Arts & Entertainment
Trans filmmaker claims Marsha P. Johnson doc director stole her work
Janet Mock defends Reina Gossett who says her idea was stolen


Marsha P. Johnson (Photo courtesy of Netflix)
Transgender filmmaker and researcher Reina Gossett has accused “The Death and Life of Marsha P. Johnson” director David France of stealing her idea for the documentary.
The film, which is streaming on Netflix, examines Johnson’s involvement in the Stonewall riots, her transgender activism and mysterious death. Gossett, who is an activist-in-residence at the Barnard College Center for Research on Women’s Social Justice Institute, worked on the short film “Happy Birthday, Marsha!” with Sasha Wortzel.
In an Instagram post, Gossett explains that France stole her film idea and research to make the Netflix documentary.
“This week while I’m borrowing money to pay rent, David France is releasing his multimillion-dollar netflix deal on Marsha P. Johnson. This kind of extraction/excavation of black life, disabled life, poor life, trans life is so old and so deeply connected to the violence Marsha had to deal with throughout her life,” Gossett writes.
Gossett says that she and Wortzel sent a grant application video to the Kalamazoo/Arcus Foundation while France was visiting.
“He told the people who worked there — I shit you not — that he should be the one to do this film,” Gossett writes. [He] got a grant from Sundance/Arcus using my language and research about STAR, got Vimeo to remove my video of Sylvia’s critical ‘y’all better quiet down’ speech, ripped off decades of my archival research that I experienced so much violence to get, had his staff call Sasha up at work to get our contacts, then hired my and Sasha’s ADVISOR to our Marsha film Kimberly Reed to be his producer.”
Janet Mock posted Gossett’s statement on Twitter and slammed France for taking the opportunity away from a transgender woman.
Filmmaker David France released a Netflix doc Friday about Marsha P. Johnson. It is based on Reina Gossett’s work (her statement below). pic.twitter.com/YtQiVMuOjm
— Janet Mock (@janetmock) October 7, 2017
Reina Gossett is a black trans woman who reintroduced our gen to ourselves by uncovering/recentering trans women of color revolutionaries.
— Janet Mock (@janetmock) October 7, 2017
Her digital archives of movement foremothers Marsha P. Johnson & Sylvia Rivera are integral to current understanding of their contributions.
— Janet Mock (@janetmock) October 7, 2017
She researched/archived/digitized content inaccessible for decades. She interviewed Marsha & Sylvia’s peers. She did this work without pay.
— Janet Mock (@janetmock) October 7, 2017
A black trans woman’s work about a black trans woman was used to make a film by a credentialed white cis man aided by Netflix’s millions.
— Janet Mock (@janetmock) October 7, 2017
Meanwhile Reina is borrowing money to pay rent as viewers around the world watch a film based on her unpaid & uncredited work. Not OK.
— Janet Mock (@janetmock) October 7, 2017
Support Reina Gossett — she made @hbdmarsha w/ @sashawortzel! Book her as a speaker! Let others know about her work! https://t.co/CM86S8ckYF
— Janet Mock (@janetmock) October 7, 2017
France defended himself by posting his own statement saying that he was friends with Johnson and had been considering the project for a long time.
“Reina Gossett has suggested that I’ve stolen both the concept and footage for ‘The Death and Life of Marsha P. Johnson’ from her work, the experimental short narrative, ‘Happy Birthday, Marsha!,’” France writes. “Nothing in the film’s concept, research or execution came from anyone outside of this process.”
Hi Janet. Please see below. pic.twitter.com/sHjz9CvU7T
— David France (@ByDavidFrance) October 7, 2017
Mock took issue with France’s phrasing that he “fully” supports Gossett and Wortzell’s film. She fired back that France should have given the project to a transgender woman of color.
“Fully support” is an action, not an intention/thought. Support looks like stepping aside, using your access/priv to produce Reina’s work. https://t.co/urZx6YkTtW
— Janet Mock (@janetmock) October 7, 2017

The second annual Mr/Ms/Mx Uproar competition was held at Uproar Lounge & Restaurant on Saturday, March 15.
(Washington Blade photos by Michael Key)
















The Gay Men’s Chorus of Washington and the GenOUT Youth Chorus performed “Passports” at the Lincoln Theatre on March 15-16. Visit gmcw.org for information on future shows and events.
(Washington Blade photos by Michael Key)




































Drag
D.C. drag queens proudly join Trump resistance
Tatiyanna Voche’, Evry Pleasure, and Tara Hoot spoke with Blade

Since the Trump takeover of the Kennedy Center, several shows have been cancelled as a result of the current administration’s anti-LGBTQ policies. Whether it be theater companies withdrawing as a sign of solidarity or Trump himself banning drag performances and other events, the renowned venue is now experiencing a massive overhaul since the president named himself board chair.
With WorldPride coming up in June and one of the country’s highly respected stages separating itself from queer entertainment, the Washington Blade has spoken with some of D.C.’s own drag performers about the current situation.
Tatiyanna Voche’, Miss Gay America 2023 and headliner for several shows throughout the DMV, spoke with the Blade about the current state of drag in D.C.
BLADE: Since the beginning of the new Trump administration, have you ever had thoughts that your work as a drag queen would be under threat?
VOCHE’: Oh absolutely! We realized this during his first administration that if you don’t fit a certain mold whether it be the color of your skin, your religious beliefs, how you choose to identify, your sexual preference or hobby, your freedom or hobby is definitely under attack.
BLADE: How does Trump making himself the chair of the Kennedy Center and banning shows there indefinitely make you feel about the future of drag for the next four years?
VOCHE’: Sadly we have been down this road before. Being gay, or drag itself wasn’t so mainstream or cool once upon a time. So I’ll say as a community we are very powerful together. I think most of us are tired of fighting the good fight but we have to continue on the same way generations before us fought for us to be able to do what we do. I do think drag is in jeopardy over the next four years, but when there’s a will, there’s a way.
BLADE: What are your plans moving forward for your performance under the current political climate?
VOCHE’: For me personally, I will continue to spread love throughout the country wherever I go, and lift up as many community members or allies as possible. I ask questions when in a new venue to protect myself (i.e. … where the emergency exits are, always have a plan) and to just be vigilant of your surroundings. Be in groups of people in areas that you don’t feel safe, and don’t engage. We know the kind of people are on the other side of this and the true hate they have in their hearts, we are not that way and we can’t poke the bear for a lack of better words. We will win in the end.

Evry Pleasure also spoke with the Blade
She is an award-winning performer known for shows full of energy, laughter, and glamour. Evry Pleasure was voted DC’s Best Drag Queen at the 2023 D.C. Drag Awards and by the Blade.
BLADE: In times like these, how do you garner joy for yourself and the community?
EVRY PLEASURE: Focusing on my purpose. I do drag because it is a way for me to tell stories, show my creativity, connect with my community, and provide everyone who sees me with a fun time. When I focus on that purpose, and the platform I have to drive change or spread information, I find joy. There is always a way out. Times are hard, but they have been hard in the past, and we have come out of it strong.
BLADE: What do you feel like is the best way to stand up to the current pushback on queerness right now?
EVRY PLEASURE: The first thing we need to do is continue to be unapologetically and visibly queer, showing them that we have been here and will continue to be here even when they are constantly attacking us. The other thing is to find and build community. When we are organized, we can work better. We saw it in the March for Drag earlier in March here in D.C., and we have seen it all across the country. When we are together, we are stronger. We can organize and fight back stronger. Following organizations like @Qommitte can help you find more information on how to be involved and support several actions and protests around the DMV area and the country.

The last queen with whom the Blade spoke is Tara Hoot, a highly regarded performer who has been very vocal in the area’s queer scene. The Blade in 2022 voted her one of the Top 5 Drag Queens in D.C.
BLADE: How do you think World Pride will be affected by this takeover of D.C.?
TARA HOOT: So I think the world probably will be affected by the Trump administration. You know, people from around the world want to come to the United States. I mean Canada’s travel to the United States has already plummeted. Would LGBTQ people from around the world feel safe coming to Washington D.C.? That’s a big open question, so we’ll certainly need Washington D.C. and LGBTQ people from the United States to show up and show support for WorldPride and the 50th anniversary of Capital Pride.
BLADE: With opposition to queerness being a main goal of the Trump administration., do you think protests are the biggest way to push back?
TARA HOOT: I think protests are big like marches and things like that right but I also think … calling having my friends that live in states that do have representation. I think planning smaller acts of civil disobedience that make a point and show that we exist I think Is really important. Looking at ACT UP, that organization from the AIDS crisis and kind of they did things like they put a huge condom on the house of Jesse Helms who was a Republican senator who lived in Arlington. So they’re there are our ancestors before us and those who have a thought before us in the LGBTQ community kind of have given us a roadmap of kinds of things at work, things that are successful and ways that we can use civil disobedience. To bring attention to it, but also to bring joy and to bring humor I think that that’s what fascism and Republicans want to take away from us is our love our joy and our exuberance and we have to keep showing up with those things
BLADE: How are you garnering joy for yourself and the community during this administration?
TARA HOOT: So my character didn’t exist before the pandemic. It came out during the pandemic right at the end of the Trump administration, so this is the first time it’s kind of existed. When I started in the world, everybody just felt bad and I didn’t wanna be a drag queen that made people feel bad and dragged them down. I wanted to lift people up and bring some joy so that’s been my mode of operating. I describe my kind of drag characters like Mr. Rogers in address and you know I do storytime events I do bingo. I do trivia. But with my storytime, people think oh those are just for little kids, but the grown-ups are the ones that get the most out of that. They’re the ones who were tearing up and crying a little bit when I’m telling them how brave and strong they can be, how gorgeous they are. You can tell the people need to hear that and me just getting into a drag makes me happy and I can tell that it makes other people happy. That’s how I’m gonna keep bringing the joy.

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