Arts & Entertainment
Paths through pages
Kindle or ink and paper, this spring’s books will take you places

‘Frog Music’ (Image courtesy Little, Brown and Company)
Whether you’re looking for a fabulous read for a spring fling/getaway or you’re hoarding books for that long-anticipated summer vacation, there are lots of books to look for this spring and events you’ll want to attend.
Let’s start this trip with books.
It’s practically an Emma Donoghue signature: take one obscure historical event and wrap a “what if?” story around it — which is exactly what you get in “Frog Music,” due next month.
It’s 1876 and Blanche Beunon is nearly run over by a strange man on a penny farthing. When the man stops to make sure Blanche is OK, she learns that the man is actually a woman in men’s clothing. Jenny Bonnet knows who Blanche is; she’s seen Blanche dance and she knows that Blanche sleeps with men for money. Still, the two become friends — that is, until the night Jenny is murdered.
This imagined tale based on a real murder takes us on a trance-like journey from France to San Francisco.

‘Out in the Army’ (Image courtesy Biteback Publishing)
“Don’t Ask, Don’t Tell” isn’t just something our military personnel know and have lived with. It happens in Great Britain, too, and in “Out in the Army: My Life as a Gay Soldier” by James Wharton (June), you’ll read about a boy who wanted adventure. To find it, he joined the Army and there, he became a man who struggled with disclosure: how to tell his loved ones and colleagues that he’s gay. This is one of those action-packed memoirs with pockets of truth and strength.
Moving on in this trip filled with books, you’ll want to read “Lost and Found in Johannesburg” by Mark Gevisser (April). It’s the story of apartheid, maps and how one led to an understanding of the other. You may find it fascinating that the author is a gay Jewish white born-and-raised South African married to a man of another race.
Then, landing back home, how about a trip to New York with “Nothing Like a Dame” by Eddie Shapiro, (February) a book of conversations with some of Broadway’s leading ladies. Peek in on Carol Channing, Chita Rivera, Patti LuPone, Kristin Chenoweth, Bebe Neuwirth and others. It’s almost like being there.
Almost.
Also just out is “Christ-Centered Consciousness” in which author John Ryan writes a meditation on how he found peace with being a gay believer.
Out novelist (and Washingtonian) Louis Bayard’s new book “Roosevelt’s Beast” tells of an action adventure involving Theodore Roosevelt and his son, Kermit, through Brazil’s Rio da Duvida circa 1914. It’s out March 18. Look for an interview with Bayard in next week’s Blade.
And then there are trips you can physically take this spring.
If you’re a book lover, make plans to attend BOOKS ALIVE! 2014 on March 29 at the Bethesda Marriott on Pook’s Hill. This event offers a chance to meet big-name authors and journalists, but aspiring authors will also have a chance to meet with literary agents at pitch sessions. Doors are open from 9 a.m. to 5 p.m., early registration is $220 or $240 at the door, which includes morning coffee and a box lunch. For more information, call Deborah Gelin at 202-223-6161.
And before the spring’s over, be sure to attend the Gaithersburg Book Festival on May 17. Meet authors, find your next best read and get it signed.
Oh, and just in case you missed it in January, fans of legendary gay author Armistead Maupin will definitely want to check out his latest — “The Days of Anna Madrigal,” the end of the 40-year, nine-volume “Tales of the City” series that’s let us all get a surprisingly resonating taste of San Francisco’s LGBT community over the decades.
The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

































































Theater
‘Feeling Afraid’ explores life of a neurotic stand-up comic
Navigating sex, work, and possibly love in London
‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org
Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.
Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.
Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.
At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.
Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.
With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.
The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.
Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.
Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)
Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.
Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.
One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.
They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.
The 2026 Baltimore Pride Festival, “Pride in the Park,” was held at Druid Hill Park on Sunday, June 14.
(Washington Blade photos by Linus Berggren)
















