing! And the Capitol Pride Symphonic Band on Dec. 15. Tickets are $20 for aduots, $10 for seniors and free for children 12 and under. No further information is available now, but visit dcdd.org closer to the date for details.
The Birchmere and AM Productions team up to present “The Brian Setzer Orchestra ‘Christmas Rocks’ 10th Anniversary Tour” at The Warner Theatre (513 13th St., N.W.) on Nov. 29 at 8 p.m. Tickets can be purchased at ticketmaster.com or call 800-745-3000.
On Dec. 14 at 8 p.m., The Birchmere also presents “What Christmas Means Tour 2013: A Holiday Experience” with JEM & Friends with special guests Patti LaBelle and Ron Isley at DAR Constitution Hall (1776 D St., N.W.). Tickets can be purchased on ticketmaster.com or call 800-745-3000.
Rams Head On Stage (33 West St., Annapolis, Md.) presents many diverse holiday shows. First, enjoy the Scottish/Irish traditional instrumental and vocal styles during “Christmas with the Celts” featuring Laura McGhee and Michael Stribling on Dec. 3 at 8 p.m. The Celts’ Christmas show has been featured on PBS. Guests must be 21 and over. Tickets are $35.
Next, “Motown and More: A Holiday Celebration” on Dec. 8 at 7:30 p.m. showcases classic Motown tunes from singers such as The Temptations and The Supremes along with holiday favorites. Guests must be 21 and over. Tickets are $25.
Also, the 15th annual “An Annapolis Christmas” performance is Dec.16-17 at 7 p.m. Enjoy a mix of original and holiday songs performed by an array of local artists. Guests must be 21 and over. Tickets are $32.50.
“Christmas Gift!” runs at the Clarice Smith Performing Arts Center (3800 Clarice Smith Performing Arts Center, College Park, Md.) Dec.13-14. The musical tells the story of the holiday gift exchange tradition in the African-American community. Tickets range from $10-$35. Purchase tickets at claricesmithcenter.umd.edu.
The Washington Ballet’s “The Nutcracker” plays at The Warner Theatre (513 13th St., N.W.) Dec. 5-14. Tickets range from $42-$107. Purchase tickets at warnertheatredc.com.
Signature Theatre (4200 Campbell Ave., Arlington, Va.) presents a couple Christmas-themed performances. Pianist/composer Matt Conner and his friends perform favorite Christmas tunes in “A Matt Conner Christmas” Dec. 11-15. Tickets are $48.60 and can be purchased at signature-theatre.org.
Signature’s annual holiday celebration returns with “Holiday Follies 2013,”a Christmas concert featuring special guest performers, Dec. 17-23. Performers include Madeline Botteri and Austin Colby. Tickets are $48.60 and can be purchased at signature-theatre.org.
Coyaba Dance Theater holds its annual Kwanzaa celebration at George Washington University’s Dorothy Betts Marvin Theatre (800 21st St., N.W.) Dec. 14 at 8 p.m. Enjoy live music, dancing and singing in a performance for all ages. Tickets range from $15-$25 and can be purchased online at coyabadancetheater.org.
The Gay Men’s Chorus of Washington presents “Sparkle, Jingle, Joy” at the Lisner Auditorium (730 21st St., N.E.) Dec. 20-21. The performance features Grammy Award winner Matt Alber. Celebrate the holidays with classic holiday carols like “O Come, All Ye Faithful” and new songs like “The Christmas Can-Can.” Tickets are $54 and can be purchased at tickets.gmcw.org.
Wolf Trap (1645 Trap Rd., Vienna, Va.) presents its free annual holiday sing-a-long on Dec. 7 at 4 p.m. Choir and vocal groups from across the D.C. area will lead a sing along of Christmas carols and Hanukkah songs. There is also a performance by the United States Marine Band. Voluntary donations for Toys for Tots will be accepted at the entrance. Wolf Trap gift certificates or an annual membership also make great gift ideas! Visit wolftrap.org for the current schedule.
Town (20009 8th St., N.W.) presents “HEATWAVE: Back to the Beach Holiday Celebration” Dec. 5 from 7 p.m.-midnight. There will be musical performances from Ba’Naka and the cast from Town. Music and dancing provided by DJ Chord Bezerra. There will also be a best male and female holiday swimwear contest, drink specials, games and prizes and an underwear fashion show presented by Universal gear. Tickets are $10.
Lesbian gospel singer Jennifer Knapp returns to the region this year with her “Hymns of Christmas Tour” with Margaret Becker on Dec. 11 at Jammin’ Java (227 Maple Ave. E Vienna, Va.) at 8 p.m. Tickets are just $18. Visit jamminjava.com for tickets.
Gay film director John Waters returns to the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) again this year for his “John Waters Christmas” on Dec. 18. Tickets are $49.50 for the 7:30 p.m. show. Visit birchmere.com for tickets.
Out saxophonist Dave Koz brings his “Dave Koz and Friends Christmas Tour 2013” to the Modell Performing Arts Center (The Lyric) in Baltimore (140 W. Mt. Royal Ave., Baltimore) on Dec. 5 at 8 p.m. Oleta Adams, Jonathan Butler and Keiko Matsui will also appear. Prices vary and a VIP package is available. Visit davekoz.com or Ticketmaster.com for details.
The Baltimore Symphony Orchestra performs “BSO: Holiday Cirque” at the Music Center at Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on Dec. 12 at 8 p.m. Listen to holiday favorites while watching a circus performance by Cirque Musica featuring strongmen, acrobats and contortionists. Tickets range from $31-86 and can be purchased at strathmore.org.
Also at the Music Center at Strathmore, the National Philharmonic performs “Handel’s Messiah” Dec. 14-15. Messiah is one of the most frequently performed works in Western choral literature. A free pre-concert lecture will be held before each performance. Kids ages 7-17 are free. Tickets start at $28 and can be purchased at strathmore.org.
Washington Concert Opera doesn’t have any holiday productions planned but is gearing up for its performance of “Il Corsaro” in March at the Lisner Auditorium. The classical music lover on your list would love tickets! Visit concertopera.org for details.
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)
Books
New book explores homosexuality in ancient cultures
‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome
‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages
Nobody likes you very much.
That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.
When he was a teenager, Harry Tanner says that he thought he “was going to hell.”
For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”
Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”
Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.
In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”
Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”
Says Tanner, “all is not what it seems.”
So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.
Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.
While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
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