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Surrey with the ‘Fringe’ on top

Summer festival returns for 10th anniversary season

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Fringe Festival, gay news, Washington Blade
Fringe Festival, gay news, Washington Blade

Sean Mccomas as Kip and John Brougher as James in ‘Straight Faced Lies.’ (Washington Blade photo by Michael Key)

‘St. Jimmy Celebrates ‘The Food at Our Feet’’

Dance Place: Hyman M. Perlo Studio

3225 8th St., N.E.

July 18 at 3 p.m.

July 19 at 4:45 p.m.

July 22 at 8:45 p.m.

July 24 at 8:15 p.m.

July 15 at 9 p.m.

July 26 at 4 p.m.

$17

 

‘Straight Faced Lies’

Logan Fringe Arts Space

1358 Florida Ave., N.E.

July 10 at 8:15 p.m.

July 12 at noon

July 14 at 6:30 p.m.

July 19 at 5 p.m.

July 23 at 6:30 p.m.

July 26 at 12:15 p.m.

$17

 

All shows and details at capitalfringe.org

 

Fringe Festival, gay news, Washington Blade

Kim Tuvin as Cathy and Christian Sullivan as Joe in ‘Straight Faced Lies.’ (Washington Blade photo by Michael Key)

For all the talk of Washington being more of a theater town than people realize, when Julianne Brienza moved here more than a decade ago, she found it lacking in some key elements.

For one thing, she says she found a livelier arts and culture scene in the City of Brotherly Love.

“I was really surprised that the city was not as lively as Philadelphia was. I just kind of thought that all major cities were somewhat similar,” Brienza says.

Brienza returned to Philadelphia for its Fringe Festival and after coming back to D.C., decided that the District could benefit from having one of its own. She consulted with Damian Sinclair, Capital Fringe’s other co-founder, and they decided they needed to bring the Fringe Festival to D.C.

The Capital Fringe Festival (capitalfringe.org) celebrates its 10th anniversary this year and runs through Aug. 2 at various venues throughout D.C. It had its kick-off Thursday.

Fringe festivals began in 1947 in Edinburgh, Scotland as an alternative festival that would run at the same time as the Edinburgh International Festival. Since then, Fringe festivals have arrived all over the United Kingdom, Europe, Canada, Australia and the United States.

Capital Fringe has grown to be the second largest Fringe Festival in the United States. Over the past decade it has managed to generate $1.7 million for artists, premiered more than 600 new works and also provided 886 paid positions. On average, about 130 shows are brought to the Fringe festival each year.

Hopefuls can go online to submit their proposals for shows and spots are given on a first-come, first-served basis.

Brienza says that the focus of Fringe Festival isn’t about individual shows but more about the performing arts community as a whole succeeding and collaborating together in the District.

“It’s about a place for artists to really network and form companies and do things outside of the festival,” Brienza says. “The festival is just a launching pad for other things to happen in the city with the performing arts.”

Mark Williams, playwright of “Straight Faced Lies,” and Jimmy Grzelak, playwright and star of his solo show “St. Jimmy Celebrates ‘The Food at Our Feet,’” are both returning. This will be Williams’ third Fringe and Grzelak’s second. Both are gay.

Williams wrote poetry in high school and half-heartedly decided to apply for the dramatic writing program at New York University.

“They wanted creative material so I was like, ‘Here’s all my sad boy poetry, take that,’” Williams says. “I think it actually had peanut butter stains on it. I put no real thought or effort into it.”

He didn’t expect the program to lead him toward playwriting in the long term and was pleasantly surprised.

“When I saw my first play in front of an audience at the end of freshman year it just hooked me,” Williams says. “It was like magic. I couldn’t stop.”

Williams’ first play showcased at Capital Fringe was titled “Recovery” in 2013. He returned again in 2014 with his play “The Other Day.” This year “Straight-Faced Lies” tells the story of a dysfunctional family Thanksgiving that includes a loving wife and mother preparing for her husband’s arrival home from jail, a drunk and homeless aunt and a closeted gay son who is outed by his lover at dinner, among other shenanigans.

Capital Fringe provides the venue for these plays to be shown as well as handling the main marketing to promote the shows. The playwright must handle all other fees, including costumes, payment to cast, crew and director and any other costs. Williams funded his show by saving up his money in little ways and “not eating a $10 salad for lunch every day.”

The play will also have a special timely political twist as those who wish to get married can bring their marriage license and can be married by an officiated cast member after the play.

Williams says the decision to include a marriage ceremony at the play came right after the Supreme Court’s decision to legalize marriage across the country and decided it would be a fun celebration after the play.

Grzelak’s “St. Jimmy Celebrates ‘The Food at Our Feet’” is the culmination of a project Grzelak began right after college. He received a grant from the alumni of Williams College to travel the world for 365 days to “increase international understanding and world peace.” Grzelak used the grant to meet different people around the world who claimed to be God.

“They didn’t have any specific requirements for the project,” Grzelak says. “They kind of just said go out there and find yourselves and that’s what I tried to do.”

While meeting different gurus, teachers and other people who claimed to be saints or gods, Grzelak, whose first play “How to be a Terrorist” was in Capital Fringe in 2013, made a peculiar connection.

“I noticed a difference between different religious leaders and cooking hosts,” Grzelak says. “I really think that those two things in the end are not so different. The project is putting that crazy idea out there and showing how it might not be so crazy in the end.”

He describes his solo show as “a cooking show meets a church service.” The show explores the connection between religious teachers like the Buddha and cooking hosts such as Rachael Ray and Paula Deen.

Shows like “Straight-Faced Lies” and “St. Jimmy Celebrates ‘The Food at Our Feet’” can be the kick-off for more theater success down the road. Both Williams and Grzelak have showcased their work at other Fringe Festivals in the country.

Brienza notes that many artists from Capital Fringe have taken their shows beyond the festival and started theater companies such as Pinky Swear Productions, to show their work year-round in the District. Its “The Last Burlesque” is in the festival this year.

It’s a goal many artists at Capital Fringe would love to have the opportunity to do for D.C. audiences.

“I’m especially excited for access to an audience in D.C.,” Grzelak says. “D.C. audiences are so politically well-versed. There’s a real reason for Fringe to exist there, despite there already being a lot of thinking and art happening in the city.”

Fringe Festival, gay news, Washington Blade

Kip (Sean Mccomas) and James (John Brougher) share an intimate moment in ‘Straight Faced Lies.’ (Washington Blade photo by Michael Key)

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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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