Arts & Entertainment
‘American Gods’ will feature the most explicit gay sex scene on TV
the moment occurs between two Middle Eastern gay men

(Omid Abtahi and Mousa Kraish in ‘American Gods.’ Photo via Starz.)
Fantasy series “American Gods” will include the most explicit sex scene on TV, according to multiple reports.
The series, an adaptation of the novel by Neil Gaiman, follows old gods such as Love and Evil as they prepare to battle new gods like Technology. Salim (Omid Abtahi), who has recently moved to New York City, crosses path with the Jinn (Mousa Kraish), a mythological Middle Eastern god posing as a taxi driver. The pair meet in a taxi and go back to a hotel room to have sex.
AMERICAN GODS also has the single hottest and most pornographic gay sex scene ever put on mainstream television, so buckle up for ep 3
— Abraham Riesman (@abrahamjoseph) April 18, 2017
Among its other merits, “American Gods” has the hottest gay sex scene I’ve seen on TV since “Sense8,” maybe ever. It made my palms sweat.
— Matt Brennan (@thefilmgoer) April 19, 2017
“The Jinn comes into Salim’s life to say, ‘It’s OK to be who you are.’ Now more than ever that story is incredibly powerful. The sex scene is so intense and intimate. I don’t think anything like it has ever occurred on TV,” Kraish told Out.
In an interview with Vice, gay showrunner Bryan Fuller says the sex scene between the two characters was one of his favorite moments to translate from page to screen.
“We talked at length about our favorite aspects of the novel very early on, and we both cited Salim and the Jinn as one of the most memorable, touching romantic chapters of the novel. And so, we took great care and were very deliberate in how we brought that to life so it reflected the romance of the novel. We also added a few notions about a particular gay experience, coming from a man who originates from a country where you can be thrown off a rooftop for being gay,” Fuller says.
At a press event for the show, Fuller explained the scene was a “wonderful metaphor for a religious experience.”
“I’m excited for people to see the Salim and Jinn story and the beauty of that sex scene, which was not a small feat for two gay Muslim characters to have a beautiful, sophistical, sexual experience and what it was like for us to visually give you an idea of what it’s like to take a god inside you. I felt like it was a wonderful metaphor for a religious experience,” Fuller says.
The scene between Salim and Jinn airs May 14 at 9 p.m. on Starz.
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By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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