Arts & Entertainment
Lynda Carter slams James Cameron for ‘thuggish’ attacks on ‘Wonder Woman’
the ‘Avatar’ director has been dissing the film in recent interviews
Lynda Carter in her iconic role. (Photo courtesy of CBS)
Lynda Carter wants James Cameron to stop criticizing “Wonder Woman.”
Cameron has been making the rounds on the interview circuit and dissing the film directed by Patty Jenkins. Carter addressed Cameron’s comments on Facebook calling him a “poor soul” who is taking “thuggish jabs” at Jenkins.
“To James Cameron – STOP dissing WW”, Carter writes. “You poor soul. Perhaps you do not understand the character. I most certainly do. Like all women, we are more than the sum of our parts. Your thuggish jabs at a brilliant director, Patty Jenkins, are ill advised. This movie was spot on. Gal Gadot was great. I know, Mr. Cameron – because I have embodied this character for more than 40 years. So STOP IT.”
The “Avatar” director told The Guardian that he didn’t understand the hype around the 2017 “Wonder Woman” film.
“All of the self-congratulatory back-patting Hollywood’s been doing over ‘Wonder Woman’ has been so misguided,” Cameron says. “She’s an objectified icon, and it’s just male Hollywood doing the same old thing!”
Then he compared Diana to Sarah Connor, a character from his early “Terminator” films.
“I’m not saying I didn’t like the movie but, to me, it’s a step backwards,” Cameron says. “Sarah Connor was not a beauty icon. She was strong, she was troubled, she was a terrible mother, and she earned the respect of the audience through pure grit.”
“Wonder Woman” director Patty Jenkins addressed Cameron’s comments by saying the male director doesn’t understand women.
“Women can and should be everything, just like male lead characters should be. There is no right and wrong kind of powerful woman,” Jenkins writes.
— Patty Jenkins (@PattyJenks) August 25, 2017
Cameron continued with his comments in an interview with The Hollywood Reporter saying that Gal Gadot’s portrayal was more sexualized than Carter’s.
“Linda looked great, [but] she just wasn’t treated as a sex object,” Cameron says. “There was nothing sexual about her character. It was about angst, it was about will, it was about determination. She was crazy, she was complicated. She wasn’t there to be liked or ogled, but she was central, and the audience loved her by the end of the film.”
“So as much as I applaud Patty directing the film and Hollywood, uh, ‘letting’ a woman direct a major action franchise, I didn’t think there was anything groundbreaking in ‘Wonder Woman’,” he added.
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
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