a&e features
Larry Kramer’s magnum opus
On the eve of his 80th birthday, author talks new novel, Supreme Court and more

Larry Kramer plans to celebrate his birthday next month by ‘staying alive’ and ‘continue writing.’ (Photo by Jean Carlomusto; courtesy Farrar Straus Giroux)
Larry Kramer is up front about his frailties. Having “almost died three times,” and freely admitting to “not being so mobile,” he also tells a publicist to warn me he’s hard of hearing and a phone interview may be tough. He’s game to try, though.
Unfortunately, it didn’t work out and so after a couple of questions, we opt for an e-mail exchange. It’s not nearly the death knell to friendly sparring I fear. He has his answers back in about 20 minutes and answers several rounds of follow-ups quickly and without grumble.
The occasion? The publication of his new novel “The American People, Vol. 1: Search for My Heart,” which Farrar, Straus and Giroux published in April. It’s a behemoth —nearly 800 pages that tells variously of prehistoric monkeys, the Puritans, the American Revolution, the Civil War and also the abundant — in Kramer’s vision — homosexual proclivities of the U.S. Founding Fathers with a dizzying cast that includes Washington, Hamilton, Lincoln and even John Wilkes Booth.
Kramer, a D.C. native, is widely known for his groundbreaking and searing play “The Normal Heart,” adapted into an HBO Emmy-winning film last year, and other works such as the novel “Faggots” (1978) and his Oscar-nominated screenplay of “Women in Love.” A pioneering AIDS activist, he cofounded the Gay Men’s Health Crisis in 1982 and founded ACT-UP in 1987. He turns 80 next month and lives in New York’s Greenwich Village with his husband, David Webster (they wed in 2013) and their Cairn Terrier, Charlie, a rescue dog Kramer, always a dog person, says is “very good natured.” He ends our session by admonishing me via e-mail to “be sure to put something in about how much you loved ‘The American People’ and everyone should rush out and buy it and read it immediately!” It is not a stretch to accommodate this request.
WASHINGTON BLADE: Is it fair to say your book is a take on “how it might have happened” on issues of gay Americans, HIV and the Founding Fathers?
LARRY KRAMER: No. I am saying that I think this all did happen. I wanted to write a history of our people.
BLADE: Do you feel AIDS was started on purpose by homophobic German scientists?
KRAMER: No! I am saying that the AIDS virus has been with us since our country started, centuries ago.
BLADE: The New York Times review says your book suggests that “gay men have been with us long before homosexuality had a name and it is past time we extend to these men our historical sympathy and imagination.” Is that a fair estimation?
KRAMER: Of course, although I have never had a good review from the New York Times for anything!
BLADE: Did you envision the book as having such scale at the outset?
KRAMER: Yes. I was striving to write a “big book.” The technical problems interested me. I’ve written plays, movies, essays, a shorter novel. I wanted to see how far I could stretch myself. As I love to write, it’s been an exciting, challenging journey.
BLADE: What was the hardest part of the process? Did you hit any artistic brick walls along the way?
KRAMER: The hardest part was trying to figure out what makes a reader read such a long and complicated book that tells many stories and has a huge cast of characters.
BLADE: You’ve spoken of applying gaydar to historical matters. How fair in general do you feel that is or did it matter for your purposes?
KRAMER: I do not think the gay community is plugged in enough to their radar, so I tried to do it for them.
BLADE: In the modern day, much gaydar has been directed at former U.S. Rep. Aaron Schock (R-Ind). It sounds as though he had transparency issues regardless of whether he’s gay or straight, but is this kind of speculation of his being gay warranted?
KRAMER: Who gives a shit about “speculation” and whether it’s warranted or not? That’s the coward’s way out.
BLADE: Art, history and autobiography are always blurred in your work with characters like Ned Weeks (“The Normal Heart”) or Fred Lemish (“Faggots” and “The American People”). What is accomplished either historically or artistically by taking this approach?
KRAMER: A writer has one great subject to write about, his own life. My life has had many rivers, lived by many Larry Kramers.
BLADE: How’s volume two of “The American People” coming? About what percentage is done?
KRAMER: I have a rough draft but it’s very rough.
BLADE: You’ve taken on the possible homosexual proclivities of the Founding Fathers. Is there a point where similar approaches might be unfair or too obscured by history to justify? Any thoughts on those who assume, for instance, David and Jonathan in the Old Testament were lovers?
KRAMER: Having a strong opinion does not need the justification you are speaking about. No history of gay people exists, which is why I am trying to write one.
BLADE: But at any point in writing “American People,” did you feel you were on shaky ground? Isn’t it relatively easy to slap a gay nametag on a historical figure? What purpose is served in doing this beyond crafting entertaining fiction? Obviously it appears you had more in mind than that.
KRAMER: You miss the whole point of the book if you think I just made up these gay historical figures. I certainly was not out to craft entertaining fiction, but to instruct our people in their history. The only “shaky ground” was my concern people would not take seriously what I was telling them. Interesting that the great reviews arriving are from gay critics and the nasty ones are from straights!
BLADE: You’ve spoken often of the virtues of anger. Are you bitter? If so, is this a negative emotion?
KRAMER: I am not bitter. I am angry. Anger is a wonderful motivator for me!
BLADE: How old were you when you left Washington, D.C.?
KRAMER: I went off to Yale when I was 18. I still go back to see friends.
BLADE: Predictions for the Supreme Court gay case argued last week? If we win there, will we have won overall?
KRAMER: We will have won the right to marry. We have not yet won equality or a cure to AIDS.
BLADE: You’ve been critical of so many approaches to activism from HRC to Frank Kameny and beyond over the years. But could we have gotten to the Supreme Court solely using ACT-UP-style approaches? Couldn’t a variety of approaches have helped us in the long run?
KRAMER: Who says these kind of tactics were not used to help win marriage? I don’t remember criticizing Frank.
BLADE: Didn’t you feel Frank and some others spent too much time looking back?
KRAMER: Yes, I did say that.

The cast of Arena Stage’s 2012 production of ‘The Normal Heart.’ (Photo courtesy Arena)
BLADE: You told the Advocate recently you are working on a “Normal Heart” sequel, but didn’t you do that already with “Destiny of Me”? Is this another work?
KRAMER: I am working on a sequel to the HBO movie, which was a big success for them. But it has not been announced yet until they approve my screenplay and whether Ryan Murphy is free to direct it. “The destiny of Me” was more a prequel than a sequel.
BLADE: Were you overall pleased with how the HBO adaptation turned out?
KRAMER: Very much so. I loved working with Ryan and we had such a great cast, Mark Ruffalo, Julia Roberts, Jim Parsons, all of whom we want to use in this sequel.
BLADE: Any thoughts on Armistead Maupin or the late Paul Monette (other gay writers of note)?
KRAMER: Paul was a dear friend and I am friendly with Armistead and I admire their work. I know many of the gay writers today and feel uncomfortable commenting on their work.
BLADE: Did you see the 2012 “Normal Heart” production at Arena Stage in Washington? Any thoughts?
KRAMER: I loved what Arena did. It was especially moving to me because when I was a kid, I went to see many of their productions in that small remodeled old movie theater on New York Avenue.
BLADE: How long have you been with David? Once you recovered, how did it feel to be married?
KRAMER: I first started dating David in the mid-‘60s. We dated for many years but he didn’t want to be pinned down. We finally got together permanently in 1995 or so and got married just a year or so ago. I promptly got very sick and spent almost a year in and out of hospitals. He saved my life several times when doctors were not helping; he found the right ones. It is certainly not the marriage one wanted to have, lover and caregiver. His own career as an architect has suffered as he worries for me. We have both certainly been put to the test and it has brought us even closer together.
BLADE: Has he read “The American People”? If so, what did he say?
KRAMER: He was one of the first people who read the earliest draft. He has a great memory of what and who I’ve written about, which is invaluable. He has always been a big fan, even of ‘Faggots,’ which is about our earlier go-round. He’s the dinky character who breaks Fred’s heart.
BLADE: Plans for your 80th birthday?
KRAMER: To carry on writing and staying alive!
BLADE: Barney Frank said this in his recent memoir: “If you care deeply about an issue and are engaged in group activity on its behalf that is fun and inspiring and heightens your sense of solidarity with others, you are almost certainly not doing your cause any good.” Do you agree?
KRAMER: Joseph Papp, who produced the original “Normal Heart” at the Public Theater said much the same thing to me, to wit: “If you haven’t offended someone, then you haven’t done something right.”
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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