a&e features
The year’s biggest A&E moments
Caitlyn, ‘Carol,’ ‘Stonewall’ and more
#10 Neil Patrick Harris just so-so at the Oscars
After successful stints hosting the Tonys and Emmys, expectations were high in February when long-time out actor Neil Patrick Harris hosted the 87th Academy Awards, becoming the first openly gay man (Ellen hosted the year before) to take on the tough assignment.
Showing off a remarkably fit physique, he lampooned a scene from “Birdman” by appearing on stage in tighty-whities, a move that drew mixed reviews. The New York Times said overall he was “bland.” Time said he was “glum and low energy.”
Viewership was down 16 percent, the lowest rating in six years according to Variety. Harris told Huffington Post later he doubts he’ll ever do it again.
“I don’t know that my family nor my soul could take it,” he said in that interview.
After a white-hot run of successes in recent years, Harris fumbled in 2015. His fall NBC show “Best Time Ever with Neil Patrick Harris,” a live TV variety series, was cancelled in December after just eight episodes.
#9 Return of Madonna and Janet
In March, Madonna released her 13th studio album “Rebel Heart.” Despite a massive leak, it debuted solidly at No. 2 on Billboard (121,000 units) and received generally better reviews than her previous two releases. Her “Rebel Heart Tour” opened in September with strong reviews and sales.
Janet Jackson returned in October with her 11th album “Unbreakable,” her first new studio project in seven years. With 116,000 units, the album was No. 1 on the Billboard albums chart the week it debuted and garnered strong reviews. The “Unbreakable World Tour” kicked off in August in Vancouver with several fast sell-outs. After taking December off, she goes back out Jan. 9 in Denver and plays Baltimore on Feb. 29 and D.C. on March 1. It’s her first tour since 2011 and marks a return to arenas after playing smaller venues last time.
Despite the buzz and media interest, U.S. radio continued to mostly ignore the singers. On the Hot 100, a chart the two dominated in the ‘80s and ‘90s, Janet’s first single “No Sleeep” made it only to No. 67. She found more success on the Adult R&B chart, where the single spent a record 10 weeks at No. 1. The title cut was the second single and didn’t chart. Neither did Madonna’s first single “Living for Love” or second single “Ghost Town.” Both singers had some success (Madge always manages a No. 1 dance hit for practically everything she releases) on other Billboard charts. Madonna’s third single “Bitch I’m Madonna” peaked at No. 84 on the Hot 100.
#8 ‘Hamilton’ hits big on Broadway
With a score “rooted in hip-hop but also encompassing R&B, jazz, pop, Tin Pan Alley and the choral strains of contemporary Broadway,” as the New York Times put it, “Hamilton,” which opened on Broadway in August, is this year’s monster hit where it’s turned the notion of the “Great White Way” on its head with a cast of mostly black and Latino actors playing the founding fathers.
Based on a 2004 biography of Alexander Hamilton, the show has drawn raves for its ability to “redefine what an American musical can look and sound like,” as the Times wrote.
Out actor Jonathan Groff plays King George III, a nice change of pace for him after HBO’s “Looking” ended its second and last season in March.
#7 ‘Transparent’ goes through the roof
“Transparent,” the hit Amazon Studios show that tells of Maura Pfefferman’s (Jeffrey Tambor) transition process and the effect it has on her family, went through the roof this year.
In addition to the Golden Globe for Best Television Series — Musical or Comedy (the first time a streamed show has taken this award) Tambor also won a Globe and later an Emmy as well.
The show’s second season premiered in December. It’s been renewed for a third. It has an impressive 98 percent freshness rating on critical roundup site Rotten Tomatoes.
#6 ‘Glee’ signs off
Although it wound down with more of a whimper than a bang, “Glee,” the hit Fox series that debuted in 2009 and told of the ups and downs of the William McKinley High School glee club, the show, created by Ryan Murphy, Brad Falchuk and Ian Brennan, deserves praise for its brave handling of LGBT issues.
From out cast members Jane Lynch, Chris Colfer and Alex Newell to its sensitive handling of LGBT storylines, the show was an awards magnet winning four GLAAD Media Awards for Outstanding Comedy Series, six Emmys, four Golden Globes and a bounty of other accolades.
Ratings had fallen steadily in recent years after a second season high.
#5 Danny Pintauro comes out as HIV positive
Although he’d been out of the pop culture limelight, former “Who’s the Boss?” and “Cujo” actor Danny Pintauro, who’d been out for years, told Oprah on an episode of her show “Oprah: Where Are They Now?” in September that he’s been HIV positive for 12 years.
Although initially embraced for his candor, Pintauro later drew criticism for saying on “The View” that he believes he contracted the virus through oral sex, a possibility HIV experts said was highly unlikely.
He later told the Blade at the AIDS Walk in October — he was on hand to accept an award — that he didn’t mean he knew that definitively but that it was his “best guess” as to how he contracted HIV.
#4 ‘Stonewall’ tanks
In August when the public got its first look at “Stonewall,” this year’s dramatization of the 1969 New York LGBT riots from director Roland Emmerich (“Independence Day”), the trailer was widely trashed for slickly whitewashing the watershed moment for gay rights.
Upon its September release, critical consensus was extremely negative in both the gay and mainstream press with a wide spate of reviews condemning the filmmaker’s decision to center the events around a fictional hunky white character (played by straight actor Jeremy Irvine) and reducing trans women and people of color to the sidelines.
Although Emmerich said he was intrigued by the issue of LGBT youth homelessness, a Vanity Fair critic said he managed to take “one of the most politically charged periods of the last century” and make it into a “bland, facile coming-of-age story.” Some activists called for an LGBT boycott of the movie.
The film cost about $17 million to make with part of it self-financed by Emmerich. It bombed at the box office. According to IMDB, its U.S. gross as of October was just short of $200,000.
#3 Big year for LGBT film
There’ve always been LGBT movies but even just a few years ago, most of the gay content was in smaller indie fare with a token mainstream release like “Brokeback Mountain” here or there. That is no longer the case.
With “Freeheld,” the Julianne Moore project about a woman’s fight to have her pension benefits transferred to her domestic partner after being diagnosed with terminal cancer; to “The Danish Girl,” the Eddie Redmayne vehicle that finds him starring as trans pioneer Lili Elbe; to “Carol,” the Todd Haynes-helmed film based on a Patricia Highsmith novel, LGBT themes in major films were no longer token occurrences.
#2 U.S. women’s soccer team out and proud
When the U.S. beat Japan in July to take the 2015 FIFA Women’s World Cup, the international women’s football (i.e. soccer) world championship, it was not just a triumph for the United States women’s national soccer team, the tournament was a watershed moment for out athletes with 18 publicly out players on the field for various countries including the U.S.’s Jillian Ellis (coach), Ali Krueger, Megan Rapinoe and Abby Wambach.
“While the men’s professional game has been reluctant to be fully inclusive and supportive of anyone within the game who identifies as LGBT, it’s generally regarded that football is much more accepting of women who are lesbian or bisexual,” said Lindsay England, head of Just a Ball Game, an organization that works to end anti-LGBT bias in soccer, in an Out Sports interview.
Wambach, who treated media interest in her 2013 marriage to Sarah Huffman bemusedly, retired in
December with too many accolades and wins to count, including two Olympic gold medals and a ranking in this year’s Time magazine’s 100 most influential people of the year.
#1 The world meets Caitlyn Jenner
It was in many ways the year of Cait and few would argue she is anything but the most prominent transgender person in the country.
The Olympic champion who found a second wind of fame as patriarch of reality show “Keeping Up with the Kardashians,” came out officially as transgender in an April Diane Sawyer interview on ABC’s “20/20” and was first seen as Caitlyn in a lavish cover story and fashion spread in the July issue of Vanity Fair.
Her (what else?) reality show “I Am Cait” debuted over the summer on E! and has been renewed for a second season (no premiere date for season two announced yet). It’s enjoyed decent if hardly rapturous ratings and reviews and has been noted for a more serious tone than that of the “Kardashians.”
Jenner’s long-held Republican views, especially her half-hearted endorsement of same-sex marriage for one, have induced winces on several occasions from LGBT activists. After speaking at a luncheon in Chicago in November, Jenner — camera crew in tow — was confronted by an angry mob of trans protesters who said she was a “disgrace.” Their basic beef was that the 65-year-old Cait has enjoyed such a life of privilege that she could never fully understand their plight. To her credit, Jenner engaged them.
In an early episode of her show, she seemed to grasp the import of her role and said, “I just hope I get it right.”
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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