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Mika’s magic touch

Pop wunderkind shines on gayest album yet

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Mika, gay news, Washington Blade
Mika, gay news, Washington Blade

Mika’s new album is his most mature and autobiographical to date, yet it’s no less fun to listen to than his earlier work. (Photo by Peter Lindbergh)

It’s pretty staggering to note in retrospect when pop acts — or any artist — were on great runs.

Realizing, for example, that Fleetwood Mac released “Fleetwood Mac,” “Rumours,” “Tusk” and “Mirage” successively or that Joni Mitchell released “Blue,” “For the Roses,” “Court and Spark, “Hissing of Summer Lawns” and “Hejira” in a legendary ‘70s streak, simply boggles the mind. It’s harder to recognize when it’s happening, but glimpses of this kind of thing are discernible in contemporary pop. With the June release of his fourth album “No Place in Heaven,” pop wunderkind Mika is on that kind of a masterpiece-dropping fever cycle. It’s also his gayest album yet.

It would be tempting to think, based on album opener and first single “Talk About You,” that we’re in for a slighter, more throwaway affair than the last album (released in 2012) which opened with an epic bang on the title cut “Origin of Love.” But that would be a mistake as this opener, though catchy, turns out to be the most disposable thing here. A treasure trove of near Beatles-caliber pop magic awaits on the rest and makes for a very strong winning streak when considered alongside “Origin” and 2009’s “The Boy Who Knew Too Much.” Long-time co-producer Greg Wells (Adele, Katy Perry, Pink) returns for much of the proceedings.

What makes it so great? It’s a masterpiece of tone balance both lyrically and musically. Mika’s often earnest yet manages never to lose his sense of humor. The cuts are tight and stylistically varied with nary a dud in the batch.

Having grown more comfortable in his gay skin — he came out officially in 2012 though he’d suggested openness to male lovers a few years’ prior — and even, at just 31, matured as a songwriter, this album and “Origin” have a gravitas lacking on the first two. Refreshingly, his material has lost none of its fun along the way. Even on ponderous torchy songs like “Ordinary Man,” it’s never heavy handed.

Queer themes abound and provide the album’s strongest moments from the cheeky “All She Wants,” (about a mom who straight-washes her son to the point of wishing he were someone else entirely) to the tightly hooked shuffle “Rio” to the highly syncopated, tough-yet-slinky bonus cut “Promiseland” where he “lived my life as the good boy I was told I should be/prayed every night to a religion that was chosen for me.”

For a guy who sang euphorically of “teenage dreams in a teenage circus” (on “We Are Golden”), to find him grappling with larger questions of faith and marriage is startling at first, but works.

A trio of cuts stand above the rest: with a sly reference to the Paula Cole hit “Where Have all the Cowboys Gone,” Mika wonders “where have all the gay guys gone” on “Good Guys” while a backing outfit that sounds like the Polyphonic Spree sing lines like “we are all in the gutter” with the same joyousness you hear on “I’d Like to Teach the World to Sing.” “Good Wife” finds him playing consoler to a straight guy he’s crushing on whose wife ran out. It’s both funny and poignant.

The finest moment is the tender prayer of the title track in which the singer, over a noodling piano figure, sings of “being cast away” by the church and begging God to “learn to love me anyway.” It’s a sophisticated lament to which many burned by religion will relate. The melodies are memorable and first rate throughout — they’re ear worms first, meditations on life and love second.

It only takes one bad gay singer/songwriter pop album to make you realize how easily these kinds of outings can backfire and how truly rare the great ones are. If you’ve never heard of, say, Matt Zarley for one, thank your lucky stars (queer unctuousness run amok). There are legions of others who are decent: the Tom Gosses and Jason & deMarcos of the world. Rufus Wainwright is clearly talented but about as much fun as a Good Friday service. Mika is in a league of his own.

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Music & Concerts

Lana Del Rey, Katy Perry plan fall releases

A Fleetwood Mac live album, more Joni archives among vintage options

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Dolly Parton’s ‘Smoky Mountain DNA’ is slated for a Nov. 15 release. (Image courtesy Owepar Entertainment)

Paris Hilton released her “Infinite Icon” album on Sept. 6. It’s just the second effort following a massive hiatus — her debut album “Paris” was released way back in 2006. Sia produces. This summer’s “I’m Free” was the first single. A tour is planned. Hilton promised a “heavily gay-leaning release.”

Miranda Lambert’s “Postcards from Texas” is slated to drop today. Lambert’s 10th studio album was preceded by the May release of single “Wranglers,” which stalled in the lower 30s on country radio. Lambert calls the album a musical ode to her home state. She co-produces with Jon Randall and either wrote or co-wrote 10 of the project’s 14 cuts. 

Katy Perry’s “143” is set for a Sept. 20 release. It will be her seventh studio album. Its title refers to what she says is her symbolic angel number. Perry is aiming for a dance party feel working with producers Max Martin, Dr. Luke, Stargate, Vaughn Oliver and Rocco Did It Again! The proceedings are not off to a strong start. First single “Woman’s World” stalled at No. 63 on the Billboard Hot 100. Follow-up “Lifetimes” failed to crack the Hot 100 at all. 

Fleetwood Mac releases “Mirage Tour ’82” on Sept. 20. It includes six tracks previously unreleased including “Don’t Stop,” “Dreams,” “Never Going Back Again,” “Sara” and more. Available on double CD, triple vinyl and digitally.  

Volume four of Joni Mitchell’s “Archives” series dubbed “The Asylum Years: 1976-1980” releases Oct. 4. It’s being offered in six-CD or four-LP (highlights) configurations. It will feature unreleased studio sessions, alternate versions, live recordings, rarities and a 36-page book with new photos and an extensive conversation between Mitchell and filmmaker/uberfan Cameron Crowe. 

Sophie B. Hawkins releases her “Whaler Re-Emerging” album (a re-recording of her landmark 1994 album) on Oct. 15. Order through her site and the first 250 copies will be signed. Hawkins (who identifies as omnisexual) says it surpasses the original. 

Joe Jonas’s “Music for People Who Believe in Love” and Shawn Mendes’s “Shawn” are both set for Oct. 18 releases. Jonas’s album (his first solo effort since 2011’s “Fastlife”) will feature songwriting he says is of a more personal nature. Billboard called it “unvarnished” but with a shimmery pop sound aglow with garage rock and alt-pop influences. First single “Work It Out” was released over the summer and failed to chart. 

“Shawn” will be Mendes’s first album since 2020’s “Wonder,” the tour of which he cancelled citing mental health. Two singles — “Why Why Why” and “Isn’t That Enough” — have been released. The former stalled at no. 84 on the Hot 100. He has called the album his “most musically intimate and lyrically honest work to date.” 

Lana Del Rey’s “Lasso” is expected for a possible fall release, although some sources say it’s been bumped to early 2025. No date had been announced as of yet. She’s apparently going the Beyonce route and releasing a straight-up country album. 

Dolly Parton plans a Nov. 15 release for “Smoky Mountain DNA — Family, Faith & Fables.” Parton recruited family to help her on the 37 (!)-track collection, which will also encompass a four-part docuseries tracing Parton’s familial roots. One song (“A Rose Won’t Fix It”) is an outtake from the feverish writing sessions that led to her solid (but underrated) 1998 album “Hungry Again.” An extremely limited-edition triple vinyl release is also planned. 

Release dates shift and many more releases will be announced later. Pitchfork keeps a great running tab at pitchfork.com/news/new-album-releases. Also check your local record store for Black Friday special editions available on Friday, Nov. 29. Release info was scant as of this writing.  

(Joey DiGuglielmo was variously the Blade’s news and features editor from 2006-2020.)

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Music & Concerts

Fall concerts feature Sivan, Eilish, Lauper, more

Ndegeocello pays tribute to Baldwin at Strathmore next month

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Sigur Ros plays the Anthem this month. Frontman JONSI (center) is gay. (Photo by Chloe Kritharas; courtesy motormouthmedia)

Sigur Ros will be joined by the Wordless Music Orchestra at the Anthem (901 Wharf St., S.W.) on Wednesday, Sept. 25th. They’re continuing their 2023 tour in support of “Atta,” their first LP of original music in a decade. Frontman Jonsi is gay. Tickets are $60.50-173.50 for this seated show. 

Troye Sivan brings the “Sweat Tour” with Charli XCX (co-headlining) to Baltimore at the CFG Bank Arena (201 West Baltimore St.) on Thursday, Sept. 26th at 7:30 p.m. It’s sold out. The latter is touring behind her 2024 album “Brat.” The former is touring behind his 2023 album “Something to Give Each Other.” Sivan is gay and has performed at Capital Pride. 

Cyndi Lauper brings her “Girls Just Wanna Have Fun Farewell Tour” to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 27 at 7 p.m. Tickets range from $29-179. It’s her first solo arena stateside tour since her ’86-’87 “True Colors World Tour.” Lauper is a longtime and avid LGBTQ ally. 

St. Vincent brings her “All Born Screaming Tour” to the Anthem (901 Wharf St., S.W.) on Friday, Sept. 13th at 8 p.m. Tickets are $55-95. A Variety review called it “minimalist” and said “with no video screens, backup singers or sketches, and a lot of electric guitar, it’s the purest distillation of St. Vincent we’ve had on stage in quite a few years.” Anne Erin Clark (aka St. Vincent) doesn’t identify as anything sexually but has mostly dated women in recent years. 

Kristin Chenoweth and Alan Cumming play Wolf Trap (1551 Trap Rd., Vienna, Va.) on Friday, Sept. 13 at 8 p.m. Individual sets are planned, but there will likely be a duet or two. Tickets are $29.

Out singer/songwriter Perfume Genius brings his “Too Bright 10th Anniversary Tour” to The Atlantis (2047 9th St., N.W.) on Monday, Sept. 16. This highly limited run will only play six dates in five cities. Mike Hadreas (aka Perfume Genius) will perform his 2014 album in its entirety. It’s sold out. 

Meghan Trainor brings “The Timeless Tour” to Jiffy Lube Live (7800 Cellar Door Dr., Bristol, Va.) on Tuesday, Sept. 17th at 6:30 p.m. She’s touring behind her album of the same name released earlier this year. Tickets are $33-155. No lawn seats available for this show. 

Queer-affirming gospel singer Amy Grant (who also had a decent pop chart run in the ’90s) brings her fall tour to The Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Thursday, Sept. 19 at 7:30 p.m. As she’s done on tour with previous re-releases, Grant could include more songs than usual from her 1994 “House of Love” album, which was just released in an expanded edition and on LP for the first time. Tickets are $95. 

Sara Bareilles, a self-described LGBTQ ally,  joins the NSO Pops for a three-night stint at the Kennedy Center (2700 F St., N.W.) on Sept. 24-26 at 8 p.m. each night. It’s sold out. 

Billie Eilish brings her “Hit Me Hard and Soft: the Tour” to CFG Bank Arena (201 West Baltimore St.) in Baltimore on Friday, Oct. 4 at 7 p.m. Her album of the same name dropped in March. Although she’s mostly dated guys publicly, Eilish identifies as bi. It’s sold out. 

Queer artist Meshell Ndegeocello plays the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on Saturday, Oct. 5 at 8 p.m. Her show is dubbed “No More Water: the Gospel of James Baldwin” and is billed as a tribute event to the legendary Black gay writer. A pre-concert event, “The Gospel of Meshell Ndegeocello” is free but advanced registration is required. Tickets for the concert are $28-74. 

Former Capital Pride headliner Betty Who (“queer/bi” herself) brings her “An Acoustic Evening in Celebration of 10 years of TMWYG” to the Lincoln Theatre (1215 U St., N.W.) on Wednesday, Oct. 9 at 9 p.m. Tickets are $55. It’s a nod to her 2014 debut album “Take Me When You Go.” 

Justin Timberlake brings his “Forget Tomorrow World Tour” to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 13. This seventh headlining concert tour (and first in five years) supports his 2024 sixth album “Everything I Thought it Was.” Reviews for the tour have been strong; the setlist looks career-spanning and generous. It’s sold out. 

Gay-helmed Pink Martini with China Forbes and Ari Shapiro plays the Kennedy Center (2700 F St., N.W.) on Monday, Oct. 14 at 7 p.m. Tickets are $40-80. 

’80s pop sensation Debbie Gibson brings her “Acoustic Youth: Songs & Stories from Electric Youth Era” to the Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Wednesday, Oct. 16. Tickets are $59.50. Gibson is celebrating her 1989 album “Electric Youth,” her second. She’ll accompany herself on piano playing the songs “the way I first wrote them.” 

DJ/producer Diplo, who says he’s “not not gay,” plays Echostage (2135 Queens Chapel Road, N.E.) on Saturday, Oct. 19 at 9 p.m. Walker and Royce join. Tickets are $60. 

Motown diva Diana Ross brings her “Beautiful Love Performances Legacy Tour” to MGM National Harbor (101 MGM National Ave., Oxon Hill, Md.) on Oct. 24-25 at 8 p.m. Except for adding a couple cuts from her abysmal 2021 album “Thank You” (her latest), her setlist has not changed much in 15 years. She’s a little better about performing Supremes songs than she was earlier in her career (for ages, they were crammed into one medley), but she still heavily favors her solo material. Tickets start at $102. 

The Life and Music of George Michael” comes to the National Theatre (1321 Pennsylvania Ave., N.W.) on Friday, Oct. 25 at 8 p.m. Hard to tell from promo material if this is a typical jukebox musical-type show or more like a tribute band concert for the late gay singer. Tickets are $55. 

Sapphic Factory: Queer Joy Party” is at 9:30 Club (815 V St., N.W.) on Friday, Oct. 25 at 10 p.m. It’s slated to feature music by artists such as Mana, Chappell Roan, Fletcher, Phoebe Bridges, Kehlani, Rina Sawayama, boygenius, Kim Petras, Tegan and Sara and more. Tickets are $23. 

Kacey Musgraves brings her “Deeper Well World Tour” to CFG Bank Arena (201 West Baltimore St.) on Saturday, Nov. 9 at 7:30 p.m. It supports her sixth studio album, released in March. The setlist morphed slightly over a spring run in Europe. It’s sold out. 

Soul diva Gladys Knight plays the Hall at Live! (7002 Arundel Mills Circle) in Hanover, Md., on Sunday, Nov. 17th at 7:30 p.m. Knight, who hasn’t had a new album out in a decade, tends to be fairly generous with her classic Motown- and Buddha-era hits with the Pips in approximately 75-minute sets. Tickets start at $95. 

(Joey DiGuglielmo was variously the Blade’s news and features editor from 2006-2020.)

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Music & Concerts

National Symphony plays free concert Sunday

NSO Labor Day performance held at U.S. Capitol

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(Photo by DeshaCAM/Bigstock)

The National Symphony Orchestra’s free annual Labor Day weekend concert returns to the West Lawn of the U.S. Capitol on Sunday, Sept. 1. The performance is free and tickets are not required. Seating is first-come, first-served.

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