With all the fun and half the hassle, staycation has a lot going for it, and the performing arts can be a big part of the experience. Here’s some of what’s out there this summer.  

At Wolf Trap, the summer program is bursting with song, dance, and laughs. And if you’re quick, you can catch the sardonic wit of gay humorist David Sedaris in his one-night only show “An Evening with David Sedaris” on July 19.  

Pink Martini is bringing its 30th anniversary tour to Wolf Trap on July 29. The self-described “tiny orchestra” known for its cosmopolitan musical stylings, features vocalists China Forbes and Storm Large along with special guest out radio journalist Ari Shapiro.

Other shows slated for the Vienna, Va., farm park include Broadway stars Sutton Foster and Kelli O’Hara accompanied by the National Symphony Orchestra for an evening of showstoppers by Rodgers and Hammerstein, Sondheim, Cole Porter, Jason Robert Brown, and Joni Mitchell. (8/1) Wolftrap.org 

Perfectly timed for summer, Studio Theatre presents “Wipeout” (through July 27). Playwright Aurora Real de Asua’s beach-set story looks to be a promising 110 minutes of humor and poignant moments. 

In “Wipeout,” Claudia, played by terrific D.C. favorite Naomi Jacobson, treats herself and her two closest girlfriends to an early birthday present of surf lessons. 

Coached by “surf bro” instructor Blaze (played by handsome actor Alec Ludacka), Claudia is determined to slide into her golden years “catching some waves, and settling some scores.” 

Olney Theatre presents a fantastic, queer friendly summer program centered mainly around its open-air Root Family Stage (7/31-8/24). 

Highlights include hilarious out actor/singer Tituss Burgess in concert on Aug. 7, as well as the U.S. Premiere Concert presentation of “To Wong Foo: The Musical” (8/21) and “Just Arts: From Stonewall to RuPaul Drag Extravaganza” (8/24) featuring big name drag performers Lala Ri and Latrice Royale. 

For those looking to beat the heat indoors, Olney has Synetic Theater performing its wordless version of “A Midsummer Night’s Dream” through Aug. 10. 

Replete with fairies, a fantastical forest, star-crossed lovers, and an actor transformed into a donkey, Synetic’s take on the Bard’s enchanting, Athens-set rom com is directed by Paata Tsikurishvili. Olneytheatre.org 

If kids (4 years and up) figure into your staycation plans, a trip to Bethesda’s Imagination Stage may be just the ticket. “Dory Fantasmagory” (through Aug. 3) based on the children’s book by Abby Hanlon and adapted to the stage by John Glore, explores family dynamics while remaining both imaginative and fun. 

“It’s tough being the youngest. Dory’s siblings won’t play with her and there are monsters to battle all over the house, like the hair-raising Mrs. Gobble Gracker. With the help of her fairy godfather, Mr. Nuggy, her monster-friend, Mary, and her mighty imagination, Dory sets out to win what she wants most: her family’s attention.” 

Young theatergoers are encouraged to come in wacky outfits in the spirit of Dory’s playful style, and pajama Saturdays are also encouraged. Imaginationstage.org 

Young audiences may also enjoy “The Lightning Thief” (through Aug. 17) presented by Adventure Theatre in Glen Echo Park. With music and lyrics by Rob Rokicki, this dynamic musical adaptation of Rick Riordan’s bestselling book opened on Broadway in 2019. 

Here’s the gist of the story. “When teenager Percy Jackson discovers he’s a demigod, he and his friends embark on an epic journey to find Zeus’ missing lightning bolt and prevent a war among the gods.” Kurt Boehm directs. Adventuretheatre-mtc.org

At Signature Theatre, there’s some laid-back cabaret with “Sailing: Yacht Rock” (July 22-Aug. 10) featuring terrific talents Deimoni Brewington and Tracy Lynn Olivera. 

Relax and possibly reminisce with chill tunes like “Brandy (You’re a Fine Girl),” “Escape (The Pina Colada Song)” and “What a Fool Believes.” It’s a chance to enjoy and revisit the sounds of Christopher Cross, TOTO, and the Doobie Brothers. Sigtheatre.org 

Washington National Opera (WNO) presents Opera in the Outfield (Aug. 23). The WNO invites theater and baseball fans to the Nationals Park for a free broadcast of Gershwin’s gorgeous classic “Porgy and Bess.” The screening starts at 6:30 p.m. 

At the Kennedy Center, summer staycation wraps up with “Parade” (Aug. 19-Sept. 7), a powerful and celebrated 2023 Broadway revival musical. It’s based on the true story of Leo Frank, a Jewish factory superintendent in Atlanta wrongly accused and convicted of the murder of 13-year-old Mary Phagan in 1913. Co-conceived by the legendary Harold Prince, the production is a collaboration of some Broadway heavyweights including out director Michael Arden, Alfred Uhry (book), Jason Robert Brown (music & lyrics). Kennedy-center.org

Contemporary American Theater Festival
Through Aug. 3
Shepherdstown, W.Va.
Catf.org

As a queer Latino freelance costume designer, Christopher Vergara’s work has taken him from Broadway to a multitude of regional outposts and companies worldwide. Over the last decade, he’s lent his prodigious talents to theater, opera, TV, and film, and beyond. 

Currently the native New Yorker is costuming playwright Mark St. Germain’s new two-hander “Magdalene,” now making its world premiere at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.). 

“Magdalene”is the story of Peter reconnecting with the banished Mary Magdalene and discussing their widely divergent memories of Christ. At 90 minutes without costume changes, it may not sound like a big job, but Vergara applies his usual meticulous consideration.  

“It’s not the Bible pageant you might see at church,” he says. As a costume designer, Vergara approaches all new works by delving deep into the script with collaborators. 

“I like to do what I call a visual dramaturgy, to read the script and take it in aiming to arrive at a sort of truth, not necessarily historically accurate. 

“Without being period, I get to what their world was like in some way. And because the play’s conversation is contemporary, I’m inspired by both old and new lines and fabrics. It’s speaking to us now but set in a different time.” 

Born and raised in New York, Vergara learned to sew at the side of his Panamanian grandmother. “Growing up I was enthralled. She had an amazing Singer machine that could sew through steel. But it was always a covert thing. Boys shouldn’t be sewing.”

He put his skills to use at Valparaiso University in Indiana where while majoring in music he found a well-paying and flexible job in the costume shop. After graduation he returned to New York and entered a Juilliard apprentice program concentrating on a costume track and a busy career has ensued. His vast résumé includes Broadway shows like “Here Lies Love” and the revival of “The Color Purple”among numerous others; he was associate designer for a production of “Ben-Hur” in Rome that featured a cast of more than 200 with 1,000 costumes.

Vergara is enjoying his introduction to CATF. “Initially I was feeling a little apprehensive. I’d never been to West Virginia before, but when I saw all the Pride flags lining the main street in Shepherdstown, any misgivings were dispelled,” he says. 

CATF also presents “Happy Fall: A Queer Stunt Spectacular” by Lisa Sanaye Dring with Rogue Artists Ensemble. Based on true life events, it’s the story of queer Hollywood stuntmen navigating the dangers of exposing their love. Living up to the “spectacular” bit in the title, the guys’ story is told through video, puppetry, illusions, and live stunts.

The playwright says “I’m queer so I’m interested in queerness, and I’ve also been interested in masculinity for some time. I lived in LA for 10 years so the play is a love letter to Hollywood and the weirdness of the industry.”

Also, of interest to Sanaye Dring is the interracial and intergenerational relationship at the play’s center: Clay is a white man in his late 40s and Felix is mid-20s and Asian (played Aubrey Deeker and Glenn Morizio, respectively). 

Her transition from actor (including commercials and some TV) to playwright can be traced back to her one-woman show titled “Death Play,” a work spurred by the passing of her parents and grandmother. “It wasn’t easy. I hadn’t anticipated just how emotionally difficult that five-week run would be. It was after that when people started asking me to write plays and direct.”

CATF Artistic Director Peggy McKowen describes this year’s festival as being “about understanding the things that make us unique, but also the things that make us similar,” adding that it also explores “questioning who are as people and how we fit into our community.” 

Here are the other new works in the festival’s exciting lineup. 

West Virginia-born playwright Cody LeRoy Wilson’s “Did My Grandfather Kill My Grandfather?”It recounts the unlikely journey of his blended family from Vietnam to Plum Run, W. Va. 

In “Kevin Kling: Unraveled” NPR commentator Kevin Kling tells the story of finding his way as a disabled artist. With humor, he reflects the life challenges he has surmounted, including a congenital birth disorder and partial paralysis from a near-fatal motorcycle accident. 

And finally, playwright Lisa Loomer’s “Side Effects May Include…,” a work that takes audiences on a frightening and complex trip into the world of psychiatry as a mother tries to help her son on his journey to wellness. 

CATF runs through Aug. 3 in three varied venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112. 

‘A Wrinkle in Time’
Through July 20
Arena Stage
1101 Sixth St., S.W.
Tickets range from $59-$209
Arenastage.org

Currently at Arena Stage, talented out actor and singer Taylor Iman Jones is rekindling an old friendship with an adored character of fiction. 

Broadway vet Jones is starring as 13-year-old Meg Murry in “A Wrinkle in Time,” the world-premiere musical adaptation of Madeleine L’Engle’s same-titled book. 

For many readers, especially women, the classic 1962 young adult novel, was their first foray into sci-fi, particularly one with a female protagonist.

The story centers on Meg, an awkward schoolgirl whose physicist father has mysteriously disappeared. Now, Meg, her popular friend Calvin, and smart younger brother Charles Wallace are tasked with moving through time and space to find him. Along the way they encounter adventure and evil.

For Jones, 33, playing 13-year-old Meg feels freeing in ways. She says, “As you get older, you’re told to grow up, so I like letting go of some of that. To feel feelings in their rawest form and to tap back into that is fun. I like the spontaneity. There are highs and lows to revisit.”

Born and raised in the San Francisco Bay Area, Jones began piano lessons at just six and soon added band and plays to their pursuits. Following high school, she made a deep dive into California theater for seven years before making the big move to New York in 2017 where after just two months she was singing on Broadway. 

The determined and appealing Jones, who lives in New York with their partner, boasts an impressive bio. She has appeared on Broadway as Catherine Parr, Henry VIII’s sixth and final wife in Six, and in the original casts of “Head Over Heels” and “Groundhog Day.” She’s been seen in national tours of “Hamilton” and “American Idiot.”

WASHINGTON BLADE: It seems “A Wrinkle in Time” and Meg mean a lot to a lot of people. 

TAYLOR IMAN JONES: The book tells the story of a girl with so much undiscovered power who’s accomplishing things she never imagined that she could. 

BLADE: Can you relate?

JONES: Meg wears her emotions on her sleeve. I can certainly relate to that. I’m a Pisces. Sometimes being hyperemotional and very empathetic can feel like a burden, but as I’ve matured, I have realized that it’s not a bad quality. And it’s something I’ve learned to harness and to enjoy. I love that I can play a role like Meg in front of thousands of people.

BLADE: Was “Wrinkle in Time” a book you knew well?

JONES: Oh yeah, it’s a favorite book that lives in my heart and my mind. It’s one of the first books that taught me about the adventure of reading.

BLADE: And playing a favorite character must be a kick.

JONES: It really is. 

BLADE: Meg is a big part in a big show.  

JONES: This musical is huge. They’re traveling through space and meeting people on different planets. 20-person cast. 30 songs in the show. Quite the undertaking and I’m proud of us. I’m on stage for the entire musical and I sing four or five numbers. 

As a mezzo soprano I guess you’d say I have the luxury of being able to do a lot of musicals that span a lot of different genres: rock musical, pop musical, and standards. “A Wrinkle in Time” is contemporary musical theater. 

For me, singing is probably the least difficult part of the show. What’s harder for me is the way Meg experiences trauma; I need to be careful when I’m screaming and yelling.

BLADE: It seems mostly women have been involved in making this production happen (book by Lauren Yee; music and lyrics by Heather Christian; directed by Lee Sunday Evans; and choreography by Ani Taj.)

JONES: It’s true, the director, writer, etc., and most of our producers are all women. This doesn’t happen most of the time. For me it means new ideas and fresh energy, and pushing the limits of musical theater. 

It’s also created a wonderful space in which to work. It can be more generous, and understanding. And centering the story on a young girl is something we can all relate to. 

BLADE: Will “A Wrinkle in Time” resonate with queer theatergoers and their families?

JONES: I think so, especially on the heels of pride month. It’s truly a show for all ages about finding your inner strength and fighting for the things that you love; not letting evil win over the power of good, and not just for yourself but for those around you too.