a&e features
Well-Strung and far-flung
Gay classical outfit has expanded touring schedule, crossover appeal

Well-Strung is, from left, Chris Marchant (second violin), Daniel Shevlin (cello), Edmund Bagnell (first violin) and Trevor Wadleigh (viola). (Photo courtesy of Well-Strung)
Well-Strung
Sunday, Aug. 6
6 and 9 p.m.
Clear Space Theatre Company
20 Baltimore Ave., Rehoboth Beach, Del.
$35-100
Well-Strung, an all-gay singing-string quartet, has a musical library that might raise some eyebrows.
Chris Marchant, Daniel Shevlin, Edmund Bagnell and Trevor Wadleigh are known for mixing Lady Gaga and Rihanna hits with the likes of Bach and Vivaldi. It’s a combination not often found in a music performance but Well-Strung wants to introduce classical music to the masses through a more familiar genre — pop. Not only are they known for their cross-genre performances but their youthful presence and good looks have also been a big crowd draw.
The foursome are bandmates and roommates; they all live together in New York City, which makes for easy practice sessions. When not practicing at home, they are on tour sometimes in a different city every day of the week. The hard work has paid off as they have performed for big names such as Barack Obama and Hillary Clinton and were invited to perform at the Vatican. They’ve also shared stages with Kristin Chenoweth, Neil Patrick Harris and Audra McDonald.
The Washington Blade was able to speak with second violinist and group co-founder Marchant as they prep for their Rehoboth Beach, Del., show this weekend. Marchant revealed why he thinks classical and pop music are the perfect match, why Britney Spears tweeted their performance and the pressures of being a sex symbol.
WASHINGTON BLADE: Why did you first start playing music?
CHRIS MARCHANT: My mom made me. I was playing T-ball at the time and I was really bad at it so I wanted to quit. She said I could do that if I played a musical instrument for awhile. So I said OK and I picked violin.
BLADE: How did you get involved with Well-Strung?
MARCHANT: I co-created the group with our manager Mark (Cortale). In 2010 I was up in Provincetown and Cape Cod doing another show because I used to do musical theater prior to this. I would play my violin on the street just to make extra money in the summer time. Mark was a producer in town at a theater and he saw me playing. So we started collaborating on what making a show together might look like. And we started looking for other people who would be interested.
BLADE: Is Well-Strung everyone’s only job or do you have side projects?
MARCHANT: It’s our only job. We kind of transitioned into that at different times. A couple of the guys used to cater or teach music or take freelance gigs. I used to bartend. But nobody really has time anymore.
BLADE: What do you think classical styles bring to pop songs?
MARCHANT: One of my favorite things that we do is explore the crossover between pop and classical music. Classical music is kind of intimidating for the average music listener because the library is just so wide. There’s just so much material. So it can be a little bit daunting to try and get into it. So what we try to do is highlight some of the crossovers in our covers between classical pieces and the pop songs. It’s always amazing to me when a chord progression used in a Bach partita lines up with something that is a mega hit by Taylor Swift today. People don’t realize that the underlying bed of music can be quite similar at times. That’s not always the case. But it’s surprising how often that is true. Also, I think the different textures that classical music creates is a little more different and intricate than pop music today. But we try to show what the past has offered musically and that is not irrelevant by any means.
BLADE: Has anyone told you that after listening to your performance you got them more into classical music?
MARCHANT: Absolutely. That’s one of my favorite things to hear after a concert. That’s one of our goals in a concert is to show people that there’s room on both sides of the aisle. There’s room for people to like both. We can show someone that classical music isn’t this lost, old art but it can still be relevant today. But, also I think it’s really cool when sometimes we play student concerts or do student workshops and they realize that, “Oh my gosh, I don’t have to play this one variety of music to play the violin.” It can be whatever you want it to be. That’s also really cool to me.
BLADE: Do you find yourself frowned upon in the classical music community for doing pop covers?
MARCHANT: If that’s the case, I’m unaware of it. I would say some non-fans have written in response to some of the stuff we’ve done and say that we’re destroying the classical piece with something that was written today. But that just seems close-minded. It doesn’t have to be either/or. It should be both as often as it makes sense too.
BLADE: What’s your favorite song to cover?
MARCHANT: My favorite song that we do is Radiohead’s “Creep.” Our violist arranged that one with “Ave Maria” and (a prelude from) “The Well-Tempered Clavier.” So, it’s actually like Bach wrote “The Well-Tempered Clavier” then a hundred years later Gounod wrote “Ave Maria” over top of that and then we took both and we put Radiohead over it. So it’s like multi-century.
BLADE: Any musicians that have reached out to you about songs you’ve covered from them?
MARCHANT: Britney Spears tweeted a clip of us playing “Toxic” in the hotel lobby of Planet Hollywood where she was doing her Las Vegas residency. And then the Charlie Daniels Band posted our cover of “Devil Went Down to Georgia.”
BLADE: Are your fans mostly gay, straight or a mix?
MARCHANT: It’s a good mix. It started out as more heavily gay because we got our start in Provincetown which is a mostly gay community. From there, the people who saw us there would bring us to their hometowns for concerts. So that’s how we started touring. It did start as a stronger gay demographic and I think that is still very present and we’re grateful for that. But we find our demographic just gets wider the more we tour. We tend to have the most engaged audiences when we’re with suburban families. That’s when we find the most successful concerts.
BLADE: You’re known for your music but you’re known for your looks as well. Is it weird being seen as a sex symbol?
MARCHANT: It is weird. We have always said music comes before anything or any of us looking the way we want to look. We always put the music as a priority and everything else comes second to that. But it is very important, for me anyway, to be consistent while we’re on the road. I always try to get up and find a gym before sound check so I can focus my day a little bit. When we’re in different cities all the time, it can be draining in a certain way. Having a routine at the gym is really good for my sanity.
BLADE: What can people expect from your show in Rehoboth?
MARCHANT: We’re so excited for Rehoboth. That community has been so supportive to us from the beginning. There are really sweet people down there. We have a lot of new music that Rehoboth hasn’t heard yet so we’re excited to debut that there and hopefully see a bunch of our old friends. It’s definitely going to be a fun show. They’ve always been a very supportive community. A lot of energy from the audience. Some audiences I think they feel like, “Oh, we’re seeing a string quartet so we should be quiet and respectful of the classical music.” But we would rather people be loud and engaged just having a good time.

Well-Strung (Photo courtesy of the ensemble)
a&e features
Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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