a&e features
Pop culture countdown 2014
The top gay moments in film, music, TV and more

(Photo of Sam Smith courtesy Bigstock; photo of Laverne Cox by Melissa Hamburg; production photo of Jonathan Groff from ‘The Normal Heart’ courtesy HBO; Washington Blade photo of Ellen DeGeneres by Michael Key)
Here is our countdown of the entertainment world’s Top 10 gayest moments of the year:

Sam Smith is nominated for six Grammys.
10. Citing powerhouse divas such as Adele, Amy Winehouse, Lady Gaga, Beyonce and more as his influences, it was no huge surprise when British singer Sam Smith came out to E! in May. Known for his work on Disclosure’s “Latch” and Naughty Boy’s “La La La,” the breakout star has had the kind of career aspiring pop singers dream of: his debut studio album “In the Lonely Hour” was an international smash. Last month he found out he’s up for six Grammys. His single “Stay With Me” hit the top 10 in 10 countries.
9. Though stylistically they couldn’t be more diverse, two male country singers came out last year. “What Mattered Most” singer Ty Herndon, 52, a veteran whose first album debuted in 1995, came out in November in a People magazine exclusive in which he referred to himself as an “out, proud and happy gay man.” He’s been married twice previously to women but said he’s been in a relationship with a man in recent years. Former child star Billy Gilman, now 26, rose to fame with his debut album “One Voice,” released in 2000 when he was just 12. Though not nearly as active in recent years — his last album was in 2006 though he had several singles since then — Gilman came out in a video post in November and said he’s gay and is dating.

Ellen DeGeneres’s 2014 Oscars selfie is said to be the most re-Tweeted photo ever. (Image courtesy Twitter)
8. Though it drew mixed reviews, Ellen DeGeneres returned — in one of pop culture’s most demanding and thankless jobs — to host the 86th annual Academy Awards in March, her second time at the helm of filmdom’s biggest night. Among her more memorable moments were a “selfie” taken with Julia Roberts, Kevin Spacey, Meryl Streep and several others on the star-studded front row, aping another Hollywood lesbian (the late Billie Burke) when she strode onstage in the famous Glinda gown from “The Wizard of Oz” and, in a rare moment of edgier comedy, suggesting Liza Minnelli, there with her sibs for an “Oz” tribute, was actually a drag queen. Though just slightly miffed, Liza said later she found the joke a little “mean.” “Gravity” was the evening’s big winner but Ellen deserves some of the kudos — it was the most-watched Oscars since 2000.

Neil Patrick Harris (Photo by Angela George; courtesy Wikimedia Commons)
7. It couldn’t have been a bigger or better year for red-hot out jack-of-all-trades Neil Patrick Harris. Not only did he win yet another Emmy for hosting the Tonys this year, he also won a Tony for his lauded turn in the gender-bending “Hedwig and the Angry Inch” on Broadway. He had a deliciously creepy role as Desi in the box office smash movie thriller “Gone Girl,” released his own “choose-your-own-adventure”-type memoir, wed long-time partner David Burtka (with whom he has two kids) in September, wrapped a groundbreaking run playing straight on the sitcom “How I Met Your Mother” and agreed to host the Academy Awards in February. The 41-year-old is widely considered the most successful out actor on the scene today.
6. If Neil Patrick Harris is the most high-profile gay actor, Laverne Cox is undoubtedly the most high-profile transgender actress in Hollywood. Emmy nominated for her role as Sophia on the Netflix smash “Orange is the New Black,” Cox has used her platform to raise awareness of trans issues. The documentary “Laverne Cox Presents: the T Word” aired on MTV and Logo in October. In June, she made history as the first trans person to appear on the cover of Time magazine. In January, Cox had the world’s attention when a clip of her answering a personal question from a clueless Katie Couric was widely shared on social media saying discussions of “transition and surgery objectifies trans people.” Cox told the Blade in October she credits social media with the boon in trans visibility. “[It’s] really given the trans community a platform and a voice and a support that has just reverberated in a different way,” she said.

Joan Rivers died at age 81. (Photo by David Shankbone; courtesy Wikimedia Commons)
5. The gay community suffered a bitter blow when one of its all-time favorites, legendary comedian Joan Rivers, died of cardiac arrest at age 81 during an outpatient throat procedure. She died Sept. 4 after several days in a medically induced coma. Though initially known as a regular on “The Tonight Show” in the ‘60s with Johnny Carson and later her own “Late Show with Joan Rivers,” it was her biting stand-up celebrity-skewering wit and fashion critiques on the red carpets of major award shows that endeared her to a legion of gay fans. In 2013 she declared herself “Queen of the gays” (nobody argued) and she was a long-time advocate of gay causes. “I remember when I was working at the Duplex in Greenwich Village in New York at the beginning of my career,” she told the Advocate, “and the only ones who would laugh at my jokes were the gay guys. I think if I had started out in straight clubs and bars, I never would’ve gotten anywhere.”

Benedict Cumberbatch as Alan Turing in ‘Imitation Game.’ (Photo courtesy Weinstein Co.)
4. With a Rotten Tomatoes 88 percent positive index, a Time magazine cover story and more than $19 million in box office before it went into wide release in the U.S. (on Christmas Day), “The Imitation Game” was among 2014’s highest profile gay-themed releases. The biopic tells of the late Alan Turing (Benedict Cumberbatch), the gay British WWII-era codebreaker famous for his intellectual brilliance but who had a tragic downfall in an era grossly ignorant of gay rights. Already a critical darling, the film has five nominations pending at the 72nd annual Golden Globe Awards on Jan. 11.

Jonathan Groff stars in HBO’s ‘Looking,’ which returns Jan. 11. (Photo by Mercia Oliveira; courtesy Wikimedia Commons)
3. Although nothing new, LGBT themes continue to have wide representation on new TV shows. “Looking,” an HBO comedy/drama, gained attention for its frank portrayals of the lives of three gay men living in San Francisco. Out actor Jonathan Groff stars as Patrick, a video game designer. The show, which has drawn mixed reviews, returns for a second season Jan. 11. “Transparent,” though initially unveiled in February, debuted its full 10-episode season run in September. Already renewed for a second season, it tells of Mort/Maura (Jeffrey Tambor), a retired professor who comes out as transgender to her family. It’s available through amazon.com.
2. Straight actor Jared Leto culminated an impressive award show streak that included a Golden Globe, an Independent Spirit Award and many more, with an Oscar in the Best Supporting Actor category for playing Rayon, a trans woman with HIV who helps Ron Woodroof (Matthew McConaughey) in his quest to smuggle unapproved AIDS drugs into the country circa 1985. Leto, returning to movies after a five-year hiatus, paid homage to “the 36 million who have lost the battle to AIDS and to those of you who have ever felt injustice for who you are or who you love — tonight I stand here in front of the world with you and for you.”

HBO’s ‘Normal Heart’ is nominated for three Golden Globes. (Photo by Jojo Whilden, courtesy HBO)
1. Though earlier efforts languished for various reasons, in May, Larry Kramer’s landmark 1985 play “The Normal Heart” debuted in film version in a star-studded, Ryan Murphy-directed version starring Mark Ruffalo, Jonathan Groff, Matt Bomer, Julia Roberts and more. The blistering work, which tells of a group of gay New York men in the summer of 1981 as AIDS starts its toll, won an Emmy for Outstanding Television Movie in August. Three Golden Globe nominations are pending. Rolling Stone called it “a blunt instrument that is also poetic and profound.” It joins “The Band Played On” and “Angels in America” as among the best AIDS-themed works.
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
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MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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