a&e features
Trinity’s tricks of the trade
‘Drag Race’ finalist gears up for ‘War on the Catwalk’ tour
Trinity Taylor (aka Ryan Taylor) says her season was one of the tightest competitions in the history of ‘RuPaul’s Drag Race.’ (Photo courtesy VH1)
Trinity Taylor, one of the finalists from season nine of “RuPaul’s Drag Race,” is on the “War on the Catwalk” tour, which was slated to kick off Thursday in New Haven, Conn. (tickets, dates, etc. here)
The queens come to Washington Sunday night, July 16, at the Warner Theatre. Trinity spoke with the Blade by phone Tuesday from her home in Orlando, Fla.
WASHINGTON BLADE: Where are you right now?
TRINITY TAYLOR: I’m in my bedroom. Are you gonna ask me what I’m wearing next?
BLADE: Sure, why not?
TRINITY: A grungy T-shirt and we’re leaving it there (laughs).
BLADE: Tell us about the tour.
TRINITY: Yeah, well, I was very fortunate that they asked me to host the tour which is kind of nerve wracking because I’ve hosted tons and tons and tons of shows but this is a major tour this season nine tour, so there’s a lot more pressure. So hopefully I do OK. I am, you know, I’ll do what I do best — show my tuck, hopefully make some people laugh and the biggest thing is just entertain because that’s what I am, an entertainer.
BLADE: I thought Trixie was hosting.
TRINITY: We’re both hosting. Maybe certain dates. I don’t know that she’s doing the whole thing.
BLADE: How did you like the format for the “Drag Race” finale this year?
TRINITY: Well obviously I thought it was terrible because I didn’t make the top two (laughs). I’m just kidding. I think it was great for the show. It’s something the show needed because the show was very predictable the past couple of years, you know, the person who wins the most challenges wins. So this was definitely something that was shocking and something different which is good, change is good. I think it got a lot of attention and exposure and that’s good for the show and whatever’s good for the show’s gonna be good for me.
Trinity Taylor (Photo courtesy VH1)
BLADE: Charlie Hides said during the reunion she only got two hours of sleep one night. Is the competition really that intense? Did you sleep well during the run?
TRINITY: So, um, Charlie, I love Charlie, but the reason why Charlie was saying all these excuses was people were putting her on the spot for her terrible lip sync. So she was just grasping at straws. As far as sleep goes, first of all, this is a competition. You’re not signing up to go to a weekend spa. When they say it is “RuPaul’s Drag Race,” it is really a race. You have very little time, the schedule is grueling, the challenges are not easy. … If you’re watching it and you go, “Yeah, I could do that,” well yeah, you maybe could do that if you had the time but when you’re on a time crunch, you don’t have a lot of time and so, you might not do your best. Or you may do phenomenal, but it is a race. So as far as sleep goes, you got plenty of hours to sleep because there was a schedule of when we were done and when we were picked up. But when you had your alone time in the hotel rooms, you did have to make sure you knew your lip sync songs, make sure if you had anything last minute you needed to work on, prepare for, you know, all that’s on your own time. So for her to say she didn’t have enough sleep, that’s really on her.
BLADE: Could you tell she was phoning it in on that lip sync or were you too busy concentrating on your own performance to realize that?
TRINITY: Until I watched it on the episode, I didn’t know what she did. I kind of just zoned out, I was just like, “I’m in the bottom, I’ve got to stay,” and it didn’t matter who I was lip syncing against, I was going to stay, that was my focus. So she wasn’t even there to me, I was just performing.
BLADE: What struck you most watching the show vs. experiencing it in person? Do you see it at all before it airs or you see it with everybody else?
TRINITY: Oh, no that’s the first time we see it. What’s shocking is — I’ll give Alexis as an example. On the show, Alexis didn’t — I liked Alexis, she was not annoying at all, I didn’t see this like person who made excuses and blamed us for not doing well. For some reason it didn’t click in my mind while I was there that she was complaining a lot like that. And then watching the episodes I’m like, “Dang, she really tried to come in for us.” And so seeing it from a different perspective from actually being there, it just registers differently. And also seeing how everything is edited together. Not that they edited stuff that was not true, but just seeing how it all tells a story, it’s very interesting.
BLADE: On “Untucked” there’s often notes for the girls who are leaving in the workroom but it looks like they’re taken in there as soon as they get their makeup off. When do you have time to write notes if you’re — it appears — still out there on the main stage?
TRINITY: Um, what happens, um — I don’t know if I’m allowed to tell you this but I’m gonna tell you anyway — what happens is after they have the person sashay away, that person goes and is sequestered for a short period of time, not long. For us to film the rest of it when she says, “If you can’t love yourself …” and then they play music and we leave. When we leave, we go directly back to the work area, take off our makeup and that’s when we are allowed to do the notes. Then we leave and then the person who’s eliminated is allowed to come back and that’s when they actually pack to leave. But the reason why we get our makeup off is they still have filming to do and they want to get us out of there quickly because we have to be up the next morning.
Trinity Taylor (Photo courtesy VH1)
BLADE: Your boyfriend was so hot in the finale. I was jealous. Are you still together and how are things going?
TRINITY: Um, we broke up that night actually. No, just kidding, we’re still together. He’s still a doll and I am very blest to have him in my life. He’s very supportive.
BLADE: Remind me his name.
TRINITY: His name is Leo. He’s just a great guy.
BLADE: Have fun with that.
TRINITY: Oh trust me, I do.
BLADE: I was enthralled by Valentina at first but later, especially at the reunion, she struck me as really fake nice and she got a lot of flak from the other queens. What’s your take on her?
TRINITY: Well I love Valentina. Me and her are probably the closest from this season out of all the girls. On the show, I hated her. I thought she was a diva. She got a really great edit. There were several girls who got really great edits. Like the producers for some reason just didn’t see what we all see, but like Valentina was a diva brat on the show, she was. Kind of like what you saw in the reunion. Valentina in person though, as you get to know her, she really is a diva. But like it’s just different. Getting to know her and interacting with her in person in everyday life vs. on the show is different. She’s a diva and she has this grandiose aura about her all the time, even as a boy. It’s not fake but I can see how it could come across fake because it came across fake to me on the show but that’s just how she is.
BLADE: On the makeover episode with the crew it showed you back there helping your partner with his tuck. Were you actually taping his dick back or just handing him the tape and telling him what to do? That must have been awkward doing that with a straight guy.
TRINITY: His name is Rizzo. It was not awkward at all for me. Obviously he was, you know, a beautiful man. First of all, he didn’t want to be taped but he knew that was part of my schtick as an entertainer is my tuck and if he’s gonna be my partner, he’s gotta have a fierce tuck too. I told him you’re gonna have to shave everything because if you don’t, you’re gonna hate yourself. So he shaved everything except his ass, he shaved everything in the front. We couldn’t tape him like my tape which is tape to skin, so we put a pair of tiny, tiny, tiny underwear on him and we taped over the underwear because you can’t have tape on hair. That would be a nightmare. I didn’t have my hands on his penis but I was back there to like really, really help him. After he got the tape on, I had some hands on helping him but, you know, I tried to keep it professional as much as I possibly could, taping on top.
BLADE: Who was your favorite celebrity judge?
TRINITY: Oh absolutely Lady Gaga. She just was very genuine. I felt like she was genuinely interested in what we were doing and what we had to say and in “Untucked” she actually came back there and did a one-on-one critique with us and told us bluntly what she thought and I believed everything she said. She’s very wise about her experience in the industry and the advice she gave us was, she just was very genuine and heartfelt. I liked her. A couple of the judges were just there because they were asked to be there but she was actually excited to be there.
BLADE: Is Cheyenne Jackson as hot in person as he looks on TV?
TRINITY: Oh girl, he is a Daddy. I would sit on his face. He is, yes, he is beautiful. And he’s got like this swag about him, like, I don’t know, this smooth, cool guy attitude. And he’s hot, yes.
BLADE: The reunion seemed especially bitchy this year. Why?
TRINITY: By then, we’d seen the show and we got to see what everybody truly said, some of which we hadn’t known before. That’s why a lot of the girls were not as friendly like they were on the show because they got to see the true side of people and they wanted to voice their opinion.
BLADE: How are you and Eureka now? Think you’ll get along OK on the tour or have you spoken to her lately?
TRINITY: I hate her. I think she’s a terrible human being. (laughs) She’s actually a cool girl. I have no qualms with her at all. We’ve actually talked since the show. The thing with Eureka is, I didn’t have any beef with her. I beat her (in a previous pageant). Why would I have a beef with somebody I beat? To me, she was holding onto a grudge because I had beaten her. That’s where the beef came in because she had something against me. As far as like since the show, we have some similar personality traits but also some real differences and I don’t feel like our personalities mesh well for long periods of time like being on a show together for many, many days, that’s where you get a lot of conflict. But I like Eureka. I think she’s very talented, I think she has a lot to offer and I think she’s going to slay season 10. She’s very funny, so I feel like we’re in a good place.
BLADE: What’s the Ruvealed going to be that starts June 29th? Is that just outtakes or do you know?
TRINITY: I think it’s just you get to see clips that weren’t put in the show because of time. Like an extended version of the show. More outtakes, more things you haven’t seen yet, stuff like that.
BLADE: Some years it seemed there was a clear frontrunner like Bianca or Violet. This year it felt to me like you could have made a good case for any of the top four. I know it’s hard to say when you’re in the middle of it, but do you agree?
TRINITY: No, this was to me, and I’m not trying to be biased, I’m a fan of “RuPaul’s Drag Race” even though I’ve been on the show. I watched all the season past as a fan and this season, the cast was probably collectively the strongest cast they’ve ever had, as far all the girls brought it. All the girls have fashion, all the girls brought it in the challenges, so they are a very talented group of girls so that’s why there wasn’t a clear standout winner like when Bianca won or when Bob won or Violet won. There was just more competition. Like you said, there was a valid case for each of the girls in the top four of why they could have won and that makes for better TV, that makes for better competition. I hope that every year from now on, they do that good a job of casting where they actually pick top-notch girls from start to finish. That way, you don’t know who’s going home.
BLADE: The “Drag Race” wiki said at one point you considered transitioning to further your career. Is that true and do you think, like this was something some fans said about Peppermint, is transitioning — not that it’s bad or wrong by any means — but at some point does that become a different thing from the art of female illusion?
TRINITY: OK, so to answer your question, yes that is true. To answer the last part of the question first, being a trans person whether you’re a trans woman or a trans man, that is completely different from being a drag queen, drag king or an entertainer. I have really good friends who never entertained or don’t entertain anymore who are trans. Being trans is who you are on the inside. Being an entertainer or being a drag queen is a hobby or your job or your creative outlet. You can be both, like Peppermint, but being trans is completely different. Now years ago when I was first starting pageants, I contemplated transitioning not because I felt I was trans, but because I felt the pressure from pageants because a lot of really well-known, successful pageant entertainers are trans and I felt that was the route I was gonna have to take if I wanted to be successful. I’m glad I didn’t go down that route because I am not trans and you should never transition for the wrong reasons. You should transition because that is who you are and that’s how you feel on the inside, not because of pressure from a job or wanting to further your career.
Trinity Taylor (Photo courtesy VH1)
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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Visible and unapologetic: MAL brings the kink this weekend
Busy lineup includes dances, pups, super heroes, and more
MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink.
The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.
MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.
During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.
“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and seeing who will become our new Mr. MAL.”
In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.
According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.
Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”
Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt.
Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.
Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.
After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons.
DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.
Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m.
Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m..
“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.
Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music.
Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.
Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.
The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.
From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.
Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.
The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement.
Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.
Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.
Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m.
At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025.
From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse.
Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.
At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.
Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”
In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend.
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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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Task Force urges renewed organizing amid growing political threats
Gay men, ketamine, and trauma. A therapy or a trap?
Russia designates ILGA World an ‘undesirable’ group
Judge denies D.C. request to dismiss gay police captain’s anti-bias lawsuit
Lawyer representing Renee Good’s family speaks out
Comings & Goings
Calendar: January 23-29
