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New co-pastors settle into life at Calvary Baptist

Former S.C. residents are partners in life and ministry

Published

9 years ago

April 5, 2017

Calvary Baptist, gay news, Washington Blade

Revs. Sally Sarratt and Maria Swearingen say their pastoral strengths complement each other nicely. (Washington Blade photo by Michael Key)

As a child, Rev. Maria Swearingen felt a connection to the sacraments of the church in a way that was, looking back, perhaps unusual.

Helping her grandfather fill communion trays with crackers and grape juice on Saturday afternoons and seeing the table set on Sunday mornings knowing she’d had a hand in it, made her feel “overcome with just this profound sense of joy, that I participated in the setting of the table,” she says.

Those are skills she and her wife, Rev. Sally Sarratt will put to good use as co-senior pastors of Calvary Baptist Church in Chinatown. Their first Sunday was Feb. 26, so they’re still getting used to their new roles, their first joint pastorate.

Sarratt was previously a hospital chaplain and was filling in for a minister on sabbatical at Greenville Unitarian Universalist Fellowship in Greenville, S.C. Swearingen was associate university chaplain at Furman University and spent the last year working with a cohort of clergy to develop a year-long training program for religious leaders focused on dismantling white supremacy and racism.

The couple, together since late 2009 (they’d met the previous year at church), weren’t necessarily looking for a co-pastorate but it was something they’d dreamed and talked about. Calvary’s last pastor, Rev. Amy Butler, left in 2014 to become senior pastor at New York’s famed Riverside Church, one of the few progressive non-denominational churches in the country. Rev. Allyson Robinson, who’s transgender, was interim minister. Sarratt and Swearingen say their sexual orientation (they both identify as lesbians) was a non-issue.

“The fact that we happened to be a same-sex couple wasn’t even part of their conversation,” Sarratt says. “Calvary had already kind of done the work to say, ‘Look, we’re welcoming and affirming,’ … so it really wasn’t an issue for the (search) committee.”

The job ad said the church was open to considering a co-pastorate. They both work at the church full time and say their gifts and strengths are different enough as to be complementary, although they share preaching duties. Mostly either one or the other will deliver the sermon, but they are experimenting with co-sermonizing, an idea they’re toying with for Easter Sunday.

“As we met and talked with Sally and Maria about their vision for pastoral leadership … we were struck by their deep faith and commitment to being part of a gospel community,” says Carol Blythe, chair of the search committee. “We were impressed by how their gifts, talents and experience matched our ministry priorities and we’re thrilled about their upcoming pastorate and the versatility the co-pastor model will provide our congregation.”

Sarratt says the compensation package the church offered them “is very fair.”

So is it unusual for a Baptist church to be so open-minded? Not really. Calvary is part of the American Baptist Churches USA movement, which has about 1.3 million members in about 5,000 congregations. There are 42 million Baptists around the world that trace their tradition to the early 17th century. Calvary has no ties to the Southern Baptist Convention, the largest Protestant group in the United States with about 15 million members and a much more conservative, anti-gay agency.

Sarratt and Swearingen grew up in more conservative strains of the denomination and though they each attended Methodist seminaries, they have strong Baptist roots. Swearingen remembers some “fire and brimstone” preaching in her youth but says her theology has evolved.

Swearingen says to her, being Baptist means valuing separation of church and state, religious liberty and belief in the priesthood of all believers.

“That’s kind of the gift of what Baptist life can be, that’s what the word can hold,” she says. “For quite some time, it hasn’t looked that way in lots of spaces that call themselves Baptist, but I’m all about being invested in reclaiming that word.”

Looking back, though, she says she’s amazed that even in the theology of her youth, progressive beliefs managed to seep in.

“What I think is so uncanny and persnickety about the way the gospel can work is … the overturning and upturning of unjust, un-mutual systems of power, these things would still find their way into the cracks and crevices,” she says. “The goodness of faith life and practices was findings its way to me even amidst really problematic and damaging theology and it’s really what we, ministry wise, are invested in as much as anything. How do we unearth and let go of and heal from all kinds of theological language that really has just been a perpetuation of oppression and really find freedom and release from that so we can use and live inside language that actually invites wholeness?”

It’s a recurring theme in her ministerial philosophies and similar strains pop up when asked about the future of the mainline church, trends in church attendance among Millennials and even what lessons the Easter message has for today.

Sarratt says for her, getting to that place has been a process. She speaks of “digging and deconstructing and reconstructing” various theology over time.

“One of the things I worry about and feel sad about is the fact that in many ways, queer people still think, ‘I either choose my faith or I choose who I am,’” Sarratt says. “The integration and wedding of the two and either one being able to bless the fullness of who you are is still kind of a rare thing.”

Neither Sarratt nor Swearingen were out when they met in the summer of 2008. Both planning to pursue full-time ministry and didn’t see any way to be out, especially in the Bible Belt, while being pastors.

“Mariah was headed back to school in Durham and it was one of those things like, ‘Well, that was great, but I’m feeling called to ministry so this can’t happen, it can’t be,’” Sarratt says.

But their connection — Swearingen says, “You know, love — yada, yada” — was persistent.

“By the fall of 2009 we were kind of like, ‘Yeah, this is so real and profound, how do we choose both of these paths?’ We didn’t know but we started saying, maybe it’s time to start walking in that direction … of trying to do ministry and family and life together,” Sarratt says.

Coming out, she says, was a “long, slow, cautious, careful process.”

Swearingen says it came down to the decision all out LGBT people eventually make. “Am I choosing to live embodied in my real self or in some constructed reality of me,” she says. “Freedom always comes when we keep pressing more into our authentic selves. … and it’s deep, difficult work of … really claiming and choosing one’s self.”

Sarratt calls it “being able to see one’s self as a beloved child of God.”

Eventually there were three marriages of sorts. They privately shared vows in 2011, had a commitment ceremony with family and friends in 2014 and made it legal as soon as they could the Tuesday before Thanksgiving in 2014 at a Greenville courthouse.

They say early signs at Calvary are positive. They’re spending the first several months meeting individually with staff, board members and parishioners. About a hundred worshippers attend on an average Sunday. Several other congregations and outside groups use the massive downtown facility throughout the week. The couple guesses about 20 percent of the congregation are LGBT.

Sarratt says her strengths are in business, systems thinking and spiritual formation. She says Swearingen, who’s bilingual, is much better at creative worship planning.

“Even if I invested all my time and energy into being a creative worship planner, I’d still only have maybe as much as she has in her pinky,” Sarratt says. “It’s just one of those things where you get to use your gifts without having to shore up those parts of the job you’re not as good at naturally.”

They say they’re mindful of falling into potential trouble areas — not making time for a life outside of church together or the possibility of getting swept up in church politics. Or even, perhaps more innocuously, finding some factions of the congregation favoring one over the other.

So what will success look like? And with society slowly shifting toward progress on LGBT and all kinds of issues, why are the big, downtown, progressive churches often struggling while the anti-gay evangelical churches continue to thrive?

“It’s hard to kind of treat the litmus test if you will as large swaths of people who can afford big buildings,” Swearingen says. “But if you’re imagining the work of justice building and peace building, those are movements that don’t always create a success that can be pointed to, which, quite simply, wouldn’t be what I’d call a goal I’d get excited about. It’s the work itself, the outcomes and the goals are different.”

She says looking at the work through that alternate lens creates a much different perspective on effective ministry.

“For me, the questions would be are the people who have understood themselves to be marginalized, dispossessed and oppressed, finding space to be whole? If the answer to that is yes, then we’re being the church, but if the answer is, ‘I’m not so sure, but look at this really cool building we just built,’ I struggle to call those outcomes fruitful church work.”

New Calvary pastors share favorites

Favorite hymn?

SWEARINGEN: “Great is Thy Faithfulness,” but especially Yvette Flunder’s version when she says, “Oh God my father and mother.” I love that.

SARRATT: Since we’re in Lent, I’m thinking more in those terms right now so I like some of the more reflecting ones like “Abide With Me” or “O Sacred Head Now Wounded.”

Favorite scripture?

SWEARINGEN: “Do not grow weary in doing good for at the proper time, you will reap a harvest if you do not give up.” (Galatians 6:9)

SARRATT: The sermon on the mount, especially the Beatitudes.

Favorite biblical figure?

SWEARINGEN: Ruth and Naomi.

SARRATT: Job. We need to reclaim the fullness of emotion and lament and not just sanitize everything. The older I get, the more I’ve found a deep and profound honesty in those places.

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a&e features

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Published

4 days ago

July 29, 2026

Kyle Rood

Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

a&e features

Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

Published

7 days ago

July 26, 2026

Emma LaPointe

Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

1 week ago

July 23, 2026

Evan Caplan

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.