Arts & Entertainment

Paths through pages

Kindle or ink and paper, this spring’s books will take you places

Published

12 years ago

March 7, 2014

Terri Schlichenmeyer

Frog Music, books, gay news, Washington Blade

‘Frog Music’ (Image courtesy Little, Brown and Company)

Whether you’re looking for a fabulous read for a spring fling/getaway or you’re hoarding books for that long-anticipated summer vacation, there are lots of books to look for this spring and events you’ll want to attend.

Let’s start this trip with books.

It’s practically an Emma Donoghue signature: take one obscure historical event and wrap a “what if?” story around it — which is exactly what you get in “Frog Music,” due next month.

It’s 1876 and Blanche Beunon is nearly run over by a strange man on a penny farthing. When the man stops to make sure Blanche is OK, she learns that the man is actually a woman in men’s clothing. Jenny Bonnet knows who Blanche is; she’s seen Blanche dance and she knows that Blanche sleeps with men for money. Still, the two become friends — that is, until the night Jenny is murdered.

This imagined tale based on a real murder takes us on a trance-like journey from France to San Francisco.

‘Out in the Army’ (Image courtesy Biteback Publishing)

“Don’t Ask, Don’t Tell” isn’t just something our military personnel know and have lived with. It happens in Great Britain, too, and in “Out in the Army: My Life as a Gay Soldier” by James Wharton (June), you’ll read about a boy who wanted adventure. To find it, he joined the Army and there, he became a man who struggled with disclosure: how to tell his loved ones and colleagues that he’s gay. This is one of those action-packed memoirs with pockets of truth and strength.

Moving on in this trip filled with books, you’ll want to read “Lost and Found in Johannesburg” by Mark Gevisser (April). It’s the story of apartheid, maps and how one led to an understanding of the other. You may find it fascinating that the author is a gay Jewish white born-and-raised South African married to a man of another race.

Then, landing back home, how about a trip to New York with “Nothing Like a Dame” by Eddie Shapiro, (February) a book of conversations with some of Broadway’s leading ladies. Peek in on Carol Channing, Chita Rivera, Patti LuPone, Kristin Chenoweth, Bebe Neuwirth and others. It’s almost like being there.

Almost.

Also just out is “Christ-Centered Consciousness” in which author John Ryan writes a meditation on how he found peace with being a gay believer.

Out novelist (and Washingtonian) Louis Bayard’s new book “Roosevelt’s Beast” tells of an action adventure involving Theodore Roosevelt and his son, Kermit, through Brazil’s Rio da Duvida circa 1914. It’s out March 18. Look for an interview with Bayard in next week’s Blade.

And then there are trips you can physically take this spring.

If you’re a book lover, make plans to attend BOOKS ALIVE! 2014 on March 29 at the Bethesda Marriott on Pook’s Hill. This event offers a chance to meet big-name authors and journalists, but aspiring authors will also have a chance to meet with literary agents at pitch sessions. Doors are open from 9 a.m. to 5 p.m., early registration is $220 or $240 at the door, which includes morning coffee and a box lunch. For more information, call Deborah Gelin at 202-223-6161.

And before the spring’s over, be sure to attend the Gaithersburg Book Festival on May 17. Meet authors, find your next best read and get it signed.

Oh, and just in case you missed it in January, fans of legendary gay author Armistead Maupin will definitely want to check out his latest — “The Days of Anna Madrigal,” the end of the 40-year, nine-volume “Tales of the City” series that’s let us all get a surprisingly resonating taste of San Francisco’s LGBT community over the decades.

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Celebrity News

Madonna headlines World Pride Music Festival in Amsterdam

Kylie Minogue made surprise appearance alongside gay icon

Published

8 hours ago

August 2, 2026

Michael K. Lavers

Kylie Minogue with Madonna at the World Pride Music Festival in Amsterdam on Aug. 2, 2026. (Photo courtesy of Cejlon Studio)

AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.

The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.

“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.

Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.

Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”

(Washington Blade video by Michael K. Lavers)

“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”

Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.

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A post shared by Kylie Minogue (@kylieminogue)

Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.

Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.

“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”

Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

Published

17 hours ago

August 2, 2026

Patrick Folliard

Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.

BLADE: Are you curating the upcoming 2026–2027 season?

WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique?

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.

BLADE: How do you think queer audiences will receive the season?

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.