a&e features
Well-Strung and far-flung
Gay classical outfit has expanded touring schedule, crossover appeal
Well-Strung
Sunday, Aug. 6
6 and 9 p.m.
Clear Space Theatre Company
20 Baltimore Ave., Rehoboth Beach, Del.
$35-100
Well-Strung, an all-gay singing-string quartet, has a musical library that might raise some eyebrows.
Chris Marchant, Daniel Shevlin, Edmund Bagnell and Trevor Wadleigh are known for mixing Lady Gaga and Rihanna hits with the likes of Bach and Vivaldi. Itās a combination not often found in a music performance but Well-Strung wants to introduce classical music to the masses through a more familiar genre ā pop. Not only are they known for their cross-genre performances but their youthful presence and good looks have also been a big crowd draw.
The foursome are bandmates and roommates; they all live together in New York City, which makes for easy practice sessions. When not practicing at home, they are on tour sometimes in a different city every day of the week. The hard work has paid off as they have performed for big names such as Barack Obama and Hillary Clinton and were invited to perform at the Vatican. Theyāve also shared stages with Kristin Chenoweth, Neil Patrick Harris and Audra McDonald.
The Washington Blade was able to speak with second violinist and group co-founder Marchant as they prep for their Rehoboth Beach, Del., show this weekend. Marchant revealed why he thinks classical and pop music are the perfect match, why Britney Spears tweeted their performance and the pressures of being a sex symbol.
WASHINGTON BLADE: Why did you first start playing music?
CHRIS MARCHANT: My mom made me. I was playing T-ball at the time and I was really bad at it so I wanted to quit. She said I could do that if I played a musical instrument for awhile. So I said OK and I picked violin.
BLADE: How did you get involved with Well-Strung?Ā
MARCHANT: I co-created the group with our manager Mark (Cortale). In 2010 I was up in Provincetown and Cape Cod doing another show because I used to do musical theater prior to this. I would play my violin on the street just to make extra money in the summer time. Mark was a producer in town at a theater and he saw me playing. So we started collaborating on what making a show together might look like. And we started looking for other people who would be interested.
BLADE: Is Well-Strung everyoneās only job or do you have side projects?
MARCHANT: Itās our only job. We kind of transitioned into that at different times. A couple of the guys used to cater or teach music or take freelance gigs. I used to bartend. But nobody really has time anymore.
BLADE: What do you think classical styles bring to pop songs?
MARCHANT: One of my favorite things that we do is explore the crossover between pop and classical music. Classical music is kind of intimidating for the average music listener because the library is just so wide. Thereās just so much material. So it can be a little bit daunting to try and get into it. So what we try to do is highlight some of the crossovers in our covers between classical pieces and the pop songs. Itās always amazing to me when a chord progression used in a Bach partita lines up with something that is a mega hit by Taylor Swift today. People don’t realize that the underlying bed of music can be quite similar at times. Thatās not always the case. But itās surprising how often that is true. Also, I think the different textures that classical music creates is a little more different and intricate than pop music today. But we try to show what the past has offered musically and that is not irrelevant by any means.
BLADE: Has anyone told you that after listening to your performance you got them more into classical music?Ā
MARCHANT: Absolutely. That’s one of my favorite things to hear after a concert. Thatās one of our goals in a concert is to show people that thereās room on both sides of the aisle. Thereās room for people to like both. We can show someone that classical music isnāt this lost, old art but it can still be relevant today. But, also I think itās really cool when sometimes we play student concerts or do student workshops and they realize that, āOh my gosh, I donāt have to play this one variety of music to play the violin.ā It can be whatever you want it to be. Thatās also really cool to me.
BLADE: Do you find yourself frowned upon in the classical music community for doing pop covers?
MARCHANT: If thatās the case, Iām unaware of it. I would say some non-fans have written in response to some of the stuff weāve done and say that weāre destroying the classical piece with something that was written today. But that just seems close-minded. It doesnāt have to be either/or. It should be both as often as it makes sense too.
BLADE: Whatās your favorite song to cover?
MARCHANT: My favorite song that we do is Radioheadās āCreep.ā Our violist arranged that one with āAve Mariaā and (a prelude from) āThe Well-Tempered Clavier.ā So, itās actually like Bach wrote āThe Well-Tempered Clavierā then a hundred years later Gounod wrote āAve Mariaā over top of that and then we took both and we put Radiohead over it. So itās like multi-century.
BLADE: Any musicians that have reached out to you about songs youāve covered from them?
MARCHANT: Britney Spears tweeted a clip of us playing āToxicā in the hotel lobby of Planet Hollywood where she was doing her Las Vegas residency. And then the Charlie Daniels Band posted our cover of āDevil Went Down to Georgia.ā
BLADE:Ā Are your fans mostly gay, straight or a mix?
MARCHANT: Itās a good mix. It started out as more heavily gay because we got our start in Provincetown which is a mostly gay community. From there, the people who saw us there would bring us to their hometowns for concerts. So thatās how we started touring. It did start as a stronger gay demographic and I think that is still very present and weāre grateful for that. But we find our demographic just gets wider the more we tour. We tend to have the most engaged audiences when weāre with suburban families. Thatās when we find the most successful concerts.
BLADE: Youāre known for your music but youāre known for your looks as well. Is it weird being seen as a sex symbol?Ā
MARCHANT: It is weird. We have always said music comes before anything or any of us looking the way we want to look. We always put the music as a priority and everything else comes second to that. But it is very important, for me anyway, to be consistent while weāre on the road. I always try to get up and find a gym before sound check so I can focus my day a little bit. When weāre in different cities all the time, it can be draining in a certain way. Having a routine at the gym is really good for my sanity.
BLADE: What can people expect from your show in Rehoboth?
MARCHANT: Weāre so excited for Rehoboth. That community has been so supportive to us from the beginning. There are really sweet people down there. We have a lot of new music that Rehoboth hasnāt heard yet so weāre excited to debut that there and hopefully see a bunch of our old friends. Itās definitely going to be a fun show. Theyāve always been a very supportive community. A lot of energy from the audience. Some audiences I think they feel like, āOh, weāre seeing a string quartet so we should be quiet and respectful of the classical music.ā But we would rather people be loud and engaged just having a good time.
a&e features
Jussie Smollett asserts innocence while promoting new film
āI know what happened and soon you all will tooā
Jussie Smollett, the actor and musician who was convicted of lying to the police about being the victim of a homophobic and racist hate crime that he staged in 2019, attended a screening of his latest film āThe Lost Hollidayā in a packed auditorium of the Martin Luther King Jr. Memorial Library on Aug. 28.
In an interview with the Washington Blade that took place before the screening, he continued to assert his innocence and responded to concerns within the LGBTQ community that his case has discouraged real victims from reporting hate crimes.Ā
The former āEmpireā star wrote, produced, and directed āThe Lost Holliday,ā his second feature film to direct following 2021ās āB-Boy Blues.ā Produced through Smollettās company, SuperMassive Movies, he stars in the film alongside Vivica A. Fox, who also served as a producer and attended the library screening with other cast members.
In the film, Smollett plays Jason Holliday, a man grappling with the sudden death of his husband Damien (Jabari Redd). Things are complicated when Damienās estranged mother, Cassandra Marshall (Fox), arrives in Los Angeles from Detroit for the funeral, unaware of Damienās marriage to Jason or of their adopted daughter. Initially, Jason and Cassandra clash ā Cassandraās subtle homophobia and Jasonās lingering resentment over her treatment of Damien fuel their tension āā but they begin to bond as they navigate their grief together.
Smollett, Fox, Redd, and Brittany S. Hall, who plays Jasonās sister Cheyenne, discussed the film in an interview with the Washington Blade. Highlighting the wide representation of queer identities in the film and among the cast, they stressed that the story is fundamentally about family and love.
āWhat we really want people to get from this movie is love,ā Smollett said. āIt’s beneficial for people to see other people that are not like themselves, living the life that they can identify with. Because somehow, what it does is that it opens up the world a little bit.ā
Smollett drew from personal experiences with familial estrangement and grief during the making of the film, which delves into themes of parenthood, reconciliation, and the complexities of family relationships.
āI grew up with a father who was not necessarily the most accepting of gay people, and I grew up with a mother who was rather the opposite. I had a safe space in my home to go to, but I also had a not-so-safe space in my home, which was my father,ā he said.
āThe moment that he actually heard the words that his son was gay, as disconnected and estranged as we were, he instantly changed. He called me, after not speaking to him for years, and apologized for how difficult it must have been all of those years of me growing up. And then a couple years later, he passed away.ā
Smollett began working on āThe Lost Hollidayā eight years ago, with Fox in mind for the role of Cassandra from the outset. He said that he had started collaborating on the project with one of the biggest producers in Hollywood when āā2019ā happened.ā
In January 2019, Smollett told Chicago police that he had been physically attacked in a homophobic and racist hate crime. He initially received an outpouring of support, in particular from the LGBTQ and Black communities. However, police soon charged him with filing a false police report, alleging that he had staged the attack.
After prosecutors controversially dismissed the initial charges in exchange for community service and the forfeiture of his $10,000 bond, Smollett was recharged with the same offenses in 2020. Meanwhile, his character in āEmpireā was written out of the show.
In 2021, a Cook County jury found him guilty on five of the six charges of disorderly conduct for lying to police, and he was sentenced to 150 days in jail and 30 months of probation, along with a $120,000 restitution payment to the city of Chicago for the overtime costs incurred by police investigating his initial hate crime claim.
LGBTQ people are nine times more likely than non-LGBTQ people to be victims of violent hate crimes, according to a study by the Williams Institute at UCLA School of Law. Upon Smollettās conviction, some in the LGBTQ community felt that the case would discredit victims of hate crimes and make it more difficult to report future such crimes.
Smollett seemed to acknowledge these concerns, but denied that he staged the attack.
āI know what happened and soon you all will too,ā he told the Blade. āIf someone reported a crime and it wasnāt the truth, that would actually make it more difficult [to report future crimes], but I didnāt. Any belief that they have about the person that Iāve been played out to be, sure, but that person is not me, never has been,ā he said. āSo I stand with my community. I love my community and I protect and defend my community until Iām bloody in my fist.ā
āAnd for all the people who, in fact, have been assaulted or attacked and then have been lied upon and made it to seem like they made it up, I’m sorry that you have to constantly prove your trauma, and I wish that it wasn’t that way, and I completely identify with you,ā he added.
An Illinois Appellate Court upheld his guilty verdict last year, but Smollett has since appealed to the Illinois Supreme Court, which in March agreed to hear the case. He has served six days in jail so far, as his sentence has been put on hold pending the results of his appeals.
The screening at the MLK Jr. Library concluded with a conversation between Smollett, Fox, and David J. Johns, CEO and executive director of the National Black Justice Coalition. Smollett discussed his current mindset and his plans for the future, revealing he is working on a third movie and will be releasing new music soon.
āIām in a space where life is being kind,ā he said.
āThe Lost Hollidayā recently secured a distribution deal for a limited release with AMC Theatres and will be out in theaters on Sept. 27.
a&e features
DIK Bar cements its status as LGBTQ institution, prepares to expand
Dupont Cantina coming soon to the former Malbec space
Two immigrant brothers who could not return home, Michael and Tony Askarinam, turned instead to making a community space of their own. Nearly 40 years after debuting their casual, gay-friendly restaurant, the (straight) owners of Dupont Italian Kitchen are expanding, reinforcing their status as a center of gay life on 17th Street. By early fall, they plan to debut a casual Mexican restaurant, complete with a spacious patio, tons of tacos, and big margarita energy that will please outdoor diners and karaoke singers upstairs alike.
DIK Bar, as it is affectionately known, still serves fan-favorite lasagna and eggplant parmesan, though no longer for a cool $4.25 from its opening menu. Michael, who moved to the U.S. from Iran to study in 1974, graduated in 1980 ā less than a year after the Iranian revolution. Part of a Jewish family, he felt unsafe going back to his homeland with the new regime, and has never returned. Instead, he and his brother, who also fled, opened a restaurant that still sits on the same corner as the day it opened. Though he is not Italian, Michael had plenty of relevant experience: He had worked in Italian restaurants during summers while studying, and another brother owned the now-closed restaurant Spaghetti Garden (where Pitchers stands today). The menu, he admits, pulled heavily from his family influence.
Opening on 17th Street in the mid-ā80s, the brothers knew the community vibe. Annieās, just a block away, was already well known as an LGBTQ-friendly institution. At the time, he says, the street was a bit grittier ā not the well-manicured lane it is today. Still, they decidedĀ to open a restaurant and Italian Kitchen was born. His brother at Spaghetti Garden suggested adding āDupontā in front to help ground the location, and DIK came into being. āAt the beginning I admit I was a little uncomfortable with the name, having young kids. But it grew on me,ā he says. Leaning in, heās embraced the name.
A few years later, the restaurant expanded vertically: taking over the apartments upstairs to turn it into a bar; a new chef came in who introduced DIK Barās popular brunch. But he and his brother never really relinquished the cozy space that he had envisioned. Each pushing 80 years old, they come in nearly daily: cooking, bartending, even washing dishes.
DIK has evolved, but only slightly. Eggplant and chicken parm, lasagna, pizza, pasta, and a $1 garden salad: the opening menu from the ā80s reads like a genuine old-school Italian joint. Today, you will still find classic gems, though now they are nestled alongside Brussels sprouts and arugula salads.
As longtime patrons know, the restaurant is more than the sum of its pasta parts. āItās an atmosphere where everybody is welcome. I got that from my mother,ā he added, noting that she had experienced discrimination as part of the Jewish minority in Iran. Given this background, it was logical for them to build a space where āyou have a place to be who you are and feel comfortable.ā
In 2020, as the restaurantās lease was expiring, he had the opportunity to buy the building, which included adjacent Argentine restaurant Malbec. āThe landlord let us know that they felt we deserve to own the building after being here for so long,ā says Michael.
It was a blessing; to him, it meant the sustainability of Dupont Italian Kitchen. Earlier this year, when Malbecās lease expired, they decided against finding another tenant and instead they would make it their own. The two eateries already shared one storage basement, where the Malbec kitchen was located. Saving costs by sharing procurement, staff, and utilities (as well as liquor), they took the leap. āPlus, we can be our own great tenant,ā he said with a smile.
The refurbishment thus far has included a new HVAC system and a new bar. The new restaurant allows them access to a more spacious kitchen that can cook up sizzling Mexican favorites with speed and in volume. Customers at upstairs DIK Bar have always requested more bar-style finger food, he says, and tacos are better suited to a drinking atmosphere than fettuccine alfredo or creamy Cajun sausage pasta. Mexican food is also well suited to the patio. He also has a family tie to Mexico: relatives own Johnny Pistolas in Adams Morgan. The rest of the menu is being developed, including shareable small plates and āMexican pizza.ā Drinks will feature tequila, mezcal, and margaritas; and there is a happy hour in the works. āIām hoping this expansion can help cement our future,ā he says.
The opening timeline is early fall.
Looking back on almost 40 years and looking forward with the expansion, he mused that the restaurant still maintains its authenticity and its central role in LGBTQ life in D.C. āIām really proud of the fact that it caters to this community. We are an institution, we want to continue to be part of this place.ā
a&e features
Corcoran Street Group: LGBTQ lobbyists fighting for our rights
āThe most pro-LGBTQ+ thing you can do this election is to vote Democratā
We often hear the term lobbyist associated with negative connotations. Think oil and gas initiatives that often seek to curtail environmental protections to further their industries. Consider ābig pharma,ā which is often vilified for keeping healthcare costs high. However, there are lobbyists fighting for our rights ā not just LGBTQ rights, but human rights as well. Brad Howard, founder and president of the Corcoran Street Group (CSG) is one such out, gay lobbyist advocating for equality and equity.
To start, Howard shares his definition of a lobbyist, which transcends the stereotype that the term originates with politicos literally waiting in D.C. hotel lobbies hoping to hobnob with politicians to foster their interests, often with cash in hand.
āUnderstanding how government works can be incredibly difficult, even to those on the inside,ā he shared. āLobbying is a constitutionally protected right explicitly guaranteed in the First Amendment ā the right to petition our government. At its most basic level, lobbying is essentially contacting a public official to express your opinion or ask them to take a certain action. So, if you have ever emailed or called your city council rep or Member of Congress ā or even tagged them on social media ā you lobbied.ā
Howard, who came to Washington from a conservative background in Arkansas, had a journey from working with Republican leaders and causes to being more libertarian before eventually joining with the Blue Dog Democrats. This is quite a change for a young man who founded a teenage GOP group in high school, chaired the college Republicans group at Hendrix University, and became vice chair of Arkansas College Republicans.
So, how did a nice conservative Christian Republican whose parents voted for Ross Perot instead of Bill Clinton from the Bible Belt end up as a gay lobbyist?
āI was subconsciously rejecting any attempt to live my life the way someone told me to ā¦ a Libertarian streak if you will,ā Howard said. āI was always pro-choice and pro-marriage equality as I didnāt want the government anywhere near me. Throughout all of this, I was starting to understand that I was gay and what that meant for my future in politics, it was bleak. Then the Bush-Cheney campaign in 2004 started pushing constitutional amendments banning gay marriage in states across the country to drive evangelical turnout. That ran counter to my politics ā to the basic principle of promoting individual liberty. So I left the party then and graduated college as an independent in 2006 with the goal of moving to Washington as quickly as possible.ā
By 2007 he was living in Washington, D.C., interning for Simon Rosenbergās New Democrat Network, and pursuing a masterās from American University. Coming out for Howard happened on the first day he entered college, quite a ādaunting and scaryā task summed up by him as: āI have blue eyes. I love playing cards. Iām a terrible, but very confident karaoke singer. Oh, by the way, Iām gay.ā
The āitās part of me, but not my whole identity,ā is often expressed by those on the ā shall we say ā cusp of coming out. He cites a Foundry United Methodist pastorās message as impetus for coming out as a defining part of his identity.
āThat seed of shame you feel for being gay ā that was not planted there by God; it was planted there by the church, and Iām sorry,ā here heās referring to a sermon by Pastor Ginger Gaines-Cerelli. āI canāt describe what it [felt] like to be 33 years old and have your world completely upended like that. It wasnāt just the statement, which answered a question that had long haunted me; it was also the apology. I didnāt even know that I needed an apology, but I did, and it worked.ā
Before starting CSG, he worked at a bipartisan lobbyist group and was mentored by former Chief of Senate Staff Bob Van Heuvelen. Howard describes his mentorās approach to lobbying as guided by a strong moral compass, and seeing people as people, not transactions.
The way it should be: Since corporations are not people.
Howard also sits on the board of directors for Q Street, as treasurer. Q Street is an LGBTQ lobbyist organization. Yesenia Henninger, the out queer president of Q Street since January of this year ā and board member for five years ā explains in further detail what her group does to foster queer rights.
āQ Street is the nonprofit, nonpartisan, professional association of LGBTQ lobbyists and public policy advocates. Q Street was formed to be the bridge between LGBTQ advocacy organizations, LGBTQ+ lobbyists on K Street,ā District lingo for queer lobbyists, āand our colleagues and allies on Capitol Hill. Q Street has more than 3,000 recipients of our monthly newsletter, hundreds of attendees at our receptions, and our monthly luncheons have featured speakers such as Members of Congress, campaign managers, activists, plaintiffs in the most important LGBTQ+ Supreme Court cases of our time, and the Secretary of the Army. Q Street hosts nearly 25 receptions, lunches, and professional development events every year. Our goal is to provide the best networking opportunities and professional development trainings so our members continue to grow within the ranks of their field.ā
According to Henninger there has been a growing population of queer lobbyists since the Obama years. Marriage equality, an impetus for Howard to perhaps ācome out politicallyā equally spurred their growth. After Obama, this presence fought to maintain rights gained. This is amazing growth considering at one time people working for our equity did so in an almost secretive fashion.
An aside here, Sean Strub the founder of POZ Magazine, wrote a powerful book in 2014 called āBody Counts: A Memoir of Politics, Sex, AIDS and Survival,ā which chronicles advocacy in D.C. in the years after Stonewall.
The majority of these K Street lobbyists are in their 30s and 40s. Although Henninger shares there are more junior and more senior-ranking lobbyists in terms of age or career.
What do they do? Is it office-to-event, sleep, repeat? Henninger explained that a queer lobbyist’s lifestyle varies depending on the issue area they focus on. Her organization has lobbyists working in policy as well as members who focus on energy and transportation issues, and topics all across the spectrum.
āThe lobbyists and advocates whose roles require them to engage in political activity may also have different lifestyles than those that do not. They likely have fundraisers (sometimes one, sometimes multiple) that they attend after work with Members of Congress or other politicians. However, we also have many public policy advocate members who spend their day talking to Members of Congress, or administration officials, trying to achieve their policy goals that do not have any fundraiser-related obligations. Q Street hopes to provide a great space for our members to network with one another and unite their social and professional experiences in the district.ā
We are all aware what is at stake in the upcoming presidential election in what can only sadly be described as a deeply divided nation. What role will LGBTQ lobbyists play, I asked Brad Howard.
āIf you vote third party, if you leave the race blank, or if you stay home, you are helping to elect Donald Trump,ā he said. āYou are not punishing Joe Biden, you are punishing the millions of Americans, the millions of aspiring Americans who face deportation, millions of women who depend on access to reproductive health, and so many transgender young people who need protection ā all of these people will be punished in a Trump presidency. And, Joe Biden is going to need a Democratic Congress ā or weāll need a Democratic Congress to stop Donald Trump. So to me, the most pro-LGBTQ+ thing you can do this election is to vote Democratā¦because the choices have never been clearer.ā
Visit Corcoran Street Group and Q Street to learn more about their work.
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