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‘Real O’Neals’ producer on new ABC comedy

Divorce, coming out, religion mix on new sitcom

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The Real O'Neals, gay news, Washington Blade
The Real O'Neals, gay news, Washington Blade

Noah Galvin, left, as Kenny and Matt Shively as Jimmy on ‘The Real O’Neals.’ (Photo by Nicole Wilder; courtesy ABC)

ABC has struck ratings gold with quirky, off-beat family sitcoms dealing with serious issues in a comedic way such as “Modern Family,” “Blackish” and “Fresh Off the Boat.” Make way for “The Real O’Neals,” as it joins its fellow messed-up, yet endearing, families on the network.

From the outside, the O’Neals appear to be the perfect Irish Catholic family living in Chicago. But parents Eileen (Martha Plimpton) and Pat (Jay R. Ferguson) reveal they’re getting divorced, older brother Jimmy (Matt Shively) has anorexia, little sister Shannon (Bebe Wood) is a kleptomaniac questioning her faith in God and younger brother Kenny (Noah Galvin) drops the biggest bombshell of all — he’s gay. (The Blade interviews Galvin here.)

The show, which airs on Tuesdays at 8:30 p.m., is loosely based on sex columnist and It Gets Better founder Dan Savage’s life. The Blade spoke with producer Stacy Traub about Savage’s role as executive producer, casting the role of Kenny and toeing the line between Catholicism, gay identity and humor.

WASHINGTON BLADE: When casting for the character of Kenny, executive producer Todd Holland wanted the actor to be gay in real life. Why was that so integral to the show?

STACY TRAUB: I think it’s obviously better if the actor can bring their own personal experience to something. It was such a specific thing and a 15-year-old coming out in that way hadn’t been on TV. I think finding someone who was gay was very important to all of us. When you’re casting, you can’t ask somebody when they sit down. We really all loved Noah and he was cast because he was the best person for the role. The fact that he was gay, just for us, was an amazing bonus. He had his own story to share and it just brought an extra level of something. Like that kid on “Glee” who was in a wheelchair, but wasn’t really in a wheelchair. I understand that, but to have someone who has actually had that experience themselves just brings an extra layer to the role.

BLADE: How many episodes have been green lit and shot? How many scripts do you have written?

TRAUB: We’ve finished production for now. We did 13 episodes total, including our pilot. We’re waiting to hear about a potential next season.

BLADE: Kenny coming out to his conservative family is a big part of the show, but once he’s out, where is his character development going to go from there?

TRAUB: It’s kind of a coming-of-age story for the entire family because they’re all experiencing new things. We’re looking at it like he’s a 16-year-old kid dealing with the same things other 16-year-old kids are dealing with; he just happens to be gay. We’re trying to really normalize it. I think at home is where it’s most difficult because of his conservative family, and especially his mother, but at school we’re trying to tell stories about what kids go through at that age but with a twist.

BLADE: Like you said, the show is about the whole family and how they’re very religious and conservative, but have their faults. It’s very specific subject matter. Did you worry that having such a narrow focus, audiences might struggle to connect with it?

TRAUB: What I think ABC is really good at is the more specific the comedy, the funnier it is. Weirdly, I think it’s more universal because people can see themselves in these characters. Half of the country is divorced, or has had their parents divorce, so the fact that the parents are getting divorced is very relatable to people. So we just kind of come at it that way. I tweet and I watch along on Twitter and seeing the response is amazing. The amount of people who say “Oh my gosh, I’m Kenny” or “I have someone like Aunt Jodi in my life.” You realize it is specific but it’s somewhat universal.

BLADE: With Dan Savage as the executive producer, how involved was he creatively and were any of the storylines inspired by his real-life events?

TRAUB: It all kind of started with him and ABC wanting to do a story based on his childhood. Then when David (Windsor) and Casey (Johnson) came on, it became a step removed because anytime a new writer comes on they bring their own stuff to it. It is based on his coming out, but he came out 30 years ago, so it’s much different than today. But he lived in Chicago, his dad was a cop, so there are certain elements that are based on his life. Then there are a million things that all the writers we had on the show brought to it and made it their story as well. There’s one specific episode that was based on a story that he came to the room and told us. It was about a play that he was in. So we did a story that was specifically based on that. But then we have other stories that all the writers in the room share and then we have a bunch of gay writers, lesbian writers, people from Chicago, people who are Catholics, people who are divorced. So everyone adds their personal stories.

BLADE: Dan Savage has had some controversy over comments he’s made and some people have accused him of being transphobic. Was there a worry to have a family sitcom associated with him?

TRAUB: Most of that fear just had to do with his brand and “Savage Love” and we always knew that was not part of the show. We’re much more coming from the “It Gets Better” brand and I think people who don’t agree with Dan were immediately wanting to dismiss the show or say negative things about it, and those were people who hadn’t even watched the show. They’re talking about things he had said or things he had written. So I’d say across the board, the majority of people who watch the show are like, ‘Oh this isn’t the Dan Savage tone’ because he’s not a writer on the show in a day-to-day way.

BLADE: Given the show’s subject matter, it’s been called bigoted and anti-Catholic. How do you find the right tone? How do you know how far to take the jokes?

TRAUB: We think it’s a faith-affirming show. None of the stories are about the religion being silly or unnecessary. It is such a part of their lives. It’s the family grappling with how can we be Catholic and believe in these things and also accept Kenny and also get divorced. Many Americans today do have to struggle with those things. When you look at Jesus, we’re never making fun of Jesus. Jesus is someone Kenny turns toward to get advice from and we think that’s really a positive image of Jesus, not negative.

BLADE: With Kenny, part of the joke seems to be that he is a gay character. Was that a concern for you at all?

TRAUB: Because Kenny is so young, any kid that age is just trying to figure out who they are and how they’re going to represent themselves in the world. Girls go through it too. We weren’t looking at it thinking we want him to be distinctly gay. His coming out is a real coming out in that he’s trying to figure it out himself. What kind of person am I? How am I going to dress now that I’m out? Beforehand, when he was in the closet, nobody knew. It wasn’t like everyone thought he was gay and was waiting for him to come out. It was his own secret. So now that he is out, he is trying to figure out himself, how he’s going to be in the world and a lot of the episodes deal with that.

BLADE: Do you hope that this show can help a child growing up in a conservative household find a connection within the show?

TRAUB: That is really my greatest hope. That is what I truly love about the show. While we were making it we were trying to have fun and tell funny stories. It’s a comedy first and foremost. But the thought of a kid watching and seeing Kenny, relating to him and feeling heard or feeling brave enough to come out. Or a parent watching and recognizing their child in Kenny or recognizing themselves in the Eileen character and saying, “Wow maybe I’m being too close-minded” or “Look at how the family is handling all this crazy upheaval in their lives and they’re handling it with humor and underneath it all with love.” That is the most inspiring thing about the show, and really what I’m most proud of.

The Real O'Neals, gay news, Washington Blade

The cast of ‘The Real O’Neals’ from left are Noah Galvin, Bebe Wood, Martha Plimpton, Matt Shively and Jay R. Ferguson. (Photo by Nicole Wilder; courtesy ABC)

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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