a&e features
The year’s biggest A&E moments
Caitlyn, ‘Carol,’ ‘Stonewall’ and more
(Washington Blade editorial cartoon by Ranslem)
#10 Neil Patrick Harris just so-so at the Oscars
After successful stints hosting the Tonys and Emmys, expectations were high in February when long-time out actor Neil Patrick Harris hosted the 87th Academy Awards, becoming the first openly gay man (Ellen hosted the year before) to take on the tough assignment.
Showing off a remarkably fit physique, he lampooned a scene from “Birdman” by appearing on stage in tighty-whities, a move that drew mixed reviews. The New York Times said overall he was “bland.” Time said he was “glum and low energy.”
Viewership was down 16 percent, the lowest rating in six years according to Variety. Harris told Huffington Post later he doubts he’ll ever do it again.
“I don’t know that my family nor my soul could take it,” he said in that interview.
After a white-hot run of successes in recent years, Harris fumbled in 2015. His fall NBC show “Best Time Ever with Neil Patrick Harris,” a live TV variety series, was cancelled in December after just eight episodes.
#9 Return of Madonna and Janet
In March, Madonna released her 13th studio album “Rebel Heart.” Despite a massive leak, it debuted solidly at No. 2 on Billboard (121,000 units) and received generally better reviews than her previous two releases. Her “Rebel Heart Tour” opened in September with strong reviews and sales.
Janet Jackson returned in October with her 11th album “Unbreakable,” her first new studio project in seven years. With 116,000 units, the album was No. 1 on the Billboard albums chart the week it debuted and garnered strong reviews. The “Unbreakable World Tour” kicked off in August in Vancouver with several fast sell-outs. After taking December off, she goes back out Jan. 9 in Denver and plays Baltimore on Feb. 29 and D.C. on March 1. It’s her first tour since 2011 and marks a return to arenas after playing smaller venues last time.
Despite the buzz and media interest, U.S. radio continued to mostly ignore the singers. On the Hot 100, a chart the two dominated in the ‘80s and ‘90s, Janet’s first single “No Sleeep” made it only to No. 67. She found more success on the Adult R&B chart, where the single spent a record 10 weeks at No. 1. The title cut was the second single and didn’t chart. Neither did Madonna’s first single “Living for Love” or second single “Ghost Town.” Both singers had some success (Madge always manages a No. 1 dance hit for practically everything she releases) on other Billboard charts. Madonna’s third single “Bitch I’m Madonna” peaked at No. 84 on the Hot 100.
#8 ‘Hamilton’ hits big on Broadway
With a score “rooted in hip-hop but also encompassing R&B, jazz, pop, Tin Pan Alley and the choral strains of contemporary Broadway,” as the New York Times put it, “Hamilton,” which opened on Broadway in August, is this year’s monster hit where it’s turned the notion of the “Great White Way” on its head with a cast of mostly black and Latino actors playing the founding fathers.
Based on a 2004 biography of Alexander Hamilton, the show has drawn raves for its ability to “redefine what an American musical can look and sound like,” as the Times wrote.
Out actor Jonathan Groff plays King George III, a nice change of pace for him after HBO’s “Looking” ended its second and last season in March.
#7 ‘Transparent’ goes through the roof
“Transparent,” the hit Amazon Studios show that tells of Maura Pfefferman’s (Jeffrey Tambor) transition process and the effect it has on her family, went through the roof this year.
In addition to the Golden Globe for Best Television Series — Musical or Comedy (the first time a streamed show has taken this award) Tambor also won a Globe and later an Emmy as well.
The show’s second season premiered in December. It’s been renewed for a third. It has an impressive 98 percent freshness rating on critical roundup site Rotten Tomatoes.
#6 ‘Glee’ signs off
Although it wound down with more of a whimper than a bang, “Glee,” the hit Fox series that debuted in 2009 and told of the ups and downs of the William McKinley High School glee club, the show, created by Ryan Murphy, Brad Falchuk and Ian Brennan, deserves praise for its brave handling of LGBT issues.
From out cast members Jane Lynch, Chris Colfer and Alex Newell to its sensitive handling of LGBT storylines, the show was an awards magnet winning four GLAAD Media Awards for Outstanding Comedy Series, six Emmys, four Golden Globes and a bounty of other accolades.
Ratings had fallen steadily in recent years after a second season high.
#5 Danny Pintauro comes out as HIV positive
Although he’d been out of the pop culture limelight, former “Who’s the Boss?” and “Cujo” actor Danny Pintauro, who’d been out for years, told Oprah on an episode of her show “Oprah: Where Are They Now?” in September that he’s been HIV positive for 12 years.
Although initially embraced for his candor, Pintauro later drew criticism for saying on “The View” that he believes he contracted the virus through oral sex, a possibility HIV experts said was highly unlikely.
He later told the Blade at the AIDS Walk in October — he was on hand to accept an award — that he didn’t mean he knew that definitively but that it was his “best guess” as to how he contracted HIV.
#4 ‘Stonewall’ tanks
In August when the public got its first look at “Stonewall,” this year’s dramatization of the 1969 New York LGBT riots from director Roland Emmerich (“Independence Day”), the trailer was widely trashed for slickly whitewashing the watershed moment for gay rights.
Upon its September release, critical consensus was extremely negative in both the gay and mainstream press with a wide spate of reviews condemning the filmmaker’s decision to center the events around a fictional hunky white character (played by straight actor Jeremy Irvine) and reducing trans women and people of color to the sidelines.
Although Emmerich said he was intrigued by the issue of LGBT youth homelessness, a Vanity Fair critic said he managed to take “one of the most politically charged periods of the last century” and make it into a “bland, facile coming-of-age story.” Some activists called for an LGBT boycott of the movie.
The film cost about $17 million to make with part of it self-financed by Emmerich. It bombed at the box office. According to IMDB, its U.S. gross as of October was just short of $200,000.
#3 Big year for LGBT film
There’ve always been LGBT movies but even just a few years ago, most of the gay content was in smaller indie fare with a token mainstream release like “Brokeback Mountain” here or there. That is no longer the case.
With “Freeheld,” the Julianne Moore project about a woman’s fight to have her pension benefits transferred to her domestic partner after being diagnosed with terminal cancer; to “The Danish Girl,” the Eddie Redmayne vehicle that finds him starring as trans pioneer Lili Elbe; to “Carol,” the Todd Haynes-helmed film based on a Patricia Highsmith novel, LGBT themes in major films were no longer token occurrences.
#2 U.S. women’s soccer team out and proud
When the U.S. beat Japan in July to take the 2015 FIFA Women’s World Cup, the international women’s football (i.e. soccer) world championship, it was not just a triumph for the United States women’s national soccer team, the tournament was a watershed moment for out athletes with 18 publicly out players on the field for various countries including the U.S.’s Jillian Ellis (coach), Ali Krueger, Megan Rapinoe and Abby Wambach.
“While the men’s professional game has been reluctant to be fully inclusive and supportive of anyone within the game who identifies as LGBT, it’s generally regarded that football is much more accepting of women who are lesbian or bisexual,” said Lindsay England, head of Just a Ball Game, an organization that works to end anti-LGBT bias in soccer, in an Out Sports interview.
Wambach, who treated media interest in her 2013 marriage to Sarah Huffman bemusedly, retired in
December with too many accolades and wins to count, including two Olympic gold medals and a ranking in this year’s Time magazine’s 100 most influential people of the year.
#1 The world meets Caitlyn Jenner
It was in many ways the year of Cait and few would argue she is anything but the most prominent transgender person in the country.
The Olympic champion who found a second wind of fame as patriarch of reality show “Keeping Up with the Kardashians,” came out officially as transgender in an April Diane Sawyer interview on ABC’s “20/20” and was first seen as Caitlyn in a lavish cover story and fashion spread in the July issue of Vanity Fair.
Her (what else?) reality show “I Am Cait” debuted over the summer on E! and has been renewed for a second season (no premiere date for season two announced yet). It’s enjoyed decent if hardly rapturous ratings and reviews and has been noted for a more serious tone than that of the “Kardashians.”
Jenner’s long-held Republican views, especially her half-hearted endorsement of same-sex marriage for one, have induced winces on several occasions from LGBT activists. After speaking at a luncheon in Chicago in November, Jenner — camera crew in tow — was confronted by an angry mob of trans protesters who said she was a “disgrace.” Their basic beef was that the 65-year-old Cait has enjoyed such a life of privilege that she could never fully understand their plight. To her credit, Jenner engaged them.
In an early episode of her show, she seemed to grasp the import of her role and said, “I just hope I get it right.”
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
a&e features
Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes
The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc
While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars
While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’
The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
a&e features
Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
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