Arts & Entertainment
‘Cait’ is both trashy, touching
New reality show finds Jenner grappling with new life

Caitlyn Jenner is a reality show veteran. It shows on her new E! series ‘I Am Cait.’ (Photo courtesy NBC Universal)
Caitlyn Jenner’s explosive public unveiling as a trans woman has garnered attention from media and the public alike. Was an accompanying reality show anything but inevitable?
On “I Am Cait,” which premiered on E! on Sunday night, Jenner shares her life now — both her perspective in a deeply personal documentation that delivers a serious message about the trans community and a side of juicy reality television.
“I Am Cait”’s pilot episode starts with chronicling Jenner’s mother and sister as they prepare to meet Caitlyn for the first time. Jenner’s anticipation of meeting her mother and sister has her visibly shaken. At 65, Jenner reverts to childlike nervousness as she waits for her mother and sister to arrive.
Moments like this give a deeper insight into Jenner’s struggle with announcing her trans identity to those she loves. Although, some of these moments are serious, there are plenty of humorous instances where Jenner flat-out demonstrates how this is still a new world for her. While playing tennis with her sister, Jenner admits that she now understands why girls have to wear sports bra in one of the funniest moments of the episode. Jenner says that Bruce was a lot better at playing tennis than Caitlyn because now as a woman, running is harder. Her commentary on such matters gives the show levity.
However, “I Am Cait” is not without its trashy reality show moments. Jenner is a seasoned reality show veteran after appearing on 10 seasons of “Keeping Up with the Kardashians” and she uses the tricks she’s undoubtedly learned from that show to amp up her own series. In a purely contrived attention-seeking move, there’s a scene where Kim Kardashian and Kanye West drop by. West has made it no secret that he does not like appearing on “Keeping Up with the Kardashians” forcing his relationship with Kim to be off camera. Yet here, West utters more words than he ever has on a Kardashian-related show to give his support to Jenner saying how heroic she is for being herself. Nicely put, but a clear PR move calculated by Jenner and West.
The highlight of the entire episode is Jenner consistently bringing attention to the trans community’s struggles and hardships particularly for young trans people. Jenner admits, as she sits for her interview segments in perfectly applied makeup with a closet full of designer clothing donated to her by Tom Ford and Diane Von Furstenberg, that many members of the trans community don’t have the platform she does. She expresses the desire to help the trans community however she can by using the public platform and her voice to spread awareness.
Jenner brings attention to the high rates of murder and suicide in the trans community. She even reveals she has had suicidal thoughts herself. She reaches out to family and friends of transgender teen Kyler Prescott who committed suicide. Jenner speaks with Prescott’s mother and friends and attends a memorial service for the teen. This is what will set this series apart from any like it. Jenner’s dedication to letting the trans community be heard that they are hurting, they are dying and they are in need of support and help. It’s a message that isn’t heard in mainstream entertainment and can be a starting point for making headway on an issue that before has been floundering for visibility.
Yes, there are trashy reality show gimmicks. This is E! after all, what else would one expect? Yet there’s also heart, humor and most importantly a difference being made with this show. Yet Jenner’s intelligence and understanding of her privileged position in the trans community make the show far more than part of an entertaining Sunday night lineup for E!.
At the start of the episode, Jenner worries alone in bed talking to the camera about the tremendous responsibility she feels towards the trans community. “I just hope I get it right. I hope I get it right,” Jenner says. “I Am Cait” is a step in the right direction.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
