a&e features
Do we still need D.C. Black Pride?
Activists weigh in on relevance of annual events in Trump era
In 1991, I was a 30-year-old Air Force captain and closeted. I had worked hard to earn my degree and commission and loved the Air Force.
But āDonāt ask, Donāt Tellā was the law and I was always looking over my shoulder. Living two lives was physically and spiritually exhausting. I did go to the numerous bars that existed in D.C. at the time ā they were fun, exciting and even dangerous. Gay bashing and HIV/AIDS were real hazards to living your life
I remember walking onto Banneker Field for the first DC Black Pride on Saturday, May 25, 1991 alone. It was the first time I was out in public, outside of the gay bar havens, with a group of black gay people, who looked like me and were dealing with the same issues I was dealing with. It was uplifting, refreshing and empowering. I bumped into a colleague from my office in the Pentagon who was in the Navy. We were not out to each other before. We laughed out loud, hugged and have been great friends ever since.
Now, 26 years later, LGBTQ people serve openly in the armed services. We have marriage equality at the federal level; and D.C. has some of the most LGBTQ positive laws in the world.Ā Do we still need Black Pride? I posed this question to several LGBTQ leaders and activists. Hereās what they had to say:
Sheila Alexander-Reid, director, Mayorās Office of LGBTQ Affairs, Washington, D.C. āYes ā People want to celebrate themselves with their own community and still do not see a lot of their community at Capital Pride.āĀ She followed up by applauding Capital Prideās efforts to make its board more diverse by including Ashley Smith and SaVanna Wanzer who are both African American. āIf the leadership is not diverse, then outreach is not diverse, then attendance is not diverse.ā
Dr. Anika Simpson, co-chair, Equality March for Unity and Pride. āYes ā we need safe places for Black LGBTQ people to come together to refresh and recreate; to come together in joy, solidarity and protest. The Equality March [set for June 11 in D.C.] intentionally has a majority of person of color leadership team, which has shifted the focus of the march. The mission centers very explicitly on those LGBTQ people who have been silent and neglected.Ā There are 12 co-chairs:Ā nine are black, Latino or Native American; the remaining three are white. Four are transgender or gender non-conforming.ā Simpson added that this organization āshows the possibilities of where queer movements should go in the future.ā
Ryan Bos, executive director, Capital Pride. āYes, DC Black Pride offers that safe space for black LGBTQ people to learn and celebrate. Capital Pride is and will continue to help sponsor DC Black Pride.ā Ryan stated that, āCapital Pride has a good relationship with DC Black Pride and that heād continue to look for ways to foster partnerships.ā
Peter Rosenstein, LGBTQ activist, planning committee member, Equality March for Unity and Pride. āYes, DC Black Pride is still needed as a safe place for black LGBTQ people to come together and celebrate. Itās important that all voices are heard. On June 11, everyone needs to come together for the Equality March and resist ā be unified to support and protect full civil rights for everyone – leaving no one behind.ā
Abdur-Rahim Briggs, president and CEO, Project Briggs. āYes, we still need Black Prides because of racism in the gay community. I do not see Capital Pride reaching into the black community.ā Briggs does participate in Capital Pride. He has judged floats in the past and loves to march in the Pride Parade. He commented, āI would like to see more whites participate in Black Pride to build more bridges.ā Heād also like to see more corporate funding to support Black Pride but he is wary of corporate control.
Ernest Hopkins, co-founder of D.C. Black Pride, legislative director, San Francisco AIDS Foundation: Yes ā āAnswer the question with a question, What is DC Black Pride to you? It still raises money to combat HIV/AIDS. It still provides a safe space, builds community and annual events that focus on black LGBTQ issues. The question answers itself ā Yes!āĀ Hopkins added, āThere is one misconception that I must clear up. DC Black Pride was never a response or an alternative to Capital Pride. The original, Black and Lesbian Gay Pride Day, was established as a tool to sensitize the black gay community to the problems we were having with HIV/AIDS. Our friends were getting sick and needed money for rent, food and burial expenses.ā Ā Ā
Chuck Hicks, community organizer, LGBTQ leader and historian. āYes ā Absolutely.Ā The first Black Pride was held in D.C. as a fundraiser to help people struggling with HIV/AIDS. Ā Welmore Cook took a leave of absence from Best Friends of DC Inc. to form the first black gay HIV/AIDS organization in DC to combat the disease. The Black Lesbian and Gay Pride Day Inc. eventually became DC Black Pride. Memorial Day weekend was chosen in homage to The Childrenās Hour celebrations held at D.C.ās Club House. Black Prides became an expression of our lifestyle and culture that has spread worldwide. This wonderful result was completely unplanned. Black Prides also give black LGBTQ artists and entrepreneurs an opportunity to prosper.ā
David Bruinooge, founder, Equality March for Unity and Pride. āYes, people should celebrate anyway they want. So yes. Communities can come together in many different ways.Ā The various Prides celebrate their unique identities. Communities should come together to celebrate their uniqueness and see themselves.āĀ Asked what motivated his interest in the Equality March, he said, āIt is even better when we can all come together and celebrate together.Ā The Equality March centers the margins to highlight those that have been forgotten and neglected. More people must be educated to support [LGBTQ] people who live in the margins.Ā We need to mobilize our community and allies and rally behind the voiceless and poor. It is time that those issues are centered. We need to stand together as one.ā
Earl Fowlkes, executive director, Center for Black Equity. āYes, Black Prides are annual events driven by attendance.Ā If they were not relevant, no one would come. Our Prides provide an opportunity to celebrate being black and LGBTQ ā a duality that has to be addressed and acknowledged. Black Prides have workshops, poetry slams, plays and visual arts. Black Prides are also social. Social media doesnāt replace socializing face-to-face. The big parties are important too as we lose black bars and clubs.ā
TheĀ Center for Black Equity supports 32 member Black Prides that include major cities across the U.S., DC Black Pride and London. āIām encouraging the other Black Prides to come to support the Equality March. All hands on deck.ā Fowlkes is an Equality March honorary co-chair and he also feels that the march is important and must not fail due to lack of local support.
Khadijah Tribble, Ground Game, organizer, Equality March for Unity and Pride. āYes, we need safe spaces and we need to be visible.Ā We need DC Black Pride as long as we have people who are challenged about coming out and need resources. DC Black Pride has social as well as political consciousness and focus. Local D.C. politicians find some way to connect to DC Black Pride.āĀ Tribble said she would like to see DC Black Pride workshops put more focus on ābuilding, and rebuilding organizations, to create pipelines for new leaders, activists and entrepreneurs.ā She would also like to see, āa method to pass national-level issues identified by Black Pride organizations to the DNC and Congressional Black Caucus for resolution.
Devin Barrington Ward, president, Impulse Group DC. āYes, we need Black Prides now more than ever. As DC and the country change, it is more important than ever to have spaces created by and for black people to contribute to Chocolate City. DC is changing and gentrification is a fact not just a discussion. Itās harder for black folks to have black spaces, which is so important.āĀ Asked if DC Black Pride was missing anything for younger people, he said, āAs the president of Impulse group DC, I have the luxury and responsibility to create the things that are missing.āĀ Ward recognizes his privilege as a cis-gender black queer man. āTrans people will think differently. Our spaces will always be inclusive of trans and gender nonconforming folks.ā Impulse Groupās mission is to educate gay, bisexual and queer men about HIV.
Dr. Ron Simmons, executive director emeritus, Us Helping Us. āYes, the initial purpose of DC Black Pride was to raise money for HIV/AIDS organizations. Black gay men and lesbians need to be affirmed and see themselves as part of empowerment. You donāt see yourself at white pride. The events they have may not be what you need. It is like the difference between going to a white club and a black club.āĀ Asked about the Equality March, he replied, āI think people must participate in the national march. We must be seen as part of the national community. As a young person, going to the gay march showed me I was not alone. Everyone should actually march and go to the rally.ā
Jamil Fletcher, publisher, SWERV Magazine. āYes, we still need to celebrate Black LGBTQ Pride. We actually need it now more than ever given the state of the world today. At the root, Black Prides are about building community. A community that is empowered, healthy, financially strong, educated, and vibrant. Those of us living at this unique intersection of being black and queer know too well the challenges within our community. Pride affords us an opportunity to come together in a way that embraces all of our identities without condition.ā
It was a unanimous, resounding āyes,ā we still need DC Black Pride for the health and vitality of black LGBTQ communities. As the White House submits its budget to Congress this week, itās clear that health and social services programs are being reduced to levels that threaten LGBTQ communities, particularly those already living in the margins. Moreover, several states are pushing anti-LGBTQ legislation, bringing a renewed sense of urgency to both Black Pride and the upcoming Equality March for Unity and Pride
Marvin Bowser is a lifestyle blogger and Blade contributor. Follow him on Instagram @FirstBroDC.
a&e features
Boomer Banks brings beats to MAL Weekend
From porn to the DJ booth, āI’m the happiest I’ve ever beenā
If you enjoy gay adult films, there is a high likelihood you have seen or at least heard of Boomer Banks. His tattoos, muscles, masculine presence, and thick mustache have made him one of the most recognizable ā and awarded ā Latinx gay adult performers in the industry. This weekend, Banks heads to the nationās capital to partake in Mid-Atlantic Leather weekend.
As D.C. polishes its leather gay apparel for the annual MAL weekend, Banks, alongside a slew of other gay adult performers and leather lovers, is getting ready to make adult content, meet fans, buy some new leather goods, and perform in the name of sexual expression.
This year will be different for Banks compared to his past MAL weekends, though. He will still be go-go dancing as he has in years past, but this year he has a new hat on ā headlining DJ. The Blade sat down with the 44-year-old performer to discuss his sex work career, the changing industry, and his passion for DJing.
On Friday night, Banks is one of three headlining DJs for the main dance event of the night, UNCUT XL. He explained that his love for music has always been there, but since the death of his best friend, with whom he connected on a shared love of music, his sets mean more than ever to him now.
āI loved music for my whole life,ā Banks told the Blade when asked about how he got started in music. āMy proximity to legendary New York DJs has always been there. I lost my best friend and brother over two years ago, and it just caused a lot of changes [for me]. We both loved music so much … I was talking to one of my DJ friends [about this connection to music], and they were talking to me, and all of a sudden I’m at their studio, playing around with the controller and all that, and it just happened. Here we are, two years later, and now I’m headlining at MAL with some legendary DJs that I have been a fan of since I was young.ā
Banks went on to explain that this connection and newfound passion for DJing is what has made his career shift from studio porn to a solo career easier. He also said the continued support from his house music fans has made him want to work even harder on creating memorable sets.
And create memorable sets he has. Banks has headlined events all across the country over the past two years ā from Provincetown to Rehoboth Beach and even headlining Folsom, which is the biggest leather event of the year. He explained that he has one overwhelming emotion āgratitude.
āI’m really grateful that Zach [RenovatĆ©s] and everybody at Kinetic and Bunker have really taken a liking to my storytelling through music, because that’s what it is for me,ā Banks said. āI like taking people on a journey. It’s usually my journey. But I read the crowd, I read energy, and I’m always smiling, and that’s the only place that I do smile. I feel like people often categorize me as intimidating, and a lot of times that’s what I got in the porn industry. But with DJing, the people are always like, āYou’re so happy up there. You’re smiling all the time.ā And, yeah, I’m the happiest I’ve ever been, and it’s exciting. I love doing it, and I’m grateful and very humbled that people are seeing that this isn’t just a gimmick.ā
He went on to explain that this happiness wasnāt always at the base of his work āespecially when he was involved with the studio porn system with CockyBoys and Raging Stallion. Various factors, including race, he shared with the Blade, were why it was less than enjoyable at times. But it provided a platform in which he was able to grow and gave him an opportunity to help newcomers in the industry.
āWhen I got into porn, other brown men were not nice to me; other people of color [were not nice to me]. I thought that it would have been different. So when I was established, I made sure not to do that. I have a few little Banks boys that I nurtured into the industry, and, not to claim them, but it’s just so that they had someone to talk to because I didn’t have that.ā
Despite some structural problems within the industry, Banks felt he was able to get what he needed from the career, including a paycheck and a platform.
āPorn did work out for me,ā he said. āI was very fucking successful, and I was not white. I did the work, but I just couldn’t keep doing it any more. It wasn’t good for my mental health, and so I knew how to bow out. Who knows? It [studio porn days] might happen again. I don’t know, but I know for today, I love music. It’s my heart. I’m grateful for the platform that sex work gave me because it’s given me a heads up with the music.ā
That music has kept him going. More specifically, New York house-style music has kept him going. Banksās ability to take in the music he loves has made him a stronger DJ, he said.
ā’Iām a New York house DJ,ā he said. āThat’s the style that I bring. The craziest it gets is like tech house and maybe some early 2000s mid-2000s circuit music. It’s what I grew up with and what I love and what I like to put out there. I’m really grateful that I was not only showing up to these gigs, but I was absorbing the art that is music in a way that it seeped into my pores and my soul, that now I can share how I feel about music, and that’s exciting.ā
He touched on how although many people can be fans of DJ music, it takes more to become a successful DJ.
āThe thing about music is you can’t fake music tastes. You can learn all the knobs and the technical parts of DJing, but if you’re not playing good music, and if the room isn’t vibing, it doesn’t matter.ā
When asked about the current political climateāseeing as the host hotel for MAL weekend is a mere half mile from the Capitol buildingāBanks reflected on the importance of weekends like this for the LGBTQ community, which is increasingly facing the backlash of conservative politicians.
āWe are in uncertain times,ā he said. āThese are the weekends where we’re able to be who we are. And it’s unfortunate that we have to still have these events to express ourselves. Because a lot of these guys, they wait their whole year for this weekend to be able to express themselves. With what’s going on with the world, they’re basically being told that these are the only places they can. I know that in New York we live in a bubble. I know in D.C., we live in a bubble. But I want to show people that are coming from the middle of nowhere that they can have a good time, and even if it is for this weekend, they can rely on us. I want our community to know that I am here for them.”
You can find Boomer Banks headlining Fridayās main dance event UNCUT XL from 10 p.m. to 4 a.m. at REPUBLIQ Hall (2122 24th Pl NE) and go-go dancing during Saturdayās PERVERT XXL party at A.I. Warehouse (530 Penn St., N.E.) from 10 p.m. to 4 a.m. as well as on X @Boomer_Banks and on Instagram @baconlvr.
For more information about MAL events visit leatherweekend.com or kineticpresents.com.
Half a mile from the Capitol building on New Jersey Avenue, the Hyatt Regency Washington is getting ready for one of the cityās biggest, gayest, and kinkiest weekends of the year ā the annual Mid-Atlantic Leather (MAL) Weekend.
The weekend, which has a long and fabled history that spans two different hosting Motorcycle Clubs (MC), multiple host cities, thousands of LGBTQ people dressed head to toe in leather, and as the Centaur MC website explains, all began with an hour of cocktails and a cock ring.
In 1976, members of the Links MC gathered in a room at New York City’s Waldorf-Astoria hotel to mingle and discuss shared interests (including leather and various sexual proclivities), when one of the partyās guests accidentally dropped his cock ring on the bathroom floor. The loud clang of a cock ring against the tile floor made everyone in attendance laugh. At the next party the Links MC hosted, another member intentionally dropped his cock ring on the floor too, calling back to the prior partyās fun and a tradition was established.
The event grew in popularity among LGBTQ leather lovers, moving to various East Coast cities before finding a permanent home with the Centaur MC in Washington in 1984. Since then, the city has hosted the Leather Cocktail party each year and has expanded to include an exhibitor hall, where leather makers and other kink product creators showcase their wares, the prestigious Mr. MAL Contest, and multiple high energy (and clothing optional) dance parties.
MCs comprised exclusively of queer members have been documented since at least the mid-1950s, with the Satyrs Motorcycle Club of Los Angeles being one of the earliest known examples. During the McCarthy era, when LGBTQ individuals were subjected to brutal discrimination due to unfounded fears that being queer was synonymous with being un-American or even suggested Communist leanings, the groups provided an essential refuge. While such fears were baseless, the formation of these clubs offered a vital safe space for queer people to express themselves in an environment where their identities were not just stigmatized but often criminalized. These MCs became much more than places for sexual expression ā they were havens of protection and solidarity, offering a sense of community that would have been nearly impossible to find in the hostile, post-WWII social climate.
This year’s MAL is set to be the biggest year yet with four days of kinky queer fun. It all begins on Thursday at the Hyatt Regency Washington (400 New Jersey Ave., N.W.) with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. Here guests who have purchased a Full Weekend Package can collect their wristbands.
On Thursday from 9 p.m.-3 a.m., the MAL kick-off Kinetic BOOTCAMP dance party will whip you into shape as international DJs Alex Lo and Dan Slater start off the weekend right. The venue has not been named yet, but Kinetic Events, which oversees this yearās official MAL dance parties have said the space will soon be announced and will ābe complete with play zone designed for maximum seduction.ā
After beginning MAL weekend on the dance floor, Friday is full of events to keep the kinky vibes going. From 3-10 p.m., guests who have not picked up their Full Package Pass on Thursday can continue to collect them in Capital Room A on the lobby level (located behind the north tower elevators) of the Hyatt Regency Washington. If you haven’t purchased a pass, no worries, both day and weekend passes for MAL hotel events are available for purchase online or at the hotelās entrance from 3-10 p.m.
The passes vary in price depending on what day(s) you attend. The 3-day pass is $45 plus processing fees and provides access to the Hotel and Exhibitor Hall for the entire weekend, as well as the Mr. MAL Contest on Sunday. The Single Day Pass is $20 plus processing fees and allows access to the Hotel and Exhibitor Hall on either Friday or Saturday. The Sunday Day Pass is $30 plus processing fees and includes access to the Hotel and Exhibitor Hall on Sunday, along with entry to the Mr. MAL Contest. To purchase your pass online visit at sickening.events/e/mal-weekend-2025/tickets or at the hotel’s entrance.Ā
To get in an elevator up to a hotel room a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
The Exhibit Hall is located on the ballroom level below the lobby. This year is slated to have 29 exhibitors selling leather and kink goods that range from harnesses to jockstraps and everything in between. The Exhibit Hall will be open on Friday from 4-10 p.m., on Saturday from 11 a.m.-6 p.m., and Sunday from 11 a.m.-5 p.m.
Back by popular demand, DC Health is partnering with Nasty Pig to provide preventative health services including MPox vaccines, Doxy PEP, HIV Testing, Narcan kits, and Fentanyl test strips. Their booth with these services will be available on Friday from 3-10 p.m. and on Saturday from 11 a.m.-6 p.m. at Capital Room B (located behind the north tower elevators next to Room A).
Also on Friday, the Centaur MC is holding its Welcome Reception from 6-8 p.m. on the ballroom floor. After the Centaurās Welcome Reception, there will be an International Mister Rubber (IMR) Social from 8-11 p.m. in Congressional Room A.
Friday nightās dance party KINETIC UNCUT XL will be at REPUBLIQ Hall (2122 24th Place, N.E.) and has been billed as ālargest and most debaucherous MAL event yetā with a ālabyrinth of play zonesā and two dance floors. DJ and adult film creator James Anthony kicks off the night and then allows for you to choose where to dance ā either in room 1 with DJ Alex Ramos playing tribal beats or room 2 with DJ and adult creator Boomer Banks playing a tech house set. The dance party goes from 10-4 a.m. so make sure those boots are shined and ready to move.
On Saturday MAL will host its annual Puppy Mosh in Regency Ballroom C from 11 a.m.-1:30 p.m. During the Mosh, pups and their handlers can enjoy a playful puppy playdate while immersing themselves in pup culture. There are strict rules surrounding the Puppy Mosh. The Mosh Monitor has final say and has the right to eject anyone from the Puppy Park for violating the rules. For the full set of Puppy Mosh rules visit leatherweekend.com/puppy-park-rules/.Ā
Immediately following the Puppy Mosh the Super Hero Meet-Up will be held in Capital Room A from 1:30- 3 p.m., where cosplayers and comic book enthusiasts can gather for an erotic meetup celebrating a rendezvous of capes, curves, and vibrant spandex.
From 2-6 p.m. on Saturday, the Onyx Fashion Show will take place in Congressional Rooms A & B for people of color to highlight Black brilliance in leather.
The Leather Cocktail Party that started it all will be held 7-10 p.m. in the Regency Ballroom. Only those with the Full Package Pass can attend and are encouraged to show off their leather and kink fantasy.
The Leather Cocktail Party isnāt the only cocktail party happening on Saturday; from 9-11 p.m., the MAL Cocktail Party will be in Congressional Room B for other MAL attendees to mingle and get a drink.
The last event of Saturday is the KINETIC and MatinĆ©e Groupās PERVERT XXL dance party. Beginning at 10 p.m., this will mark the first time that a dance party on MAL Weekendās Saturday night is an official MAL event. The dance is at A.I. Warehouse in Northeast (address TBA) and has a slew of talent for the celebration. Gigi Goode from āRuPaulās Drag Raceā will āwhip the crowd into submissionā as DJs from around the world, including Erik Vilar (Brazil), Eliad Cohen (Israel), and Paulo (Los Angeles) play non-stop beats all night long (or at least until 4 a.m. when the party ends). In addition to drag royalty and internationally acclaimed DJs, the dance is held in a multi-level warehouse in Northeast D.C. complete with immersive lights, lasers, and play zones.
On Sunday at 1 p.m., the Mr. MAL Contest will be held in the Regency Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. The sash and title come with some requirements though: 1. You must be male, 2. You must be a resident of North America, 3. Must be at least 21 years of age, and 4. You must self-identify as gay. Additionally, if you enter, you must be prepared to represent the title as a contestant in the International Mr. Leather (IML) Contest in Chicago on Memorial Day Weekend 2025. Currently the list of applicants has hit its limit but if you are interested and can meet the criteria you can email [email protected] to be put on a standby list.
From 6 p.m. to 12 a.m. on Sunday, MAL will hold its Game Night in Capital Rooms A & B.
Last, but certainly not least, the final event and dance party of the weekend is the KINETIC LUST party, the perfectly sensual and sexy way to end MAL 2025. The party goes from 10 p.m.-3 a.m. as Grammy-nominated Abel and DJ Sam Blacky will end your weekend right with ādark, sexy beats and pulse-pounding rhythmsā as erotic porn star performances and exclusive play zones are explored.
Each day of MAL a Recovery Meeting will be held in the Yosemite Room (located on the conference level/ second floor) from 10-11 p.m. with an additional session on Saturday from 11 a.m.-12 p.m. to provide a safe space for anyone who is struggling with addiction or for anyone who needs to take a sober step away from the weekend’s events.
All weekend there will also be a Bootblack station where MAL attendees can get any leather goods cleaned and polished. The money donated to the Bootblacks for their work helps raise money for a local charity (that changes each year) and to cover the Mr. MAL travel fund. Donāt forget to tip.
Even though the weekend is called the Mid-Atlantic Leather Weekend, leather is not required. There are some rules regarding outfits though. All expressions of kink are encouraged. Attendees in years past have worn everything from leather to rubber, to furries and even regular street clothes. Just make sure that they abide by the hotelās dress code rules ā in publicly accessible spaces (lobby, hallways, ballrooms, exhibit halls), nudity is not allowed. Men may walk around the hotel shirtless, in a jock, or in chaps with a jock. Women are not permitted to be shirtless or have their nipples exposed. If you are dining, your buttocks must be covered, and at least a vest must be worn.
Please note that all events are 21+ and require an ID check, including every day of events at the Hyatt Regency host hotel. Please make sure you bring your photo ID. Also note that all MAL āFull Weekend Packageā pass holders have access to the LUST Sunday Closing Party.
For any additional information on official MAL weekend events and policies, please visit leatherweekend.com or kineticpresents.com.Ā
a&e features
Looking back at the 10 biggest A&E stories of 2024
Menendez brothers, Chappell Roan, āWicked,ā and more
Reflecting on a year in queer entertainment is never one dimensional. You get stories of joy, hate, and everything in between.
And 2024 was no different. For every Chappell Roan, you get a J.K. Rowling. But looking back on this year is vital in recognizing what progress was made in LGBTQ spaces, and which areas need more attention to make a better 2025.
Though there are no 10 stories that are truly āthe most important,ā here are some events that represented the good, the bad, and the gloriously gay this year.
#10: Joaquin Phoenix abruptly exits gay film: āJokerā star Joaquin Phoenix reportedly exited a gay romance film days before production was set to begin, stirring up a controversial storm in Hollywood.
Sets were built and distribution deals were already made, which left many owed compensation.
Described as a detective love story featuring two men in the 1930s, the film was allegedly made to receive an NC-17 rating and to feature authentic and graphic sex scenes.
#9: Adele snaps back at homophobic fan:What better way to kick off Pride month this year than Adele publicly humiliating a fan who shouted a homophobic comment?
The singer was performing her Las Vegas residency show when an audience member shouted, āPride sucks.ā Her response was appropriately filled with profanities.
āDid you come to my fucking show to say Pride sucks? Are you fucking stupid?ā Adele said. āDonāt be so fucking ridiculous. If you have nothing nice to say, shut up, alright?ā
A video of the interaction went viral online, and fans rallied on social media to show their support of the singer.
#8: Oprah receives GLAAD recognition: Oprah Winfrey received the GLAAD Lifetime Achievement Award in March. It was a culmination of her strong history of support for the LGBTQ community.
Winfrey used her platform on her self-titled show to raise awareness of HIV/AIDS and LGBTQ bias and hold open discussions to challenge stereotypes and promote acceptance.
āWinfreyās unique blend of empathy, wisdom, and storytelling resonated with audiences, making her one of the most beloved and influential figures in media history,ā Los Angeles Blade publisher Troy Masters wrote.
winner after 25 seasons.
Asher HaVon, who performed on team Reba McEntire, became a staple on the show for his hypnotic and rich tone. From Selma, Ala., HaVon also represents the fight for equality.
When former President Barack Obama visited Selma in 2015, HaVon sang for him and 200,000 other people at the historic Selma Bridge crossing.
āFor the rest of us, in the LGBTQ community, in the dance clubs, and in the hearts of ones needing a new diva to love, Asher has arrived,ā Los Angeles Blade reporter Rob Watson wrote in May.
#6: Out and proud: Many notable celebrities came out this year, including country singer Maren Morris, track star Trey Cunningham, actor Julia Fox and former āSaturday Night Liveā star Sasheer Zamata. From sports stars to country idols, these icons are paving the way for LGBTQ visibility in underrepresented entertainment spaces.
#5: Defying box office charts: Jon M. Chuās āWickedā is āPopularā with audiences, to say the least.
Roughly one week into its box office run, it became the biggest-grossing movie based on a Broadway musical in North America. It beat previous smashes like āGreaseā and āMamma Mia!ā Beyond providing audiences with a faithful yet unique adaptation of the popular book and play, it also gave us numerous viral interviews between its two leading ladies, Ariana Grande and Cynthia Erivo, as well as a plethora of fan cams gushing over out actor Jonathan Bailey.
Your move, āWicked: Part Two.ā
#4: Emmys and Grammys and Tonys, oh my!: It was a historic year for queer representation at the biggest nights in entertainment. Jodie Foster collected her first Emmy for her role in āTrue Detective: Night Country,ā while Jonathan Groff accepted his first Tony for his role in āMerrily We Roll Along.ā
The Grammys were huge for women and queer artists, recognizing performers like Billie Eilish, SZA, Miley Cyrus, and Victoria Monet. It was a much different story than in 2018, when Grammy organizers responded to a lack of female recognition by telling women to āstep up.ā
#3: Misinformation fuels hate at Olympics: Olympic boxer Imane Khelif was the center of right-wing rage during this summerās Paris games after many prominent celebrities and personalities said she is transgender. Khelif has differences of sex development (DSD), which is a group of rare conditions that causes oneās sex development to differ from most others. Women with DSD can have both an X and Y chromosome, which is typically only found in men, but it doesnāt make one transgender or intersex.
The facts didnāt matter to public figures like J.K. Rowling and Elon Musk, who were mentioned in a cyber harassment lawsuit after spreading misinformation online about Khelifās identity. Rowling labeled Khelif a āmaleā on X, while others called for Khelif to be banned from competing. This outcry over false claims about her identity overshadowed her gold medal win.
#2: The rise, not fall, of a Midwest princess: It was a stellar year for women and queer performers, headlined by Chappell Roanās rapid ascension to fame. The singer drew global recognition with notable hits like āHOT TO GO!ā and āGood Luck, Babe!ā.
More importantly, as a member of the community herself, fame never got in the way of her pro-LGBTQ messaging. She dedicated her Best New Artist VMA win to the āqueer youth in the Midwest.ā Roan, whoās from Missouri, also used her platform to support the art of drag. She enlisted local drag queens to open her shows this year, and gained instant approval when paraphrasing Sasha Colbyās famous saying: āIām your favorite drag queen’s favorite drag queen.ā
#1 Ryan Murphy strikes controversial gold again: The ethical implications of āMonsters: The Lyle and Erik Menendez Storyā were hotly debated when it debuted on Netflix in September.
Some loved the showās aesthetic and its gripping portrayal of the two brothers who killed their parents in 1989. Others criticized it for its flimsy factual representation and glorification of murder through its two overly attractive leads. Whatever your opinion, thereās no denying the showās impact, which sparked a national debate over releasing the brothers from prison early. With LA electing a new district attorney in November, the push for an early release remains in the headlines and a strong possibility.
Regardless of your opinion of the show, thereās no denying the cultural impact it sparked. Out creator Ryan Murphy isnāt new to producing shows that divide people while generating ratings. The first installment of the āMonsterā anthology, centered on Jeffrey Dahmer, was a huge hit despite facing intense scrutiny for similar creative decisions.
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