a&e features
The year’s biggest A&E moments
Caitlyn, ‘Carol,’ ‘Stonewall’ and more
(Washington Blade editorial cartoon by Ranslem)
#10 Neil Patrick Harris just so-so at the Oscars
After successful stints hosting the Tonys and Emmys, expectations were high in February when long-time out actor Neil Patrick Harris hosted the 87th Academy Awards, becoming the first openly gay man (Ellen hosted the year before) to take on the tough assignment.
Showing off a remarkably fit physique, he lampooned a scene from “Birdman” by appearing on stage in tighty-whities, a move that drew mixed reviews. The New York Times said overall he was “bland.” Time said he was “glum and low energy.”
Viewership was down 16 percent, the lowest rating in six years according to Variety. Harris told Huffington Post later he doubts he’ll ever do it again.
“I don’t know that my family nor my soul could take it,” he said in that interview.
After a white-hot run of successes in recent years, Harris fumbled in 2015. His fall NBC show “Best Time Ever with Neil Patrick Harris,” a live TV variety series, was cancelled in December after just eight episodes.
#9 Return of Madonna and Janet
In March, Madonna released her 13th studio album “Rebel Heart.” Despite a massive leak, it debuted solidly at No. 2 on Billboard (121,000 units) and received generally better reviews than her previous two releases. Her “Rebel Heart Tour” opened in September with strong reviews and sales.
Janet Jackson returned in October with her 11th album “Unbreakable,” her first new studio project in seven years. With 116,000 units, the album was No. 1 on the Billboard albums chart the week it debuted and garnered strong reviews. The “Unbreakable World Tour” kicked off in August in Vancouver with several fast sell-outs. After taking December off, she goes back out Jan. 9 in Denver and plays Baltimore on Feb. 29 and D.C. on March 1. It’s her first tour since 2011 and marks a return to arenas after playing smaller venues last time.
Despite the buzz and media interest, U.S. radio continued to mostly ignore the singers. On the Hot 100, a chart the two dominated in the ‘80s and ‘90s, Janet’s first single “No Sleeep” made it only to No. 67. She found more success on the Adult R&B chart, where the single spent a record 10 weeks at No. 1. The title cut was the second single and didn’t chart. Neither did Madonna’s first single “Living for Love” or second single “Ghost Town.” Both singers had some success (Madge always manages a No. 1 dance hit for practically everything she releases) on other Billboard charts. Madonna’s third single “Bitch I’m Madonna” peaked at No. 84 on the Hot 100.
#8 ‘Hamilton’ hits big on Broadway
With a score “rooted in hip-hop but also encompassing R&B, jazz, pop, Tin Pan Alley and the choral strains of contemporary Broadway,” as the New York Times put it, “Hamilton,” which opened on Broadway in August, is this year’s monster hit where it’s turned the notion of the “Great White Way” on its head with a cast of mostly black and Latino actors playing the founding fathers.
Based on a 2004 biography of Alexander Hamilton, the show has drawn raves for its ability to “redefine what an American musical can look and sound like,” as the Times wrote.
Out actor Jonathan Groff plays King George III, a nice change of pace for him after HBO’s “Looking” ended its second and last season in March.
#7 ‘Transparent’ goes through the roof
“Transparent,” the hit Amazon Studios show that tells of Maura Pfefferman’s (Jeffrey Tambor) transition process and the effect it has on her family, went through the roof this year.
In addition to the Golden Globe for Best Television Series — Musical or Comedy (the first time a streamed show has taken this award) Tambor also won a Globe and later an Emmy as well.
The show’s second season premiered in December. It’s been renewed for a third. It has an impressive 98 percent freshness rating on critical roundup site Rotten Tomatoes.
#6 ‘Glee’ signs off
Although it wound down with more of a whimper than a bang, “Glee,” the hit Fox series that debuted in 2009 and told of the ups and downs of the William McKinley High School glee club, the show, created by Ryan Murphy, Brad Falchuk and Ian Brennan, deserves praise for its brave handling of LGBT issues.
From out cast members Jane Lynch, Chris Colfer and Alex Newell to its sensitive handling of LGBT storylines, the show was an awards magnet winning four GLAAD Media Awards for Outstanding Comedy Series, six Emmys, four Golden Globes and a bounty of other accolades.
Ratings had fallen steadily in recent years after a second season high.
#5 Danny Pintauro comes out as HIV positive
Although he’d been out of the pop culture limelight, former “Who’s the Boss?” and “Cujo” actor Danny Pintauro, who’d been out for years, told Oprah on an episode of her show “Oprah: Where Are They Now?” in September that he’s been HIV positive for 12 years.
Although initially embraced for his candor, Pintauro later drew criticism for saying on “The View” that he believes he contracted the virus through oral sex, a possibility HIV experts said was highly unlikely.
He later told the Blade at the AIDS Walk in October — he was on hand to accept an award — that he didn’t mean he knew that definitively but that it was his “best guess” as to how he contracted HIV.
#4 ‘Stonewall’ tanks
In August when the public got its first look at “Stonewall,” this year’s dramatization of the 1969 New York LGBT riots from director Roland Emmerich (“Independence Day”), the trailer was widely trashed for slickly whitewashing the watershed moment for gay rights.
Upon its September release, critical consensus was extremely negative in both the gay and mainstream press with a wide spate of reviews condemning the filmmaker’s decision to center the events around a fictional hunky white character (played by straight actor Jeremy Irvine) and reducing trans women and people of color to the sidelines.
Although Emmerich said he was intrigued by the issue of LGBT youth homelessness, a Vanity Fair critic said he managed to take “one of the most politically charged periods of the last century” and make it into a “bland, facile coming-of-age story.” Some activists called for an LGBT boycott of the movie.
The film cost about $17 million to make with part of it self-financed by Emmerich. It bombed at the box office. According to IMDB, its U.S. gross as of October was just short of $200,000.
#3 Big year for LGBT film
There’ve always been LGBT movies but even just a few years ago, most of the gay content was in smaller indie fare with a token mainstream release like “Brokeback Mountain” here or there. That is no longer the case.
With “Freeheld,” the Julianne Moore project about a woman’s fight to have her pension benefits transferred to her domestic partner after being diagnosed with terminal cancer; to “The Danish Girl,” the Eddie Redmayne vehicle that finds him starring as trans pioneer Lili Elbe; to “Carol,” the Todd Haynes-helmed film based on a Patricia Highsmith novel, LGBT themes in major films were no longer token occurrences.
#2 U.S. women’s soccer team out and proud
When the U.S. beat Japan in July to take the 2015 FIFA Women’s World Cup, the international women’s football (i.e. soccer) world championship, it was not just a triumph for the United States women’s national soccer team, the tournament was a watershed moment for out athletes with 18 publicly out players on the field for various countries including the U.S.’s Jillian Ellis (coach), Ali Krueger, Megan Rapinoe and Abby Wambach.
“While the men’s professional game has been reluctant to be fully inclusive and supportive of anyone within the game who identifies as LGBT, it’s generally regarded that football is much more accepting of women who are lesbian or bisexual,” said Lindsay England, head of Just a Ball Game, an organization that works to end anti-LGBT bias in soccer, in an Out Sports interview.
Wambach, who treated media interest in her 2013 marriage to Sarah Huffman bemusedly, retired in
December with too many accolades and wins to count, including two Olympic gold medals and a ranking in this year’s Time magazine’s 100 most influential people of the year.
#1 The world meets Caitlyn Jenner
It was in many ways the year of Cait and few would argue she is anything but the most prominent transgender person in the country.
The Olympic champion who found a second wind of fame as patriarch of reality show “Keeping Up with the Kardashians,” came out officially as transgender in an April Diane Sawyer interview on ABC’s “20/20” and was first seen as Caitlyn in a lavish cover story and fashion spread in the July issue of Vanity Fair.
Her (what else?) reality show “I Am Cait” debuted over the summer on E! and has been renewed for a second season (no premiere date for season two announced yet). It’s enjoyed decent if hardly rapturous ratings and reviews and has been noted for a more serious tone than that of the “Kardashians.”
Jenner’s long-held Republican views, especially her half-hearted endorsement of same-sex marriage for one, have induced winces on several occasions from LGBT activists. After speaking at a luncheon in Chicago in November, Jenner — camera crew in tow — was confronted by an angry mob of trans protesters who said she was a “disgrace.” Their basic beef was that the 65-year-old Cait has enjoyed such a life of privilege that she could never fully understand their plight. To her credit, Jenner engaged them.
In an early episode of her show, she seemed to grasp the import of her role and said, “I just hope I get it right.”
a&e features
Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
a&e features
Local, last-minute holiday gift ideas
Celebrate the season while supporting area businesses
The DowntownDC Holiday Market is bustling. Union Station is decked out with its annual Christmas tree. Washingtonians have wrapped their houses and apartment balconies with festive lights and holiday decorations. The holiday season is here. And with stockings to fill and empty space under the tree, Washington’s local shops and artists have plenty to offer.
Show your LGBTQ and D.C. pride with the Washington Blade’s annual holiday gift guide.
To embrace the holiday buzz: The Blanco Nwèl cocktail from Alchy Cocktails. This Caribbean eggnog is one of Alchy Cocktail’s seasonal holiday cocktails. The flavor profile is similar to coquito, a traditional Puerto Rican Christmas drink with a coconut base. As a queer and Caribbean-owned business, Alchy Cocktails has been based out of Washington since 2021. Blanco Nwèl is available in both cocktail ($24) and mocktail ($12) online and at a variety of holiday markets, including the Tingey Plaza Holiday Market, the Flea Market at Eastern Market, Union Station’s Main Hall Holiday Market, and more. ($24)
A spicy bite: Gordy’s Cajun Okra from Salt and Sundry. These spicy, tangy pickles pull on Southern Cajun-style flavors, packing a punch with paprika, cayenne, and more. Gordy’s is an LGBTQ-owned and Washington-based brand, making this gift an opportunity to support a local LGBTQ business straight from the jar. This pantry staple is available on Salt & Sundry’s website and at its locations in Union Market, Logan Circle, and its Georgetown holiday pop-up store. ($14)
To celebrate Washington pride: The DC Landmark Tote Bag from The Neighborgoods. Native Washingtonians, visitors, friends and family alike will find something to love about this Washington-themed tote bag. Food trucks, the 9:30 Club, the Metro logo and pandas from the National Zoo are just some of the city’s landmarks depicted across the tote in a red, white, and blue color palette. The tote is a part of the DC Landmarks collection, which donates 10 percent of its sales to the American Civil Liberties Union. The Neighborgoods itself is a local, woman-owned business built out of a passion for screen-printing in 2013. The 100 percent cotton canvas tote is for sale online or at the DowntownDC Holiday Market. ($22)
To give friends and family their flowers: The Flowers Bandana from All Very Goods. This 100 percent cotton bandana was designed in Washington and hand printed in India. Its uniqueness comes in being covered with the faces of Black women, representing a “love letter to all women but especially Black women,” according to All Very Goods. The Black woman-owned and operated business, based out of Northwest Washington, has a mission to celebrate diversity and representation through its products. The bandana intends to give Black women their “flowers.” The Flowers bandana is available for purchase online. ($24)
To unlock culinary creativity: The Curious Chef Gift Collection from Each Peach Market. This customizable collection of kitchen oddities — ranging from tinned fish to chili oil — is a quirky gift for the most inventive chefs. The collection is available in a Standard Santa, Extra Goodies and Super Holiday Size for up to $165. The Washington-based market, founded in 2013, permits customers to make the collection special by specifying what unique ingredients are packaged, including products made by local or LGBTQ brands. Each Peach Market offers assembly and pick up in-person at its Mount Pleasant shop and also offers local delivery and nationwide shipping via its website. ($85)
To give a touch of sweetness: The DC Landmark Chocolate Covered Oreo Holiday Cookies from Capital Candy Jar. Wrapped in a festive red bow, this box of nine cookies embraces love for Washington and the holiday season in one. Among the dark and milk chocolate covered cookies are images of the U.S. Capitol, the White House, the Lincoln Memorial, the Jefferson Memorial and festive hollies. The treat, packaged in a Hill East facility just a few blocks from the Capitol, is available for purchase online and at the DowntownDC Holiday Market. ($23.95)
To celebrate queer gaming: Thirsty Sword Lesbians from Labyrinth Games & Puzzles. This roleplaying game embraces lesbian culture by unlocking a world of swords, romance, and battle. Ideal for group settings, the book presents a system of world building and character identities that are best brought to life by creative minds. Labyrinth, which has been a local Washington business for more than 15 years, celebrates non-digital fun through games and puzzles that connect the community. This gift is offered online and at Labyrinth’s Capitol Hill location. ($29.99)
To make a bold statement: The “Resist” T-shirt from Propper Topper. This locally screen-printed black tee features the Washington flag designed within a raised fist, symbolizing both Washington pride, and political resistance. The shirt is made exclusively by Propper Topper, a local Washington business that evolved from a hat shop to a gift store since opening in 1990. The tri-blend unisex shirt is available both for pickup at Propper Topper’s Cathedral Heights location and shipping via the online site. ($32)
To keep it c(g)lassy: The Glass Ball earrings from Blue Moon Aquarius. Gifting can rarely go wrong when it comes to a new pair of earrings. The unique statement earrings — made of polymer clay, glass, and 18k gold plating over surgical steel — are hand cut, sanded and assembled in Washington, meaning each set is unique. Blue Moon Aquarius, a local brand, is known for its small batch jewelry and home decor designed with clay materials. Available in oxblood, hunter green, lavender, and bluestone color palettes, these earrings are available for purchase on Blue Moon Aquarius’ website and at the DowntownDC Holiday Market. ($48)
To elevate a holiday tea or charcuterie party: The Honey Flight: Tea Lover’s Selection from BannerBee. This local honey company presents the ideal gift to make cozying up with a cup of tea slightly more special. The Honey Flight contains three types of raw wildflower honey infused with fair trade Ugandan vanilla bean, chai spices, and locally sourced lemon thyme herb. The gift is also an opportunity to uplift a family company based in the Mid-Atlantic that offers all-natural, sustainable products. The flight is available online, at the DowntownDC Holiday Market or at the Arlington Courthouse and Dupont Farmers’ Markets. ($36)
For Baltimore shoppers: If you’re in Charm City, don’t miss Balston Mercantile, opened by a gay couple in June. Their gorgeous shop in the Hampden neighborhood offers an array of unique, upscale finds, from barware and artwork to cookbooks and home decor and more. (849 W. 36th St.)
a&e features
Have yourself a merry John Waters Christmas
Annual holiday show returns to Alexandria and Baltimore
When it comes to iconic Christmas scenes in movies, none can top the tree-toppling tantrum thrown by cha-cha heels-deprived Dawn Davenport in John Waters’s fifth full-length feature “Female Trouble” from 1974. Therefore, it’s not surprising that Waters continues to make art out of Christmas, performing his spoken word Christmas tour in cities across the country. Waters has even more reason to celebrate with the release of his new red vinyl 7” single, a cover of Little Cindy’s “Happy Birthday Jesus (A Child’s Prayer)” on the A-side, and “A Pig Latin Visit From St. Nicholas” on the B-side. If you’re still looking for unique Christmas gifts, consider this record. As always, John was kind enough to make time for an interview in advance of his tour dates.
BLADE: John, in preparation for this interview with you, I went back and listened to Little Cindy’s original rendition of “Happy Birthday Jesus (A Child’s Prayer)” on your “A John Waters Christmas” CD.
JOHN WATERS: One thing I did, if you notice, I make the same stumble in my recording that she did in the original.
BLADE: It sounded to me like she got choked up.
WATERS: No, I think she just stumbles over a word, so I stumbled over the same word. It’s appropriation, insanely.
BLADE: Is this a song you first became aware of in your youth or when you were an adult?
WATERS: When I was doing the Christmas album, I had this friend named Larry Benicewicz. He was kind of my idea man with music. He knew every single old record. I would say to him, “Weird Christmas songs,” when we were doing a soundtrack, or a song about bears, or a song about this, and he would give me all these tapes. It was one of the ones he played for me. A lot of the songs I put in my movies and on my records, I did know as a kid. I did not know this one, but I immediately embraced it. I don’t think it’s campy. I think it really is spiritual in a weird way. My doing it makes it a novelty record. I am really for novelty records, and there aren’t any anymore. Why was there not a COVID novelty record? That’s insane. The dance “The Bug” that’s on the “Hairspray” soundtrack would be perfect for COVID.
BLADE: The thing that struck me was that for a Christmas song in the voice of a child, a kind of death pall hangs over it, with lines like, “If I was good you’d let me live with you” and “they nailed you to the cross, they wanted you to die.”
WATERS: All of it! When I see children at midnight mass kneeling in front of a nude man nailed to a cross, I feel like I’m at The Eagle! It is S&M, it’s creepy. I took the same cover (photo) from her record to parody and put my face on it. The same thing I did with The Singing Dogs last year when I covered (their version of) “Jingle Bells.” I’m really into novelty records. I love them and I’m trying to bring them back. I don’t expect anybody to ever play these records. Even The Singing Dogs one said on it, “Please do not play this record” [laughs]. And the flipside, the Pig Latin version, is almost impossible to listen to.
BLADE: I’m so glad you mentioned that. “A Pig Latin Visit From St. Nicholas” reminded me of the lost art of speaking in Pig Latin. I also recall watching the PBS series “Zoom” as an adolescent and learning to speak “ubbi dubbi,” a distant relative of Pig Latin. Do you think that the time is right for a Pig Latin or ubbi dubbi revival?
WATERS: Here’s the thing, I never could pick up any language, except Pig Latin. I’ve been in every foreign country. Foreign countries have given me money to learn to speak the language. I can never do it! But Pig Latin…my parents and other parents in the ‘50s spoke Pig Latin so kids couldn’t understand what they were saying. Then my mother taught it to me, and I used it. The hardest take to shoot in “Pink Flamingos” was not eating the dog shit. It was when the cast skipped, in one take, saying “E-way, are-yay e-they ilthiest-fay eople-pay in-hay e-they ole-hay ide-way orld-way.” We’re the filthiest people in the whole wide world in Pig Latin. We had to do so many takes so they could do it once without screwing it up. In “Polyester,” Edith (Massey) answers the phone, “ello-hay.” I did a photo piece where it was all subtitled in Pig Latin. Like “osebud-Ray” (from “Citizen Kane”) or in “Streetcar,” “ella-Stay!” [Laughs] All the iconic dialogue translated into Pig Latin. My assistant who helped me do it, had never heard of Pig Latin. She really got good at it because she lived in many foreign countries and can pick up languages. But it’s not that easy to do it correctly and read it. Your computer will translate into Pig Latin.
BLADE: AI understands Pig Latin?
WATERS: I guess that’s AI. It wasn’t 100% right, but it was close. I can speak it if I look at it, but just do a bit at a time. It was a challenge that no one would possibly care about or want to do.
BLADE: I think you pulled it off very well.
WATERS: If you want people to leave on Christmas morning, you put it on. That’s how you get your guests to leave. It’s time to go.
BLADE: Ood-gay i-bay! How did your relationship with record label Sub Pop, which released 2021, 2022, 2024, and new 2025 holiday singles, come about?
WATERS: I believe the first thing I did for them was “Prayer to Pasolini.” They came to me through Ian Brennan. He’s won a couple Grammys for World Music, but he is also is one of my agents who does the Christmas tour and a lot of my shows, anything with music. He helped me arrange each one of the songs. He had a relationship with Sub Pop. It was perfect. My friends in Baltimore, (the band) Beach House, have had huge success.
BLADE: That’s right, they’re on Sub Pop!
WATERS: Yes! I’m happy to be on it. I’ve even been to the warehouse and posed for pictures like Jackie Suzanne used to do.
BLADE: Is there any chance that “A John Waters Christmas” might be reissued on vinyl by Sub Pop?
WATERS: No. It’s such a nightmare to get the rights and to renew them. You have to find the publisher and the writer, and they usually hate each other. It doesn’t matter if it’s obscure or famous, it’s hard to get. You have to make the deal. The singer doesn’t get anything unless they play it on the radio. It would be so complicated legally, and there would be such a [laughs] tiny audience for it. I hope it will come out again. The same thing with the one for Valentine’s Day. I had two of them that did quite well when they came out; “A Date With John Waters and “A John Waters Christmas.” The “John Waters Christmas” album is still the soundtrack that plays whenever I’m doing my spoken word Christmas show as people are entering the theater.
BLADE: Aside from your annual Christmas show tour, what else do you do for the holidays now, and are there any traditions that you’ve carried over from your family?
WATERS: Certainly! I have two sisters, my brother’s widow, and me, so there are four and we take turns each year to have the Christmas dinner. Mine was last year. An entire sit-down dinner. Mom’s China, the silverware, the entire full dinner. It’s pretty traditional. I don’t have a Christmas tree, but I do decorate the electric chair from “Female Trouble.” That is a tradition in my family. We do have Christmas decorations, but they’re usually weird ones that fans sent me. I have one with Divine knocking over the Christmas tree, and the Christmas tree lights up, all sorts of amazing things. There is definitely a tradition here that might be a little altered, but it is definitely a tradition. I used to have a giant party every year, but COVID ended that. I still wouldn’t want 200 people in my house breathing right now.
BLADE: I was looking at your tour schedule and wondered if there are any new cities in which you’ve never performed the John Waters Christmas show that have been added to this year’s schedule?
WATERS: I don’t think there’s a city in America in which I haven’t done one show! The only places I haven’t been to are Hawaii and Alaska. I could do it there, but it’s too long on a tour. I can’t think of a city I haven’t played in in America over the last 50 years. The Christmas show is completely different every year. It doesn’t matter if you saw it last year.
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