Arts & Entertainment

Paths through pages

Kindle or ink and paper, this spring’s books will take you places

Published

12 years ago

March 7, 2014

Terri Schlichenmeyer

Frog Music, books, gay news, Washington Blade

‘Frog Music’ (Image courtesy Little, Brown and Company)

Whether you’re looking for a fabulous read for a spring fling/getaway or you’re hoarding books for that long-anticipated summer vacation, there are lots of books to look for this spring and events you’ll want to attend.

Let’s start this trip with books.

It’s practically an Emma Donoghue signature: take one obscure historical event and wrap a “what if?” story around it — which is exactly what you get in “Frog Music,” due next month.

It’s 1876 and Blanche Beunon is nearly run over by a strange man on a penny farthing. When the man stops to make sure Blanche is OK, she learns that the man is actually a woman in men’s clothing. Jenny Bonnet knows who Blanche is; she’s seen Blanche dance and she knows that Blanche sleeps with men for money. Still, the two become friends — that is, until the night Jenny is murdered.

This imagined tale based on a real murder takes us on a trance-like journey from France to San Francisco.

‘Out in the Army’ (Image courtesy Biteback Publishing)

“Don’t Ask, Don’t Tell” isn’t just something our military personnel know and have lived with. It happens in Great Britain, too, and in “Out in the Army: My Life as a Gay Soldier” by James Wharton (June), you’ll read about a boy who wanted adventure. To find it, he joined the Army and there, he became a man who struggled with disclosure: how to tell his loved ones and colleagues that he’s gay. This is one of those action-packed memoirs with pockets of truth and strength.

Moving on in this trip filled with books, you’ll want to read “Lost and Found in Johannesburg” by Mark Gevisser (April). It’s the story of apartheid, maps and how one led to an understanding of the other. You may find it fascinating that the author is a gay Jewish white born-and-raised South African married to a man of another race.

Then, landing back home, how about a trip to New York with “Nothing Like a Dame” by Eddie Shapiro, (February) a book of conversations with some of Broadway’s leading ladies. Peek in on Carol Channing, Chita Rivera, Patti LuPone, Kristin Chenoweth, Bebe Neuwirth and others. It’s almost like being there.

Almost.

Also just out is “Christ-Centered Consciousness” in which author John Ryan writes a meditation on how he found peace with being a gay believer.

Out novelist (and Washingtonian) Louis Bayard’s new book “Roosevelt’s Beast” tells of an action adventure involving Theodore Roosevelt and his son, Kermit, through Brazil’s Rio da Duvida circa 1914. It’s out March 18. Look for an interview with Bayard in next week’s Blade.

And then there are trips you can physically take this spring.

If you’re a book lover, make plans to attend BOOKS ALIVE! 2014 on March 29 at the Bethesda Marriott on Pook’s Hill. This event offers a chance to meet big-name authors and journalists, but aspiring authors will also have a chance to meet with literary agents at pitch sessions. Doors are open from 9 a.m. to 5 p.m., early registration is $220 or $240 at the door, which includes morning coffee and a box lunch. For more information, call Deborah Gelin at 202-223-6161.

And before the spring’s over, be sure to attend the Gaithersburg Book Festival on May 17. Meet authors, find your next best read and get it signed.

Oh, and just in case you missed it in January, fans of legendary gay author Armistead Maupin will definitely want to check out his latest — “The Days of Anna Madrigal,” the end of the 40-year, nine-volume “Tales of the City” series that’s let us all get a surprisingly resonating taste of San Francisco’s LGBT community over the decades.

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Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

Published

2 hours ago

May 11, 2026

Michael Key

'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

8 hours ago

May 11, 2026

Staff reports

The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

1 day ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.