a&e features
William Shatner’s message for LGBTQ fans: ‘Keep on queerin’
World’s largest Star Trek convention features cosplay, queer stars
LAS VEGAS — STLV, the annual Star Trek Las Vegas convention — hosted by Creation Entertainment — this month brought together fans of all ages, abilities, and affections for the many incarnations of the 59-year-old science fiction franchise, from the original TV series to new streaming shows and online games.
Boldly going among them were dozens, if not hundreds, of LGBTQ Trekkies and Trekkers alike, living the ideal that predates DEI by more than 50 years: An anagram that Trek creator Gene Roddenberry devised as the basis of Vulcan philosophy (as well as an early merchandising opportunity).
I.D.I.C.
“‘Infinite Diversity In Infinite Combinations,’” TrekCulture podcaster Seán Ferrick told the Los Angeles Blade. “This is the type of community that is tailor-made for embracing,” said Ferrick, who identifies as pansexual. “The truth is a lot of the world doesn’t do that.”
Ferrick traveled from Wexford County, Ireland, to attend what he called “the biggest Star Trek convention of the year on the planet,” and to judge a cosplay competition.
“They might be wearing Vulcan ears or they might have Ferengi teeth or something, but this is a tailor-made community about spreading love and joy,” he said. “So, when I walk into something like this, what I see is, for a large part, the world as it should be. There is hope out there. I stand at something like this and I see nothing but hope.”
This was the first Star Trek convention this reporter has attended since 1978, and some things have not changed. There was a huge amount of Trek-related merchandise for sale, from tribbles to jewelry and model spaceships. Actor and first-time author Nana Visitor of Star Trek: Deep Space Nine sold out copies of her groundbreaking book about the women in front of the camera and behind the scenes of the franchise, Open a Channel: A Woman’s Trek. And the only people who stood out in the crowd of thousands were the ones not wearing a costume. Three fans put together amazing Vulcan outfits that will appear in an episode that has not even streamed yet, just based on what they saw in a trailer. Some folks even dressed up their dogs.
David’s homemade Starfleet uniform resembles a miniskirt but is called a skant. Male actors as well as women wore them on Star Trek: The Next Generation, and he was hardly the only man wearing one at STLV.
“There is nowhere else I would probably walk around in a dress,” he said. “I came last year for the first time and this was the most comfortable I’ve felt.” That was especially true, given that on this day, the temperature reached a high of 109 degrees in Las Vegas.
David is a gay man from Sheffield in Northern England who said he used to call Los Angeles home. He described his skant as “Pride for Star Trek” and was gratified by the reception of other convention-goers to his cosplay.
“There’s just no judgment. No matter whether someone’s costume looks really homemade, whether it’s really professional, everyone still appreciates that you’re part of the fandom.”
Peeved at Paramount
Judgment, however, was on the minds of some stars who identify as LGBTQ. They talked with the Los Angeles Blade about their fears that Skydance’s purchase of Paramount, the company that produces Star Trek, would change the franchise’s legendary embrace of diversity, to further appease the Trump administration as it works to eliminate DEI.
“We only have to look at the parent network of this series alone, where Star Trek lives now, where they have bent the knee in order to sell this studio to a right-wing, Trump-loving owner,” said out gay actor Wilson Cruz, who played one of the first out gay characters in the franchise in Star Trek: Discovery and was a trailblazer when he played Rickie Vasquez on My So-Called Life. Cruz was blunt in his criticism of the Paramount sale to Skydance.
“Shari Redstone had no problem selling out the entire company and everyone who works there, and all of the people who have been on screen representing people of color, the LGBTQ community,” said Cruz. “She has completely turned her back in order to keep her family richer than they ever need to be.”
Cruz is also worried for queer representation in the current era, and not just on Trek.
“I think in this moment in history, it means a lot more to me now than it even meant eight months ago, which it meant a lot to me then, but given the fact that we’re going to start seeing less and less of us on TV, we’re being erased,” he said. “And because we are being erased, because we are being shamed again, it’s really important to celebrate the success of the representation that we have had, to remind people why it’s important for people to be able to see themselves, to have their lives mirrored back at them, to inspire them through our stories, that that kind of storytelling has value and relevance and has even more relevance today.”
In between signing autographs, Cruz voiced gratitude for the fans who say his portrayals reflected their lived experiences.
“I’m incredibly moved every time somebody comes by, whether they’re talking about Rickie Vasquez or Hugh Culber, that I’ve been able to give people a voice and a story that they can identify with that makes them feel like they belong, in a moment where there’s so little of that.”
“I’m very fortunate to be part of two major things,” said Cruz’s Discovery costar, out gay actor Anthony Rapp. “Rent and Star Trek have these profound communities of fans around them. I say ‘fan.’ I mean, it’s not a word that I have any animosity toward. But it doesn’t quite speak to the level of connection to these pieces of art.”
As for the deal Cruz railed against, Rapp said it was “too upsetting to engage too much.”
“I’m on a little bit of a media brown-out because of having two toddlers. I’m certainly aware that Colbert was canceled, which is very upsetting. I heard Wilson mention something about Trump getting them to agree on a certain kind of media coverage,” he said, referring to the installation of an ombudsman, “who will receive and evaluate any complaints of bias or other concerns” at CBS News, according to The Hollywood Reporter. “I mean, that’s insane.”
Out actors Cruz and Rapp, who appeared on Star Trek: Discovery from 2017 until 2024, were among the more than 100 actors and creative types on hand who gained fame thanks to Trek and other sci-fi projects. They joined iconic fan favorites William Shatner, Scott Bakula, Kate Mulgrew, Jeri Ryan and Edward James Olmos — all of whom played captains of various fictional starships — in meeting their fans, face to face, for a price.
Those fans, dressed in every conceivable and even inconceivable cosplay creations, stood for hours in long lines for a signed autograph and to pose for photos with their heroes. They packed ballrooms to hear behind-the-scenes stories at a wide variety of panel discussions and presentations. The best seats cost $1,400, with photos and autographs costing anywhere from $25 to $300 apiece.
Meeting the Captain

This reporter was next in line to ask Shatner a question at his one and only appearance on stage, as he rhapsodized at length about nature, the planet, and beyond.
“We all belong to each other, and all of us belong to the rest of existence, the world, the universe,” said Shatner. “We are linked chemically and electronically with the word ‘quantum’ attached to it. ‘Quantum’ is the study of the small particles called atoms. We should all never forget the awesomeness, the incredible forces that we have no idea about that work everywhere in the universe. It also suggests that we are caretakers of our earth and we must, without question, care for the water, the air, the earth.”
It was at that point that the 94-year-old actor decided to end his hour-long talk, 10 minutes early. So, unable to ask him a question, I joined a queue with hundreds of attendees, who paid to have a moment with the original Captain James T. Kirk. There he was, seated on a chair at the end of the queue, as a fast-moving assembly line of fans stood by him for a very quickly posed photograph, and swiftly moved along.
I had literally just enough time to utter one sentence, and so I asked him, “What message do you have for queer Trek fans?”
“Keep on queerin’!” said Shatner, with a smile captured in a photograph.
That was a welcome message for two groups that celebrated their marginalized status in society: The Lambda Quadrant and the SyFy Sistas.
Tamia, the SyFy Sistas podcast host, spoke at their panel about how in the past, there was backlash directed at Black fans, at “people that look like us and didn’t want us in the room,” she said. “That’s not what Star Trek is about. But I think it’s changing.”
“Many, many people come up to us at the table and say that historically they have not felt comfortable expressing their full and true selves, even here in the fandom,” said Ursa Wright of the Lambda Quadrant, a group dedicated to promoting queer representation in fandom. “We are the one table in the whole place with big rainbows everywhere. So, people, for a long time, they come up and they tell us they did not actually feel safe. Like, they can wear their Star Trek outfit, but nothing overtly expresses that they would be gay, or whatever it is, because they still didn’t feel comfortable, because no one else was in the space doing the thing. Which, in our year of the Lord, how are we still there, where people feel that?”
Boldly LGBTQ
The Blade asked queer fans what Star Trek means to them.
“Accepting everyone,” said Sarah from Southern California. “Everybody is who they are.”
“Being free,” said Rachel from Nebraska. “To express anything and everything.”
“Togetherness,” added David who hails from Nova Scotia.
Boyfriends Anthony and Ryan said “acceptance” and “tolerance.”
“Star Trek is what this world needs to strive for,” said Tom Noe of Pleasanton, Calif., a straight ally whose partner is pansexual. “Acceptance of all races, sexualities, regardless of what they are.”
“It is a different way of looking at the world, and I appreciate that,” said Jess from Upstate New York. She was wearing a T-shirt emblazoned with a rainbow and the face of an omnisexual alien character from Star Trek: Deep Space Nine, and the words, “Friend of Garak.” When asked why she chose to wear that top, Jess said, “Because I’m gay.”
“Sounds Gay, I’m In,” was the message on a shirt worn by a gay fan from New Jersey who asked to be identified as Sandra. “Because here is the only place I feel safe to be out. I’m not out with my family or my co-workers,” she said. “Star Trek makes me feel like there is hope that eventually I can live free. But I don’t know how it’s going to happen in the next couple of years.”
“Let’s just say I have not been able to go to the entire convention without seeing a Trump hat,” said Kyla, an out transgender nonbinary fan who was visiting Las Vegas from just outside Sacramento. They said didn’t feel comfortable using the casino hotel’s strictly binary restrooms without an escort. “But I have felt more safe here than I have on the strip,” she conceded.
“We have nonbinary characters. We have same-sex characters and relationships, and we need more of that,” said a pansexual fan who goes by the nickname Hoops. “As the kids would say, Star Trek is very woke. Like, it just means you have a heart and, like, compassion,” she said.
“There’s so much hate and so much bigotry and homophobia and transphobia. All of that,” said Hoops. “We’re just here to care about other people. And we just want to love other people. And why do you care who someone’s in love with or who someone takes care of? Or how they identify? What they’re wearing? If they’re wearing a skirt or pants? Does it really matter what path they’re taking? And in Star Trek, nobody cares about any of that.”
TrekTech
STLV also offered fans a chance to explore strange new immersive tech that allows them to virtually tour the Starship Enterprise, created by OTOY and The Roddenberry Archive.
“We think about this stuff a lot,” said OTOY CEO Jules Urbach about LGBTQ+ representation in his digital exploration of the franchise, which started with the first film in 1979 and only grew after he became childhood friends with Roddenberry’s son, Rod, 40 years ago. “It’s really part of representing everything. And that’s a big part of Star Trek.”
OTOY’s latest short film reunites two iconic characters using “digital masks:” Kirk visits Spock’s deathbed in “765874: Unification,” with actors Sam Witwer and Lawrence Selleck in the roles originated by William Shatner and the late Leonard Nimoy, respectively.
“This is pretty magical,” Urbach told the Blade. “We’re really happy with how it turned out and how people interpreted it.”
At star-studded panels, fans watched that short film and also learned of new shows in the pipeline and potential new movies. Next month, Paramount debuts a new audio drama podcast that tells the untold story of arch villain Khan Noonien Singh’s life in exile, featuring the voices of Naveen Andrews, best known for his role in Lost, and of gay icon George Takei, among others.
“It’s never far from the minds of the people creating these shows that how important representation is, how vital it is,” Kirsten Beyer, executive producer of Star Trek: Khan and a nine-year veteran Trek producer and writer, told the Los Angeles Blade in a phone interview following the convention. “And never, ever more so than now.”
Queer Stars, Allies
During a panel discussion with her out queer costar Jess Bush, Celia Rose Gooding of Star Trek: Strange New Worlds told the Blade she’s hoping to see more LGBTQ representation in the show, now in its third season streaming on Paramount+.
“As a queer person, I would love to see more of it,” said Gooding, who plays Uhura and is preparing to film the fifth and final season starting next month. “I can neither confirm nor deny what we’re going to get because we haven’t seen a single script yet. But I think for so many reasons, it’s important for marginalized group to see themselves in the future.”
“I’m a Greenwich Villager, so the LGBTQ world is my world, and it’s our world,” said Michelle Hurd, who played Raffi on Star Trek: Picard. In the series finale, written and directed by showrunner and LGBTQ ally Terry Matalas, Raffi is portrayed as the bisexual first officer who had a relationship with her bisexual captain, Seven of Nine, played by actress Jeri Ryan. “We’ve been here, we haven’t gone, we’re not going anywhere, and we’re going to be here until the end of time. And art is the way that we can convey those sort of stories. I hope that we continue to tell those stories more and I hope that this world continues to open its eyes, its arms, its hearts to the fact that love is love is love is love.”
Out gay actor and author Jonathan Del Arco — who played a Borg who became an individual named Hugh in both Picard and originally on The Next Generation — chose the convention to launch his children’s book about the search for belonging, identity and acceptance, Freddy the Alien. He told the Blade it was inspired by both his own childhood and his Trek career, and about the timing as immigration raids are in the news.
“It’s a really important time to make kids feel included, and it’s tough,” said Del Arco, who attended the convention with his husband, Kyle Fritz. “We live in Los Angeles, and you can’t help but be surrounded by the immigrant experience, so you don’t even need the book to have that conversation. It’s happening all around,” he said.
In a panel discussion, Del Arco revealed that although nothing was written about Hugh’s orientation, he chose to play him as having fallen in love with Evan Evagora’s character, Elnor,
“I decided when I found out I was getting killed, and I had this young man on the ship, I figured it would be kind of cool if Hugh had found love for the first time, only to die. And he did.”
Andrew Robinson played a Cardassian named Garak on Deep Space Nine and confirmed to the Blade he “always” considered his character was something other than heterosexual, such as an omnisexual, even though his orientation was never revealed in the series. However, in 2024, he played Garak once more, in an episode of the animated series Star Trek: Lower Decks, created by LGBTQ+ ally Mike McMahan. This time his character was in a same-sex relationship with Dr. Julian Bashir, played by Alexander Siddig.
“I’ve never played an alien before,” said Robinson. “And one of the things that occurred to me was, there are certain hang-ups that they don’t have that we have. And one of them was the whole thing about sexual identity.”
Terry Farrell, who played Jadzia Dax on Deep Space Nine, spoke about a 1995 episode, “Rejoined,” in which her character had a romantic relationship with another woman. Some Southern TV stations, primarily in the so-called “Bible Belt,” refused to air that episode. Many transgender fans have embraced Dax as someone who shares their experience of living in more than one gender, and “Rejoined” featured the first same-sex kiss in Trek.
“What I was most proud of was, in that episode, nobody talked about the fact that we were both women,” said Farrell. “I have goosebumps right now. Love is love. It doesn’t matter what package you come in. If that’s your one life, enjoy it, be you. It’s such a struggle in our culture to just be yourself. And clearly it can be dangerous to be yourself. And that’s horrifying to me.”
For the most part, this was an inclusive and entertaining event for one and all, especially for the many attendees who used wheelchairs and scooters to travel around the incredibly large convention space, which was located a considerable distance from the main casino hotel. But it’s only fair to point out that there were some issues, such as the lack of all-gender bathrooms.
Observers also noted that although this 23rd convention organized by Creation Entertainment was expanded to five days for the first time, it was not as well attended as 2024’s event. That’s in line with a trend that reports say has hit Las Vegas hard this summer, with tourism down 11 percent from a year ago. A spokesperson for Creation did not respond to an email request for comment on attendance.
The Blade also asked for comment on what were described later as “inadvertent” slights to the one and only Black woman to appear on a panel of Star Trek writers at the convention on the evening of Saturday, Aug. 9.
Once the four men and two men were introduced, the host — “Inglorious Treksperts” podcaster Mark A. Altman — had to be reminded that he had not invited Star Trek: Strange New Worlds story editor and episode writer Onitra Johnson to join them; she was still backstage, waiting. After finally being introduced, she was seated at the end of the stage next to legendary out gay screenwriter and author David Gerrold, who three times answered questions intended for Johnson. The third time, members of the audience interrupted him, shouting, “Let her speak!” which prompted Altman to blame “bad acoustics” in the ballroom.
While fellow Treksperts podcaster Daren Dochterman called these repeated slights “inadvertent” in a face to face conversation with the Blade on Aug. 10, neither he nor Altman, nor Creation, officially responded to messages from the Blade seeking comment.
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Jason DePuy on coping with homophobia in ‘Big Brother’ house
First drag queen contestant on CBS show fought to stay positive
One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.
During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.
In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”
Former “Big Brother” contestant Frankie Grande called his words ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.
Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.
“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”
He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”
Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself.
“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”
DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.”
While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling.
“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”
He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”
Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.
“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”
One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.
“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”
DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”
DePuy was thrilled to be the very first drag queen to ever be cast on the show.
“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”
Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.
“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”
If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
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